scholarly journals Dasan and his literary works -Focusing on Dasan as a human being and anthropocentric p

2012 ◽  
Vol null (50) ◽  
pp. 71-99
Author(s):  
Jae Kyo Jin
Keyword(s):  
Human Being ◽  
Literary Works

THE HERALD OF SPRING. IMAGE OF ARMENIAN HERO IN THE POEM OF AHMAD SHAMLU "VARTAN

2021 ◽  
pp. 240-250
Author(s):  
Lilit Safrastyan
Keyword(s):  
20Th Century ◽  
Human Being ◽  
Social Activities ◽  
Love Poetry ◽  
Literary Works ◽  
Metaphorical Language ◽  
Special Place ◽  
Creative Life

THE HERALD OF SPRING. IMAGE OF ARMENIAN HERO IN THE POEM OF AHMAD SHAMLU "VARTAN" Ahmad Shamlou is one of the most prominent representatives of the Iranian literature of the 20th century, who stood at the roots of the anti-dictatorship struggle, carrying out creative and social activities. Shamlu's unbreakable revolutionary spirit, love for the homeland and a human being have found their vivid expression in his works. In the very first period of his career, Shamlu was persecuted and imprisoned many times as a dissident. Many of his works, including translations, literary works, were censored and burned in printing houses. Armenians have a special place in Shamlu's personal and creative life. The main heroine of Shamlu's inspiration was his wife Aida Sargsyan, to whom he dedicated the most beautiful poems of modern Iranian love poetry. Armenian revolutionary hero Vartan Salakhanyan's character was also immortalized by the poet in the famous poem "Vardan" or "Nazli's death". In this poem Ahmad Shamlu depicts the heroic feats of the Armenian hero in metaphorical language, calling him "The Herald of Spring".

scholarly journals Deotyma – Norwid’s “Tenth Muse”

2020 ◽  
Vol 38 (English Version) ◽  
pp. 5-20
Author(s):  
Olaf Krysowski
Keyword(s):  
Historical Period ◽  
Human Being ◽  
Literary Works ◽  
Romantic Period ◽  
Female Figure

This article attempts to recreate the image of Jadwiga Łuszczewska from the literary works and letters by Cyprian Norwid. The young improviser sparked controversy not only among the critics, but also among the Warsaw socialites in Romantic period. Norwid, however, considered her personality as original, modern and capable of refreshing Polish poetry. In his poems he describes her as “the tenth Muse” and compares her to Sappho, who was called exactly the same name by Plato in recognition of her poetic talent. Moreover, he depicts her in an idealized manner, like a contemporary sibyl who advises the nation on how to proceed in a tragic historical period. Norwid’s enthusiasm waned at the beginning of the 1860s when it became clear that the poetic works by Deotyma were becoming repetitive, constantly revisiting the same motives, ideas and aesthetic means, unable to go beyond the horizon defined at the onset of her career. He realized that behind the female figure he himself ennobled – as comforter, Samaritan, visionary, and statuesque Muse – there is a human being, imperfect and, in some aspects trivial, affected or even philistine.

The Concept of Pride: Actualization In Fiction

2017 ◽  
Vol 6 (4) ◽  
pp. 69-73 ◽  
Author(s):  
О. Полонская ◽  
O. Polonskaya
Keyword(s):  
Human Being ◽  
Scientific Interest ◽  
Literary Works ◽  
Semantic Richness ◽  
Language Representation ◽  
Ethical Concept ◽  
Inner World

The article analyzes the actualization of linguistic signs with the semantics of pride in the literary works of English authors, which reflects the traditional ethical interpretation of emotional-ethical concept of Pride. The relevance of the undertaken research is due to the scientific interest for the study of the universal semantic constants, accumulating knowledge about the human inner world, and their language representation. The essence of human being directly correlates with the nature of language and is reflected in linguistic and cultural phenomena, characterized by semantic richness, sociocultural and discursive variability. Semantic constant Pride also is one of the human inner world semiosphere components. The phenomenon of pride is anthropocentric, covers the moral and ethical sphere, so the study of it as a cognitive - semiotic and axiological phenomenon seems to be promising.

scholarly journals Literatūros teologijos kaip teorinės perspektyvos galiojimo centras, periferija, ribos

Literatūra ◽  
2011 ◽  
Vol 53 (1) ◽  
pp. 65
Author(s):  
Dalia Čiočytė
Keyword(s):  
Theoretical Perspective ◽  
Human Being ◽  
Human Consciousness ◽  
Religious Experiences ◽  
Literary Interpretation ◽  
Main Subject ◽  
Literary Works ◽  
Literary Metaphor ◽  
Theological Thought

