A Study on the Promotion of Traditional Art Performance in the Cultural Heritage Utilization Project "Night Trip Program

2021 ◽  
Vol 5 (2) ◽  
pp. 41-63
Author(s):  
Hye-Yun NAM ◽  
Song LEE
Keyword(s):  
Cultural Heritage ◽  
Traditional Art ◽  
Art Performance

Applicability of traditional storage methods in Indonesia for today’s conservation practice

IFLA Journal ◽  
2021 ◽  
pp. 034003522110230
Author(s):  
Patricia Engel
Keyword(s):  
Cultural Heritage ◽  
Contemporary Art ◽  
Best Practice ◽  
Tropical Country ◽  
Conservation Practice ◽  
Traditional Art ◽  
Puppet Theatre ◽  
Storage Methods ◽  
Conservation Projects ◽  
Museum Of Contemporary Art

This contribution aims to distil the experience from several conservation projects in Java, Indonesia, into a summary of methods in an attempt to arrive at some suggestions for best practice for the preservation of cultural heritage items in a tropical country. The related projects concerned a museum of contemporary art, traditional puppet theatre materials, a museum of traditional art and an archive.

scholarly journals KNIFE ART AND CARRIERS OF INTANGIBLE CULTURAL HERITAGE IN DUZCE

2021 ◽  
Vol 10 (77) ◽  
Keyword(s):  
Cultural Heritage ◽  
Human Life ◽  
Descriptive Analysis ◽  
Historical Background ◽  
Advanced Level ◽  
Traditional Art ◽  
Metal Art ◽  
Surface Decoration ◽  
Decoration Technique ◽  
Traditional Arts

Traditional arts and professions are the carriers of our culture because they carry historical background. For this reason, traditional arts and professions and cultural heritage are easily transferred to future generations. While knife was a tool that facilitated human life in the early periods, it turned into an art in time. The art of knife and the techniques and methods used in this art have been used for many years in history. Today, there are many artists who want to prevent the art of knife from turning into a craft. They intend to take this art to an even more advanced level. In this study, we interviewed three artists as samples who dealt with knifemaking by addressing the art of knife in Düzce. Interviews and works with the artists are visualized in this work. Thus, what has been done about the art of knife in Düzce, which methods and techniques are applied have been revealed. Along with the previous methods applied to this art, traditional Turkish arts such as marbling, illumination and miniature were used as a surface decoration technique in the art of knife which is a branch of Turkish metal arts. The aim of the study is to show the path that knife art has taken from its historical background to the present day and to show the feasibility of new methods in this field and thus to indicate that knife art is open to development. It is believed that this work, in which interviews and images obtained are evaluated using a descriptive analysis, will contribute to literature related to traditional art and the art of knife. Keywords: Knife art, jewelry, metal art, cultural heritage, traditional art

scholarly journals YESTERDAY AND TODAY OF KAZAKH KUY

2019 ◽  
pp. 34-37
Author(s):  
Bazheneyeva S.
Keyword(s):  
Cultural Heritage ◽  
Ethnic Group ◽  
20Th Century ◽  
General Context ◽  
Intangible Cultural Heritage ◽  
Spiritual Values ◽  
Traditional Art ◽  
History Of

The article discusses the history of the performance of the Kazakh kuy throughout the history of the separation of Kazakhs into a separate ethnic group to the present. Examples are provided to familiarize readers with the general context. Especially we focus on the Kazakh traditional forms of music-making.Since in the 20th century kuy appeared on the stage and was placed within the framework of a European-style concert, this could not but leave an imprint on how kuy was perceived, influenced the situation in the life of the once nomadic society, in the system of its spiritual values and the viability of kuy, especially in an urban environment.Now that the “Kazakh traditional art of dombra kuy” has been included in UNESCO's representative list, stakeholders need to take measures to safeguard the element of intangible cultural heritage.

scholarly journals Fungsi Dan Mitos Upacara Adat Nyangku Di Desa Panjalu Kecamatan Panjalu Kabupaten Ciamis

Panggung ◽  
2017 ◽  
Vol 27 (2) ◽  
Author(s):  
Rezza Fauzi Muhammad Fahmi ◽  
Gugun Gunardi ◽  
Dade Mahzuni
Keyword(s):  
Qualitative Method ◽  
Local Culture ◽  
Traditional Art ◽  
Breeding Center ◽  
Art Performance ◽  
Village Breeding

