scholarly journals Analisis Narrative Criticism Kisah Simson dan Ironi Kehidupannya di Dalam Kitab Hakim-Hakim

2020 ◽  
Vol 2 (2) ◽  
pp. 100-113
Author(s):  
Sonny Eli Zaluchu
Keyword(s):  
Narrative Analysis ◽  
Analytical Tool ◽  
Point Of View ◽  
Narrative Criticism ◽  
Analysis Method ◽  
Primary Material ◽  
The Past ◽  
Main Emphasis ◽  
Character Identification ◽  
Complete Story

The story of Samson as Israel's last judge becomes the primary material in the narrative criticism approach as an analytical tool. This story is chosen because it is a complete story and contains many conflicts and irony. The author-speech intent of the story will be examined in the interest of today's readers. The narrative analysis method that the author uses is the background story (background); location and time (setting of time and location); storyline (plot); events and their causes (causal links); character identification; conflicts that have occurred (conflicts); tragic things (irony); relationship with other texts (intertextuality); and main emphasis (point of view). The results show that the story of Samson does not stop at the readers who are the target of the story in the past. Samson's life as a nazir becomes a reflection and an example for today's readers about the importance of respecting, maintaining, and completing every task and call of God in ​​life where God places everyone. Kisah Simson sebagai hakim terakhir Israel menjadi materi primer di dalam pendekatan kritik naratif sebagai alat analisis. Kisah ini dipilih karena merupakan sebuah cerita (stories) yang lengkap dan utuh dan mengandung banyak konflik serta ironi. Maksud penulis-tutur dari kisah tersebut akan diteliti dalam kepentingan pembaca masa kini. Metode analisis naratif yang penulis gunakan adalah latar belakang kisah (background); lokasi dan waktu (setting of time and location); alur cerita (plot); peristiwa-peristiwa dan penyebabnya (causal links); identifikasi karakter melalui tokoh (character identification); konflik-konflik yang terjadi (conflicts); hal-hal tragis (irony); hubungannya dengan teks lain (intertextuality); dan penekanan utama (point of view). Hasil yang diperoleh dari analisis ini memperlihatkan cerita tentang Simson tidak berhenti hanya pada pembaca yang menjadi tujuan kisah di masa lalu. Kehidupan Simson sebagai nazir menjadi refleksi dan teladan bagi pembaca masa kini mengenai pentingnya menghormati, menjaga dan menuntaskan setiap tugas dan panggilan Tuhan di dalam bidang kehidupan dimana Tuhan menempatkan setiap orang.

scholarly journals Sastra Satire Kitab Yunus: Analisis Naratif Prolog dan Epilog Kitab Yunus

2020 ◽  
Vol 3 (2) ◽  
pp. 106-118
Author(s):  
Muryati Muryati ◽  
Gernaida Pakpahan ◽  
Junifrius Gultom
Keyword(s):  
Narrative Analysis ◽  
Point Of View ◽  
Narrative Approach ◽  
Analysis Method ◽  
Modified Method ◽  
New Findings ◽  
God's Word ◽  
The World ◽  
God's Call ◽  
The Church

The anomaly of Jonah's attitude in rejecting God's call (Jonah 1) and his anger at Nineveh's conversion caused various opinions on the genre of his book. This encourages the need to produce new findings to narrow the view of experts by placing the book of Jonah as satire literature. The purpose of this research is to describe the satire elements contained in the prologue and epilogue of the book of Jonah. The method used in this research is a narrative approach using a modified method that departs from the four narrative elements namely the narrator, character (characterization), point of view, and storyline then combined with some elements of general interpretation in it. through the narrative analysis method, the researcher sees the text as a "mirror" that projects a certain picture, namely the world of narratives that provides benefits to explore the forms and elements of the prologue and epilogical satire texts of the book of Jonah. The results showed that Irony underlies all elements of satire spread in articles 1 and 4. Researchers classify the elements of irony as personification, repetition, hyperbole, sarcasm, paronomasia, and parody. These characteristics indicate Jonah 1 and 4 are narratives containing satire. The implication of the teaching of the church by referring to the didactic values in the satire of the story of Satire Jonah can be used as a reference for learning the truth of God's Word. Abstrak Anomali sikap Yunus dalam menolak panggilan Tuhan (Yunus 1) dan kemarahannya pada pertobatan Niniwe menimbulkan beragam pendapat pada genre kitabnya. Hal ini mendorong adanya kebutuhan untuk menghasilkan temuan baru guna mempersempit pandangan para pakar dengan menempatkan kitab Yunus sebagai sastra satire. Tujuan dilakukan penelitian ini adalah untuk mendeskripsikan unsur satire yang terdapat dalam prolog dan epilog kitab Yunus. Metode yang digunakan dalam penelitian ini adalah pendekatan naratif menggunakan modifikasi metode yang berangkat dari empat unsur narasi yaitu narator, karakter (penokohan), sudut pandang, dan alur cerita lalu dikombinasikan dengan beberapa elemen penafsiran umum di dalamnya. melalui metode analisis naratif peneliti melihat teks sebagai sebuah “cermin” yang memproyeksikan gambaran tertentu, yaitu dunia narasi yang memberikan manfaat untuk mengeksplorasi bentuk dan unsur satire teks prolog dan epilog dari kitab Yunus. Hasil penelitian menunjukkan bahwa Ironi mendasari semua unsur satire yang tersebar di pasal 1 dan 4. Peneliti mengelompokkan unsur ironi adalah personifikasi, repetisi, hiperbola, sarkasme, paronomosia dan parodi. Karakteristik ini mengindikasikan Yunus 1 dan 4 adalah narasi yang mengandung satire. Implikasinya terhadap pengajaran gereja dengan merujuk pada nilai-nilai didaktis dalam satire kisah Satire Yunus dapat dijadikan rujukan untuk mempelajari kebenaran Firman Tuhan.

