scholarly journals Promoting Gender Equality Values in a Fiction Written by A Lombok Female Writer

Author(s):  
Puspita Dewi ◽  
Riyana Rizki Yuliatin ◽  
Sulmi Magfirah ◽  
Dian Eka Sari ◽  
Farida Maricar

Plenty of media is used, such as newspapers, magazines, novels, and movies to share information and incorporate some life values, including gender equality values. The collection of short stories entitled NING was written by Irma Argiyanti. She is an active Lombok writer. This research aims to identify the writer's ideology through the artwork (the short story collection). This methodological framework was adopted from Fairclough’s concept of the three-dimensional model, explored gender representation in the short stories, and tried to identify the truth behind the texts' ideology. The results show that the stories represent implicitly and explicitly gender equality values. Therefore, the topics and the stories' flow provide patriarchy, women empowerment, and equality values in the family. Based on the data, there are about 33 words representing women’s names and 19 words of men. Consequently, the short stories pursue the readers to think, elaborate, and accept gender equality values, and it is expected to implement in daily life and change to be a better society.

Imbizo ◽  
2017 ◽  
Vol 7 (2) ◽  
pp. 92-98
Author(s):  
Faith Mkwesha

This interview was conducted on 16 May 2009 at Le Quartier Francais in Franschhoek, Cape Town, South Africa. Petina Gappah is the third generation of Zimbabwean writers writing from the diaspora. She was born in 1971 in Zambia, and grew up in Zimbabwe during the transitional moment from colonial Rhodesia to independence. She has law degrees from the University of Zimbabwe, the University of Cambridge, and the University of Graz. She writes in English and also draws on Shona, her first language. She has published a short story collection An Elegy for Easterly (2009), first novel The Book of Memory (2015), and another collection of short stories, Rotten Row (2016).  Gappah’s collection of short stories An Elegy for Easterly (2009) was awarded The Guardian First Book Award in 2009, and was shortlisted for the Frank O’Connor International Short Story Award, the richest prize for the short story form. Gappah was working on her novel The Book of Memory at the time of this interview.


2020 ◽  
Vol 6 (2) ◽  
pp. 321-331
Author(s):  
Tatiana Ternopol

This study investigates the intertextual use of Greek mythology in Agatha Christie’s short stories Philomel Cottage, The Face of Helen, and The Oracle at Delphi, a short story collection The Labours of Hercules, and a novel, Nemesis. The results of this research based on the hermeneutical and comparative methods reveal that A. Christie’s intertextual formula developed over time. In her early works, allusions were based on characters' appearances and functions as well as on the use of motifs and themes from Greek myths. Later on, she turned to using allusory character names; this would mislead her readers who thought they already knew the formula of her stories. Although not a postmodern writer, A. Christie enjoyed playing games of allusion with her readers. She wanted them not only to solve a case but also to discover and interpret the intertextual references.


2020 ◽  
Vol 1 (1) ◽  
pp. 1-16
Author(s):  
Arin Nafiana ◽  
Johan Mahyudi ◽  
Muhammad Khairussibyan

