scholarly journals ARTISTIC SPACE OF THE POETRY OF KORYAK VLADIMIR KOYANTO

2021 ◽  
Vol 31 (5) ◽  
pp. 1061-1068
Author(s):  
A.A. Arzamazov
Keyword(s):  
Comparative Literature ◽  
Traditional Culture ◽  
National Literature ◽  
Classical Literature ◽  
Minority Literature ◽  
Text Corpus ◽  
Cultural Phenomenon ◽  
History Of

The article is devoted to the poetry of the Koryak Vladimir Koyanto, the second and probably the last writer in the history of this national literature. The features of his artistic world are considered, the main problem-thematic sections are identified, key motives and images are established, the linguistic aspects of poetry are analyzed. The interpretation of the extensive text corpus showed that the poet was acutely worried about the collapse of Soviet reality, it was difficult for him to get used to the new post-Soviet era. The theme of unfavorable, destructive modernity, the motive of unfulfilled expectations in V. Koyanto’ poems are widespread. In a number of texts the presence of a mythological substrate is recorded, the influence of the traditional culture of the Koryaks on artistic narratives is observed. It is emphasized that the author was focused on the traditions of Russian classical literature and at the same time associated himself with the circumpolar ethnocultural landscape. An appeal to the works of V. Koyanto is of great importance for comparative literature studies, it gives an idea of the ways and problems of the development of “minority” literature as a complex cultural phenomenon.

Hutcheson Macaulay Posnett, World Literature, and the Colonial Comparisons

2019 ◽  
Vol 4 (3) ◽  
pp. 330-349
Author(s):  
Blaž Zabel
Keyword(s):  
Comparative Literature ◽  
Literary Criticism ◽  
British Empire ◽  
World Literature ◽  
National Literature ◽  
Classical Literature ◽  
British Colonialism ◽  
Imperial Politics

Abstract This article discusses the work of the early Irish comparatists Hutcheson Macaulay Posnett, who in 1886 published the first monograph in English in comparative literature. By bringing into discussion Posnett’s lesser-known journalistic publications on politics, the essay argues that his comparative project was importantly determined by the contemporary challenges of British imperial politics and by his own position in the British Empire. The article investigates several aspects of Posnett’s work in the context of British colonialism: his understanding of literature and literary criticism, his perception of the English and French systems of national literature, and his understanding of world literature and classical literature. Recognising the imperial and colonial context of Comparative Literature additionally highlights the development of literary comparisons, which have marked subsequent discussions in the discipline.

scholarly journals A Comparative Study of the Translation of Material Culture-loaded Words of Hongloumeng in the Light of Skopostheorie

2020 ◽  
Vol 11 (2) ◽  
pp. 318
Author(s):  
Ke Yu
Keyword(s):  
Material Culture ◽  
Comparative Study ◽  
Traditional Culture ◽  
Theoretical Framework ◽  
Classical Literature ◽  
Chinese Traditional Culture ◽  
Skopos Theory ◽  
History Of ◽  
Translation Methods

Hongloumeng, one of the masterpieces in China, a splendid history of classical literature, carries a large amount of Chinese traditional culture elements and culture-loaded words. This paper will apply skopos theory as the theoretical framework and analyze the translation of material culture-loaded words in Yang Xianyi and Gladys Yangs’ translation of A Dream of Red Mansions and The Story of the Stone by David Hawkes. And then the author will try to list some representative culture-loaded words and reveal that how the skopos influences the translators’ choice of translation methods and strategies in translation, and what effect or effects can be achieved. Some conclusions can be drawn.

BUILDING THE MODEL OF INFORMATION, EDUCATION AND COMMUNICATION EFFICIENCY IN CONSERVATION AND PROMOTION OF THE IDENTITY VALUE OF ETHNIC MINORITIES CULTURE IN ETHNIC MINORITY BOARDING GENERAL SCHOOLS, ETHNIC MINORITY SEMI-BOARDING GENERAL SCHOOLS AND LOCAL COMMUNITIES THROUGH LANGUAGE OF ETHNIC MINORITIES

2019 ◽  
Vol 8 (2) ◽  
Author(s):  
Ngo Quang Son ◽  
Nguyen Thi Phuong
Keyword(s):  
Ethnic Minority ◽  
Ethnic Minorities ◽  
Traditional Culture ◽  
Cultural Preservation ◽  
Spiritual Values ◽  
Linguistic Identity ◽  
Modern Life ◽  
Urgent Task ◽  
Communication Efficiency ◽  
History Of

Traditional culture of ethnic minorities is the material and spiritual values that are accumulated and preservedin the whole history of ethnic minority development. In thatcommon cultural flow, every ethnic minorities group in ourcountry has its own characteristics in traditional culture.That identity is expressed firstly in language. Language is animportant element of the ethnic minorities character, therefore,the loss of language is the loss of a great asset, thereby leadingto the erasure of art literature, religious beliefs and the custom,customary law.Therefore, in the context of modern life, preserving andpromoting the cultural and linguistic identity of ethnicminorities is an urgent task. In particular, pay specialattention to the method of cultural preservation through thedevelopment of Information, Education and CommunicationModel in ethnic minorities languages in schools and localcommunities.

