scholarly journals Creation of the glass factory on the base of the village of Rokitne of Ovruch district of Volyn province

2018 ◽  
pp. 47-53
Author(s):  
Liudmyla Rudnytska
Keyword(s):  
Glass Factory ◽  
Rapid Development ◽  
Raw Material ◽  
Material Base ◽  
History Of ◽  
Produce Glass ◽  
The Government ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Village

The article highlights the history of the village of Rokytne of Ovruch district in Volyn, which was founded in the 16th century. The rapid development of the village is associated with the change of owner at the end of the 19th century, the Russian nobleman V. M. Okhotnikov and the emergence of merchant of the first guild of St. Petersburg Yu. M. Rozenberg. The Belgian fund was involved with the participation of which it was built an glass enterprise the outskirt of Rokytne village. The factory worked to satisfy needs of the government and produce glass bottle of different capacity. Construction of the Rokytnе glass factory was possible in the presence of a raw material base — quartz sand and forests, which were used as fuel and as building material. Intensive development coincides with the reconstruction of the glass factory in 1900–1902 years. At the same time, a working settlement arose, whose infrastructure was constantly expanding, especially with the construction of railway connection. The number of population has also increased at the expense of employees who came to work from different parts of the Russian Empire. The administration of Rokytne glass factory provided dwelling for all workers and the representatives of small and midsize businesses and they rented the apartments for organization establishments of trade.

scholarly journals Peculiarities of Organization of Beer Production in Russia in late 19th – early 20th century

2020 ◽  
Vol 16 (4) ◽  
pp. 431-437
Author(s):  
Lyubov’ I. Vyasovchenko
Keyword(s):  
Russian Empire ◽  
Raw Material ◽  
Material Base ◽  
Indirect Taxes ◽  
History Of ◽  
The Russian Empire ◽  
Beer Production ◽  
The 19Th Century ◽  
To Receive ◽  
The Relationship

Introduction. The tax history of the Russian Empire is very specific: since the 17th century, indirect taxes have taken an increasing place among the objects of taxation, and indirect taxes have become increasingly important for the formation of the treasury. In this regard, beer was also referred to as excise goods, the production and sale of which began to receive increased attention from the State. If until the middle of the 19th century there was no special control over production, after the introduction of the “Regulation on Drinking Collection” of 1861 the situation changes. In addition to checking excise payments, the functional duties of excise officials included inspection and evaluation of equipment (tank, barrels), technological processes, including the number and volume of congestion, compliance with the plant technical characteristics. In this regard, it is of interest to study the structure of beer factories and their technical characteristics. The purpose of this work is to analyze the relationship between the structure of beer factories in the Russian Empire and its profitability. Materials and Methods. Solving research tasks was provided by a set of complementary theoretical (analysis of scientific literature, comparative analysis, comparison, generalization, systematization) and empirical (study and generalization of sources, hermeneutic) methods. Result. There was no uniform regulation to the technical characteristics of beer plants. In its arrangement, brewers were pushed against the capabilities of the raw material base, the quality and depth of groundwater, and the possible mark. Discussion and Conclusion. The largest beer production was in the western territories of the Russian Empire. In the central provinces and in the east of the country, beer did not have much demand, so there were fewer factories there, and their organization and modernization were rare.

scholarly journals The influence of the Italian vocal school on the professional formation of Ukrainian singers (the end of the XVIII – the beginning of the XIX century)

2021 ◽  
pp. 219-225
Author(s):  
Maryna Rossikhina
Keyword(s):  
19Th Century ◽  
Rapid Development ◽  
Russian Empire ◽  
New Era ◽  
Italian Opera ◽  
History Of ◽  
The Russian Empire ◽  
Opera Singers ◽  
Xix Century ◽  
The 19Th Century