ABSTRAKKonservasi Budaya Lokal Mikanyaah Munding sebagai Landasan Village Breeding Center Kerbau adalah penelitian yang dilaksanakan oleh kami terkait dengan bentuk penangkaran kerbau berbasis budaya tradisional, yang dilaksanakan di Desa Cikeusal-Tasikmalaya. Di dalam budaya “Mikanyaah Munding” juga ternyata terdapat pelestarian berbagai seni tradisi Sunda, diantaranya adalah Seni Terbang Gebes. Dalam tulisan ini digunakan metode penelitian kualitatif dengan kajian etnografi, sedangkan teknik pengumpulan data digunakan teknik wawancara. Dari pembahasan hasil penelitian diperoleh antara lain; sistem penangkaran kerbau berbasis budaya lokal Mikanyaah Munding, yang di dalamnya terdapat; kebiasaan masyarakat setempat di dalam memperlakukan ternak kerbau, kosa kata khusus terkait dengan peternakan kerbau, hajat lembur yang ada hubungannya dengan peternakan kerbau, dan berbagai bentuk kesenian tradisional Sunda yang dilaksanakan dalam rangka budaya Mikanyaah Munding. Dalam artikel ini akan dibahas salah satu kesenian terkait, yaitu Seni Terbang Gebes.Kata Kunci: Budaya, Mikanyaah-Munding, Seni Terbang GebesABSTRACTConservation of local culture “Mikanyaah Munding” (or Nurturing Buffalos) as the base of Village Breeding Center of “Kerbau” is a research done on traditional “kerbau” breeding in Cikeusal, Tasikmalaya. “Mikanyaah Munding”reserve a variety of Sundanese traditional art performance, one of which is “Seni Terbang Gebes”. This essay uses qualitative method involving ethnography as its perspective. The data is collected from interviews. Our findings from analysis are: the habit of locals in treating their buffalos; specific vocabulary on breeding; festivities in relation to breeding and all kinds of Sundanese traditional art performance included in “Mikanyaah Munding”. This essay discusses one of its art performance, “Seni Terbang Gebes”.Keywords: Culture, Mikanyaah Munding, Seni Terbang Gebes

scholarly journals MANAGERIAL CHALLENGES OF HANDICRAFT INDUSTRY: AN INDIAN PERSPECTIVE

2019 ◽  
Vol 7 (11) ◽  
pp. 122-126
Author(s):  
Manali Upadhyay ◽  
U.C. Jain
Keyword(s):  
Cultural Heritage ◽  
Foreign Exchange ◽  
Urban Areas ◽  
World Market ◽  
Traditional Art ◽  
Rural And Urban Areas ◽  
Rural And Urban ◽  
The World ◽  
Indian Perspective

India is one of the most important suppliers of various handicrafts to the world market. The Indian Handicraft industries play an important role in world in Handicraft sector. This is one of the oldest cultures and tradition of India which represent different traditional art, of the different part of country. The handicraft products have very wide market in the world due to its growing potential. The Indian handicrafts industry is highly labour intensive cottage based industry and decentralized, being spread all over the country in rural and urban areas. The industry provides employment to over six million artisans who include a large number of women and people belonging to the weaker sections of the society. The Handicrafts Sector plays a significant & important role in the country’s economy. It provides employment to a vast segment of craft persons in rural & semi urban areas and generates substantial foreign exchange for the country, while preserving its cultural heritage. Handicrafts have great potential, as they hold the key for sustaining not only the existing set of millions of artisans spread over length and breadth of the country. But there are various issues associated with wide development of handicraft sector. The paper highlighted the problem and various issues associated with handicraft sector in India.

scholarly journals Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java

2016 ◽  
Vol 16 (1) ◽  
pp. 66
Author(s):  
Endang Wara Suprihatin Dyah Pratamawati
Keyword(s):  
Single Case ◽  
Cultural Tourism ◽  
Single Case Study ◽  
Case Study Approach ◽  
Traditional Art ◽  
Study Approach ◽  
Performance Group ◽  
Art Performance ◽  
Research And Education