scholarly journals Pemahaman Tentang Sayap Dalam Kitab Rut

2021 ◽  
Vol 2 (1) ◽  
pp. 47-58
Author(s):  
Rannu Sanderan ◽  
Yohanes Krismantyo Susanta
Keyword(s):  
Narrative Analysis ◽  
Literary Work ◽  
Point Of View ◽  
Narrative Criticism ◽  
The Other ◽  
Biblical Narrative ◽  
Narrative Methods ◽  
Strong Belief ◽  
Other Hand

Abstract; This article discusses the meaning of wings according to the book of Ruth in an authentic purpose.  By using the narrative methods, in more deeply, this research is intend to examine the basic motive why Ruth uses the word of wings in order to ask Boaz to spread his wings on Ruth. On the other hand, Ruth did not belong to God’s covenant nation. The perspective of the theory of narrative criticism used in this research is to look at the biblical narrative by referring to the analysis of the book of Ruth and its parts of the book as a complete literary work. The aim of this method is focusing on the storyteller or narrator, plot and scene, as well as repetition and keywords, characters, atmosphere, and point of view. The narrative analysis in the results of this paper not based on the author but merely on the text. So that readers can find out the values ​​and theological views conveyed through the text. The result of research on the meaning of wings in this text is Yahweh's own wing (2:12) as a place for Ruth to take refuge. In fact, Ruth was already under God's wing, because she had previously had a strong belief in becoming the covenant people of Yahweh.  Hoped that this study can make a theological contribution in studying the God’s sovereignty towards all nations. Abstrak; Artikel ini membahas tentang makna sayap dalam dalam kitab Rut sesuai konteks yang otentik. Dengan metode naratif, riset ini hendak mengkaji secara lebih dalam motif dasariah, mengapa Rut memakai kata sayap dalam rangka meminta kesudian Boas agar mau mengembangkan sayapnya atas Rut. Padahal Rut tidak tergolong bangsa perjanjian Allah. Perspektif teori kritik naratif yang digunakan dalam penelitian ini hendak melihat narasi Alkitab dengan mengacu pada analisa terhadap kitab Rut dan bagian-bagian kitab sebagai sebuah karya sastera yang utuh. Metode ini hendak mengarahkan fokus pada pencerita atau narrator, alur/plot serta adegan, juga pengulangan dan kata kunci, tokoh, suasana, dan sudut pandang. Setelah dikerucutkan lebih tajam, maka analisa naratif dalam hasil tulisan ini bukan pada penggubahnya tetapi ada teks. Sehingga pembaca dapat mengetahui nilai-nilai dan pandangan teologi yang disampaikan melalui teks yang diselidiki. Hasil penelitian tentang makna sayap dalam teks ini adalah sayap Yahweh sendiri (2:12) sebagai tempat bagi Rut untuk berlindung. Sejatinya, Rut sudah berada di bawah sayap Tuhan, karenya ia sebelumnya telah memiliki keyakinan kuat akan masuk menjadi umat perjanjian Yahweh. Diharapkan agar studi kepustakaan ini memberi sumbangsih teologis dalam mengkaji kedaulatan Allah bagi seluruh bangsa.