THE UNITY OFTHEME AND IDEA IN FURQAT'S WORK

2020 ◽  
Vol 1 (3) ◽  
pp. 120-124
Author(s):  
Latofat Tajibayeva ◽  
Keyword(s):  
Critical Thinking ◽  
Social Consciousness ◽  
Special Role ◽  
Classical Literature ◽  
History Of ◽  
History Of Culture ◽  
Xix Century

This article discusses the importance of Furkat's work in the semantic renewal of classical literature. Furkat's work, which played a special role in the development of enlightenment literature, has a strong place in the history of culture in the second half of the XIX century and the beginning of the XX century. Critical thinking prevailed in the poet's lyrics, which glorified universal ideas. The expression of social consciousness in an objective and truthful way, the stabilization of realistic principles, begins with Furkat's poetry.

COMPARATIVE LITERATURE: EAST AND WEST STUDIES

2021 ◽  
Vol 02 (09) ◽  
pp. 8-14
Author(s):  
Aziza Komilovna Akhmedova ◽  
Keyword(s):  
Comparative Literature ◽  
Professional Ethics ◽  
Research Work ◽  
Literary Studies ◽  
The Novel ◽  
World Science ◽  
History Of ◽  
The Aesthetic ◽  
Aesthetic Ideal ◽  
The Ideal

The article analyzes the results of the research on the representation of the aesthetic ideal through the image of the ideal hero in two national literatures. For research purposes, attention was paid to highlighting the category of the ideal hero as an expression of the author's aesthetic views. In Sinclair Lewis’s “Arrowsmith” and Pirimkul Kodirov's “The Three Roots”, the protagonists artistically reflect the authors' views on truth, virtue, and beauty. In these novels, professional ethics is described as a high noble value. The scientific novelty of the research work includes the following: in the evolution of western and eastern poetic thought, in the context of the novel genre, the skill, common and distinctive aspects of the creation of an ideal hero were revealed by synthesis of effective methods in world science with literary criteria in the history of eastern and western literary studies, in the example of Sinclair Lewis and Pirimkul Kodirov.

Contemporaneitatea literaturii – o chestiune de metodă

Transilvania ◽  
2021 ◽  
pp. 90-102 ◽  
Author(s):  
Dan Neuman
Keyword(s):  
National Literature ◽  
Global Literature ◽  
Dead End ◽  
History Of ◽  
Romanian Literature

The following article critically deals with Mihai Iovănel's Istoria literaturii române contemporane. 1990-2020 [The History of Contemporary Romanian Literature. 1990-2020] (Polirom, 2021) from three different, yet intertwined, perspectives, namely 1) the methodological turn, highlighted by an overt post-Marxist attempt at interpreting contemporary Romanian literature, 2) the question of what is - or if there is any - literariness in Istoria literaturii române contemporane. 1990-2020, 3) the issue of transcending normative aesthetics into post-aestheticism as a last resort or perhaps as a new dead-end. Finally, the ideological threshold that divides - or rather emphasis - local national literature as substantially distinct from global literature will be tentatively broached.

Comparative Literature and Hegel's Historical Thinking

PMLA ◽  
2016 ◽  
Vol 131 (2) ◽  
pp. 439-448 ◽  
Author(s):  
John Park
Keyword(s):  
Comparative Literature ◽  
Historical Thinking ◽  
National Literature ◽  
Theoretical Methods ◽  
The Real ◽  
Widespread Adoption ◽  
Way Of Thinking ◽  
The Cost

Haun saussy opens his influential discussion of past and present conceptions of comparative literature, “exquisite cadavers Stitched from Fresh Nightmares,” by linking them in an apparently historic claim to victory: “Comparative literature has, in a sense, won its battles” (3). The ambiguous nature of that claim, and the real subject of Saussy's ensuing discussion, is indicated, however, by the qualifying phrase “in a sense.” In another sense, Saussy implies, the achievements of comparative literature remain open to debate. For, despite the widespread adoption by national-literature departments of comparative literature's theoretical methods of inquiry, comparative approaches to literature continue to be considered inessential or secondary to the defining aim of national-literature departments—investigating and describing the reality of historically grounded national traditions and identities. Saussy's “sense” of victory is thus snatched from the jaws of an unapologetic sense of defeat:What needs propagating is the comparative reflex, the comparative way of thinking, not the departmental name; and if those are to spread at the cost of identity and institutional reward, so much the worse for identity.—It so happens that identity is the pivot of our triumph—and our wraithlikeness. (5)

