scholarly journals Nogai ethnopedagogy: types, means and methods of education

2021 ◽  
Author(s):  
Б.Б. Карданова ◽  
С.В. Телепень ◽  
З.З. Зинеева
Keyword(s):  
Educational System ◽  
Field Research ◽  
Traditional Values ◽  
Way Of Life ◽  
Main Subject ◽  
The People ◽  
Effective System ◽  
Universal Values ◽  
Historical Past

Авторы рассматривают этнопедагогику ногайцев, представляющую собой целостную воспитательную систему, в которую входят такие понятия, как объект, субъект, функции и виды, факторы, методы, средства, организация воспитания и т. д. Прослеживается связь всех видов воспитания с историческим прошлым народа, особенностями его жизненного уклада. Статья основывается на материалах полевых исследований, проведенных авторами в среде кубанских, ставропольских, дагестанских и астраханских ногайцев. Ногайскому народу удалось создать эффективную систему воспитания, основанную на общечеловеческих ценностях. Главным субъектом воспитания выступала традиционная ногайская семья, которая и в настоящее время опирается на традиционные ценности ногайской этнопедагогики. The authors consider the Nogai ethnopedagogy as an integral educational system which includes such concepts as object, subject, functions and types, factors, methods, means, organization of education, etc. The connection of all types of education with the historical past of the people, and the peculiarities of their way of life are traced. The article is based on the materials of the field research conducted by the authors among the Kuban, Stavropol, Dagestan and Astrakhan Nogais. The Nogai people managed to create an effective system of education based on universal values. The main subject of education was a traditional Nogai family, which is still based on the traditional values of Nogai ethnopedagogy.

scholarly journals Visualisasi Rumah Gadang dalam Ekspresi Seni Lukis

Panggung ◽  
2019 ◽  
Vol 29 (1) ◽  
Author(s):  
Harissman Harissman ◽  
Suryanti Suryanti
Keyword(s):  
Ethnic Group ◽  
Empirical Research ◽  
Field Research ◽  
Traditional Values ◽  
Community Or ◽  
Library Research ◽  
The People ◽  
Big House ◽  
Society Today ◽  
Shape And Size

ABSTRACTThe purpose of this art creation is to transform the values of Rumah Gadang into painting. Rumah Gadang (Big House) is a traditional house of Minangkabau ethnic in West Sumatera Province of Indonesia. Rumah Gadang is built on the pillars made from the wood. It has a high and big hollow on the ground, and its taper roof is a special characteristic that makes it different from other ethnic houses in the areas across the equator. Rumah Gadang has various types and names based on its shape and size, which depend on the community or ethnic group that builds the house. Rumah Gadang Batingkek (a big attic house) accommodates the system of Koto Piliang group, while Gajah Maharam (Incubated Elephants) is an identity of Rumah Gadang of Bodi Caniago community. Both models of the traditional houses above have been known as the identity of a Minangkabau traditional house. Methods used for this artwork are exploration, planning, and implementation of the artwork. Before practising these methods, the data has been explored through library research, empirical research, and field research. Idioms of the traditional houses expressed in the language of painting as an expression of the Painters in communicating their concern of changing the functions and values of Rumah Gadang in Minangkabau society today. By expressing through painting, it is hoped it can give awareness to the people to preserve the traditional values of Rumah Gadang, and also the continuity of appreciation to the house.Keywords: Rumah Gadang, art painting, traditional values, expression of the artABSTRAKPenelitian dalam penciptaan ini bertujuan untuk mengaktualisasikan nilai-nilai Rumah Gadang ke dalam karya seni lukis. Rumah gadang merupakan rumah tradisional suku Minangkabau di Sumatera Barat. Rumah Gadang dibangun di atas tiang (panggung), mempunyai kolong yang tinggi, serta atapnya yang lancip, merupakan arsitektur yang khas yang berbeda dengan bangunan suku bangsa lain di daerah garis khatulistiwa. Rumah Gadang mempunyai nama dan jenis yang beraneka ragam menurut bentuk dan ukurannya, sesuai kaum atau suku yang membuatnya. Rumah Gadang Batingkek (rumah besar bertingkat) mengakomodasi sistem kelarasan Koto piliang, yang Rumah Gadangnya beranjuang, Gajah Maharam (gajah mengeram) mengidentitaskan Rumah Gadang kelarasan Bodi Caniago. Kedua model Rumah Gadang tersebut merupakan identitas bangunan etnis Minangkabau. Metode penelitian dilakukan dengan eksplorasi, perancangan, dan eksekusi dari perwujudan karya seni. Pada tahap sebelumnya, dilakukan beberapa tahapan, yaitu studi pustaka, studi empirik dan studi lapangan. Dari penelitian didapatkan kesimpulan bahwa Idiom-idiom tradisi Rumah Gadang yang diungkapkan dengan bahasa seni lukis merupakan media ekspresi pencipta untuk mengomunikasikan kegelisahannya mengenai perubahan dan pengikisan nilai yang terjadi di Rumah Gadang sesuai perubahan zaman. Dengan media ungkap bahasa visual ini diharapkan dapat memberi penyadaran akan pentingnya nilai tradisi dalam konteks Rumah Gadang, serta terus diapresiasi. Kata kunci: Rumah Gadang, seni lukis, nilai-nilai tradisi, ekspresi seni 

