Introduction: Nordic Genre Film and Institutional History

2015 ◽  
pp. 1-18
Author(s):  
Tommy Gustafsson ◽  
Pietari Kääpä
Keyword(s):  
Popular Culture ◽  
Small Region ◽  
Institutional History ◽  
Global Consciousness ◽  
Film And Television ◽  
Television Shows ◽  
Danish Version ◽  
The Media ◽  
The Uk ◽  
The Guardian

The demand for all areas of Nordic film and television culture outside the borders of the Nordic countries may come as no surprise. The popularity of television shows such as The Killing (Forbrydelsen, 2007) and The Bridge (Bron|Broen, 2011) both domestically and internationally have increased the profile of Nordic media while the crime novels of Henning Mankell and Stieg Larsson have penetrated the American market – the barometer for global Commercial ‘relevance’. The Guardian in the UK has published several articles on the craze, noting how the protagonist of the original Danish version of The Killing, detective Sarah Lund, has become an unlikely fashion icon with her knitted sweaters. While a certain type of Nordic film – the existential artistry of a Dreyer, a Bergman or a Kaurismäki – has existed at the periphery of this global consciousness, such perceptions are clearly shifting as the contemporary situation seems to be more characterised by Nordic contributions to global popular culture instead of the more traditional frameworks of artistic or experimental relevance. How did we get to this situation? In short, how did the media products of this small region of the world become part of global popular culture?

scholarly journals News framing of the Ukraine crisis in the Russian and British media

2019 ◽  
Vol 12 (1) ◽  
pp. 4-22
Author(s):  
Zixiu Liu
Keyword(s):  
Circulation Rate ◽  
Economic Consequence ◽  
News Framing ◽  
Quantitative Content ◽  
Russian Media ◽  
The Media ◽  
The Difference ◽  
The Uk ◽  
Ukraine Crisis ◽  
The Guardian

This pilot study uses quantitative content analysis following the framework of generic frames, diagnostic and prognostic frames (Godefroidt et al. 2016) to compare the news framing of the Ukraine crisis in Russia and the UK from 30 November 2013 to 26 February 2014. The Moscow Times and The Guardian were chosen as examples of quality print media with online editions that are comparable in terms of quality, circulation rate, political stance, and more importantly – global targeting. The study argues that firstly, the media in both countries were more likely to report through conflict lens, followed by responsibility frame. Secondly, the difference between the Eastern and Western media was tracked. While the Russian media relatively preferred economic consequence frame reflecting the country’s geopolitical interests, the British media tended to use human-interest frame highlighting unfairness and non-proportionality.

Open Justice or Open Season?: Should the Media Report the Names of Suspects and Defendants?

2010 ◽  
Vol 74 (4) ◽  
pp. 321-338 ◽  
Author(s):  
Michael Bohlander
Keyword(s):  
Supreme Court ◽  
Code Of Conduct ◽  
Media Report ◽  
Daily News ◽  
Private Lives ◽  
German Press ◽  
The Media ◽  
Uk Supreme Court ◽  
The Uk ◽  
The Guardian

The daily news in England and Wales is full of reports about people who have been arrested, arraigned before a court, convicted and sometimes also acquitted, of some heinous crime or other. Most disturbingly, the suspects are named in full with their address and more often than not their photo will also be printed or broadcast. Their private lives and professional reputation are highly likely to be seriously affected the minute the news is made public, regardless of a later acquittal, which may not come until the Supreme Court decides years after the event. This article queries what open justice can be taken to mean in today's media society, whether the media are in it for the sake of enhancing justice or the sake of enhancing sales. The situation in the UK will be set out using the example of the decision of the UK Supreme Court in the Guardian News case and compared with the German press code of conduct.

scholarly journals The discursive construction of Romanian immigration in the British media: Digitized press vs. Television documentaries

2015 ◽  
Vol 17 (2) ◽  
pp. 54 ◽  
Author(s):  
Bianca Florentina Cheregi
Keyword(s):  
Critical Discourse Analysis ◽  
Research Approach ◽  
The European Union ◽  
Framing Analysis ◽  
Daily Mail ◽  
Television Use ◽  
The Media ◽  
British Press ◽  
The Uk ◽  
The Guardian

<p>This paper looks at how the media – particularly the British press and television – frames the issue of Romanian immigrants in Great Britain, in the context of the freedom of movement for workers in the European Union. The study focuses on the frames employed by the British journalists in constructing anti-immigration discourses in the digital and the TV sphere, comparatively. This study analyzes the stereotypes about Romanian people used in two British media formats and the way in which they affect Romania’s country image overseas. Using a mixed research approach, combining framing analysis (Entman, 1993) with critical discourse analysis (Van Dijk, 1993), and dispositif analysis (Charaudeau, 2005) this article investigates 271 news items from three of the most read newspapers in the UK (The Guardian, Daily Mail and The Independent), published online during January 2013 – March 2014. Also, the paper analyzes three film documentaries from BBC (Panorama – The Romanians are Coming? – BBC1, The Truth About Immigration – BBC2 and The Great Big Romanian invasion – BBC World News). The analysis shows that the British press and television use both similar and different frames to coverage Romanian migrants. The media also infer the polarization between “Us” (the British media) and “Them” (the Romanian citizens).</p>

scholarly journals Press Regulation in the UK Nowadays: The Guardian about IPSO and IMPRESS

