LARGE-SCALE SCIENTIFIC AND TECHNICAL PROJECT AS A FACTOR OF CREATIVE DEVELOPMENT OF THE YOUNGER GENERATION

Author(s):  
Vladimir Vasilyevich Litovskiy
2020 ◽  
Vol 144 ◽  
pp. 46-61
Author(s):  
Sergey Yu. Glaziev ◽  

The formation of a new — integral-world economic order imposes increased requirements on the quality of the ideological basis of large-scale socio-economic transformations. This basis, by the very nature of the new world economic order, cannot sow antagonism, it is intended to harmonize the divergent interests of the government and society on the basis of national creative development goals.


1981 ◽  
Vol 2 (3) ◽  
pp. 183-198
Author(s):  
George P. Cernada

This case study tells from a participant's viewpoint how the results of large-scale social surveys and demographic projections are translated into educational program objectives and, more importantly, an educational product that gears into the thinking patterns of a younger generation. Cultural, bureaucratic and political obstacles to change and how they were overcome or not are reviewed in this chronological unfolding of the development of Taiwan's first population education approach in the classroom.


2021 ◽  
Vol 1 (195) ◽  
pp. 191-196
Author(s):  
Marina Razvodova ◽  

At the new stage of development of the socio-economic sphere, culture and education, the issues of artistic and creative development of the younger generation are receiving special attention. There is a growing need in society for highly intelligent creative individuals who are able to solve emerging difficulties, make non-standard decisions and implement them. All this requires the development of new methods of educating the younger generation and entails unconventional approaches to art education – as a basis for further improvement of personality. The greatest interest in this regard are younger students, as it is at this age that the foundation of personality is laid, there is an orientation to the development of spirituality, self-realization, self-expression and formed worldviews necessary in later life. Choreographic creativity is one of the means of comprehensive development of students, because the productivity of artistic education of children by means of choreography is due to the synthesizing nature of choreography, which combines music, rhythmics, fine arts, theater and plastic arts. A characteristic feature of our time is the intensification of humanistic tendencies in the education of the younger generation. The purpose of the educational process is to maximize the development of the child as a free, active, creative, responsible and tolerant person. The search for effective ways and means of this development is recognized today as an urgent pedagogical problem. Her decision is connected, among other things, with the involvement of children in choreographic culture – a layer of culture with great moral, humanistic content, focused on artistic and creative education of the child, the disclosure of its potential. Choreographic art has great potential for full-fledged aesthetic improvement of the child, his harmonious spiritual and physical development. The formation of choreographic skills acquires special significance in preschool childhood, when the foundations of the child's value attitude to the world are laid, the basis of his personal culture is formed. In the article the author considers the relationship between the concepts of «performing activities», «choreographic-performing skills» and «choreographic-performing skills». The structure of choreographic-performing skills that are formed in the process of choreographic training of junior schoolchildren is revealed. The performing complex is analyzed, which contains motor-technical, metro-rhythmic, space-oriented, coordination and artistic-expressive components.


2021 ◽  
Vol 17 (1) ◽  
pp. 13-26
Author(s):  
Nurul Aldha Mauliddina Siregar ◽  
Ute Lies Siti Khadijah ◽  
Evi Novianti

The implementation of the Large-Scale Social Restrictions (PSBB) policy in order to reduce the number of transmission of the coronavirus (Covid-19) pandemic cases in Jakarta leads several cultural heritage sites such as museums close the physical access to visits. In the midst of these limitations, the Antara Journalistic Museum and Photo Gallery made a breakthrough by establishing the museum digitization approach using Video Reality (VR) technology. This article was written to see how the strategy for the resilience of Cultural Heritage Sites in the Museum and Journalistic Photo Gallery is between maintaining some journalistic photo exhibition agendas amidst the lack of public interest in visiting museums plus the threat of a multidimensional crisis due to the Covid-19 pandemic. This research was written using qualitative methods with a descriptive approach. The existence of this facility provides a new alternative for the public to continue visiting and accessing journalistic photo exhibition programs and activities which have been regularly held at the Antara Museum and Photo Journalistic Gallery so far. Having concern with the strength of the mission to preserve historical value as one of the broadcasting spaces for independence and to disseminate journalistic knowledge, especially related to the photojournalism to the younger generation and the strong encouragement of the community, the Antara Journalistic Photo Gallery and Museum is encouraged to survive and continue to operate in organizing activities that have been consistently scheduled yearly.  


