scholarly journals A Study of the Rajapalayam Regional Jiva Samadhi Temples

2021 ◽  
Vol 6 (2) ◽  
pp. 95-104
Author(s):  
A Murugesan

Birth and death are inevitable in human life. The newborn must die and become one. But no one wants to die Determination of death at birth.But we don’t know that. And the environment around itself, Man sees that those born with him also die. At that moment the philosophy of the instability of life strikes him.At that time he gains temporary wisdom.Life is like a bubble that will burst at any moment again thinking that you should not covet anything going into a fake lifestyle.It was during this time that the Siddhars appeared and human beings lived immortal opulence have paved the way. They have received the art of saga and have attained the tomb of life. Virudhunagar District, In the article we will see some temples in the Rajapalayam area.

2013 ◽  
Vol 52 (2) ◽  
pp. 272-286 ◽  
Author(s):  
Hektor KT Yan

This article deals with conceptual questions regarding claims to the effect that humans and animals share artistic abilities such as the possession of music. Recent works focusing on animals, from such as Hollis Taylor and Dominique Lestel, are discussed. The attribution of artistic traits in human and animal contexts is examined by highlighting the importance of issues relating to categorization and evaluation in cross-species studies. An analogy between the denial of major attributes to animals and a form of racism is drawn in order to show how questions pertaining to meaning can impact on our understanding of animal abilities. One of the major theses presented is that the question of whether animals possess music cannot be answered by a methodology that is uninformed by the way concepts such as music or art function in the context of human life: the ascription of music to humans or non-humans is a value-laden act rather than a factual issue regarding how to represent an entity. In order to see how humans and animals share a life in common, it is necessary to come to the reflective realization that how human beings understand themselves can impact on their perception and experience of human and non-human animals.


Author(s):  
Helmuth Plessner ◽  
J. M. Bernstein

“Centric positionality” is a form of organism-environment relation exhibited by animal forms of life. Human life is characterized not only by centric but also by excentric positionality—that is, the ability to take a position beyond the boundary of one’s own body. Excentric positionality is manifest in: the inner, psychological experience of human beings; the outer, physical being of their bodies and behavior; and the shared, intersubjective world that includes other human beings and is the basis of culture. In each of these three worlds, there is a duality symptomatic of excentric positionality. Three laws characterize excentric positionality: natural artificiality, or the natural need of humans for artificial supplements; mediated immediacy, or the way that contact with the world in human activity, experience, and expression is both transcendent and immanent, both putting humans directly in touch with things and keeping them at a distance; and the utopian standpoint, according to which humans can always take a critical or “negative” position regarding the contents of their experience or their life.


2021 ◽  
Vol 9 (3) ◽  
pp. 135-157
Author(s):  
Dhanesh M.

This paper aims to look at one of the fundamental factors of human beings—the appreciation of things. Calling it ‘the aesthetic faculty’ this paper tries to see how it is inevitable to the way human beings as a species function. This paper aims to propose this idea of an ‘aesthetic faculty’ as a potential basis for our community life in its diverse operations in terms of cultural spaces and their semantics. Viewing the socio-systemic life from the point of view from the aesthetic faculty reveals how appreciation and evaluation are inevitable to human life and how an ideological ground cannot actually affect life without addressing this basic human faculty. This paper tries to take the term ‘aesthetic’ vis-a-vis ‘appreciation’ to a different semantic world altogether so that it is no longer a matter of artistic engagements alone, but something more fundamental and formative than that.


