scholarly journals ARSITEKTUR MASJID MERAH PANJUNAN KOTA CIREBON

2012 ◽  
Vol 4 (2) ◽  
pp. 332
Author(s):  
Hermana Hermana

AbstrakPerkembangan ajaran agama ditandai dengan adanya pembangunan tempat peribatannya. Cirebon yang terkenal dengan sebutan “kota wali” merupakan salah satu tongggak berkembangnya ajaran Islam di pantai utara wilayah Kerajaan Pajajaran. Pembangunan Masjid Merah yang diprakasai oleh Syekh Syarif Abdurrahman dibangun pada tahun 1480 Masehi. Bangunan Masjid Merah tidak terlepas dari seni arsitektur dengan segala ornamennya berbentuk piring porselin yang dipasang di dinding tembok dan juga terbuat dari susunan bata merah sehingga mesjid ini dinamakan Masjid Merah, serta didukung oleh tiga unsur kebudayaan besar. Saat ini Masjid Merah ditetapkan sebagai benda cagar budaya oleh Pemerintah Kota Cirebon. Sebagai benda cagar budaya perlu adanya pemeliharaan berkesinambungan yang diharapkan dapat dijadikan sebagai objek wisata sejarah dan budaya atau sebagai pembelajaran bagi generasi muda untuk menghormati karya leluhurnya.  Penelitian ini bertujuan untuk memberikan data dan informasi di bidang kebudayaaan mengenai seni arsitektur Masjid Merah Panjunan di Cirebon. Metode yang digunakan dalam penelitian ini adalah deskriptif. AbstractThe development of religion is characterized by the construction of its place of worship. Cirebon which is known as the "city of wali" is a milestone in the development of Islam in the north coast area of the Kingdom of Pajajaran. The construction of Masjid Merah (the Red Mosque) was initiated by Syekh Syarif Abdurrahman in 1480 CE. The mosque was made of red bricks and has plates mounted on the walls as its ornament depicting harmony of three cultures which make it considered cultural heritage by local government. As the object of cultural heritage the mosque needs to be conserved for the benefit of historical and cultural tourism attraction or as learning experience for younger generation in respecting the work of their predecessors. This study aims to giving data and information in cultural area, especially architecture of the Red Mosque of Panjunan in Cirebon. The author conducts a descriptive-analytical method, and datat are obtained through primary and secondary sources.

Author(s):  
Imam Nuraryo

The purpose of this study are firstly, to find out what is the history of the batik (a traditional textile originating from the island of Java) in Pekalongan City, Indonesia and what cultural values are contained in the batik design of the archipelago exhibited in the batik museum in Pekalongan. Secondly, to find out how the cultural values contained in batik are communicated to the community. Thirdly, how the museum made an efforts in helping preserve batik as a product of cultural heritage to strengthen the city image of Pekalongan City as the World’s City of Batik. The results of this study indicate that the cultural values contained in batik patterns are strongly influenced by the culture of migrants who arrived in the city of Pekalongan. Pekalongan as a coastal city on the north coast of Java is very easily accessed by migrants from various ethnic groups such as Arabic, Chinese, Japanese and even Dutch. They came to Pekalongan with the aim to trade, religion propaganda, even to war. Batik Museum in Pekalongan also plays an active role in socializing the history and values contained in each batik displayed by considering the arrangement of display space and organizing events such as fashion shows or short course to make batik for teenagers.


1988 ◽  
Vol 19 (2) ◽  
pp. 266-291 ◽  
Author(s):  
James L. Cobban

By the beginning of the twentieth century, Semarang was a major port city and administrative centre on Java. Attainment of this position was due partly to the expansion of its hinterland during the nineteenth century. This expansion was closely related to developments in the means of transportation and the consequent ability of plantation owners to bring the products of their plantations to the port for shipment to foreign markets. By the end of the century virtually the whole economic life of central Java focused upon Semarang. The city also exercised administrative functions in the Dutch colonial administration and generally had been responsible for Dutch interests in the middle and eastern parts of the island. The importance of Semarang as an administrative centre increased after 1906. In that year the government incorporated the city as an urban municipality (stadsgemeente). In 1914 it had consular representation from the United States, Belgium, Denmark, France, Great Britain, Italy, Norway, Germany, and Thailand. Subsequently, in 1926 it became the capital of the Province of Central Java under the terms of an administrative reform fostered by the colonial government at Batavia. Status as an urban municipality meant that local officials sitting on a city council would govern the domestic affairs of the city. The members of the city council at first were appointed from Batavia, subsequently some of them were elected by residents of the city. By the beginning of the twentieth century Semarang had enhanced its position as a major port on the north coast of the island of Java. It was one of the foremost cities of the Dutch East Indies, along with Batavia and Surabaya, a leading port and a centre of administration and trade. This article outlines the growth of the port of Semarang during the nineteenth century and discusses some of the conflict related to this growth over living conditions in parts of the city during the twentieth century, a conflict which smouldered for several decades among the government, members of the city council, and the non-European residents of the city, one which remained unresolved at the end of the colonial era.