<p>This research aimed to describe the model of structure arrangement of Malang Mask Puppet traditional art performance as the tourism commodity. The research method used was single case study with holistic single-case study approach toward the event program done by the traditional art performance group in Malang. It is done as an effort to maintain the existence of tradition art through tourism art performance arrangement. The result was the performance structure of the story (<em>lakon</em>) of Rabine Panji in Malang mask puppet performance. Malang mask puppet has been performed in shorter duration so that it became more interesting for the purpose of tourism.</p><p><strong>How to Cite:</strong> Pratamawati, E. W. S. D. (2016). Malang Mask Puppet Presentation Structure Arrangement of the Story Rabine Panji as Cultural Tourism Commodity in Malang Regency East Java. <em>Harmonia: Journal of Arts Research And Education</em>, 16(1), 66-74. doi:http://dx.doi.org/10.15294/harmonia.v16i1.4561</p>

scholarly journals A Research on The Articles Published in The ‘Thenakam’ Tamil Magazine During The Period 1993 – 2017

2021 ◽  
Vol 6 (1) ◽  
pp. 37-54
Author(s):  
S Chandrakumar ◽  
S Oshanithy ◽  
A Sujendran ◽  
T Baskaran
Keyword(s):  
Research Study ◽  
Traditional Art ◽  
Individual Personality ◽  
Ancient Society ◽  
History Of ◽  
Small Stories ◽  
Art Performance ◽  
Performance Literature

The “Thenakam” magazine is published from 1993 as an annual magazine by the Manmunai North Divisional Secretariat, which is among the 14 Divisional Secretariats in the Batticaloa District. The research study is carried out based on the contents, analysis perspective and description perspective on the articles published in the“Thenakam” magazine. All these articles are categorized as History, Art, performance, Literature, Folklore, Society, Individual Personality, Education and others. History related articles are categorizedas History of Batticaloa, Ancient Society History of Batticaloa, Historical Icons of Batticaloa, Arts related articles are categorized asBatticaloa’s Unique Traditional Art of “Kooththu”, Drama, Dance, Art, and others are categorized as Arts Aspects Music, Astrology, “Kalikambu”, Building, “Silambu”, “Manthirikam” (Magic), Literature related articles are categorized as Books, Poems, Small Stories, Novels, Magazine, Folklorerelated articles are categorized as Vocal Songs, Stories, Traditional of Batticaloa, Society related articles are categorized as “Burgers”, “Muslims”, “Mukkukar”, “Parayar”, and individual personality related articles of “Master Sivalingam”, “SwamyVipulananthar”, “Rajaparathy”, “D.G.Somasundaram”, “Neelavaanan”, “M.Sivapalan”, “V.Ananthan”, “Supathiran”, “Anthonipillai”, “Thiraviam”, “Tambimuthu” “Pithan” are categorized.

scholarly journals Javanese Women Hybridity: Postcolonial Study of Nyonya Muluk in Damar Kurung Paintings

2020 ◽  
Vol 7 (1) ◽  
pp. 33-48
Author(s):  
Aniendya Christianna
Keyword(s):  
Cultural Heritage ◽  
Postcolonial Theory ◽  
16Th Century ◽  
Intangible Cultural Heritage ◽  
Ministry Of Education ◽  
Two Cultures ◽  
Traditional Art ◽  
The Two Cultures ◽  
The Relationship ◽  
Made In