Author(s):  
Sarah Stewart-Kroeker

Augustine’s dominant image for the human life is peregrinatio, which signifies at once a journey to the homeland—a pilgrimage—and the condition of exile from the homeland. For Augustine, all human beings are, in the earthly life, exiles from their true homeland: heaven. Only some become pilgrims seeking a way back to the heavenly homeland, a return mediated by the incarnate Christ. Becoming a pilgrim begins with attraction to beauty. The return journey therefore involves formation, both moral and aesthetic, in loving rightly. This image has occasioned a lot of angst in ethical thought in the last century or so. Augustine’s vision of Christian life as a pilgrimage, his critics allege, casts a pall of groaning and longing over this life in favor of happiness in the next. Augustine’s eschatological orientation robs the world of beauty and ethics of urgency. In this book, Stewart-Kroeker sets out to elaborate Augustine’s understanding of moral and aesthetic formation via the pilgrimage image, which she argues reflects a Christological continuity between the earthly journey and the eschatological home that unites love of God and neighbor. From the human desire for beauty to the embodied practice of Christian sacraments, Stewart-Kroeker reveals the integrity of Augustine’s vision of moral and aesthetic formation, which is essentially the ordering of love. Along the way, Stewart-Kroeker develops an Augustinian account of the relationship between beauty and morality.


KronoScope ◽  
2003 ◽  
Vol 3 (2) ◽  
pp. 227-249 ◽  
Author(s):  
Christian Steineck

AbstractThe issue of brain death touches directly on questions pertaining to our understanding of what it means to be human. Technological progress made possible the sustaining of signs of life in individuals who seem dead to the world. The concept of brain death was introduced to describe this phenomenon, and to answer some of the normative questions that were raised by it. In my article, I approach the problem of brain death with a focus on its temporal aspects. First I sketch out some general features of human life and death in terms of the theories of time of J. T. Fraser and G. Dux. Then I describe and analyze various definitions of brain death and criteria for its testing.The two most important variants are 'whole brain death' as the death of the organism, and 'cerebral death' as the death of the person. I discuss arguments in favor of, and against these concepts and analyze the framework and structuring of temporalities involved in each of them. I conclude that the extant theories in favor of 'brain death' are unsatisfactory, for factual and conceptual reasons. Most importantly, they neglect essential factors of personal identity. Because they employ a naturalistic concept of the human body, they fail to grasp its expressive quality and its function as a medium of communication. Furthermore, they fail to grasp the social dimension of personal identity. Because the concepts of 'brain death' as a criterion for the determination of death fail, we should regard brain-dead people as living human beings, and decide about their treatment accordingly.


2020 ◽  
Vol 2 (2) ◽  
pp. 150-175
Author(s):  
James Martel

In this article, I argue that atheism is different from secularism. Secularism is based on a faux elimination of theology which effectively preserves that theology in the guise of overcoming it. To achieve atheism (a term that I draw from the work of Maria Aristodemou), I argue that one needs to directly confront the theological element in order to come to terms with it. In this essay I look at how two political theological thinkers, Nietzsche and Benjamin, accomplish this. Nie-tzsche accomplishes atheism via his thesis of the “death of God,” a death that is not always literal but which creates a space for human life that is not determined by theological terms. Benjamin does the same thing with his idea that God vacates divine powers of judgment and determination in order to allow an atheistic space where human beings can engage in their own self-determination (even as the notion of God remains to challenge any would be human spokespersons for that role). I ultimately argue that atheism and anarchism are related concepts based not just on a rejection of certain forms of theology and all forms of archism, but also in terms of the way they allow a posi-tive and undetermined human response.


