scholarly journals Innovation of the director's vocabulario of Oskaras Korshunovas

2021 ◽  
pp. 261-266
Author(s):  
Iryna Ivashchenko ◽  
Victoriya Strelchuk
Keyword(s):  
Scene Perception ◽  
Historical Analysis ◽  
Compositional Analysis ◽  
Modern Society ◽  
Structural Method ◽  
Experimental Development ◽  
Crisis Of Representation ◽  
Characteristic Features ◽  
Contemporary Theater ◽  
Structural Methods

The purpose of the article is to reveal the peculiarities of the theatrical direction of O. Korsunovas and analyze the innovation of his director's vocabulary. Methodology. Comparative and structural methods were applied, which contributed to the identification of the originality and diversity of innovative directorial vocabulary; the method of art history analysis, the typological-structural method, and the method of artistic-compositional analysis of stage works, thanks to which the director's "toolbox" has been studied and structured, etc. Scientific novelty. The directorial activity of Oskaras Koršunovas is investigated in the context of the leading strategies of modern European theater; based on the art historical analysis of the performances "There to be here", "Old" by D. Kharms, "Hello Sonya, New Year" by A. Vvedensky, "P.S. case OK "S. Parulskis," Roberto Zucco "B.-M. Colts, “Hamlet” by W. Shakespeare and others, the innovative ways of representation applied by the director were revealed and analyzed; the characteristic features of the director's vocabulary were determined and it was proved that it is an open and dynamic system that develops under the influence of urgent problems of modern society; previously unknown factual material was introduced into scientific circulation. Conclusions. The art of directing by O. Korsunovas is one of the most striking examples of contemporary theater, which deals with the problems of a modern person, and the specificity of its content and form emphasizes the crisis of representation of the late 20th - early 21st centuries, manifests itself through deep changes in relation to action, feelings, scene perception, fragmentation, the crisis of bodily mediation and invariant supports of representation, both at the level of setting and at the level of reception. Directing by O. Korsunovas is distinguished by a fundamental innovation of views, a desire to destroy the ideological, artistic, and methodological limitations of theatrical direction, a unique interpretation of classical plays as modern ones, with an emphasis on contemporary moments, an experimental development on the basis of a theatrical laboratory of unique metaphor and imagery. The research revealed that the characteristic features of O. Korsunovas' directorial vocabulary are: application of the principle of deformation, contrast, and transformation, which take the form of a tragic grotesque; coding in elements of presentation of principles related to the specifics of drama; using the subject as an abstract construction; the use of the chorus - an element of classical Greek theater - in the performances of works of modern drama, etc.

The demoralization of society and the proliferation of organization

Kybernetes ◽  
2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Kurt Rachlitz ◽  
Benjamin Grossmann-Hensel ◽  
Ronja Friedl
Keyword(s):  
Social Systems ◽  
Historical Analysis ◽  
Modern Society ◽  
Alternative Possibilities ◽  
Content Type ◽  
Love Relationships ◽  
Social Forms ◽  
Or Organization ◽  
The Relationship

PurposeIn this paper, the authors aim to clarify the relationship between organization and society. They argue that the proliferation of organization in modernity has not yet been properly understood in light of the absence of organization in premodern times. The authors therefore ask: Why do organizations proliferate? Why do they proliferate in such manifold organizational forms? And how can these heterogeneous forms nevertheless be related to a common problem to which organizations provide a solution? A comparative historical analysis based on the theory of social systems reveals that organizations fill a gap which the decline of morality as an integrative success medium created.Design/methodology/approachThe paper develops a conceptual framework focusing on the theory of media within Luhmann’s theory of social systems as a point of departure. The authors discuss the concept of “interpenetration” to assess the relation between morality and organization. They raise several follow-up questions for future empirical research, most prominently pertaining to the relationship between organization and digitalization.FindingsThe main finding is that morality can be conceptualized as a specific success medium (alongside religion and symbolically generalized communication media) which used to structure premodern societies by means of social and interhuman interpenetration at once. Modern society instead employs two differentiated forms of interpenetration: Social interpretation through organizations and interhuman interpenetration through love relationships. These centripetal counterforces help to mediate the centrifugal forces unleashed by the full development of modern success media. Modern society critically depends on the proliferation of organizations.Originality/valueThis paper examines the relationship between morality and organization not from the perspective of interaction or organization, but from the perspective of society. This approach provides novel insights in that it opens up promising avenues of comparison between organization and other social forms. Understanding the distinctively modern “success story” of organization as a social form makes it possible to ask about corresponding potentials and limitations, but also alternative possibilities. In doing so, the authors depart from most studies of organizations grounded in social systems theory as the authors primarily focus on Luhmann’s theory of media (as opposed to the theory of differentiation).