2021 ◽  
Vol 10 (4) ◽  
pp. 649-665
Author(s):  
Elena Shishparonok
Keyword(s):  
Media Industry ◽  
National Scale ◽  
Regulatory Issues ◽  
Media Regulation ◽  
National Body ◽  
Ethical Conflicts ◽  
The Press ◽  
The Media ◽  
The Uk ◽  
The Guardian

According to research different countries have unique experiences in solving ethical conflicts. The current study characterized the current situation of media regulation in the UK as a crisis, since two similar regulators function instead of one single national body. The Independent Press Standards Organization (IPSO) oversees most national newspapers, while the Independent Monitor for the Press (IMPRESS) deals with local and regional publications. The analysis of the Guardian`s articles from 2014 to 2021 on media regulation showed that after the Press Complaints Commission was closed the Guardian didn`t accept IPSO`s protection and worked out its own self-regulatory scheme. The journalists perceive that IPSO repeats the PCC`s mistake and is far from being an independent regulator. The study found that IPSO is not sufficiently resolute and consistent in upholding standards when it comes to major British publications. IPSO refused to accept the jurisdiction of Press Recognition Panel (PRP) that controls if regulators meet certain requirements (39 Criteria). The main advantage of IMPRESS is that it still exists on the basis of grants and voluntary contributions. It is not financially dependent on the media industry and has received an approval of the PRP. IMPRESS deals mostly with local papers so it has no big influence on a national scale. The study found few cases of IMPRESS activities in “The Guardian”. Technologies pose new regulatory issues. A strict system of internal regulation in some publications is an interesting example in this sphere. “The Guardian” has 20 years of experience in such work.

Suicide and the Media

Crisis ◽  
2001 ◽  
Vol 22 (4) ◽  
pp. 163-169 ◽  
Author(s):  
R. Warwick Blood ◽  
Jane Pirkis
Keyword(s):  
Social Learning Theory ◽  
The Body ◽  
Media Content ◽  
Causal Association ◽  
Media Messages ◽  
Film And Television ◽  
Media Portrayal ◽  
The Media ◽  
Actual Suicide ◽  
Multiple Meanings

Summary: The body of evidence suggests that there is a causal association between nonfictional media reporting of suicide (in newspapers, on television, and in books) and actual suicide, and that there may be one between fictional media portrayal (in film and television, in music, and in plays) and actual suicide. This finding has been explained by social learning theory. The majority of studies upon which this finding is based fall into the media “effects tradition,” which has been criticized for its positivist-like approach that fails to take into account of media content or the capacity of audiences to make meaning out of messages. A cultural studies approach that relies on discourse and frame analyses to explore meanings, and that qualitatively examines the multiple meanings that audiences give to media messages, could complement the effects tradition. Together, these approaches have the potential to clarify the notion of what constitutes responsible reporting of suicide, and to broaden the framework for evaluating media performance.

Capturing the Art of Public Service: The Government’s Perspective

Public Voices ◽  
2017 ◽  
Vol 14 (2) ◽  
pp. 55
Author(s):  
Tony Carrizales
Keyword(s):  
United States ◽  
Content Analysis ◽  
Popular Culture ◽  
Public Service ◽  
Public Art ◽  
The United States ◽  
Virtual Museum ◽  
Film And Television ◽  
Government Institutions ◽  
Art Forms

Public Service, in popular culture, can be viewed through many artistic lenses. Although there has been a consistent negative portrayal of government through art forms such as film and television, this research looks to review how government institutions in the United States have used art to provide a positive portrayal of public service. Eight forms of public service art are outlined through a content analysis of the holdings at the Virtual Museum of Public Service. The findings show that government and public entities have historically and continually engaged in promoting public service through art. Many of these public art examples are accessible year round, without limitations, such as buildings, statues, and public structures.

scholarly journals The media diversity and inclusion paradox: Experiences of black and brown journalists in mainstream British news institutions

Journalism ◽  
2021 ◽  
pp. 146488492110017
Author(s):  
Omega Douglas
Keyword(s):  
Open Letter ◽  
News Production ◽  
Black British ◽  
Media Diversity ◽  
Diversity And Inclusion ◽  
The Us ◽  
The Media ◽  
Journalistic Field ◽  
The Uk ◽  
Race Problem