Abstrak: Penelitian ini bertujuan untuk (1) mendeskripsikan bentuk interaksi sosial dalam ketujuh cerpen pada kumpulan cerpen Jendela Cinta karya Fahri Asiza dkk. dan (2) mendeskripsikan pemanfaatan cerpen dalam kumpulan cerpen Jendela Cinta sebagai pembelajaran sastra di SMA. Metode yang digunakan adalah metode deskriptif kualitatif. Teknik pengumpulan data yaitu dokumentasi. Selanjutnya data dianalisis dengan teknik deskriptif analitis yang meliputi pengidentifikasian, pengklasifikasian, dan penyimpulan pada data-data yang terkumpul dari kumpulan cerpen Jendela Cinta karya Fahri Asiza dkk. dengan pendekatan sosiologi sastra, yakni teori interaksi sosial Georg Simmel. Bentuk interaksi sosial dalam teori ini berupa superordinasi dan subordinasi, pertukaran, konflik, prostitusi, dan sosiabilitas. Hasil penelitian ini menunjukkan bahwa ditemukan 37 data dengan rincian data 8 bukti data superordinasi dan subordinasi, 6 bukti data pertukaran, 11 bukti data konflik, 3 bukti data prostitusi, dan 9bukti data sosiabilitas. Pada bentuk interaksi superordinasi dan subordinasi satu di antaranya tergambar dalam hubungan antara tokoh majikan dan tokoh pembantu pada cerpen berjudul “Dia!”, bentuk pertukaran salah satunya tampak melalui tokoh Ratna dan ketiga adiknya pada cerpen “Malam Biru” saat bertukar informasi, bentuk konflik ditemukan satu di antaranya dalam perselisihan antara GAM dan TNI di Aceh yang diceritakan dalam cerpen “Terapung” dan “Bidadari Kecilku”, bentuk prostitusi ditemukan dalam cerpen “Bulan Mengapung” melalui tokoh Parjo dan teman-temannya, dan bentuk sosiabilitas satu di antaranya tergambar melalui keramahan tokoh Aminah dalam cerpen “Jendela Cinta”. Abstract: This research aims to (1) describe the forms of social interactions in the seven short stories called Jendela Cinta by Fahri Asiza et al. and (2) describe the use of short stories in the collection of Jendela Cinta short story as literary learning in senior high school. The method use is descriptive qualitative method. The data collection technique is documentation. Furthermore, the data were analyzed using descriptive analitytical techniques which include identifying, classifying, and inferring data collected from the short story collection of Jendela Cinta by Fahri Asiza et al. with a sociological approach to literature, based on Georg Simmel’s theory of social interaction. The form of social interaction in this theory is in the form of superordination and subordination, exchange, conflict, prostitution, and sociability. The result of this research indicate that found 37 data with 8 data details of superordination and subordination data, 6 evidence of exchange data, 11 evidence of conflict data, 3 evidence of prostitution data, and 9 evidence of sociability data. In the form interaction of superordination and subordination, one of them is illustrated in the relationship between the employer and the maid in the short story “Dia!”, one form of exchange was seen through the character Ratna and her three younger siblings in the short story “Malam Biru” when exchanging information, one form of conflict was seen in a dispute between GAM and TNI in Aceh which was told in the short stories “Terapung” and “Bidadari Kecilku”, a form of prostitution found in the short story “Bulan Mengapung” through Parjo figures and friends, and one form of sociability was seen through Aminah figures in the short story “Jendela Cinta”.


Buana Bastra ◽  
2021 ◽  
Vol 5 (1) ◽  
pp. 10-17
Author(s):  
Fithroh Wahidah

This study aimed to describe the social and political conflicts contained in the collection of short stories Drama Tells Too far work of Puthut EA and to describe thecorrelation between the short story collection The play was a story Too far work of PuthutEA with reality night history of Indonesian society. Sources of data in this study is the textcontained in the collection of short stories Drama Tells Too far work of Puthut EA. Whilethe research data is an excerpt sentence, description, dialogue, and other important mattersin the collection of short stories Drama Tells Too far work of Puthut EA. Data obtained byreading and writing techniques. Data were analyzed with the approach of sociology ofliterature and descriptive analysis techniques. The validity of the data obtained byconducting triangulation is triangualasi methods, sources of data and theory. These resultsindicate the existence of social and political conflict are contained in the collection of shortstories Drama Tells Too Far work of Puthut EA, containing social conflicts, among others:(1) gender conflict, namely: the oppression of women, (2) racial conflict, namely:discrimination of race Chinese, (3) inter-religious conflicts, namely: distrust ofcommunism, (4) conflict of interest, namely: the imposition of a leader, (5) interpersonal conflicts, namely: distrust of others, (6) the conflict between social classes, namely: socialinequality. Containing the political conflict, among others: (1) the weapons of battle and (2)the strategy politik. Correlation between the short story collection That play was a storyToo Far of Puthut EA works with historical reality of Indonesian society, among others: (1)The 1998 riots (2) The increase in fuel (3) Ethnic Discrimination (4) Dispute people of thesame religion (5) arrest Without Accompanied Official Letter (6) Violations of humanrights and (7) Poverty.  


2020 ◽  
Vol nr specjalny 1(2020) ◽  
pp. 498-518
Author(s):  
Elżbieta Dutka ◽  

Włodzimierz Odojewski is one of the most famous émigré writers who still deals with the topic of emigration, even in his books published long after his both symbolic and real return to the homeland. Significant extension and dwelling on the said topic can be observed in the book „…i poniosły koine” […and the horses bolted]. The aim of this paper is to provide an interpretation of the short stories gathered in the volume (published in 2006) from the perspective of the biographical context, the rest of Odojewski’s writings, as well as his opinions on various aspects of exile. Such interpretation reveals a more existential and internalized dimension of emigration but also its universal meanings. Thus, emigration is considered to be a metaphor of human fate.