scholarly journals A New Way. Niue

2021 ◽  
Author(s):  
◽  
Anthony Liuvaie Freddie
Keyword(s):  
Cultural Practices ◽  
Design Method ◽  
Vernacular Architecture ◽  
Field Research ◽  
Extreme Weather Events ◽  
Traditional Values ◽  
Sea Levels ◽  
The People ◽  
Rising Sea Levels ◽  
Two Stages

<p>With the increase in climate change, small Pacific nations such as Niue face significant risks from rising sea levels and the increased intensity of natural disasters such as tropical cyclones. These extreme weather events have caused severe devastation therefore threatening the fragile economy, and social and cultural fabric that make up the identity of Niue, a Pacific nation. This is evident in the decline of the island’s population. A current issue faced by Pacific nations such as Niue is the lack of contemporary vernacular, sustainable and resilient architectural solutions to the environmental and economic issues these nations face. Further compelling this situation is the lack of research and study of Niue’s traditions and cultural practices, vernacular architecture and natural environment. This issue has negatively affected urban renewal and developmental projects, most of which have been formulated based on individual’s experiences, outdated attitudes and approaches or the findings of research conducted through pan-Pasifika or western lenses. The devastating outcomes of Cyclone Heta in 2004, which struck most of the coastal edge of Niue, particularly the South side of the Capital Alofi, Aliluki and destroyed the national hospital, the national museum, the Niue Hotel and Amanau apartments brought to light the seriousness of this issue. From then until now, Aliluki which once was the centre of Niue has been stigmatised by cyclone destruction, and deteriorated into a barren ruin overgrown by nature.  This thesis aims to document and preserve through this project, local knowledge associated with Niuean building traditions and cultural practices; develop a design method that leads to a contemporary architectural solution informed by the local culture, traditional practices and contextual situation; and develop a viable architectural solution that contributes to increasing the resilience and sustainability of Aliluki to future disasters and enhances the economic prosperity of the community through an increase in social, economic, and cultural opportunities.  The design thesis argues that understanding Niue’s traditional values, practices, and contextual situation will help identify resilient and sustainable vernacular architectural solutions for Niue’s cyclone-prone environment. This is done through two stages of the research: Theoretical grounding and a one-month field research and site studies in Niue. All the key literature, case studies and key findings were then explored, tested and developed through the urban re-development of Aliluki and a design of a cultural centre that will be used as an evacuation shelter in the event of a devastating tropical cyclone. In search for a better and safer future, this research will hopefully contribute towards the survival of the people and traditions of Niue, who has for several decades, struggled with the forces of modernisation.</p>

scholarly journals NATIONAL IDENTITY AND FEATURES OF ITS REFLECTION IN THE MODERN DRAMA OF THE VOLGA REGION

2021 ◽  
pp. 47-52
Author(s):  
Ирина Юрьевна Кириллова
Keyword(s):  
National Identity ◽  
Comparative Analysis ◽  
National Character ◽  
Volga Region ◽  
Modern Drama ◽  
The People ◽  
Historical Figures ◽  
Universal Values ◽  
Historical Past ◽  
Bulgarian People