Over 100 British journalists of colour are signatories to an open letter demanding the US Ambassador to the UK condemns the arrest of African-American journalist, Omar Jimenez, on May 29th 2020, whilst he was reporting for CNN on the Minneapolis protests following the police killing of George Floyd. The letter is a vital act of black transatlantic solidarity during a moment when journalism is under threat, economically and politically, and there’s a pandemic of racism in the west. These factors make journalism challenging for reporters from racial minorities, who are already underrepresented in western newsrooms and, as this paper shows, encounter discrimination in the field, as well as within the institutions they work for. The letter speaks to how black British journalists are all too aware that the British journalistic field, like the American one, has a race problem, and institutional commitments to diversity often don’t correspond with the experiences of those included, impacting negatively on the retention of black journalists. Drawing on original interviews with 26 journalists of colour who work for Britain’s largest news organisations, this paper theoretically grounds empirical findings to illustrate why and how discriminatory patterns, as well as contradictions, occur and recur in British news production.

Entertainment publics in the Philippines

2021 ◽  
pp. 1329878X2098596
Author(s):  
Anna Cristina Pertierra
Keyword(s):  
Social Media ◽  
Popular Culture ◽  
Digital Technologies ◽  
The Philippines ◽  
Political Capital ◽  
Martial Law ◽  
Entertainment Media ◽  
Digital Era ◽  
The Media ◽  
Entertainment Television

Since the late 1980s, Filipino entertainment television has assumed and maintained a dominance in national popular culture, which expanded in the digital era. The media landscape into which digital technologies were launched in the Philippines was largely set in the wake of the 1986 popular movement and change of government referred to as the EDSA revolution: television stations that had been sequestered under martial law were turned over to family-dominated commercial enterprises, and entertainment media proliferated. Building upon the long development of entertainment industries in the Philippines, new social media encounters with entertainment content generate expanded and engaged publics whose formation continues to operate upon a foundation of televisual media. This article considers the particular role that entertainment media plays in the formation of publics in which comedic, melodramatic and celebrity-led content generates networks of followers, users and viewers whose loyalty produces various forms of capital, including in notable cases political capital.

Biopesticide Summit – Regulatory Reform of Biopesticides, Virtual Conference, 6th July 2021

2021 ◽  
Vol 32 (4) ◽  
pp. 168-170
Author(s):  
Robin Blake
Keyword(s):  
Market Share ◽  
Regulatory System ◽  
Regulatory Reform ◽  
Non Profit ◽  
The Us ◽  
The Media ◽  
Virtual Conference ◽  
The Uk ◽  
Chemical Pesticides ◽  
The Eu

This virtual event was held as a follow-up to the inaugural Biopesticide Summit and Exhibition at Swansea University in July 2019, and postponed in 2020 due to the Covid-19 pandemic. Sarah Harding, Communication Director at The World BioProtection Forum (WBF) & Biopesticide Summit opened the event with a few brief words of introduction before handing over to Dr Minshad Ansari, Chairman of the WBF.<br/> Dr Ansari was delighted with the more than 150 attendees already logged into the event with over 300 registered. The WBF was created in 2019 as a non-profit organization to bring together industry and academia for innovation. Dr Ansari thanked the event's supporters – AgBio, Agri Life, Bayer, Bionema, Ecolibrium Biologicals, Koppert Biological Systems, Harry Butler Institute and Sri BioAesthetics, as well as the media partners including Outlooks on Pest Management. He reiterated the need for regulatory reform due to removal of chemical pesticides, demands for organic food, limited biopesticide products registered and a lengthy and costly biopesticide registration process (5 years in EU where there are just 60 products available vs. 2.1 years in USA and where over 200 products are already available on market). The US is clearly in a much better place; in Europe, it is too expensive for SMEs and little progress has been made despite the work of the IBMA (International Biocontrol Manufacturers Association) and others. With respect to the biopesticides market share (value) by region, Europe has 27.7% market share (21.3% CAGR) and yet within UK, the CAGR is limited (unlike other European countries) – there are few products available in the market compared to chemical pesticides. The current biopesticide regulation is complex and not fit for purpose (compare 60 vs 200). Industry is facing a serious problem with pest control following the removal of some chemical pesticides, e.g.European cranefly which has caused many problems to the turf industry and has been impacted by the removal of chlorpyrifos. However, Brexit provides opportunities in the UK through government plans to "Build Back Better" by supporting Green Tech. At the EU level, the EU has committed to reducing use of pesticides by 50% (equating to 505 products) by 2030 so there are opportunities here for biopesticides to fill the market.<br/> Dr Ansari finished his introduction by restating the objectives for the meeting: for the speakers to present and debate the need for reform, their visions for a successful regulatory system, and how the WBF is working towards process reform in UK biopesticide regulation.

Sign in / Sign up

Export Citation Format

Share Document