The purpose of the article is to study the influences of the Italian vocal school, the traditions of Italian opera performance on the professional development of Ukrainian singers in this period. Methodology. Analysis was carried out on the basis of such methods as historical and chronological to study trends and patterns of Ukrainian music at the end of the 17th – the beginning of the 19th century, analytical – for a comprehensive consideration of the influence of Italian culture on the emergence of opera in East Slavic areas, source – for elaboration and analysis of sources, bio-bibliographic – for studying creative biographies of artists, the method of systematization – for the reduction of all found facts to a logical unity. Scientific novelty. By studying the creative biographies of prominent Ukrainian musicians (M.Berezovsky, D.Bortnyansky, M.Ivanov, S.Gulak-Artemovsky) for the first time the Italian pages of their creative biography were systematized, new facts were introduced into scientific circulation, which allow to clarify the contribution of Italian vocal culture in the development of the Ukrainian opera school at the initial stage of its formation. Conclusions. The interest of the Russian Empire in Western European, especially Italian, opera led to the rapid development of a new era in the history of musical theater in the East Slavic territories. Internships of Ukrainian musicians in Italy, invitations of Italian artists, composers, vocal teachers to the Russian Empire, joint performances on stage with foreign singers give grounds to assert the influence of the Italian vocal school on the skills of Ukrainian opera singers of the end of the 18th – the beginning of the 19th century and laying of the fundamental foundations for the development of the Ukrainian vocal school.

scholarly journals К вопросу присоединения Средней Азии к России (обзор некоторых башкирских письменных источников второй половины XIX в.)

2020 ◽  
Vol 13 (5) ◽  
pp. 1234-1242
Author(s):  
Minlegali Kh. Nadergulov ◽  
◽  
Ilshat S. Igdavletov
Keyword(s):  
Central Asia ◽  
19Th Century ◽  
18Th Century ◽  
Ethnic Composition ◽  
Research Centre ◽  
Federal Research ◽  
History Of ◽  
The Government ◽  
The Russian Empire ◽  
The 19Th Century

Introduction. The article studies southeastern policies of the Russian Empire in the second half of the 19th century, its campaigns and the annexation of Central Asia. Goals. The work analyzes reasons for the activation of foreign policy in the region during the mentioned period. The course and goals of the conquest of the Khanates of Kokand and Khiva, Emirate of Bukhara are considered. Materials. The paper investigates data contained in reports by the State Councilor М. Bekchurin, and one more document ― Arabic-script travel records (manuscript) by a private soldier Husniyar currently stored at the Manuscript Collection of the Institute of History, Language and Literature (Ufa Federal Research Centre of the RAS) and for the first time studied as a historical source. Results. Messages about the beauty of Eastern cities and Asian wealth had long attracted attention of Russian monarchs. Finally, Russia’s attempts to penetrate into Central Asia were crowned with success. In just two decades, the vast country further extended its borders far to the south and became a neighbor of another one ― the British Empire. Nowadays, the study of the history of establishing relations with Kazakhstan and Central Asia, when the southeastern borders of Russia almost returned to those of the early 18th century, is relevant and practically expedient. Reports by State Councilor M. Bekchurin reveal the economic objectives of the government: Russian industry and trade were looking for new markets for their products. So, M. Bekchurin gives his suggestions how to facilitate the growth of trade. The manuscript of Husniyar’s travel notes contains observations of an ordinary soldier, his attitude and experience as a Muslim in the campaign against his co-religionists. The source makes it possible to present the set and route of one military formation. Both the documents provide an opportunity to depict this region in the late 19th century. Currently, there are independent countries across this territory with different state borders, and the ethnic composition of many settlements has changed significantly.

Reasons for the Onset of the Uniat Clergy’s Movement Towards Orthodoxy in the Russian Empire in the Beginning of the 19th Century

2020 ◽  
Vol 58 ◽  
pp. 293-317
Author(s):  
Protopriest Alexander Romanchuk
Keyword(s):  
19Th Century ◽  
Government Policy ◽  
Catholic Church ◽  
Russian Empire ◽  
Latin Church ◽  
The Government ◽  
The Russian Empire ◽  
In The Beginning ◽  
Church Service ◽  
The 19Th Century

The article studies the system of pre-conditions that caused the onset of the uniat clergy’s movement towards Orthodoxy in the Russian Empire in the beginning of the 19th century. The author comes to the conclusion that the tendency of the uniat clergy going back to Orthodoxy was the result of certain historic conditions, such as: 1) constant changes in the government policy during the reign of Emperor Pavel I and Emperor Alexander I; 2) increasing latinization of the uniat church service after 1797 and Latin proselytism that were the result of the distrust of the uniats on the part of Roman curia and representatives of Polish Catholic Church of Latin church service; 3) ecclesiastical contradictions made at the Brest Church Union conclusion; 4) division of the uniat clergy into discordant groups and the increase of their opposition to each other on the issue of latinization in the first decades of the 19th century. The combination of those conditions was a unique phenomenon that never repeated itself anywhere.