Vox Patrum ◽  
2016 ◽  
Vol 66 ◽  
pp. 25-38
Author(s):  
Stanisław Łucarz

The article focuses on the notion of femaleness and its role in the history of salvation in the works of Clement of Alexandria. Although these are not the central themes of his considerations, he reflects on this subject against the back­ground of his magnificent vision of the incarnation of the divine Logos. The be­getting or generating of Logos by Father is the first stage of the incarnation, which is followed by the next stages: the creation of the world and of human beings, the revelation in the Old Testament and – although not directly – in the Greek philosophy. The last stage is the incarnation in Jesus Christ. All this leads towards the divinization and the unity in God. Femaleness in Clement’s work should be considered as a part of cosmic dimensions. For him, men and women are substan­tially – i.e. on the level of their souls – equal, hence in the spiritual and intellectual dimension both sexes are vested with identical dignity and enjoy equal rights. The differences between sexes are located in the body and affect various aspects of human life, mostly biological and reproductive ones, not to mention the family, community and religious reality. In practice, it is the woman who is subordinated to man due to the fact, as Clement holds, that the female body is weaker than the male one, more subjugated to passivity, less perfect and more susceptible to pas­sions. For that reason, on the way to salvation, it is the man who is the head of the woman. However, it is not an absolute subjection. If the woman goes on the way to salvation (a Christian woman), and the man does not, the Lord is the head of the woman (the divine Logos, whom she follows). All these differences resulting from the possession of a body are eliminated in eschatology, in which will be the total equality. On that way to the eschatological fulfillment, the divine Logos is indispensable. He incarnates himself and comes to the world through a woman. He chooses what is weaker in order to reveal His power. This way it is a woman, and not a man, who first experiences His divinizing closeness and action.


Ramus ◽  
1978 ◽  
Vol 7 (2) ◽  
pp. 143-175 ◽  
Author(s):  
J. L. Penwill

Plato's so-called ‘middle period’ saw the composition of what are generally agreed to be his finest philosophical dramas, and of these the Symposium is usually singled out for special praise. Yet it is only recently that serious attempts have been made to approach the Symposium as a work of literature rather than a philosophical treatise. Those who employ the work as a source-book for Platonist doctrines rarely venture beyond Socrates' dialectical refutation of Agathon and his report of what Diotima told him (199c-212b); and if they do, it is to point out the logical or perceptual fallacies — i.e. the philosophical deficiencies — of the other five encomia and to find in Alcibiades' contribution a glowing tribute by Plato to that most remarkable of human personalities, the philosopher Socrates. This, however, is not the way to arrive at a real understanding of the Symposium. The author clearly intends the reader to respond to this work not as a philosophical treatise on the subject of Eros but as a work of literature which portrays a group of thinking human beings engaged in appraisal of an issue which is of fundamental importance in their lives. His primary purpose in dramatising this intellectual event is thus not to expound the philosopher's conception of Eros or to expose our minds to auto to kalon (‘the beautiful itself’). Rather the true subject of the work is man the intellectual animal, whose logoi (‘speeches’) demonstrate his capacity for analysing, evaluating and idealising his feelings and aspirations. It depicts ‘philosophy brought down from the sky and located in the cities and homes of men’; we are shown how, and how successfully, philosophy can function as a vital constituent of human life, rather than a barren and essentially irrelevant dispute about the mechanics of the universe.


Author(s):  
Hasan Asadi

One of the first necessities of human life was nutrition and human beings from the very beginning tried to meet this need. Over time, the way food is prepared and how it is served has become a rich culture that varied among different nations. Attention has been formed to different geographical conditions and tastes. Perhaps the sensible food of one nation is not very pleasant for another nation. In this study, travel writers' perceptions of Iranian food culture have been written. Most reports indicate that Iranian food is not very diverse, but some have been introduced as very tasty, including rice. Iranian and kebab, which are very popular among Iranian dishes, have been reported from baking a variety of breads as well as very tasty and hearty Iranian syrups. Writers are located.


Imaji ◽  
2015 ◽  
Vol 10 (2) ◽  
Author(s):  
Cipto Budy Handoyo

Music cannot be separated from human life, and it has been attached to people from generation to generation in all periods of time. Therefore, music logically influences human life as the civilization develops both in positive and in negative ways. The negative influences can cause the human beings’ “early maturity”. Commonly, negative influences have the power to affect people more easily, and this also happens in music. Music can easily inspire people, especially the young, in a negative way. For example, when children enjoy a certain kind of music with all its negative performance and style, they will be easily stimulated by what they see. Thus, people generally expect to gain the positive effects from music. In doing so, there is a huge responsibility for us to think about the way music can give positive contributions especially for the young. In this case, we should optimistically guide children to choose the right kinds of music for them so that we can help them develop their mind for their bright future.


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