ABSTRACTDamar Kurung is a typical lantern of Gresik, made in the 16th century. In 2017 Damar Kurung was declared an intangible cultural heritage by the Indonesian Ministry of Education and Culture. Masmundari (1904-2005) was a female artist who painted Damar Kurung based on skills learned from her ancestors. Among Masmundari's many paintings, Nyonya Muluk is the most frequently painted. Nyonya Muluk is described as a big woman wearing a dress and wings. Many people say that Nyonya Muluk is a picture of Queen Wilhemina that Masmundari has seen directly. To uncover Nyonya Muluk's identity, it is necessary to explain the image and meaning of this traditional art, the author uses Bahasa Rupa method (Tabrani, 2012), which analyzes the contents of the wimba, cara wimba, tata ungkapan and how to read wimba. Then, analyzed using postcolonial theory, specifically using the concepts of hybridity and mimicry to find out the identity of Nyonya Muluk. Finally, this research is to produce (1) A description of the relationship between the two cultures (East and West/invaders and colonized) which is manifested in the figure of Nyonya Muluk. (2) Nyonya Muluk is a representation of Javanese women's hybridity that illustrates the hopes and dreams of Masmundari (as an East representative) to be similar to the West.Hibriditas Perempuan Jawa: Studi Poskolonial Figur Nyonya Muluk Di Lukisan Damar KurungABSTRAKDamar Kurung adalah lentera khas Gresik, dibuat pada abad ke-16. Pada 2017 Damar Kurung dinyatakan sebagai warisan budaya tak bendawi oleh Kementerian Pendidikan dan Kebudayaan Indonesia. Masmundari (1904-2005) adalah seniman perempuan yang melukis Damar Kurung berdasarkan keterampilan yang diperolehnya secara turun temurun. Di antara banyak lukisan Masmundari, Nyonya Muluk adalah yang paling sering dilukis. Nyonya Muluk digambarkan sebagai perempuan berukuran besar yang mengenakan gaun dan memiliki sepasang sayap. Banyak orang mengatakan bahwa Nyonya Muluk adalah gambaran Ratu Wilhemina yang langsung dilihat Masmundari. Untuk mengungkap identitas Nyonya Muluk, perlu menjelaskan gambar dan makna seni lukis tradisi ini, penulis menggunakan metode Bahasa Rupa (Tabrani, 2012), yang menganalisis isi wimba, cara wimba, tata cara dan cara membaca wimba. Kemudian, dianalisis menggunakan teori postkolonial, khususnya menggunakan konsep hibriditas dan mimikri untuk mengetahui identitas Nyonya Muluk. Akhirnya, penelitian menghasilkan (1) Deskripsi hubungan antara dua budaya (Timur dan Barat/penjajah dan terjajah) yang dimanifestasikan dalam sosok Nyonya Muluk. (2) Nyonya Muluk adalah representasi dari hibriditas perempuan Jawa yang menggambarkan harapan dan impian Masmundari (sebagai perwakilan Timur) untuk menjadi serupa dengan Barat.

scholarly journals Conservation Strategy in Preserving The Local Image Existence of Wayang Topeng

2019 ◽  
Vol 19 (2) ◽  
pp. 179-184
Author(s):  
Endang Wara Suprihatin ◽  
Dyah Pratamawati
Keyword(s):  
Conservation Strategy ◽  
Great Effort ◽  
Building Relationships ◽  
Traditional Art ◽  
Instrumental Case Study ◽  
Art Performance ◽  
The Government ◽  
Local Image ◽  
Research Studies

This research studies the strategic conservation efforts to preserve the local image of wayang topeng or mask puppet as a traditional art performance. Ten years into the 21st century shows a great effort from the artists who joined the Wayang Topeng Malang dance studio, Asmorobangun led by Tri Handaya (43), in preserving its existence. This research studies the strategy carried out in preserving the association’s existence so it can continue, not only wayang topeng as traditional art performance but also as the professions of its artist. The efforts carried out shows an action which is systematic and modern. Therefore, the researcher is interested in exploring Tri Handaya’s effort in preserving wayang topeng communities to be able to hold monthly regular performances, establishing cooperation with the government and private sector, and serving various training for general public. Research method used was qualitative approach of single instrumental case study, which is Sanggar Wayang Topeng Asmorobangun. Data was collected with the use of interview, observation, and documentation. Data verification to establish validity was using source and method triangulation. Research results show that there are three strategic aspects in preserving local image: (1) following the tradition patterns of its predecessors, (2) conducting training for young generations, (3) designing an extensive promotional media and building relationships with stakeholders.

scholarly journals WOMAN AS ACTRESS OF TRADITIONAL PERFORMING ARTS AND GENDER JUSTICE IN EAST JAVA

2017 ◽  
Vol 1 (1) ◽  
pp. 1
Author(s):  
Arif Budi Wurianto
Keyword(s):  
Performing Arts ◽  
Education Law ◽  
Gender Justice ◽  
Traditional Art ◽  
Art Performance ◽  
And Gender

Main problem is whether gender justice and equality in art performance, mainly in traditional art performance, have become central issues in efforts to socialize and as a gender mainstream in Education, Law, Economy, Politic, and Social.   In general and traditional art performance, woman always involved, especially the main actresses in various art performances, they are adored both as ‘diva or idol’ who  are  able  to  attract  people  and  also  are  humiliated  because,  in  some occasions,  she  shows  her  over-sensuality  so  that  it  humiliates  her  dignity  as  a woman.  The  both  positions  generate  a  number  of  questions  about  position  of gender mainstream and its advocating.

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