scholarly journals On research of upbringing activity with the help of the Internet as the factor of development of self-understanding of the younger teenager

Author(s):  
Nadezhda V. Tasimova

The article is devoted to the development and application of the model of upbringing activities using the Internet as a factor in the development of self-understanding of the younger teenager. The basic provisions for the development of this model are formulated: the interpretation of the social situation of development in the context of modern socio-cultural situation; the understanding of upbringing as the creation of conditions for the development of personality, characteristics of self-consciousness and self-understanding of adolescents. On the basis of these provisions, a model of upbringing activities using the Internet as a factor in the development of self-understanding of the younger teenager is described, which is based on its consideration in terms of the activities of the pedagogue and the activities of the child, as well as the emergence of common activities. This position and conducted by the author pilot empirical study offers a model for assessing the level of self-understanding, which includes an assessment of the phases ofits development: pre-understanding, genetic self-understanding, structural self-understanding.

Author(s):  
Dira Herawati

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images


First Monday ◽  
2016 ◽  
Author(s):  
Randall M. Livingstone

Software robots (“bots”) play a major role across the Internet today, including on Wikipedia, the world’s largest online encyclopedia. Bots complete over 20 percent of all edits to the project, yet often their work goes unnoticed by other users. Their initial integration onto Wikipedia was not uncontested and highlighted the opposing philosophies of “inclusionists” and “deletionists” who influenced the early years of the project. This paper presents an in-depth interview with Wikipedia user Ram-Man, an early bot operator on the site and creator or the rambot, the first mass-editing bot. Topics discussed include the social and technical climate of early Wikipedia, the creation of bot policies and bureaucracy, and the legacy of rambot and Ram-Man’s work.


Author(s):  
Nataliya V. Usova

The article presents the results of an empirical study of psychodynamic predictors of social activity of the young generation. The basis of this study is a system-diachronic approach which allowed studying social activity in the development process and identifying mismatches between the requirements of the social environment and the possibilities to meet these requirements on the part of the individual. The findings suggest that the focus of social activity is not determined by individual psychodynamic features, but by their successful combination. The studied personality characteristics are considered by us as predictors of the physical, social and ideal needs of the individual, and the direction of social activity, as a way to satisfy them. It is proved that the direction of social activity depends on the general and private tasks of personal development and is a necessary condition for the socio-psychological adaptation of the individual.


Author(s):  
Begoña Pozo-Sánchez

La literatura migrante italiana actual transita ciertos espacios heterotópicos que, siguiendo la propuesta teórica de Michel Foucault, inciden especialmente en la creación y el análisis de esos no-lugares que, bien desde la utopía o desde la heterotopía, analizan la situación social a través de la literatura. «Italia» se convierte así en un territorio al que llegar, conocer, habitar pero, sobre todo, desde el que construir realidades otras. Esta perspectiva de la literatura actual no aparece solo en obras escritas «en» italiano y «desde» Italia –como, por ejemplo, Scontro di civiltà per un ascensore a Piazza Vittorio, publicada por Amara Lakhous en 2006; o como las propuesta poéticas transculturales de la Compagnia delle Poete– sino también «en» otras lenguas y «desde» otras miradas –quizá uno de los ejemplos relativamente recientes sea el texto Vergogna tra le due sponde del escritor egipcio Ezzat el Kamhawi, a medio camino entre la novela y el ensayo. Nuestro artículo se centra en el estudio de la construcción de la identidad migrante a través del análisis de la poética del espacio propuesta por Amara Lakhous, evidenciando cómo desde distintas realidades transculturales se aborda y (re)crea actualmente el concepto de «Italia» a partir del discurso literario, a modo incluso de polémico «contra-espacio».Current Italian migrant literature goes along certain heterotopic spaces which, following Michel Foucault’s theoretical proposal, influence especially on the creation and analysis of those no-places that, either from utopia or heterotopia, scrutinise the social situation through literature. Thus, «Italy» becomes a place to get, discover, dwell in but, especially, from which to construe other realities. This perspective of current literature does not only feature in works written «in» Italian and «from» Italy – as, for instance, Scontro di civiltà per un ascensore a Piazza Vittorio, published by Amara Lakhous in 2006; or as transcultural poetic proposal by the Compagnia delle Poete– but also «in» other languages and «from» other stances – one of the most recent texts is perhaps Vergogna tra le due sponde by the Egyptian writer Ezzat el Kamhawi, midway between novel and essay. This articles focuses on studying the construction of migrant identity by analysing the poetics of space proposed by Amara Lakhous, showing how the idea of «Italy» is currently dealt with and recreated in literary discourse from distinct transcultural realities, even in a polemical «counter-space» way.


