Religious Motives of the Creation of Old Testament Pseudepigrapha

2020 ◽  
pp. 133-161
Author(s):  
Илья Сергеевич Вевюрко
Keyword(s):  
Old Testament ◽  
Literary Work ◽  
Literary Fiction ◽  
Religious Consciousness ◽  
Different Types ◽  
Literary Process ◽  
Canonical Text ◽  
The Creation ◽  
Rewritten Bible

В статье исследуется гипотетическое отношение авторов псевдоэпиграфов, как носителей религиозного сознания, к их собственному творчеству. Для этого выявляется специфика псевдоэпиграфа как особого типа текста, а также рассматриваются различные виды литературного творчества и его мотивации, с тем чтобы выявить наиболее релевантные мотивы. Также предпринимается обзор и критика существующих гипотез природы псевдонимии в парабиблейской литературе, включая концепции, касающиеся предпосылок и условий создания «переписанной Библии». Выясняются причины, по которым, отличаясь и от канонического текста, и от литературной фикции, но представляя собой то, что сами его создатели считают записью откровения, псевдоэпиграф не мог не быть псевдонимичным по условиям литературного процесса эпохи, его породившей. В конце статьи сделаны выводы о природе отношения псевдоэпиграфического корпуса текстов к каноническому. There is explored in the article a hypothetical attitude of the authors of pseudepigrapha, given that they had a religious consciousness, to their literary work. For such a purpose there is revealed a specifity of pseudepigraph as a special type of text, and different types of literary creativity and its motivation are examined in order to identify the most relevant motives. There is also undertaken the review and criticism of existing hypotheses of the nature of the pseudonymity in parabiblical literature, including concepts relating to the background and conditions for the creation of a «rewritten Bible». There are clarified the reasons for which pseudepigraph, differing from both the canonical text and the literary fiction, but representing what its creators themselves consider to be a record of revelation, could not but be pseudonymous in conditions of the literary process of the era that gave rise to it. At the end of the article, conclusions are drawn about the nature of relation between the pseudepigraphic corpus of texts and the canonical one.

The Role of Evaluative Tools in the Creation of the Memorial Media Portrait of Jacques Chirac (1932—2019)

2020 ◽  
pp. 97-110
Author(s):  
E. N. Mikhailova ◽  
V. A. Telegina
Keyword(s):  
Print Media ◽  
Political Elite ◽  
Systematic Analysis ◽  
Research Material ◽  
Political Orientations ◽  
Different Types ◽  
The Media ◽  
The Creation ◽  
Entire Text

The article is devoted to the study of evaluative tools used in modern French media in order to form the media image of a representative of the political elite. The techniques used in the creation of a memorial media portrait of Jacques Chirac (1932—2019), President of France from 1995 to 2007 are considered. The research material was the most prestigious French print media of various political orientations, published in late September — early October 2019 in connection with the death of the ex-President of the French Republic. The relevance of the research topic is dictated by the close attention of modern linguistics to axiological phenomena, differently presented in different types of discursive practices. The novelty of the study is due to the appeal to the analysis of the complex of evaluation tools used in the French print media when characterizing the former leader of the state during the nation’s farewell period. The estimated potential of the title of the article and its influence on the formation of the estimated vector of the entire text of the publication are shown. A systematic analysis of the assessment expression means, reflected in the memorial media portrait of the politician, is given. The factors that influenced the peculiarities of their use in this type of media portrait are revealed.

Kajian Sosiologis Terhadap Tema Lakon ‘Domba-domba Revolusi’ Karya Bambang Soelarto

Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid
Keyword(s):  
Sociological Theory ◽  
Essential Element ◽  
Literary Work ◽  
The Political ◽  
Basic Principles ◽  
Historical Figures ◽  
Sociology Of Art ◽  
The Creation ◽  
Relationship Of ◽  
The Relationship

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis

On the sources of cosmopolitanism as an idea: The Russian and the European views

2020 ◽  
pp. 44-69
Author(s):  
E. E. Dmitrieva
Keyword(s):  
Comparative Literature ◽  
Literary History ◽  
World Literature ◽  
Literary Work ◽  
General Term ◽  
Literary Process ◽  
The Difference ◽  
Literary Environment

The article is concerned with the difference in understanding of the term ‘cosmopolitan’ inRussiaandFrance. Often considered a predominantly negative phenomenon inRussia, cosmopolitanism fi st provoked a discussion at the time when the emphasis shifted from ideology to understanding of the historical-literary process. Since the late 18th c., the idea of the possible existence of a literary work within the global literary environment (the concept of world literature)   was adjusted by the ‘golden chain’ metaphor, which enabled implementation of the ‘universality’ concept as a unity principally separate from the French idée universelle. During this evolutionary period emerged a distinctive subject of literary history: fi st, ‘humanity’ as a general term (initially identifi    with universalism or cosmopolitanism), and then ‘a nation’. But it is the discovery of the national that the author believes is connected with particularism and provincialism,   the latter summoning the memory of the noble intention of universalism and cosmopolitanism. An interim summary of the process was produced by Joseph Texte, a professor of comparative literature inLyon, at the end of the 19th c.