Статья посвящена вопросу национальной специфики литератур народов Поволжья, соотношению национального и регионального в понимании идентичности как таковой. В работе выявляются общие моменты в отражении национальной идентичности, этнических и общечеловеческих ценностей в современной драматургии Поволжья. В качестве объекта исследования выбраны произведения современных чувашских и татарских драматургов, в которых наиболее ярко выражена национальная проблема. Путем сравнительного анализа в статье рассмотрены формы проявления национальной идентичности в произведениях, такие как национальные мифы, образы, идеалы, архетипы, обращение к далекому прошлому народа, к типичным чертам национального характера. Важным идеологическим ресурсом национальной идентичности на современном этапе выступило историческое прошлое чувашского и татарского народов. В судьбе главных исторических личностей отразилась трагическая судьба булгарского народа. В чувашской драме «Часы с кукушкой» (2016) М. Карягиной и татарской монодраме «Микулай» (2019) М. Гилязова проблема идентичности рассматривается в отношении героев к национальным и общечеловеческим ценностям, таким как родная земля, дом, семья, память, нравственность, долг, ответственность и др. The article is devoted to national specifics of the literatures of the peoples of the Volga region, the correlation of national and regional to the understanding of identity as such. The paper reveals common points in the reflection of national identity, ethnic and universal values in the drama of the Volga region. The works of modern Chuvash and Tatar playwrights, in which the national problem is most clearly expressed, are chosen as the object of research. By means of comparative analysis, the article considers the forms of national identity in the works, such as national myths, images, ideals, archetypes, reference to the distant past of the people, to the typical features of the national character. An important ideological resource of national identity was the historical past of the Chuvash and Tatar peoples. The fate of the main historical figures reflected the tragic fate of the Bulgarian people. In the Chuvash drama “The Cuckoo Clock” (2016) by M. Karyagina and the Tatar monodrama “Mikulai” (2019) by M. Gilyazov, the problem of identity is considered in the relation of their characters to national and universal values, such as their native land, home, family, memory, morality, duty, responsibility, etc.

scholarly journals Patrimonio cultural y turismo en torno al cerdo ibérico en Salamanca

2019 ◽  
pp. 193-218
Author(s):  
Luís Alfonso Hortelano Mínguez ◽  
Eduardo Azofra Agustín ◽  
María Isabel Martín Jiménez ◽  
José Ignacio Izquierdo Misiego
Keyword(s):  
Cultural Heritage ◽  
Literary Texts ◽  
Local Culture ◽  
Meat Processing ◽  
Way Of Life ◽  
Folk Knowledge ◽  
The People ◽  
Local Ecosystem ◽  
Relationship Of ◽  
Historical Past

Se analizan los vínculos del territorio con el Patrimonio Cultural generados a partir de la cría del cerdo ibérico, en un sistema agroecológico adaptado a las condiciones del medio natural conocido como monte hueco o dehesa, y de la elaboración de embutidos (en concreto el chorizo ibérico) a partir de la sabiduría popular. Este proceso, asentado en un largo devenir histórico de construcción de un paisaje agrosilvopastoril adecuado para una gestión sostenible del territorio, donde el cerdo ibérico juega un papel preponderante, y en las claves culturales transmitidas de generación en generación del modo de hacer embutidos derivados del cochino ibérico. Este modo de vida ha sido plasmado en pinturas, fotografías, folklore y textos literarios que demuestran las estrechas relaciones de las gentes salmantinas con su territorio, paisaje y costumbres y su valoración como recurso turístico-gastronómico. Based on the breeding of Iberian hog in the Province of Salamanca, the relations between the territory and cultural heritage are analysed. Breeding conditions are well-adapted to the local ecosystem of pastureland with holm oaks, known as monte hueco or dehesa. Meat processing, for example the production of Iberian chorizo, is based on folk knowledge. The long historical past of pig rearing is embedded in a sustainable agro-sylvo-pastoral landscape and in a local culture related to the production of ham and sausages. This way of life is reflected in paintings, photographs, folklore and literary texts, which show the intense relationship of the people of Salamanca with their territory, landscape and traditions, as well as its asset as a touristic -gastronomic resource.