THE ANCIENT MOUNTAIN VILLAGE OF CHERGA: FROM THE TRAKT POINT ON THE CHUYSKY TRACT TO THE ALTAI EXPERIMENTAL FARM OF THE SIBERIAN BRANCH OF THE RUSSIAN ACADEMY OF SCIENCES

2021 ◽  
Vol 27 ◽  
pp. 69-76
Author(s):  
MUKAEVA L. ◽  
Keyword(s):  
Economic Development ◽  
Altai Mountains ◽  
State Farm ◽  
Siberian Branch ◽  
The North ◽  
Arable Farming ◽  
History Of ◽  
Academy Of Sciences ◽  
The 19Th Century ◽  
The Village

The article considers the history of the creation and development of the first Russian village in the Altai Mountains - the village of Cherga, which appeared in 1820-s a settlement of peasants assigned to the Cabinet mining plants. According to the author, Cherga played an important role in the economic development of the north-western part of the Altai Mountains. Cherga peasants were successfully engaged in arable farming, cattle breeding, mountain beekeeping, private hauling and taiga fisheries. In the vicinity of Cherga in the second half of the 19th century, there were large dairy farms of entrepreneurs who used advanced technologies and innovations in their farms. In Soviet times, Cherga with the surrounding villages turned into a large multi-industry state farm in the Altai Mountains. The traditions of innovation in Cherga were fully manifested in the 1980-s, when the Altai Experimental Farm of the Siberian Branch of the Academy of Sciences of USSR was formed on the basis of the Cherginsky State Farm, which was still active at the beginning of the 20th century. Keywords: Seminskaya Valley, Cherga, peasants, economic development, Altai experimental farm SB RAS

CIVIL GOVERNOR M.M. OREUS IN THE SERVICE IN THE VYBORG (FINLAND) PROVINCE IN 1799–1804

2021 ◽  
Vol 10 (1) ◽  
pp. 39-46
Author(s):  
T.V. BOGDANOVA ◽  
Keyword(s):  
Russian Empire ◽  
Management Problem ◽  
Effective Mechanism ◽  
Important Condition ◽  
Emergency Situations ◽  
Effective Selection ◽  
History Of ◽  
The Government ◽  
The Russian Empire ◽  
Selection Of

The purpose of the article is to review the activities of the civil governor M.M. Oreus in the service in the Vyborg (Finland) province in 1799–1804. The guarantee of an effective mechanism of admin-istration creation as for over than 200-year period of the Russian Empire existence, as for modern conditions, it was and still is the effectiveness of the government policy on the ground. Based on this key task, the most important condition for its implementation at different stages of the development of the country was the effective selection of personnel for the post of a governor. It was the governor responsible for everything happened in his province, and the government expected him to under-stand the tasks assigned to him and take definite steps to solve them. The urgent management problem in these conditions was the strength of administrative resources capable of retaining their effective power in cases of emerging extraordinary situations, including which, will be discussed in this article. Emergency situations in the border areas occurred regularly and required the ob-servance of certain administrative traditions that influenced the success of the governor's initiatives in state tasks implementation. It will be all the more important to consider the history of the life and activities of one of the governors of the Finland (Vyborg) province, Maxim Maksimovich Oreus, who was at the head of this territory from December 14, 1799 to April 9, 1804.

The Mezen Horse: Between Tradition and Brand

2021 ◽  
pp. 85-96
Author(s):  
Екатерина Александровна Мельникова
Keyword(s):  
Special Kind ◽  
Cultural Value ◽  
Cultural Significance ◽  
History Of ◽  
Rural World ◽  
Family Memories ◽  
In The Beginning ◽  
The 19Th Century ◽  
The Village ◽  
The City