scholarly journals Theophany in the Old Testament and its Interpretation in Aramaic Translations (The Concept of the Divine Word in the Targum)

2007 ◽  
pp. 27-37
Author(s):  
Dmytro V. Tsolin
Keyword(s):  
Old Testament ◽  
Epic Poetry ◽  
Material World ◽  
The World ◽  
Genesis 1 ◽  
History Of ◽  
Repeated Use ◽  
The Creation ◽  
The Universe ◽  
Experienced Researcher

Every reader of the Old Testament, both experienced researcher and newcomer, cannot fail to pay attention to one peculiarity in the presentation of the idea of ​​God: it is a harmonious (and, at times, amazing) combination of transcendence and immanence. The History of the Creation of the World (Genesis 1: 1 - 2: 3), which begins the first book of the Strictly Testament - Genesis - is an example of an exquisite prose genre with elements of epic poetry. In it, the Creator of the Universe appears to the Almighty, the Wise, and the All-Powerful, standing above the created world: Only one word of it evokes the material world from nothingness. This is emphasized by the repeated use of the formulas אלהים וימר / wa-yyo'mer 'ělohîm ("And Elohim said ...") and ויהי־כן / wa-yəhî khēn ("And so it became"). This use of two narrative constructs at the beginning and at the end of messages about the creative activities of God clearly emphasizes the idea of ​​reconciling the divine Word and being. God is shown here to be transcendental.

scholarly journals Historiography at the Crossroads

2020 ◽  
Vol 13 (33) ◽  
pp. 229-270
Author(s):  
Dmitri Starostin
Keyword(s):  
Old Testament ◽  
End Of History ◽  
The End Of History ◽  
The Creation ◽  
The Times ◽  
First Time ◽  
Sacred History

This article suggests that the Carolingian effort in resetting the calendar of history at the time of Charlemagne’s coronation to the year 6000 from the Creation and 801 from the Incarnation of Christ must be considered as only one of the period in the cycle of the processes of realigning, resetting and redeploying the calendar since the times of Augustine. During this period, the calculations necessary for the construction of the calendars and timelines lead to concerns regarding the end of history and the “end of times”. The first time scholars like Jerome and Augustine had to address the ending of the calendar of the universal sacred history that the Christians inherited from the Old Testament was during the 4th and 5th centuries. The Carolingian period witnessed the second “time of reckoning” when Eusebius’ date for the Incarnation of the Anno Mundi 5199 prompted scholars to reconsider the meaning of the Carolingian rule around the year 801, that is, the Anno Mundi 6000.

scholarly journals Psalms and Liturgy: Their reception and contextualisation

2003 ◽  
Vol 24 (2) ◽  
pp. 309-332
Author(s):  
G.P. Braulik
Keyword(s):  
Old Testament ◽  
Focus Of Attention ◽  
The Other ◽  
Original Text ◽  
Lord's Prayer ◽  
Historical View ◽  
Other Hand ◽  
Canonical Text ◽  
The One ◽  
Old Testament Studies

In the interpretation of texts in modern Old Testament studies, a double change in perspective, which has important consequences for the liturgical use of the Psalms, is currently taking place. In the first reorientation, the movement is “from the hypothetically reconstructed ‘original’ text to the text written down in bookform and then to the canonical text”; in the second, the attention moves “from the text to the recipient”. On the one hand, the whole Psalter and its connec-tions with the totality of Holy Scripture are thus increasingly becoming the focus of attention. On the other hand, reception aesthetical, reader-oriented exegesis is overcoming the cleft caused by a purely historical view, in favour of a situational perspective. The article delineates this change and applies especially the first approach to the Psalms. The Psalter then appears neither as a mere lectionary nor primarily as a prayer text, but as a text for meditation. Its technique of the juxtaposition of certain Psalms (iuxtapositio) and of the chainage or concatenation of keywords (concatenatio) opens up new and diverse dimensions of meaning.This is illustrated according to Psalm 103. Its connections to its immediate context are first explained, upon which a few lines of canonical intertextuality within the whole Bible are traced. We are thus lead to recognise a certain multi-perspectivity, reaching from the Sinai pericope to the Lord’s prayer.

Perceptions About the Criminalization of Elder Abuse among Police Chiefs and Ombudsmen

2003 ◽  
Vol 49 (3) ◽  
pp. 439-459 ◽  
Author(s):  
Brian K. Payne ◽  
Bruce L. Berg
Keyword(s):  
Nursing Home ◽  
Elder Abuse ◽  
White Collar ◽  
Mandatory Reporting ◽  
Police Chiefs ◽  
Offense Type ◽  
Different Types ◽  
The Creation

The 1990s witnessed the criminalization of elder abuse. This criminalization included the creation of mandatory-reporting legislation, increased penalties for elder abusers, and modifications in criminal procedures for older victims. Little attention has been given to those officials actually involved in deciding how elder abuse cases should be handled. This research considers the sanctions recommended by police chiefs and ombudsmen for six different types of offenses against seniors. Attention is also directed toward potential differences between the groups' attitudes about elder abuse. Results indicate that ombudsmen see nursing home offenses as more severe than street offenses or white-collar offenses. Police chiefs see street offenses as the most severe offense type. Implications are provided.