Narrative Criticism of the Religious Authorities as a Group Character in the Gospel of John: Some Problems

2017 ◽  
Vol 63 (2) ◽  
pp. 222-245
Author(s):  
Urban C. von Wahlde
Keyword(s):  
Narrative Analysis ◽  
Gospel Of John ◽  
Point Of View ◽  
Narrative Criticism ◽  
Fourth Gospel ◽  
Group Character ◽  
Single Group ◽  
Critical Studies ◽  
Proper Method ◽  
Great Homogeneity

Recent narrative critical studies of the religious authorities in the Fourth Gospel have proposed, first, that the term ‘Jews’ has only one meaning in the Gospel and, second, that ‘the Jews’ and ‘the Pharisees’ constitute a single group character. However, when viewed from a different perspective, the term ‘Jews’ can be said to have three different meanings in the Gospel. Moreover, when viewed from this perspective, the various usages exhibit a remarkable consistency, one not evident when all instances are thought to have the same meaning. If only those instances of ‘the Jews’ that refer to religious authorities are studied from the point of view of narrative analysis, their character exhibits a great homogeneity but at the same time contrasts consistently with the portrayal of the character of ‘the Pharisees’ (together with ‘the chief priests’ and ‘rulers’). This article describes eight ways in which the character of the religious authorities is portrayed differently (and in a contrasting manner) in the two sets of terms, thus indicating that not all instances of the term ‘Jews’ have the same meaning and that the terms for religious authorities do not constitute a single group character, thus raising substantial questions about the proper method for interpreting these texts within the Gospel.

Chelovek.RU/Человек.RU

Chelovek RU ◽  
2020 ◽  
pp. 18-53
Author(s):  
Sergei Avanesov ◽  
Keyword(s):  
Family History ◽  
Great Distance ◽  
Point Of View ◽  
The Past ◽  
Russian Philosopher ◽  
True Meaning ◽  
The Future ◽  
Pavel Florensky ◽  
The Moment

Abstract. The article analyzes the autobiography of the famous Russian philosopher, theologian and scientist Pavel Florensky, as well as those of his texts that retain traces of memories. According to Florensky, the personal biography is based on family history and continues in children. He addresses his own biography to his children. Memories based on diary entries are designed as a memory diary, that is, as material for future memories. The past becomes actual in autobiography, turns into a kind of present. The past, from the point of view of its realization in the present, gains meaning and significance. The au-thor is active in relation to his own past, transforming it from a collection of disparate facts into a se-quence of events. A person can only see the true meaning of such events from a great distance. Therefore, the philosopher remembers not so much the circumstances of his life as the inner impressions of the en-counter with reality. The most powerful personality-forming experiences are associated with childhood. Even the moment of birth can decisively affect the character of a person and the range of his interests. The foundations of a person's worldview are laid precisely in childhood. Florensky not only writes mem-oirs about himself, but also tries to analyze the problems of time and memory. A person is immersed in time, but he is able to move into the past through memory and into the future through faith. An autobi-ography can never be written to the end because its author lives on. However, reaching the depths of life, he is able to build his path in such a way that at the end of this path he will unite with the fullness of time, with eternity.

Portuguese Sardines - from the ritual to the brand

2017 ◽  
Vol 5 (2) ◽  
pp. 109-120
Author(s):  
Cecília Avelino Barbosa
Keyword(s):  
Social Construction ◽  
Place Branding ◽  
Symbolic Capital ◽  
City Council ◽  
Point Of View ◽  
City Branding ◽  
The Past ◽  
Behavioral Expression ◽  
The City ◽  
City Identity

Place branding is a network of associations in the consumer’s mind, based on the visual, verbal, and behavioral expression of a place. Food can be an important tool to summarize it as it is part of the culture of a city and its symbolic capital. Food is imaginary, a ritual and a social construction. This paper aims to explore a ritual that has turned into one of the brands of Lisbon in the past few years. The fresh sardines barbecued out of doors, during Saint Anthony’s festival, has become a symbol that can be found on t-shirts, magnets and all kinds of souvenirs. Over the year, tourists can buy sardine shaped objects in very cheap stores to luxurious shops. There is even a whole boutique dedicated to the fish: “The Fantastic World of Portuguese Sardines” and an annual competition promoted by the city council to choose the five most emblematic designs of sardines. In order to analyze the Sardine phenomenon from a city branding point of view, the objective of this paper is to comprehend what associations are made by foreigners when they are outside of Lisbon. As a methodological procedure five design sardines, were used of last year to questioning to which city they relate them in interviews carried in Madrid, Lyon, Rome and London. Upon completion of the analysis, the results of the city branding strategy adopted by the city council to promote the sardines as the official symbol of Lisbon is seen as a Folkmarketing action. The effects are positive, but still quite local. On the other hand, significant participation of the Lisbon´s dwellers in the Sardine Contest was observed, which seems to be a good way to promote the city identity and pride in their best ambassador: the citizens.