Literatūros teologija – tarpdisciplininė teorija, aiškinanti literatūros ir teologijos santykius bei tirianti literatūrinio mąstymo apie transcendenciją aspektus, – Vakarų religijos ir kultūros tradicijoje susiformavo palyginti neseniai (po Antrojo pasaulinio karo). Tačiau dėmesingumas teologiniams klausimams akivaizdus visoje Vakarų literatūros ir kritikos istorijoje. Tad kuo XX a. susiformavusi literatūros teologija skiriasi nuo ligtolinio dialogo tarp literatūros tyrimo ir teologijos? Atsakymas susijęs su šio dialogo pobūdžiu: ar kritiko dialogas su teologija tik numanomas (implikuotas), ar tiesiogiai aiškinamas ir grindžiamas (eksplikuotas). Tradicinės krikščioniškosios kultūros kontekste kritikas nejautė poreikio teoriškai motyvuoti literatūros ir teologijos sąsajos (dauguma rašytojų, kritikų ir skaitytojų buvo krikščionys), o XX a. kultūroje literatūros ir krikščionybės santykis jau nebeturi „savaime suprantamumo“ statuso ir reikalingas sąmoningos refleksijos.Literatūros teologijos galiojimo srities klausimas yra metodologinis, klausimas apie tai, kada ir kaip literatūros tyrimas vadovaujantis literatūros teologijos formuojama literatūros samprata ir taikant literatūros teologijos siūlomus tyrimo metodus yra efektyvus literatūros prasmės atskleidimo būdas.Literatūra yra žmogiškosios savimonės forma, ir literatūroje matomos teologinės minties objektas visada yra labiau žmogus negu Dievas. Literatūrinės introspekcijos kontekste Dievas pasirodo, kai žmogus meniniu mąstymu ieško savo esmės, kai formuoja giliųjų būties pamatų sampratą. Literatūros teologija nagrinėja ir aiškina kūrinio teologinę įžvalgą – literatūrinę egzistencijos kilmės ir prasmės klausimų interpretaciją, poetinio metaforinio mąstymo plėtojamą denotacijų ir konotacijų tinkle, struktūrinių teksto ašių sankirtose, giliuosiuose teksto prasmės kloduose. Kūrinys, turintis teologinio angažuotumo (apologetinio ar provokacinio angažuotumo), siekia būti adekvačiai suprastas, ir tokios literatūros tyrimams literatūros teologijos kompetencija itin svarbi. Literatūros teologijos galiojimo periferija yra kūriniai, kuriuose matyti ne tiek teologinio, kiek bendrojo humanistinio pobūdžio literatūrinis mąstymas. Mažiausiai literatūros teologija gali pasakyti apie tokią literatūrą, kurioje plėtojamos pasaulėvokos dominantė yra indiferentinė laikysena transcendencijos atžvilgiu.The center, the periphery and limits of competence of the theology of Literature as the theoretical perspective Dalia Čiočytė Summary The article sets to explore the validity of the theology of literature: what are the center, the periphery and limits of this interdisciplinary theoretical perspective. Literary theology based on existential experience (the theological thought seen in literature) is held to be a variant of individual theological quest. The main subject of literary theological thought is always more human being than God, as literature itself is a form of human consciousness. God appears in the context of literary introspection when the artistic thought is seeking for God and meaning. The theology of literature investigates such a literary theological insight, i. e., it investigates literary interpretation of the origin and sense of existence. Literary metaphor creates new modes to refer to deep religious experiences that are impossible to verbalize in concepts. Metaphor performs the opposite function as well: it protects the metaphysical realm from reduction. Criticism needs to be enriched with theological competence in order to interpret literary works that have got theological denotations. The periphery of validity of the theology of literature are such literary works that show not theological but rather general humanistic thought. This theory can tell the least about such literature that is dominated by religious indifference.

scholarly journals The Eternal Return: The Heaviest of the Burdens

2020 ◽  
Vol 7 (1) ◽  
pp. 112-124
Author(s):  
Fatemeh (Sara) Pakdamanshahri
Keyword(s):  
Human Being ◽  
Eternal Return ◽  
Freedom Of Choice ◽  
Literary Works ◽  
Return Home ◽  
One To One ◽  
The Individual