Статья посвящена истории бытования мезенской росписи - зооморфного орнамента, использовавшегося с начала XIX в. мастерами д. Палащелье Архангельской губ. для декорирования деревянных изделий, и в первую очередь прялок. В центре внимания находится судьба мезенской лошадки - главного символа палащельской росписи, ставшего в XXI в. основой локального бренда в г. Мезени и его окрестностях. В работе рассматривается история палащельского промысла, включая трансформацию его социального, экономического и культурного значений на протяжении XX-XXI вв. Прялка - главный носитель мезенской росписи - перестала выполнять свою утилитарную роль, став объектом семейной памяти и культурной ценностью, связанной с локальной идентичностью местных жителей и художественным значением, определяемым экспертами-профессионалами. Вследствие этих перемен, а также миграций населения из деревень в города прялки с мезенской росписью стали ассоциироваться с покинутой малой родиной и деревенским миром в целом, вызывая к жизни особую форму чувствительности, требующей специальных навыков понимания, толкования и любви к мезенской росписи. Как показано в работе, два режима восприятия мезенской лошадки - семейной памяти и эстетической ценности - тесно взаимосвязаны, определяя эмоциональную привязанность и популярность этого элемента традиционной росписи среди современных жителей г. Мезени и Мезенского района. This article concerns the history of the Mezen horse, a zoormorphic ornament from the village Palashchelye in the Mezen Region of Arkhangelsk Province. From the beginning of the 19th century it has been used by craftsmen to decorate wooden items, especially spinning wheels. In the beginning of the present century the Mezen horse became the symbol of Palashchelye painting and the main local brand for the city of Mezen and its environs. The article examines the history of Palashchel crafts and discusses the transformation of its social, economic and cultural significance during the 20th and 21st centuries. The spinning wheel, the main bearer of Mezen decoration, has ceased to fulfill a utilitarian role, becoming instead a focus of family memories and cultural value, interpreted both in terms of local identity and artistic significance. As a result of this change, as well as the migration of the population from villages to cities, spinning wheels with Mezen painting began to be associated with one’s abandoned birthplace and the rural world in general. This has given rise to a special kind of sensitivity that entails special skills of interpretation as well as love. Two different modes of such sensibility are discussed in the article - the mode of family memory and the mode of esthetic value - that are interwoven, endowing the Mezen horse with emotional meaning and broad popularity among the modern urban inhabitants of Mezen and its environs.

The 1912 Duma Elections: The State, the Opposition and the Clergy

Orthodoxia ◽  
2021 ◽  
pp. 111-124
Author(s):  
F. A. Gayda
Keyword(s):  
The State ◽  
Election Campaign ◽  
Difficult Situation ◽  
The Public ◽  
The Press ◽  
History Of ◽  
The Government ◽  
The Russian Empire ◽  
First Time ◽  
The Church

This article deals with the political situation around the elections to the State Duma of the Russian Empire in 1912 (4th convocation). The main actors of the campaign were the government, local administration, liberal opposition and the clergy of the Orthodox Russian Church. After the 1905 revolution, the “official Church” found itself in a difficult situation. In particular, anti-Church criticism intensified sharply and was expressed now quite openly, both in the press and from the rostrum of the Duma. A consequence of these circumstances was that in this Duma campaign, for the first time in the history of Russian parliamentarianism, “administrative resources” were widely used. At the same time, the authorities failed to achieve their political objectives. The Russian clergy became actively involved in the election campaign. The government sought to use the conflict between the liberal majority in the third Duma and the clerical hierarchy. Duma members launched an active criticism of the Orthodox clergy, using Grigory Rasputin as an excuse. Even staunch conservatives spoke negatively about Rasputin. According to the results of the election campaign, the opposition was even more active in using the label “Rasputinians” against the Holy Synod and the Russian episcopate. Forty-seven persons of clerical rank were elected to the House — three fewer than in the previous Duma. As a result, the assembly of the clergy elected to the Duma decided not to form its own group, but to spread out among the factions. An active campaign in Parliament and the press not only created a certain public mood, but also provoked a political split and polarization within the clergy. The clergy themselves were generally inclined to blame the state authorities for the public isolation of the Church. The Duma election of 1912 seriously affected the attitude of the opposition and the public toward the bishopric after the February revolution of 1917.

scholarly journals Government houses as presentation of power and ideology in the Ottoman State: The case of Safranbolu Government House

2021 ◽  
Vol 6 (3) ◽  
pp. 133-145
Author(s):  
Sema Tuba Özmen ◽  
Beyza Onur
Keyword(s):  
Urban Space ◽  
Spatial Structures ◽  
Architectural Style ◽  
Dominant Ideology ◽  
History Of ◽  
The Government ◽  
The 19Th Century ◽  
The City ◽  
Ideological Context ◽  
The Ideal