History of Tour de France from the Geographical Point of View

2013 ◽  
Vol 22 (3-4) ◽  
pp. 255-277 ◽  
Author(s):  
Vladimír Bačík ◽  
Michal Klobučník
Keyword(s):  
Point Of View ◽  
The Past ◽  
Advanced Technologies ◽  
The World ◽  
Spatial Dimensions ◽  
Tour De France ◽  
Wide Circle ◽  
History Of ◽  
Expert Community ◽  
Geographical Point

Abstract The Tour de France, a three week bicycle race has a unique place in the world of sports. The 100th edition of the event took place in 2013. In the past of 110 years of its history, people noticed unique stories and duels in particular periods, celebrities that became legends that the world of sports will never forget. Also many places where the races unfolded made history in the Tour de France. In this article we tried to point out the spatial context of this event using advanced technologies for distribution of historical facts over the Internet. The Introduction briefly displays the attendance of a particular stage based on a regional point of view. The main topic deals with selected historical aspects of difficult ascents which every year decide the winner of Tour de France, and also attract fans from all over the world. In the final stage of the research, the distribution of results on the website available to a wide circle of fans of this sports event played a very significant part (www.tdfrance.eu). Using advanced methods and procedures we have tried to capture the historical and spatial dimensions of Tour de France in its general form and thus offering a new view of this unique sports event not only to the expert community, but for the general public as well.

О вопросах фольклоризма в письменной литературе

2019 ◽  
pp. 31-33
Author(s):  
Суусар Искендерова
Keyword(s):  
Modern Science ◽  
Folk Songs ◽  
Point Of View ◽  
The Past ◽  
Scientific Term ◽  
Literature Culture ◽  
Definition Of ◽  
The Relationship

Аннотация: Исследование проблемы фольклоризма является наиболее актуальной в современной науке о фольклоре. На разных этапах развития художественной литературы для формирования индивидуального творчества писателя особенно значимым становятся фольклорные жанры, сюжетные мотивы и художественные средства. В статье рассматривается связь письменной литературы и фольклора, особенно точка зрения проблеме фольклоризма в прошлом и их анализ. Термин «фольклоризм» начал использоваться советскими исследователями учеными как научный термин еще в 1930-х гг. Термин «фольклоризм» используется в различных сферах культуры, а в этой статье мы будем рассматривать в литературе. Несмотря на то, что на протяжении многих лет этот вопрос изучается литературоведами, фольклористами, все -таки нет единого теоретического определения понятия. Ключевые слова: фольклор, фольклоризм, литература, культура, письменная литература, художественная литература, оседлый народ, пословицы и поговорки, фольклорные песни. Аннотация: Көркөм адабияттын өнүгүүсүнүн ар кайсы баскычтарында сүрөткердин жеке чыгармачылыгынын калыптанышы үчүн фольклордук жанрлар, сюжеттер, мотивдер жана көркөм каражаттар айрыкча мааниге ээ. Макалада жазма адабият менен фольклордук карым-катышы, айрыкча фольклоризм маселеси жөнүндө мурдагы көз караштарга кайрылып, аларга талдоо жүргүзүү менен бирге автор өз байкоолорунда келтирет. “Фольклоризм” деген илимий термин 1930-жылы баштап колдонула баштаган. “Фольклоризм” термини маданияттын түрдүү сфераларында кеңири колдо- нулат, бул жерде адабияттагы колдонулушун каралат. Макалада адабий материал менен фольклордук байланышын терең түшүнүү үчүн адабий фольклоризм маселесинин талаштуу жактары каралат. Түйүндүү сөздөр: фольклор, фольклоризм, адабият, маданият, жазма адабият, көркөм адабият, көчмөн калк, макал-лакап, фольклордук ырлар. Annotation: The study of the problem of folklore is the most relevant in the modern science of folklore. At various stages in the development of fiction, folklore genres, plot motifs, and artistic means become especially significant for the formation of the writer's individual creativity. The article examines the relationship between written literature and folklore, especially the point of view of the problem of folklorism in the past and their analysis. The term "folklorism" began to be used by Soviet scholars as a scientific term back in the 1930s. The term "folklorism" is used in various fields of culture, and in this article we will consider in the literature. Despite the fact that for many years this issue has been studied by literary scholars, folklorists, all the same there is no single theoretical definition of the concept. Keywords: folklore, folklorism, literature, culture, written literature, fiction, settled people, proverbs and sayings, folk songs.