“Putting it negatively, the myth of eternal return states that a life which disappears once and for all, which does not return, is like a shadow, without weight, dead in advance, and whether it was horrible, beautiful, or sublime, its horror, sublimity, and beauty mean nothing.”1 As Kundera, himself, puts it, the idea of living once and never returning to it suggests the utmost lightness under which one’s existence hinders rather than strengthen. The Unbearable Lightness of Being calls on us in the hope of a rediscovery of the experience of homecoming, not only in a geographical sense as we see in Oedipus the King, but more importantly in the psychological, spiritual, and epistemological sense of the term. The struggle between fate and freedom of choice, feeling of guilt and the resolution to its confrontation are among the mutual themes in these two literary masterpieces. Although there are a number of one to one connections between certain characters in the two literary works mentioned, the noteworthy is the individual journey they take to return home (in its metaphorical sense), which at the same time speaks of a collective journey of the homecoming of the human being.

scholarly journals Doświadczenie przemijania i starości w twórczości Wiktora Paskowa i Stanisława Stratiewa

2017 ◽  
Vol 163 ◽  
pp. 701-709
Author(s):  
Dorota Gołek-Sepetliewa
Keyword(s):  
Old Age ◽  
Human Life ◽  
Human Condition ◽  
The Other ◽  
Human Being ◽  
The Novel ◽  
Human Relations ◽  
Literary Works ◽  
Other Hand ◽  
The One

The experience of passing and old agein the works of Victor Paskov and Stanislav StratievThe literary works of famous Bulgarian authors Stanislav Stratiev 1941–2000 and Victor Paskov 1949–2009 may be viewed in terms of athorough study of the human being and the multidimensionality of its existence. Their reflections about existential problems also involve the experience of passing and old age that have ontological, social, cultural, symbolic and metaphorical dimension. The novel A Ballad for George Henig 1987 by Paskov and the drama On the Other Side 1994 by Stratiev include clear and ambiguous images of the end of the human life. The experience of passing and old age affects aparticular person as apersonality and its relationship with the other people. This subject reveals, on the one hand, the crisis of human relations and values in contemporary Bulgarian society, on the other hand it emphasizes the fragility of the human condition, expressed in the experience of pain, illness, passing, old age and death.Опитът на преходност и старост в творчествотона Виктор Пасков и Станислав СтратиевТворчествотo на известнитe български автори Станислав Стратиев 1941–2000 и Виктор Пасков 1949–2009 можe да бъдe разгледанo кaто по-задълбочено изучаване на човешкото същество и на множествотo измерения на неговия живот. Интересът към екзистенциалните проблеми включва и описание на опита на преходност и старост, който притежава онтологично, социалнo, културнo, символично и метафорично измерение. Романът на Пасков Балада за Георг Хених 1987 и драмата на Стратиев От другатa страна 1994 представят изразителни и нееднозначни картини зa крайния етап от човешкия живот. Опитът на преходност и старост засяга човешкия индивид като личност и отношенията мy с близкитe и по-далечнaтa социална среда. Тeматa разкрива, от една страна, кризата на човешките отношения и на ценноститe в съвременното българското общество, от друга страна — подчертава крехкостта на човешкото съществуване, което се изразява в опита на страдание, заболяване, преходност, старост и смърт.

scholarly journals BABAD PANJALU (Kajian Struktural, Semiotik, dan Etnopedagogik)

LOKABASA ◽  
2015 ◽  
Vol 6 (1) ◽  
Author(s):  
ENTOH TOHARUDIN SATIBI
Keyword(s):  
Data Collection ◽  
Social Background ◽  
Moral Values ◽  
Human Being ◽  
Literary Works ◽  
The Social ◽  
Descriptive Method