Architecture, which is associated with the practice of producing space, has always rendered the powers and ideologies visible. This study investigates the government houses in the 19th century Ottoman State with regard to the notions of power and ideology and focuses on the Government House of Safranbolu. It is known that, in the specified period, government houses were important ideological interventions to urban space. This study aims to address the ideological context of the Safranbolu Government House, which is positioned with the ideal of the state. Based on this, first, the urban history of Safranbolu was examined. The importance of Safranbolu Government House in the history of the city, its relationship with the city, its ideological message to the city-dwellers and its architectural style were analyzed through a method based on archival research. All government houses of the period are the artifacts of urban-spatial structures and their architectural style as well as a shared ideology. Safranbolu Government House, which is one of the structures symbolizing the Ottoman State, was also built with a similar ideological consideration. Thus, the readability of the dominant ideology through the production style of Safranbolu Government House, one of the final period architectural artifacts of the Ottoman State, was verified.

Court Singing Capella and Divine Рractice of the Russian Orthodox Church

2020 ◽  
pp. 126-136
Author(s):  
Константин Рева
Keyword(s):  
Russian Orthodox ◽  
Orthodox Church ◽  
Russian Orthodox Church ◽  
Saint Petersburg ◽  
History Of ◽  
Liturgical Practice ◽  
Church Split ◽  
The Russian Empire ◽  
The 19Th Century ◽  
The Church

В настоящей статье предпринята попытка рассмотреть влияние Придворной певческой капеллы на развитие богослужебной практики Русской Православной Церкви в Синодальный период. После церковного раскола XVII в. продолжающееся развитие богослужебной практики не находило отражения в корпусе богослужебных книг. В XVII в. в Русской Церкви было два практически равновеликих по значению образцовых столичных хора: хор патриарших певчих дьяков и хор государевых певчих дьяков. С упразднением патриаршества и переносом столицы в Санкт¬-Петербург в Синодальный период истории Русской Православной Церкви Придворная певческая капелла стала главным церковным хоровым коллективом, основной обязанностью которого было пение за богослужением в придворных церквях. В XIX в. Придворная певческая капелла была на делена особыми административными правами в церковно-¬певческой сфере, связанны ми с цензурой церковно-¬певческих произведений и подготовкой церковных регентов. Исключительные права по изданию церковно¬-певческих книг в Русской Православной Церкви, закрепленные Святейшим Синодом за Придворной певческой капеллой, стали причиной широкого распространения литургических особенностей богослужения придворных церквей в Российской империи. Практика обязательной аттестации церковных регентов Придворной певческой капеллой усилила распространение не только её церковно-¬музыкальной традиции, но и придворного литургического порядка, что оказало существенное влияние на практику совершения кафедрального и приходского богослужения. Изучение богослужебной практики Русской Православной Церкви в XVIII-XX вв. немыслимо без учёта деятельности и наследия Придворной певческой капеллы. This article attempts to consider the influence of the Court Singing Chapel on the development of divine practice of the Russian Orthodox Church during the synodal period. After the Church split of the 17th century, the continuing development of liturgical practice was not re flected in the corpus of liturgical books. In the XVII century the Russian Church had two almost equal in importance exemplary Metropolitan choirs: the choir of Patriarchal singing deacons and the choir of sovereign singing deacons. With the abolition of the Patriarchate and the transfer of the capital to Saint Petersburg during the Synodal period of the history of the Russian Orthodox Church, the Court singing Capella became the main Church choral group, whose main duty was to sing at divine services in the court churches. In the 19th century, the Court singing chapel was giv en special administrative rights in the Church singing sphere related to the censorship of Church singing works and the training of Church Regents. The exclusive rights to publish Church sing ing books in the Russian Orthodox Church, which were assigned by the Holy Synod to the Court singing chapel, caused a wide spread of liturgical features of the service of court churches in the Russian Empire. The practice of mandatory certification of Church Regents by the Court singingchapel has increased the spread of not only its Church music tradition, but also the court liturgical order, which has had a significant impact on the practice of performing Cathedral and parish ser vices. The study of the liturgical practice of the Russian Orthodox Church in the XVIII-XX centuries is unthinkable without taking into account the activities and heritage of the court singing chapel.

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