“Product Not Available in Pre-War Quantities – but Quality Remains the Same”: Remarks on Advertisements as Historical Sources

2019 ◽  
Author(s):  
Magdalena Saryusz-Wolska
Keyword(s):  
Social Norms ◽  
Economic History ◽  
Second World War ◽  
Point Of View ◽  
World War ◽  
Historical Sources ◽  
The Past ◽  
German Press ◽  
Post War ◽  
Second World

The article focuses on advertisements as visual and historical sources. The material comes from the German press that appeared immediately after the end of the Second World War. During this time, all kinds of products were scarce. In comparison to this, colorful advertisements of luxury products are more than noteworthy. What do these images tell us about the early post-war years in Germany? The author argues that advertisements are a medium that shapes social norms. Rather than reflecting the historical realities, advertisements construct them. From an aesthetical and cultural point of view, advertisements gave thus a sense of continuity between the pre- and post-war years. The author suggests, therefore, that the advertisements should not be treated as a source for economic history. They are, however, important for studying social developments that occurred in the past.

Movie Envy

2019 ◽  
pp. 70-80
Author(s):  
Olivier Asselin
Keyword(s):  
Point Of View ◽  
Digital Revolution ◽  
The Past ◽  
Current State ◽  
Movie Theatre ◽  
The Relationship

“Canadian cinema.” The term may appear self-evident but is problematic. First, one may question the value of national approaches to culture, especially here, in Quebec and Canada, where the debates over the Nation seem interminable, and especially now, in an era of globalization. Next, one may question the value of media-centered approaches to culture, especially when the successive waves of the “digital revolution” have blurred the boundaries between technologies and among artistic practices. Rather than try to survey “important” fiction films for theatres in Quebec or Canada, this essay adopts another point of view to examine the presence of cinema in Montreal museums over the past few years by focusing on three singular exhibitions. It may well be symptomatic of the current state of film in Quebec and Canada—but also, paradoxically, everywhere else—and says much about the relationship between medium and nation, the expansion of cinema beyond the movie theatre, and the internationalization of culture.

scholarly journals Looking at the Nudibranch Family Myrrhinidae (Gastropoda, Heterobranchia) from a Mitochondrial ‘2D Folding Structure’ Point of View

Life ◽  
2021 ◽  
Vol 11 (6) ◽  
pp. 583
Author(s):  
Giulia Furfaro ◽  
Paolo Mariottini
Keyword(s):  
16S Rrna ◽  
Phylogenetic Analyses ◽  
Integrative Taxonomy ◽  
Point Of View ◽  
Past Study ◽  
Mitochondrial Coi ◽  
The Past ◽  
Combining Data ◽  
Folding Structure ◽  
Comparison Of The Results

Integrative taxonomy is an evolving field of multidisciplinary studies often utilised to elucidate phylogenetic reconstructions that were poorly understood in the past. The systematics of many taxa have been resolved by combining data from different research approaches, i.e., molecular, ecological, behavioural, morphological and chemical. Regarding molecular analysis, there is currently a search for new genetic markers that could be diagnostic at different taxonomic levels and that can be added to the canonical ones. In marine Heterobranchia, the most widely used mitochondrial markers, COI and 16S, are usually analysed by comparing the primary sequence. The 16S rRNA molecule can be folded into a 2D secondary structure that has been poorly exploited in the past study of heterobranchs, despite 2D molecular analyses being sources of possible diagnostic characters. Comparison of the results from the phylogenetic analyses of a concatenated (the nuclear H3 and the mitochondrial COI and 16S markers) dataset (including 30 species belonging to eight accepted genera) and from the 2D folding structure analyses of the 16S rRNA from the type species of the genera investigated demonstrated the diagnostic power of this RNA molecule to reveal the systematics of four genera belonging to the family Myrrhinidae (Gastropoda, Heterobranchia). The “molecular morphological” approach to the 16S rRNA revealed to be a powerful tool to delimit at both species and genus taxonomic levels and to be a useful way of recovering information that is usually lost in phylogenetic analyses. While the validity of the genera Godiva, Hermissenda and Phyllodesmium are confirmed, a new genus is necessary and introduced for Dondice banyulensis, Nemesis gen. nov. and the monospecific genus Nanuca is here synonymised with Dondice, with Nanuca sebastiani transferred into Dondice as Dondice sebastiani comb. nov.

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