The Poetic and the Political in Valery Podoroga’s Analytical Anthropology

2021 ◽  
Vol 32 (5) ◽  
pp. 50
Author(s):  
Oleg Aronson
Keyword(s):  
Special Kind ◽  
Literary Work ◽  
Social Institution ◽  
Cultural Practice ◽  
The Body ◽  
The Political ◽  
The World ◽  
Life Itself ◽  
The Creation ◽  
Analytical Tools

The article is devoted to an analysis of the creative work of the Russian philosopher Valery Podoroga. It focuses on the special discipline he created, namely, “analytical anthropology”, and the book “Anthropograms”, in which Valery Podoroga sets out the basic principles and analytical tools of his philosophical work. Examining the books of the philosopher that preceded the creation of analytical anthropology and those that were written later, it is possible to single out two important lines of his research. First, the philosophy of literature and second, research in the field of the political. Podoroga’s understanding of literature is broader than that of a cultural practice or a social institution. For him, it is the space of the corporal experience of contact with the world, in which the affective aspect of thinking is realized. This line of analysis points to the “poetic” dimension of the experience of thinking, since the emphasis here is on what Jakobson called the “poetic function of language”, its orientation toward itself. It is precisely the literary aspect that becomes important when analyzing the texts of philosophers (Kierkegaard, Nietzsche, Heidegger); however, what is even more important is that in the very experience of fiction Podoroga is trying to find new means for philosophy. His “poetic line” is closely connected with the poetics of space (Bachelard) and the phenomenology of the body (Merleau-Ponty, Henry). It is the combination of poetics and phenomenology that allows Podoroga to overcome both the orientation of poetics exclusively toward language and the categorical apparatus of philosophy. The main result of Valery Podoroga’s work is the creation of an “anthropogram”, a special kind of scheme in which the action of the Work (a literary work, but not only) is immanent to the dynamics of the world. Is it possible to create such anthropograms outside the field of literature? Podoroga does not specify. The article attempts to show how Podoroga’s ways of working with literary texts correlate with his works dealing with the technologies of power and violence, transforming separate political and ethical terms into anthropograms, that is, forms of thought immanent to life itself.

A publication that can hardly be overestimated

2021 ◽  
Vol 21 (2) ◽  
pp. 94-100
Author(s):  
Kh.I. Bakov ◽  
Keyword(s):  
Practical Significance ◽  
Literary Process ◽  
History Of ◽  
The Creation

The article analyzes the three-volume edition «History of kabardino-circassian literature», prepared by a team of literary scholars of the Kabardino-Balkarian Institute for Humanitarian Research, the last volume of which was published recently. The difficult and long-term path of the creation of this scientific ore is traced, the changes that have taken place in the work project are indicated, their objective and subjective reasons are clarified. Initially, it was planned to study only the Kabardian literary process, but in the course of it, the authors added the work of Circassian writers, and then the literature created by the Adygs in the foreign diasporas, which increased the significance of the work. It is indicated that in the «History of kabardino-circassian literature» not all bright creative individuals have separate chapters. It is proposed, in addition to this edition, to write a monograph, where separately consider the work of B. Utizhev, Kh. Beshtokov, K. Duguzhev and poets and writers who have revealed their potential in recent years (there is such a plan in the sector of «Kabardino-Circassian literature» KBIGR. In conclusion the article emphasizes the theoretical and practical significance of the topical work of leading Adygean literary critics.

Sally Wesley, the Evangelical Bluestockings, and the Regulation of Enthusiasm

2019 ◽  
pp. 176-210
Author(s):  
Andrew O. Winckles
Keyword(s):  
Nineteenth Century ◽  
Literary Work ◽  
Diverse Group ◽  
Religion And Theology ◽  
Artistic Production ◽  
Proper Role ◽  
Elizabeth Hamilton ◽  
The Creation ◽  
Religious Enthusiasm

Chapter Six considers the networks surrounding Sally Wesley, John Wesley’s niece and Charles Wesley’s only daughter. Wesley was at the center of a network of latter day Bluestockings who produced and circulated material around the turn of the nineteenth century. Of particular interest to this diverse group was the nature and influence of evangelical feeling and enthusiasm on British life and letters. Analysis of Wesley’s network reveals members from all social and religious backgrounds debating and discussing the proper role of religious enthusiasm—arguing for the importance of a well-regulated enthusiasm to the creation and distribution of literary work. Specifically, it explores how other women in Wesley’s circle, particularly Mary Tighe, Elizabeth Hamilton, and Maria Spilsbury, addressed the issue of religious enthusiasm. Based on this evidence it considers the question of how religion and theology helped women like Sally Wesley structure and inform their artistic production in conversation with the shifting roles for women in Regency society and artistic movements like Romanticism.

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