First Monday ◽  
2016 ◽  
Author(s):  
Niels van Poecke ◽  
Janna Michael

In this paper we investigate factors underlying the production of independent folk music (indie folk) in the Netherlands. By studying the creation, distribution and reception of indie folk music through in-depth interviewing, we argue that the social production of indie folk music is affected by a shift towards ‘participatory culture’ brought about by the rise of the Internet and Web 2.0. We note how Web 2.0 helps musicians to educate themselves and to develop careers in music. Secondly, from the perspective of both musicians and gatekeepers, participatory culture links their preferences for participatory aesthetics, decreasing boundaries between creators, distributors and users. Within the idiom of folk music, they distinguish themselves from the mainstream, creating more sincere performances. Thirdly, from the perspective of the audience, fans actively contribute by organizing small-scale events, enabling the audience to establish (trans)local scenes, reframing music as a social experience.


2018 ◽  
Vol 7 (1) ◽  
pp. 71-77 ◽  
Author(s):  
T.A. Yudina ◽  
S.V. Alekhina

The article is devoted to theoretical models, able to validate the methodology of empirical study of relationships in inclusive classes. It discusses the model of social participation suggested by researchers from the Netherlands and designed after the analysis of a number of scientific publications. The article presents an overview of systematic empirical studies of foreign scholars in accordance with the model of social participation. This model is mapped to the structure of the social situation of development proposed by O.A. Karabanova. In authors’ opinion , the concept and the structure of the social situation of development allows analyzing relationships in inclusive classrooms in more details, assessing the psychological and pedagogical conditions and describing the educational effects of inclusive process in education


Author(s):  
Peter Lugosi

Identity refers to who we think (or feel) we are, but also to who others think we are. Identities are closely tied to our values, attitudes, beliefs, preferences, behaviours and personality characteristics that distinguish us from others around us. However, none of us are unique in our values, beliefs or our characteristics, and our identities often reflect those of others. Our identities are inevitably shaped by the people we interact with, the environments in which we live, and the cultures that we encounter. Therefore, to best understand how identities emerge, it is important to consider the social and cultural contexts in which people live. Eating and drinking are universal to all cultures; but, the beliefs and practices surrounding food and drink reflect the particular characteristics of cultures alongside the identities of the people who are part of those cultures. Food, drink and identity interact in multiple ways. This chapter considers these interactions in commercial hospitality and social settings. It examines the relationship between food, drink and identity from the consumption perspective, i.e. how foods and drinks influence and communicate identities in social and domestic settings; and how identities and the desire to articulate our sense of selves shape when, how and what foods and drinks we consume. The chapter also incorporates the production point of view, particularly within commercial contexts. It discusses how notions of identities are exploited through marketing and in the creation of commercial hospitality experiences. It also considers the ways staff’s identities are involved in creating food and drink related experiences.


2019 ◽  
Vol 1 ◽  
pp. 07
Author(s):  
Eduardo Palermo

En 1933 se fundó la Revista Nuestra Raza, órgano de prensa afro uruguayo que denunció la situación social de los mismos, marcada hasta mediados del siglo 20 por el analfabetismo, dificultades de acceso laboral, la prostitución de la mujer “negra”, la falta de acceso a los trabajos públicos, bajas remuneraciones, negación de los derechos jubilatorios, la vida en zonas suburbanas y muy pobres, la discriminación y el racismo. Fue un portavoz en el combate al fascismo internacional, a las dictaduras, al racismo y aportó a la unidad cultural afro uruguaya, fundando la Casa de la Raza. Entre las acciones más importantes aporto a la creación, en 1936, del Partido Autóctono Negro con el objetivo de obtener un diputado que los representara. En todos los aspectos la revista fue pionera en las acciones de resistencia y acción militante de los afro- uruguayos.Palabras-clave: Prensa afro uruguaya. Nuestra Raza. Partido Autóctono Negro.AbstractIn 1933, the magazine Nuestra Raza, an Afro-Uruguayan press body, was denounced, denouncing the social situation of the same, marked until the middle of the 20th century by illiteracy, labor access difficulties, the prostitution of "black" women, the lack of access to public works, low wages, denial of pension rights, life in suburban and very poor areas, discrimination and racism. He was a spokesman in the fight against international fascism, dictatorships, racism and contributed to the Afro-Uruguayan cultural unity, founding the Casa de la Raza. Among the most important actions contributed to the creation, in 1936, of the Partido Autoctono Negro (Black Autochthonous Party) with the aim of obtaining a deputy to represent them. In all aspects, the magazine pioneered the actions of resistance and militant action of Afro-Uruguayans.Keywords: Uruguayan afro press. Our Race. Black Autochthonous Party.


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