2019 ◽  
Vol 41 (2) ◽  
pp. e45888
Author(s):  
Cielo Griselda Festino

This article brings a reading of the short-story collection Monção [Monsoon] ( 2003) by the Goan writer Vimala Devi (1932-). The collection can be read as a short-story cycle, a group of stories related by locality, Goa, character, Goans, from all walks of life, and theme, in particular women´s milieu, among other literary categories. In her book, written from her self-imposed exile in Portugal, Devi recreates Goa, former Portuguese colony, in the 1950s, before its annexation to India. A member of the Catholic gentry, Devi portrays the four hundred years of conflictive intimacy between Catholics and Hindus. Our main argument is that Devi´s empathy for her culture becomes even more explicit in Monção when her voice becomes one with that of all her women characters. Though they might be at odds, due to differences of caste, class and religion, Devi makes a point of showing that they are all part of the same cultural identity constantly remade through their own acts of refusal and recognition. This discussion will be framed in terms of Sidonie Smith and Julia Watson’s theory of autobiography (2001) as well as the studies on Goan women by the Goan critics Propércia Correia Afonso (1928-1931), Maria Aurora Couto (2005) and Fátima da Silva Gracias (2007).


Author(s):  
Qurat- Ul-Aine

This paper investigates the use of Urdu words by Post-colonial writer Daniyal Muneenuddin in his short stories. A content analysis of four short stories from the short stories collection “In other rooms, Other wonders”, published by Random House Group Limited, UK, has been conducted carefully. The three short stories are “NAWABDIN ELECTRICIAN”, “SALEEMA”, and “IN OTHER ROOMS, IN OTHER WONDERS”. The current research answer many questions like why have English words are replaced with Urdu Word in English short stories? Is the English Language is failed to convey contextual meanings? The frequency of Urdu words in the written discourse of short stories indicates the Multilingualism phenomenon in given texts. The analysis also highlights the emerging trends in Pakistani English writings and language mixing as multilingualism in written text. The post-colonial literature written by Pakistani writers provides a clue of the emergence of Pakistani English, and the use of Urdu words in Pakistani English variety anticipates its different forms and functions in written discourse.


Author(s):  
Milica Aleksić

In this paper we discuss the doubling of characters' identities in Borisav Stanković's short story collection Stari dani (1902), and a conscious or unconscious selection of another protagonist as an alternative for performing a particular protagonist’s activity the doubling of the actual narrative world through counter-narrative, simulated narrative, comparison and narrative negation will be analyzed. We will try to show how the patriarchal context determines this otherness of worlds and protagonists, and what the cause-effect relations has to do with the psychologization of Stanković's protagonists and the development of the story in nine short stories of the aforementioned collection.


2020 ◽  
Vol 9 (1) ◽  
pp. 1
Author(s):  
Ferdinal Ferdinal

Right after the fall of Suharto’s regime, Indonesia has undergone tremendous changes in almost all aspects of life: political, economic, social, cultural, and possibly ideological lives. The changes bring new breaths to Indonesian future, especially in the area of women’s rights. This article discusses the issue of women’s rights in Indonesia based on a textual analysis. The purpose of this writing is to investigate the representation of women’s rights issues in some stories of The Jakarta Post, one of the most popular media which has also played an important role in popularizing and spreading such issues. Postcolonial criticism is used to see how the stories portray the issues of women’s rights, particularly gender equality and marginality. To study the issues, this analysis looks at two short stories: “Gender Equality” by Iwan Setiawan and “Street Smart Mom” by Eric Musa Piliang.  The two stories represent the fact that Indonesian women fight against colonization for their rights in some different ways, as a smart wife and a poor street mother. The stories signal that Indonesian women struggle to escape from colonization through some actions such as moving forward to the center of power by maintaining superiority against men and living their lives as they wish in spite of being poor.


2019 ◽  
Vol 12 (1) ◽  
pp. 1
Author(s):  
Asri Furoidah ◽  
Alberta Natasia Adji

The Form of Text Communication in Eka Kurniawan’s Corat-coret di Toilet Short Story Collection. The purpose of this study is to find the method of text communication in the Corat-coret di Tolet short stories collection. The form of this study is a literary study with structural analysis methods as offered in the narrative theory of Gerard Gennette. The results of the study are the classification of the text communication method of short stories namely: zero and fixed internal focalization; subsequent and simultaneous narrating times; intradiegetic-heterodiegetic, extradiegetic-heterodiegetic, and intradiegetic-homodiegetic types of narrating level and person; the character and writer as a narrator. The findings of the classification of text communication methods indicate the existence of a gender bias that alienates women's position in the story.


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