Wang Guowei and the Establishment of Chinese Drama in the Modern Canon of Classical Literature

T oung Pao ◽  
2010 ◽  
Vol 96 (1) ◽  
pp. 165-201
Author(s):  
Regina Llamas
Keyword(s):  
Yuan Dynasty ◽  
Literary Genre ◽  
Classical Literature ◽  
Literary Value ◽  
Literary Genres ◽  
Critical History ◽  
History Of ◽  
The Right ◽  
The Yuan Dynasty ◽  
Universal Standard

AbstractThis essay examines the process by which Wang Guowei placed Chinese dramatic history into the modern Chinese literary canon. It explores how Wang formed his ideas on literature, drawing on Western aesthetics to explain, through the notions of leisure and play, the impetus for art creation, and on the Chinese notions of the genesis of literature to explain the psychology of literary creation. In order to establish the literary value of Chinese drama, Wang applied these ideas to the first playwrights of the Yuan dynasty, arguing that theirs was a literature created under the right aesthetic and creative circumstances, and that it embodied the value of "naturalness" which he considered a universal standard for good literature. By producing a scholarly critical history of the origins and nature of Chinese drama, Wang placed drama on a par with other literary genres of past dynasties, thus giving it a renewed status and creating at the same time a new discipline of research. Drama had now become an established literary genre.

scholarly journals Will Saudi's 2030 Vision Raise the Students’ Awareness to National Literature? Saudi Literature and Identity

2021 ◽  
Vol 15 ◽  
pp. 95-105
Author(s):  
Mubarak Altwaiji ◽  
Majed Alenezi ◽  
Sajeena Gayathrri ◽  
Ebrahim Mohammed Alwuraafi ◽  
Maryam Naif Alanazi
Keyword(s):  
National Identity ◽  
Undergraduate Students ◽  
Narrative Analysis ◽  
National Literature ◽  
Cultural Issues ◽  
Social Constructs ◽  
Northern Border ◽  
History Of ◽  
The Rich ◽  
Modern Identity

Forming national identity is placed on top of the seven aspects of High-Impact Educational Practices (HIEPs) in Northern Border University. Similarly, the concept of academic awareness to national literature has been one of the main challenges to national literature in the Middle East. Just as the strong presence of national identity in Saudi’s 2030 vision has initiated re-evaluations of how national identity is shaped, Saudi novel has similar concerns that inform social constructs of national identity through overarching themes and comprehensive representations of cultural issues. This study investigates the ways in which two Saudi novelists interrogate the intertwined issues shared by 2030 vision and national novel which address the archetypal Saudi identity: first, that the construction of modern identity requires much cultural openness with the world; second, that construction of Saudi identity needs exclusion of otherness; and third, that national identity depends on the rich history of two historical regions – Najd and Hijaz - that binds identity to a unified territory. The study focuses on how these novels give visibility to issues that are at the core of 2030 vision’s social and cultural aspect such as life style, appearance behaviours, attitudes, accepting differences and willingness to work and volunteer. Drawing on this narrative analysis, the study advocates for the utility of introducing national novel for undergraduate students to help them perceive identity as a position and support their identity enactment.

scholarly journals Features of positioning of German university libraries on official websites

2021 ◽  
pp. 43-52
Author(s):  
N. Khymytsia ◽  
M. Kuchma
Keyword(s):  
Rock Music ◽  
Music Programs ◽  
University Libraries ◽  
Sound Recordings ◽  
Cultural Phenomenon ◽  
Creative Music ◽  
History Of ◽  
Historical Phenomenon ◽  
First Time

The problem of space music as a special cultural phenomenon requires scientific understanding. The purpose of the article is to study the features of the emergence and development of space rock as a specific trend in modern popular culture using the history of the “HAWKWIND” group as an example. The chronology of sound recordings of the “HAWKWIND” group as one of the founders of the “Space Rock Music” is established. The role of Dave Broсk, Bob Kalvert and other group participants in the creation of creative music programs is noted. It is proved that these musicians are the principles of the historical phenomenon, which received popularity as “Space Rock”. For the first time, the analysis of “HAWKWIND” sound documents through the prism of the history of space music development has been proposed.

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