scholarly journals Traditional Balinese Architecture: From Cosmic to Modern

2020 ◽  
Vol 76 ◽  
pp. 01047
Author(s):  
Ronald Hasudungan Irianto Sitinjak ◽  
Laksmi Kusuma Wardani ◽  
Poppy Firtatwentyna Nilasari
Keyword(s):  
Social System ◽  
Social Life ◽  
Architectural Design ◽  
Human Life ◽  
Building Design ◽  
Original Form ◽  
Traditional Values ◽  
Way Of Life ◽  
Functional Changes ◽  
The People

Balinese architecture often considers aspects of climate and natural conditions as well as environmental social life. This is to obtain a balance in the cosmos, between human life (bhuana alit / microcosm) and its natural environment (bhuana agung /macrocosm). However, Bali's progress in tourism has changed the way of life of the people, which is in line with Parsons Theory of Structural Functionalism, that if there is a change in the function of one part of an institution or structure in a social system, it will affect other parts, eventually affecting the condition of the social system as a whole. The shift in perspectives has caused structural and functional changes in Balinese architecture. The building design or architecture that emerges today is no longer oriented towards cosmic factors but is oriented towards modern factors, developing in the interests of tourism, commercialization, and lifestyle. The change has had an impact on spatial planning, building orientation, architectural appearance, interior furnishings and local regulations in architecture. In order to prevent Balinese architecture from losing its authenticity in its original form, which is full of spiritual meaning and local Balinese traditions, it is necessary to have a guideline on the specifications of Balinese architectural design that combines elements of aesthetics, comfort, technology, and spirituality. Through this guideline, Balinese architecture can exist in modern times without losing its traditional values.

A New Way. Niue

2021 ◽  
Author(s):  
◽  
Anthony Liuvaie Freddie
Keyword(s):  
Cultural Practices ◽  
Design Method ◽  
Vernacular Architecture ◽  
Field Research ◽  
Extreme Weather Events ◽  
Traditional Values ◽  
Sea Levels ◽  
The People ◽  
Rising Sea Levels ◽  
Two Stages

<p>With the increase in climate change, small Pacific nations such as Niue face significant risks from rising sea levels and the increased intensity of natural disasters such as tropical cyclones. These extreme weather events have caused severe devastation therefore threatening the fragile economy, and social and cultural fabric that make up the identity of Niue, a Pacific nation. This is evident in the decline of the island’s population. A current issue faced by Pacific nations such as Niue is the lack of contemporary vernacular, sustainable and resilient architectural solutions to the environmental and economic issues these nations face. Further compelling this situation is the lack of research and study of Niue’s traditions and cultural practices, vernacular architecture and natural environment. This issue has negatively affected urban renewal and developmental projects, most of which have been formulated based on individual’s experiences, outdated attitudes and approaches or the findings of research conducted through pan-Pasifika or western lenses. The devastating outcomes of Cyclone Heta in 2004, which struck most of the coastal edge of Niue, particularly the South side of the Capital Alofi, Aliluki and destroyed the national hospital, the national museum, the Niue Hotel and Amanau apartments brought to light the seriousness of this issue. From then until now, Aliluki which once was the centre of Niue has been stigmatised by cyclone destruction, and deteriorated into a barren ruin overgrown by nature.  This thesis aims to document and preserve through this project, local knowledge associated with Niuean building traditions and cultural practices; develop a design method that leads to a contemporary architectural solution informed by the local culture, traditional practices and contextual situation; and develop a viable architectural solution that contributes to increasing the resilience and sustainability of Aliluki to future disasters and enhances the economic prosperity of the community through an increase in social, economic, and cultural opportunities.  The design thesis argues that understanding Niue’s traditional values, practices, and contextual situation will help identify resilient and sustainable vernacular architectural solutions for Niue’s cyclone-prone environment. This is done through two stages of the research: Theoretical grounding and a one-month field research and site studies in Niue. All the key literature, case studies and key findings were then explored, tested and developed through the urban re-development of Aliluki and a design of a cultural centre that will be used as an evacuation shelter in the event of a devastating tropical cyclone. In search for a better and safer future, this research will hopefully contribute towards the survival of the people and traditions of Niue, who has for several decades, struggled with the forces of modernisation.</p>