2018 ◽  
pp. 74
Author(s):  
Karina Orozco Salinas

ResumenEsta investigación parte de la necesidad de poner el foco en los espacios públicos identitarios, en los cuales la constante congregación espontánea y masiva de la ciudadanía, ha construido un patrimonio cultural inmaterial en ellos, a la hora de celebrar colectivamente en la ciudad. Desde este enfoque, se aborda el caso de la Plaza Baquedano en Santiago de Chile, mediante una metodología propia que contrarresta fuentes secundarias, principalmente periodísticas, con fuentes empíricas. Por lo que seaplican encuestas y entrevistas, con el fin de comprender el fenómeno desde el contexto urbano, social, celebración y patrimonio del lugar. Asimismo, lograr la perspectiva interna y externa del estudio de caso.Los resultados obtenidos confirman la existencia del patrimonio inmaterial y el carácter de identidad, que se ha generado con el paso del tiempo en este espacio público y, tanto la visión interna como la externa, consideran que debería ser catalogado como patrimonio cultural del país. Sin  embargo, esta mención no ha sido otorgada por alguno de los  instrumentos vinculantes en Chile. Por lo cual es una discusión abierta,ya que en la opinión de expertos consultados la complejidad de otorgar una figura de protección inmovilizaría el dinamismo que ha constituido a este lugar como tal.AbstractThis research departs from the need to focus in the public identitary spaces, in which the constant congregation spontaneous and massive of citizenship, has built an intangible cultural heritage in them, when it comes to celebrating collectively in the city. From this approach, is addressed the case of Plaza Baquedano in Santiago de Chile, through our methodology that combine secondary sources, mainly journalistic, with empirical sources. So that, surveys and interviews are applied in order to understand thephenomenon from the urban, social, celebration and heritage context’s.In addition, to achieve internal and external perspective of the case. The results collated confirm the existence of heritage and the identity character, which has been generated over time in this public space and both vision internal and external, consider that it should be cataloged as country’s cultural heritage. However, this mention has not been granted by some of the binding instruments in Chile. Therefore it is an open discussion, since in the opinion of the experts consulted the complexity of granting a protection figure would immobilize the dynamism that has built this place as such.