scholarly journals The main trends in the development of public-private partnership in the field of education in historical retrospective

2018 ◽  
Vol 55 ◽  
pp. 03015
Author(s):  
Natalia Simachkova ◽  
Oksana Trotsenko ◽  
Sergey Slukin
Keyword(s):  
Historical Analysis ◽  
Public Private Partnership ◽  
Historical Experience ◽  
Economic Space ◽  
Private Partnership ◽  
Current Trends ◽  
Social And Economic Development ◽  
Characteristic Features ◽  
Historical Past ◽  
Further Development

The growing interest to public-private partnership (hereinafter PPP) projects in the field of education in the conditions that lead to more intensive social and economic development of Russia is the basis for studying domestic and global historical experience in this issue. The article examines the main trends of the PPP development in education through the prism of historical retrospective. On the basis of the analysis of the historiography and modern scientific opinions in the study of the formation and development of PPP in the field of education, researchers formed their understanding regarding this issue in the historical past and in modern socio-economic space of Russia. The historical analysis allows determining the main milestones in the emergence and further development of various forms of interaction between the state, business and education. The conclusions, to which the authors came, allow identifying the main trends and characteristic features of public-private partnership in the sphere of education. The purpose is to define basic directions of the PPP development through the prism of historical retrospective and analysis of contemporary scientific opinions. Methodology of the work: retrospective, systemic and comparative methods were used in the paper. Results: the research of historical experience in the development of PPP in education in Russia was carried out. The latest scientific opinions regarding this issue were analyzed that allowed identifying current trends in the development of PPP in education.

scholarly journals STAGE IMAGES OF ROCK MUSICIANS AND THEIR INFLUENCE ON THE FORMATION OF MODERN TRENDS IN CLOTHING DESIGN

2021 ◽  
pp. 199-211
Author(s):  
Kateryna Kyselova ◽  
Olha Shandrenko ◽  
Alina Shcherbak
Keyword(s):  
Heavy Metal ◽  
21St Century ◽  
Hard Rock ◽  
Historical Analysis ◽  
Scientific Development ◽  
Fashion Design ◽  
Early 21St Century ◽  
The Usa ◽  
Rock Musicians ◽  
Characteristic Features

The purpose of the article is to reveal the influence of stage images of rock musicians on fashion design trends formation. Research methodology: the authors of the article use methods of source study analysis to determine the level of scientific development of the issue, comparative historical analysis to identify the characteristic features of images of musicians and catwalk models of clothing collections of famous designers, and theoretical generalization to draw conclusions. The scientific novelty of the work is to highlight the influence of stage images of musicians on the formation of modern trends in fashion design. The analysis of genre affiliation reveals stylistic differences of the stage costume of popular musicians of the USA and Europe. Some stylistic characteristics of the artists’ stage clothing could be traced in the collections of famous fashion brands of the 21st century, such as Balenciaga, Philipp Plein, Vetements, Alexander Wang, Alexander McQueen, and others. Conclusions. The research reveals the main stylistic features of the stage costume of hard rock and heavy metal musicians. Stage images of artists were innovative and widely used in fashion design of the 20th and early 21st century. The active influence of musicians on fashion trends began in the 60s and 70s of the twentieth century, which coincided with the development of stage costume design and the significant spread of media technology. Hard rock and heavy metal performers created and popularized such a style direction as “grunge”, which is one of the leading musical trends in 2020–2021. Designers of the 21st century borrowed many details, visual and stylistic features, and even concepts for brands from popular hard and heavy artists of the 1970s–1990s. Stage images of rock musicians have a significant impact on the development of fashion and design.