scholarly journals ETIKA NATURAL TAOISME DAN IMPLEMENTASINYA

HUMANIKA ◽  
2016 ◽  
Vol 23 (2) ◽  
pp. 49 ◽  
Author(s):  
Iriyanto Widisuseno
Keyword(s):  
Transition Period ◽  
Laws Of Nature ◽  
Ethical Life ◽  
Way Of Life ◽  
Ethical Perspective ◽  
The People ◽  
Time Period ◽  
Democratic System ◽  
Universal Values ◽  
Purity Of Heart

Ethical life according to Taoism means a way of life back to nature. Man must be able to interpret the laws of nature in an ethical perspective, and practice in the life of others. Taoism teaches life ethics need to be equipped virtue, which has a purity of heart that is sacred, or the sincerity and willingness to live for others. Taoist virtues law contains universal values, relevant for the people of Indonesia who are experiencing erosion and weakening of the appreciation of moral values. In addition, the transition period of political culture, especially from the time period of bureaucratic power to a democratic system of popular sovereignty towards civil society. Universal values of natural ethics Taoism in line with the ethical teachings of Pancasila.

Universal Values and Muslim Democracy

2020 ◽  
Vol 9 (1) ◽  
pp. 1-7
Author(s):  
Anwar Ibrahim
Keyword(s):  
New York ◽  
Muslim World ◽  
World Today ◽  
The People ◽  
The World ◽  
Universal Values ◽  
Human Desire ◽  
Dignified Life

This study deals with Universal Values and Muslim Democracy. This essay draws upon speeches that he gave at the New York Democ- racy Forum in December 2005 and the Assembly of the World Movement for Democracy in Istanbul in April 2006. The emergence of Muslim democracies is something significant and worthy of our attention. Yet with the clear exceptions of Indonesia and Turkey, the Muslim world today is a place where autocracies and dictatorships of various shades and degrees continue their parasitic hold on the people, gnawing away at their newfound freedoms. It concludes that the human desire to be free and to lead a dignified life is universal. So is the abhorrence of despotism and oppression. These are passions that motivate not only Muslims but people from all civilizations.

EKSISTENSI AGAMA DALAM ERA GLOBALISASI

1970 ◽  
Vol 8 (1) ◽  
pp. 41-59
Author(s):  
Ahmad Muttaqin
Keyword(s):  
Niklas Luhmann ◽  
Religious Groups ◽  
Religious Background ◽  
Religious People ◽  
The People ◽  
Economic Interaction ◽  
Extreme Behavior ◽  
Universal Values ◽  
Immanuel Wallerstein ◽  
Former Ussr

This paper discusses the existence of religion in globalization era.Religious values, which are private, sacral, and transcendent, interact with theglobalization circle, which seems to be contradictory with religion.Globalization is utilitarian  as its nature and it results in vanish of local values or cultures. However, none can avoid, neither can religious people. Responds to globalization frequently occur in extreme behavior since some people thinks that globalization will threat their existence in this world. Such responds make the people labeled as fundamentalists or terrorists, and many of them have religious background.  Some of religious groups extremely rejecting globalization can be found states of former USSR, Japan, and Iran. Finally, this paper presents the forms and  positions of  religion suggested by four figures, i.e. Immanuel Wallerstein, John Meyer, Roland Robertson, and Niklas Luhmann. They suggest that the religions will keep their existence if they adopt the values of globalization and make themselves the instrument of communication as well as political and economic interaction of the world’s interaction. Religion should evolve from narrow mindedness to a broader, new, and universal values.

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