2020 ◽  
Vol 4 (3(12)) ◽  
pp. 46-54
Author(s):  
Maria Alekseevna Kozlova ◽  

Despite the multifaceted study of television journalism "perestroika", researchers have not paid much attention to deep analysis of the creative development of Oksana Pushkina as a journalist. Bridging this scientific gap is important for modern television journalism, because the main emphasis in the works is on the well-known program "Women's View with Oksana Pushkina", but its materials have not been considered for the most part until that time. We see only the flowering of the work of a journalist, and for the younger generation of this profession it is important to trace the path of its formation in the conditions of gradual publicity of the media in Russia.


Porta Aurea ◽  
2018 ◽  
pp. 179-217
Author(s):  
Anna Polańska

With Gdansk artists an approach to the subject of the marine photography, was marked on several levels – artistic, documentary, journalistic and usable. Since 1945 to the first half of the 80s, we notice the popularization of maritime theme in the environment throughout artistic exhibition activities, and the program objectives. Maritime photography or maritime themes in photography? An analysis of the photographic medium in terms of belonging to the art can give the answer to this question. It is also worth considering whether there was „Gdansk School of the Maritime Photography”? The phenomenon of Polish marine art in the case of photography has been strongly emphasized in the Gdansk photography environment. The traditional display of the maritime theme has been broken, and with the approval of the authorities. Shipyard workers and dockers joined to the effigy of the sea people (fishermen, sailors). Photographers began to enter the maritime economy and use the effects of cooperation with maritime institutions for artistic purposes. Thematic exhibitions on shipyards and ports were created showing the sea from a different point of view, from the perspective of land. Socio-political events related to Solidarity stopped the promotion of the sea through the image of a shipyard worker and a shipyard, which became icons of the struggle for freedom. The Gdansk photographic community after the socio-political crisis of the first half of the 1980s, has not yet rebuilt its leading position in the dissemination of the maritime theme in photography on a large scale. Maritime exhibitions still appeared, but mainly on the local level, and the sea was reduced to the landscape understood very traditionally. At the same time photographers of the younger generation were interested in completely different issues of the style and aesthetics of photography. Te slogan „face to the sea” ceased to correspond with new times.


2020 ◽  
pp. 39-59
Author(s):  
Andrea Kölbel

Chapter Two situates the lives of Nepalis born in the 1980s within the history of the modern Nepali state and its ties to regional and global developments. Drawing on existing literature, it is argued that Nepal’s educated younger generation was seen to be particularly well prepared to take advantage of a range of new opportunities associated with educational expansion, a changing labour market, and international migration. Yet, these large-scale structural changes also caused much uncertainty, since long-established life paths were increasingly obscured. Educated young Nepalis, therefore, often struggled to reconcile pervasive discourses about a better future with the realities of their present-day lives in Kathmandu. The analysis presented in this chapter makes evident that the relevant debate about young people’s agency continues to revolve around dualistic categorizations, not least because it remains focused on specific subgroups of youth.


1999 ◽  
Vol 173 ◽  
pp. 243-248
Author(s):  
D. Kubáček ◽  
A. Galád ◽  
A. Pravda

AbstractUnusual short-period comet 29P/Schwassmann-Wachmann 1 inspired many observers to explain its unpredictable outbursts. In this paper large scale structures and features from the inner part of the coma in time periods around outbursts are studied. CCD images were taken at Whipple Observatory, Mt. Hopkins, in 1989 and at Astronomical Observatory, Modra, from 1995 to 1998. Photographic plates of the comet were taken at Harvard College Observatory, Oak Ridge, from 1974 to 1982. The latter were digitized at first to apply the same techniques of image processing for optimizing the visibility of features in the coma during outbursts. Outbursts and coma structures show various shapes.


1994 ◽  
Vol 144 ◽  
pp. 29-33
Author(s):  
P. Ambrož

AbstractThe large-scale coronal structures observed during the sporadically visible solar eclipses were compared with the numerically extrapolated field-line structures of coronal magnetic field. A characteristic relationship between the observed structures of coronal plasma and the magnetic field line configurations was determined. The long-term evolution of large scale coronal structures inferred from photospheric magnetic observations in the course of 11- and 22-year solar cycles is described.Some known parameters, such as the source surface radius, or coronal rotation rate are discussed and actually interpreted. A relation between the large-scale photospheric magnetic field evolution and the coronal structure rearrangement is demonstrated.


2000 ◽  
Vol 179 ◽  
pp. 205-208
Author(s):  
Pavel Ambrož ◽  
Alfred Schroll

AbstractPrecise measurements of heliographic position of solar filaments were used for determination of the proper motion of solar filaments on the time-scale of days. The filaments have a tendency to make a shaking or waving of the external structure and to make a general movement of whole filament body, coinciding with the transport of the magnetic flux in the photosphere. The velocity scatter of individual measured points is about one order higher than the accuracy of measurements.


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