scholarly journals The impact of technological progress on everyday social communications in modern society

2021 ◽  
Vol 14 (1) ◽  
pp. 240-251
Author(s):  
M. A. Yuzhanin
Keyword(s):  
Technological Progress ◽  
Modern Society ◽  
Human Interaction ◽  
Critical Approach ◽  
Digital Era ◽  
Communication Processes ◽  
Social Communications ◽  
Characteristic Features ◽  
The Impact

In the presented article, the author examines the problems of the impact of technological progress on everyday social communications in society of the XXI century. The author analyzes the positive and negative aspects of the influence of the latest technologies on communication processes in modern society, and also touches on the topic of human interaction with artificial intelligence in the digital era. Particular attention is paid to the characteristic features of variable interactions and communications carried out through the Internet, social networks and instant messengers. As a result, it is concluded that it is necessary to form in modern generations of people a balanced, rational and critical approach to using the achievements of scientific and technological progress, not to the detriment of their intellect, independence, moral merit and the quality of communication with others, but for the good.

scholarly journals Dnipropetrovsk Ukrainian academic youth theater in the contemporary sociocultural context

2020 ◽  
pp. 5-15
Author(s):  
Andrey Tulyantsev
Keyword(s):  
Young People ◽  
Modern Society ◽  
Scientific Activity ◽  
Mutual Cooperation ◽  
Youth Theater ◽  
Scientific Disciplines ◽  
History Of ◽  
Specific Meaning ◽  
Theater Time ◽  
Contemporary Theater

The purpose of this article is concentrated by researcher into revealing of the particularity for modern theater on the example Dnipropetrovsk Ukrainian academic youth theater. The author studies performances for young people that the theater has in its repertoire. The dialogue between the theater and the audience has its own scientific interest for the author. The author uses the most effective methods of scientific research. The author has a need to understand the peculiarities of the style of acting and directing. It is also necessary to understand the general style of the theater. This position is significant, because there is a specificity in the interpretation of theatrical performance. Scientific novelty. This article has its own peculiarity. The author aims to determine for the first time the main provisions of the activities of the Ukrainian academic theater for youth from the Dnieper. To achieve this goal, the author of the article makes an analysis in which there is a specific meaning of the theater's activities, the subject of this research. Theater is analyzed as an artistic value. The author assesses the state of the collective as a theater historian. The activity of the theater is analyzed in the context of the functioning of modern theater culture. This is what makes it possible to understand the features of the historical phenomenon. It combines the present with the past. It aims to understand the perspective of contemporary theater time in the future. Methods. The performances of this theater have the characteristics of a synthetic genre. These performances have the ability to explain the nature of the interaction between theater and music. Therefore, research methods are based on the synthesis of various areas of scientific activity. In which there are various scientific disciplines. Specifically: the structural system of the history of the theater, the use of analytical methods in the analysis of drama, direction, skill of actors, singing, orchestra work, scenography. The author explores their analogies and connections, what unites them and what is opposition. Conclusions. The performances of the Ukrainian academic theater for young people from Dnipro are of different genres. The principles of the dialogue between the theater system and the audience, which exists in mutual exchange, are revealed in these performances. The author notes the real mutual cooperation between the theater and the audience. At the same time, there is an addition of one dramatic tradition to another. You can also observe how professional directors worked with the texts of the plays. The fact of how the structure and style of the performance is changing is significant. The academic professional artistic transformation of vocational performances in modern society is essential relevant.  

scholarly journals Think Tanks in Russia and China: History of Creation, Assessment of the Current State and the Prospects of Cooperation