Sosio e-kons ◽  
2017 ◽  
Vol 9 (1) ◽  
pp. 54
Author(s):  
Rani Noviyanti

<p>ABSTRACT</p><p>The establishment of the city of Batavia on the west coast of the north coast of Java, cannot be separated from the role of a figure named Jean Pieterzoon Coen. Although previously Jayakarta (the name before Batavia), was controlled and built by Pangeran Fatahillah, the situation and conditions in the social and economic fields of Jayakarta were not like the management of J.P. Coen. After Jayakarta was controlled by the VOC, through a military expedition policy designed by JP. Coen, the condition of the city of Jayakarta slowly gradually increased in the social and economic fields. The increase in the city of Batavia in the social and economic fields was based on three JP policies. Coen was quite brave, namely increasing trade activities in the Sunda port of Kalapa, revitalizing the position of the islands in northern Batavia as a base of administration and defense and security, and opening the widest door for Chinese traders and immigrants. The three policies, in fact, were purely based on the thoughts outlined by JP. Coen, after taking over the Jayakarta area from the mastery of Prince Fatahillah.</p><p>Keywords: J.P. Coen, Kota Batavia.</p><p><strong><em>ABSTRAK</em></strong></p><p>Pendirian kota Batavia di sebelah barat pesisir pantai utara Jawa, tidak dapat dipisahkan dari peran seorang tokoh yang bernama Jean Pieterzoon Coen. Meskipun sebelumnya Jayakarta (nama sebelum Batavia), dikuasai dan dibangun oleh Pangeran Fatahillah, akan tetapi situasi dan kondisi dalam bidang sosial dan ekonomi Jayakarta tidak seperti pada masa pengelolaan J.P. Coen. Setelah Jayakarta dikuasai oleh VOC, melalui kebijakan ekspedisi militer yang dirancang oleh JP. Coen, keadaan kota Jayakarta perlahan demi perlahan semakin meningkat dalam bidang sosial dan ekonomi. Peningkatan kota Batavia dalam lapangan sosial dan ekonomi dilatari oleh tiga kebijakan JP. Coen yang cukup berani, yakni meningkatkan aktivitas perdagangan di pelabuhan Sunda Kalapa, merevitalisasi kedudukan pulau-pulau di utara Batavia sebagai basis adiministrasi dan pertahanan dan keamanan, serta membuka pintu seluas-luasnya bagi pedagang dan pendatang etnis Tionghoa. Tiga kebijakan tersebut, sejatinya meurpakan murni hasil pemikiran yang dituangkan olh JP. Coen, setelah mengambil alih wilayah Jayakarta dari penguasaan pangeran Fatahillah.</p><p>Kata Kunci : J.P. Coen, Kota Batavia.</p>


Author(s):  
Rochine Melandri Steenkamp

This article questions the extent to which municipal bylaws aimed at cultural heritage resource management (CHRM) reflect the objectives of the Constitution of the Republic of South Africa, 1996 (the Constitution), national legislation and the discourse on cultural governance more broadly. In terms of Schedule 4A of the Constitution, the function of "cultural matters" is not an original power of local government.  It is a function assigned to the national and provincial spheres. Municipalities are assumed, however, to have a responsibility to execute aspects of this function that may be incidental to other typical local government functions. This view finds support in the interpretation of various rights in the Constitution (e.g. sections 15, 30, 31 and 24) as well as the heritage, environmental and local government framework legislation and policy documents of South Africa. The premise of this article is that cultural heritage resource management by way of instruments such as bylaws promotes the overarching objectives of local government, such as sustainable development, while also promoting the rights to culture, language and religion, amongst others. To expand on its theoretical basis, this article provides a critical assessment of the bylaws of the City of Cape Town Metropolitan Municipality


2014 ◽  
Vol 6 (3) ◽  
pp. 200-214
Author(s):  
Natalie M. Underberg-Goode

Purpose – This paper aims to focus on the impact of cultural heritage tourism in North Coast Peru on local communities and artists, in particular, on efforts to use the burgeoning interest in pre-Inca cultures to involve local communities in the development of tourism. A number of studies have explored the connection between archaeology, cultural heritage, and tourist development in Peru and Latin America. While North Coast Peru is an area rich in pre-Inca cultural heritage, many residents near the impressive archaeological sites are in need of an improved quality of life and more economic development opportunities. Design/methodology/approach – This paper draws on ethnographic fieldwork, including interviews with site directors, local development personnel, government officials, and artists as well as observations of relevant tourist-related sites and events, conducted by the author during 2011-2012 in the North Coast cities of Trujillo and Chiclayo. Findings – The so-called “new archaeology” plays an important role in the region by using archaeology, in a sense, as a pretext for community development, while exploiting the historical ties between ancient and modern cultures in the area has provided economic development opportunities for local residents. Projects such as those developed in Chotuna, the Pomac Zone, and Túcume provide opportunities for community participation and development at multiple levels. Further, the historical ties posited between ancient and modern local communities in the area have led to successful projects that recuperate artisan techniques and indigenous crops. Originality/value – As the North Coast undergoes a larger process of re-imagining its historical past and cultural heritage, a focus is needed on efforts to involve local communities in the development of tourism in ways that empower local people and have the potential to lift them out of poverty. In part, then, this project is intended to connect the growing concern for a more nuanced understanding of the non-Quechua [Inca] indigenous cultural heritage of Peru with cultural heritage preservation and tourism studies.