Babad Panjalu merupakan salah satu karya sastra kuno yang mengandung unsur sajarah yang ditulis oleh Prajadinata, koleksi C.M. Pleyte. Babad Panjalu menjadi sumber utama dalam penelitian. Penelitian ini menggunakan metode deskriptif yang bertujuan mendeskripsikan struktur babad, unsur semiotik, dan nilai etnopedagogik yang terkandung di dalamnya. Teknik yang digunakan untuk mengumpulkan data yaitu studi bibliografi. Selanjutnya data yang diperoleh diolah menggunakan kajian struktural, semiotik, dan etnopedagogik. Berdasarkan hasil penelitian yang dilakukan, tema sejarah merupakan tema yang terdapat dalam babad ini. Alur maju merupakan pola alur yang digunakan dalam mengembangkan cerita. Pelaku utama yang terdapat dalam cerita yaitu silsilah para bupati Panjalu. Kompleksitas kehidupan, pemikiran, dan persoalan lainnya dikemas dengan dukungan watak yang variatif yang terdapat pada diri para bupati Panjalu. Hal ini didukung oleh digunakanya latar tempat seputar keraton. Kehidupan menak paling mendominasi latar sosial dalam berbagai aspek kehidupan. Dari tiga unsur semiotik yang ditemukan, unsur indéks paling banyak digunakan dari pada unsur ikon dan simbol. Nilai etnopedagogik yang terdapat dalam penelitian ini yaitu nilai moral manusia yang mencakup: moral manusia terhadap Tuhan, moral manusia terhadap pribadi, moral manusia terhadap manusia lain, moral manusia terhadap alam, moral manusia terhadap waktu, dan moral manusia dalam mencapai tujuan hidupnya. Moral manusia terhadap pribadi merupakan nilai moral manusia yang paling banyak terdapat dalam Babad Panjalu. Babad Panjalu (lit. The Chonicle of Panjalu), which is written by Prajadinata, a collection CM Pleyte, is one of ancient literary works. It contains elements of history. It is the main source in this study. This research used descriptive method that aims to describe the structure, semiotic elements, and the ethnopedagogical values contained in Babad Panjalu. The data collection of this research employed the bibliography study. Afterward, the data was processed by using structural, semiotics, and ethnopedagogy studies. Based on the results of research conducted, the theme of history is contained in this chronicle. Forward plot is the plot pattern that is used in developing the story. The main actors in the story are the Regents of Panjalu, as well as their genealogy. The complexity of life, thoughts, and other problems are packed with the support of varied characters of the Regents of Panjalu. It is sustained by the background of the story that shows the palace and its surrounding. The aristocratic life dominates the social background in various aspects of life. Three semiotic elements were found in the study. The most widely used element is the indexes, above the icons and the symbols. Ethnopedagogical values contained in the chronicle are the human moral values. They include moral toward God, personal, other human being, nature, time, and in achieving goals. The human moral values toward personal is the mostly foind in the Babad Panjalu.

scholarly journals Trees in Pathuppattu

2020 ◽  
Vol 1 (1) ◽  
pp. 27-39
Author(s):  
Kayalvizhy M
Keyword(s):  
Vital Role ◽  
Natural Vegetation ◽  
Future Generations ◽  
Human Being ◽  
Human Beings ◽  
Literary Works ◽  
The Future

Nature took inevitable part and parcel in our world. It plays a vital role in the life of human beings. The soil and nature are binded with Human being. Trees are the prominint part in our natural vegetation. In the Sangam age number of trees were used by Tamil people. So, our great anciestors recorded the trees in their literary works. The Sangam literature Pathuppattu Provides many informations about the trees. Those peoples lived with the trees praised it and recorded their uses for the future generations. Trees from Sangam period played an important role in the life of peope.

Representasi Kegagalan Cinta dan Kriminalitas dalam Novel Seribu Wajah Cinta Karya Fredy S.

2021 ◽  
Vol 3 (1) ◽  
pp. 91-103
Author(s):  
Masyithah Maghfirah Rizam ◽  
Moh Hafid Effendy
Keyword(s):  
Data Collection ◽  
Research Method ◽  
Daily Life ◽  
Popular Literature ◽  
Qualitative Approach ◽  
Human Being ◽  
The Novel ◽  
Literary Works ◽  
Data Coding ◽  
Intensive Reading

Literary works are able to describe the reality outside of the human being exactly as it is. The novel of Seribu Wajah Cinta by Fredy S. is a form of popular literature. Popular literature restates records of life in hope that the reader will get to know his experiences again so that they feel comforted, because someone has told his experience. The research method uses a qualitative approach with the researcher acting as a key instrument.  Data collection was carried out by taking steps, carrying out intensive reading, recording data, coding the parts of the novel that were appointed as data, analyzing, and interpreting the data to find representations of broken relationship and criminality in the novel of Seribu Wajah Cinta by Fredy S. shows the broken relationship and criminality which is a reflection of daily life.

A Literary Philtrum or the Last Cultural Intimacy

2015 ◽  
Vol 23 (3) ◽  
pp. 379-385
Author(s):  
Branko Vraneš
Keyword(s):  
Cultural Discourse ◽  
Human Being ◽  
Upper Lip ◽  
Literary Works ◽  
Human Contact ◽  
Cognitive Power ◽  
Cultural Dialogue

The philtrum – the small groove above the upper lip of every human being – is, according to Hebrew myth, the mark of an angel’s touch. The fullness and beauty of this myth does not prevent us from almost having forgotten it, while the difficulty of talking about something so human and common to all of mankind as the philtrum, within the framework of academia, provides clear evidence of the alienation of cultural discourse from its essence – the achievement of intimate, unmediated connection between cultures and nations. Likewise, despite the literary-theoretical oblivion of important ideas of literariness and the ontological cognitive power of literature, literary works, such as those of Meša Selimović, are still able to teach us about the beauty of (mutual) existence and the importance of cultural dialogue. In a sense, literature is a reservoir of humanity and a reminder of the importance of intimate human contact through cultural dialogue in the age of globalization and mechanization.

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