2020 ◽  
pp. 36-46
Author(s):  
E. A. Kuklina
Keyword(s):  
State Level ◽  
Modern Society ◽  
Think Tanks ◽  
The Arctic ◽  
Managerial Decisions ◽  
History Of ◽  
The Media ◽  
Characteristic Features ◽  
Analytical Centers ◽  
Expert Community

The relevance of the research concerning the think tanks creation and development is due to the increased role of the expert community in preparing the analytical base for making managerial decisions at the state level. Currently, think tanks are ranked as the “fifth power”, after the legislative, executive, judicial powers and the media, which enhances their importance and role in modern society. Today, international conferences of think tanks and the network associations development of expert and analytical structures is one of the transnationalization manifestations in the intellectual sphere. The article presents the results of studying the prerequisites for the think tanks emergence in the world and the stages of their evolution, and describes the characteristic features. A grouping of new analytical centers inRussiais presented, the features of the emergence and development of Asian think tanks, which play an important role in enhancing the international scientific and expert dialogue, are revealed. The features and stages of theChinathink tanks formation, as well as their modern structure are presented. One of the promising areas of Russian-Chinese cooperation in the expert analytical sphere has been identified, the hypothesis is the possibility of implementing joint Russian-Chinese expertanalytical cooperation projects in the Arctic zone.

scholarly journals AUDIT AS A FORM OF CONTROL OF THE STATE FINANCIAL INSPECTION OF UKRAINE

2019 ◽  
Vol 4 (5) ◽  
pp. 31 ◽  
Author(s):  
Ihor Bohdaniuk ◽  
Vladyslav Kolisnichenko ◽  
Olena Ustymenko
Keyword(s):  
The State ◽  
Structural Method ◽  
Legal Method ◽  
Optimal Functioning ◽  
Domestic Legislation ◽  
Analysis And Synthesis ◽  
General Scientific ◽  
Characteristic Features ◽  
Definition Of ◽  
Selection Of

The aim of the article is to review the audit as a form of control of the State Financial Inspection of Ukraine and to analyse its forms and types. The subject of the study is the audit as a form of control of the State Financial Inspection of Ukraine. Research methodology. The research is based on the use of general scientific and specialscientific methods and techniques of scientific knowledge. The dialectical method made it possible to investigate the definition of the audit as a form of control of the State Financial Inspection of Ukraine and the procedure for its appointment. The comparative legal method was used in order to compare doctrinal approaches to this issue. Interpretation of the content of normative legal acts of domestic legislation was carried out with the help of the normative-dogmatic method. These acts regulate the problem of appointment and conduction of the audit. The system-structural method was used for the study of the audit institution as a whole (system) with the coordinated functioning of all its elements. Methods of analysis and synthesis helped to study some parts of this institute to formulate further conclusions about its most optimal functioning. Practical impact. The analysis of types of audits, as well as their characteristic features, helped to develop recommendations for improving the procedure for conducting audits by the State Financial Inspection of Ukraine, as well as to identify problematic issues that require further consideration and research. Correlation/originality. In the research, there was made a proposal about audits, which are carried out by the State Financial Inspection of Ukraine and its territorial bodies. The proposal was to make them a form of forecasting control. It was recommended to qualify the fact of prevention the officials of the controlling body from carrying out the audit, checking or not providing the necessary documents for audit and verification as an administrative offense. A special attention was paid to the timeliness of the selection of explanations from the involved persons during the detection of offenses.

scholarly journals Eine Ästhetik der Grenze als maßvolles Gutes und Schwelle zum Anderen — die Praxis der Freundschaft bei Ivan Illich

2018 ◽  
Vol 19 (1) ◽  
pp. 3-16
Author(s):  
Isabella Bruckner
Keyword(s):  
Historical Analysis ◽  
Modern Society ◽  
Space And Time ◽  
Personal Action ◽  
Constitutive Element ◽  
Ivan Illich

In the course of his critique on institutions and modern society, the historian and philosopher Ivan Illich seeks to understand how the conception of limitation has changed from antiquity to modernity. Illich speaks about the fading of an aesthetic of proportionality and complementarity, which has framed the perception of beings as well as that of space and time. Within this aesthetic, the experience of fundamental otherness was a constitutive element. The article illustrates Illich’s historical analysis and points out its significance for a reflection on the Christian practice of friendship. In the practice of friendship, otherness and complementarity are experienced in a horizon of freedom. In this context, thresholds and visible passages do not function as divisions or mediums of exclusion, but as perceptible markers, which can enable personal action in qualitatively differing spaces.