2013 ◽  
Vol 357-360 ◽  
pp. 1767-1771
Author(s):  
Li Sha Xi ◽  
Chang Xu Zhang

Mentougou district locates near to Beijing. Factors of the formation and development of the ancient village in this region linked closely with the Imperial Capital. In modern times, without the influence of the large industry, these ancient village remain the original style completely and provide the rich resources for the travel today. Articles have a research on the causes of the villages , analysis the status of the tourism by SWOT Analytical Method. It propose that strengthen cooperation between the ancient villages by effective integration of the region's natural and cultural heritage, develop the village and the tourism resources around the village as a whole, and establish ancient village in western Beijing brand tourism. With the investigation of the village, the author proposes suggestions and zoning plan to the cultural tourism of the village in western Beijing


2014 ◽  
Vol 2 (2) ◽  
pp. 147
Author(s):  
Jose Maria Da Conceicao Freitas

The purpose of this study was to determine and describe the partnershipbetween of Surabaya government with local communities on mangrove forestsmanagement in the North Coast Surabaya. This research is conducted byqualitative descriptive method. Based on the research results, it is known that the partnership between the government of Surabaya with the local community (comanagement approach) provide positive value on the mangrove forests management. People who benefit from the mangrove forest participate in determining management decisions that affect their well-being, while the government got benefits from reduced liability manage. In addition, comanagement approach could increase the sense of belonging in the community, so there was a will of its own to preserve mangrove. But in this case, several steps that needs to be done by local government, among others: local government divided each authority were clearly based on formal rules; local government empower local communities associated with mangrove forest management, as well as set up an authorized institution in the management of resources such as beach protection as partners with Surabaya government on collaboration who could represent their respective interests (mangrove forest management) and recognized by the community.


2008 ◽  
Vol 31 (1) ◽  
pp. 50-64
Author(s):  
Aline Nogueira Costa ◽  
Helena Polivanov ◽  
Maria Da Glória Alves

Campos dos Goytacazes County is located on the north coast of Rio de Janeiro State. The city of Campos dos Goytacazes was developed on a flooding plain and due to the fragility of the physical environment; the city has been suffering serious environmental problems. The methodology used base in acquisition of data bank, remote sensoring techniques, Field Information and application of SIG ArcGis9. In a first step, the themes geology, pedology and geomorphology units was overlaying, where could obtain a Geological-Geotechnical Units Map, with lowed and elevated units, the which had been defined in accordance with its characteristics. The purpose of this map, as well as the objective of the work is to plan the territory for the future generations


2021 ◽  
Vol 18 (1) ◽  
pp. 82
Author(s):  
Agus Rochani

ABSTRACKThe identity of the city is a form of visual that represents the mental image of the average people. Demak as a city on the north coast of Java Island has much historical value in terms of the spread of Islam. The collaboration between the two aspects is very interesting to expres in the form of a visual identity of the city. This study aims to develop a visual identity design based on the religious values and coastal culture in Demak. The research is formulating qualitatively, which is built from natural basic elements, which depart from data, utilizing existing theories as explanatory material and ending with an identity concept. The design of identity adopts Islamic architectural forms and values at the Great Mosque of Demak, which is collaborated with city characters coast, represented by the shape of sea waves, Islamic ornaments and traditional Javanese Demak Djung boats. Key word: regional image, visual identity, mass composition.  ABSTRAKIdentitas visual kota merupakan wujud visual yang mewakili gambaran mental rata-rata masyarakatnya. Kota Demak sebagai kota yang berada ada di pesisir utara Pulau Jawa memiliki nilai historis yang kuat dalam hal penyebaran Agama Islam. Kolaborasi kedua aspek tersebut sangat menarik dituangkan dalam bentuk indentitas visual kota. Penelitian ini bertujuan menyusun rancangan indentitas visual yang dikembangkan berdasarkan nilai nilai religi dan budaya pesisir di Kota Demak. Penelitian dirumuskan secara kualitatif, yang dibangun dari elemen elemen dasar alamiah, yang berangkat dari data, memanfaatkan teori yang ada sebagai bahan penjelas dan berakhir dengan sebuah konsep identitas. Perancangan identitas mengadopsi bentuk dan nilai arsitektural Islam di Masjid Agung Demak, yang dikolaborasi dengan karakter kota pesisir diwakili oleh bentuk ombak air laut, ornamen Islam dan kapal tradisional Demak Djung Jawa.Kata kunci: citra kawasan, identitas visual, gubahan masa.


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