Why Do We Keep Coming Back to Institutions?

2020 ◽  
Vol 30 (6) ◽  
pp. 1-22
Keyword(s):  
Sociology Of Knowledge ◽  
Max Weber ◽  
Historical Analysis ◽  
Analytical Techniques ◽  
Modern Society ◽  
Natural World ◽  
Institutional Approach ◽  
Wide Range ◽  
The World ◽  
Organizational Institutionalism

The article examines contemporary philosophical and theoretical trends that lead to the dispersion and fragmentation of theories and research methodologies and even of the subject of inquiry. This process is dismantling the basic ontological distinctions that have long determined both the epistemological and the cultural characteristics of European society and science. These theoretical leanings have their own social and cultural roots in the rapidly increasing complexity of modern civilization. That civilization is relinquishing what Max Weber saw as a crucial distinguishing feature of modern society: its ability to comprehend the structure and functioning of the surrounding world. The author finds that one result is the emergence of a “new naivety” in which insurmountable difficulties in attaining rational understanding justify postulation of the ontological independence of actors, objects, etc., as well as the resurgence of various forms of metaphysics. The importance of an emotional relationship toward the world, which increasingly manifests itself as a universe of singularities, is expanding in step with the loss of a rational horizon for subjectivity in modern society. The historical perspective of the institutional approach has several epistemological advantages for dealing with these tendencies. The institutional approach maintains continuity with the project of modern historiography as such by concentrating on phenomena that have a comparable duration and sustainability and by facilitating examination of problems in the sociology of knowledge, for which a wide range of analytical techniques has been developed in order to analyze the interaction of institutions with different scales (for instance, within the framework of organizational institutionalism) among others. The historical analysis of institutions also has a significant practical value by disabusing us of a naive view of the world (including the natural world) as some kind of natural and unmediated given and by making us aware of the contingency of our historical existence. The institutional approach and modern historiography share a common mission as an emancipatory exercise in self-knowledge.

Convergence of Information and Social Technologies in the Digital Age

2021 ◽  
Vol 64 (5) ◽  
pp. 71-92
Author(s):  
Danila G. Dabrarodni ◽  
Vera A. Belаkrylаva
Keyword(s):  
Management Practices ◽  
Work Organization ◽  
Modern Society ◽  
Well Being ◽  
Industrial Society ◽  
Social Design ◽  
Information Platform ◽  
Social Technologies ◽  
Individual Knowledge ◽  
Characteristic Features

The article discusses the specifics of current convergent development of information (IT) and social technologies (ST) and their socialization as well as defines the characteristic features of ST implemented on a digital platform. The authors analyze the reasons for the increasing demand for ST and explicate their role in post-industrial society. The authors believe that the boom of ST over the recent decades is associated with the need to transform “vertical” management practices toward distributed and maximally individualized usage. The network communication format in modern society, established due to IT development, is correlated with “soft” social design technologies, which provide not just subordination and discipline, but highly motivated work, initiative, emotional involvement, and creativity. At the same time, personal boundaries, which have become the most important component of psychological well-being for a modern person, are quite permeable to the combined impact of ST and IT. The “capitalization of human capital” in the information age has obtained quite a literal meaning because individual knowledge, skills, and initiative become the main resource and competitive base in digital economy. Using the example of Agile, one of the leading practices in modern IT industry, the authors analyzed the specifics of work organization of compact creative groups. The article reveals the ethical aspects of using convergent information and social technologies. The authors conclude that the task of countering destructive influences from ST on the information platform is relevant and even urgent. However, the society has yet to formulate humanistic guidelines for constructive socio-technological design practices.

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