scholarly journals Lebanon’s Greening Imagination // La imaginación de un Líbano verde

2013 ◽  
Vol 4 (2) ◽  
pp. 117-132
Author(s):  
Marianne Marroum
Keyword(s):  
Subjective Experience ◽  
Creative Work ◽  
Separate Entity ◽  
The Core ◽  
The Past ◽  
Public Consciousness ◽  
Etel Adnan ◽  
The Aesthetic ◽  
Objective Description

This paper examines the narratives of a group of Lebanese authors and artists on nature in Lebanon, collected in an anthology entitled The Lost Space: The Views of Lebanese Authors and Artists on Nature  (2009) published by the cultural association of George Yammine,  the deceased Lebanese poet media officer and critic of literature and art (1955-2000). The   essays of Etel Adnan,  Antoine al-Daouihy, Hassan Daoud,  Fifi Kallab  and Claudia Marchelian,  among some others, will form the core of the study. I will deal with their objective description and /or subjective experience and perception of Beirut, nature and the environment in Lebanon as a separate entity, and in its relation to their creative work, whence the symbiosis of the natural, the aesthetic and the creative. I will undertake to analyze in the artists’ discourses the residues of forms and frame of minds of what may be regarded as Mediterranean orientalism, namely the subjective romantic experience of nature, the nostalgia for the green Lebanon of the past,  as well as the focus on the beauty of the Lebanese landscape.  I hope to show that these elements are paralleled and often dialectically intertwined with  a more objective  image  of a degraded environment, one that is  moving towards greater entropy.  I will conclude with a sample of variegated reactions and solutions some of the authors  put forward: paradoxical expressions of love and pride for this degenerated environment, philosophical arguments that inculcate  ecocentric values to public consciousness, and  pragmatic solutions that consist of a reconfiguration of landscape in sound ecological  manner.   Resumen   Este trabajo analiza la obra de un grupo de autores y artistas libaneses sobre la naturaleza en el Líbano, recogida en la antología titulada The Lost Space:  The Views of Lebanese Authors and Artists on Nature (2009), publicada por la asociación cultural de George Yammime, el fallecido poeta y critico literario y de arte (1955-2000). Los ensayos de Etel Adnan,  Antoine al-Daouihy, Hassan Daoud,  Fifi Kallab  y Claudia Marchelian, entre otros, formarán el núcleo del estudio. Exploraré su descripción objetiva y/o experiencia subjetiva y su percepción de Beirut, la naturaleza y el medio ambiente del Líbano como una entidad separada, y la relación con su obra creativa, razón de la simbiosis de lo natural, lo estético y lo creativo.  Comenzaré analizando en los discrusos de los artistas las formas y estados de ánimo de lo que puede considerarse orientalismo mediterráneo, concretamente la experiencia subjetiva y romántica de la naturaleza, la nostalgia por el Líbano verde del pasado, así como la atención a la belleza del paisaje libanés. Espero demostrar que estos elementos son paralelos a, y a menudo están dialécticamente entrelazados con, una imagen más objetiva de un medio ambiente degradado, que se mueve hacia una mayor entropía. Concluiré con una muestra multicolor de reacciones y soluciones propuestas por algunos de los autores: expresiones paradójicas de amor y orgullo por este medio ambiente degenerado, argumentos filosóficos que inculcan valores ecocéntricos a la conciencia pública, y soluciones pragmáticas que consisten en una reconfiguración profundamente ecológica del paisaje.

Notions “association”, “associativity” in modern linguo-stylistics

2019 ◽  
pp. 84-89
Author(s):  
Iryna Ivanenko
Keyword(s):  
Subjective Experience ◽  
Green Light ◽  
Human Memory ◽  
Text Structure ◽  
Point Of View ◽  
Modern Theory ◽  
Literary Language ◽  
The Core ◽  
History Of ◽  
The Aesthetic

Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood > childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.

scholarly journals MYTHOLOGICAL COMPONENT IN THE STRUCTURE OF КOSTA KHETAGUROV’S REALISTIC TYPE OF THINKING

2019 ◽  
Author(s):  
Р.Я. Фидарова ◽  
И.А. Кайтова
Keyword(s):  
Historical Development ◽  
Methodological Approach ◽  
Deep Understanding ◽  
Moral Code ◽  
The Past ◽  
The Social ◽  
The World ◽  
Public Consciousness ◽  
The Aesthetic ◽  
The Individual

Суть методологического подхода Коста Хетагурова к проблемам культурноисторического развития осетинского народа в том, что он рассматривал общественное бытие и общественное сознание осетин как взаимосвязанные и взаимообусловленные феномены, составляющие единое целое, целостную систему, формирующую фундаментальную основу реалистического типа мышления, преследующего цель в удивительно жизненных, созидаемых им образах, глубоко и основательно раскрыть эстетическую специфику философского, духовнонравственного, культурноисторического освоения горцами объективного мира, мира их национальной действительности. Теоретическим инструментарием при этом для Коста является метод восхождения от абстрактного, включающего в данном случае в себя такие компоненты духовной культуры, как национальный менталитет, обычаи, обряды, традиции, Агъдау как нравственный кодекс жизни горцев, к конкретному, т.е. к судьбе и характеру отдельного человека, члена горского общества носителя его родовых качеств и родимых пятен . Кроме того, в состав теоретического инструментария Коста, при формировании им реалистического типа художественного мышления, включаются и принцип объективности, позволяющий ему анализировать противоречивый характер как действительности, так и характер отдельного человека принцип развития, помогающий Коста учитывать диалектический характер горского бытия принцип преемственности, давший возможность поэту глубоко осмыслить органические связи прошлого и настоящего. Ну а системноисторический подход помогал Коста выявить наиболее существенные, постоянные, т.е. константные связи явлений в общественной жизни и общественном сознании, тогда как детерминизм давал возможность обнажать их объективную зависимость от социальноисторических и природногеографических факторов. Столь богатый теоретический инструментарий помогал Коста глубоко и основательно осмысливать метафизические проблемы жизни горского общества. И это явилось основой формирования его реалистического типа мышления, способного дать удивительно органичный, объективноконцептуальный, художественноэстетический анализ критического состояния мира . А из данного анализа логически следовал убедительный вывод, призывающий народ к беспощадной борьбе за свободу, равенство и братство людей, а именно: мир враждебен человеку, губит его физически и развращает нравственно. И, следовательно, в данных социальноисторических обстоятельствах человек обречен на гибель, если не станет на защиту своей жизни и свободы. При решении столь сложной художественноэстетической задачи Коста умело использовал осетинскую мифологию как важнейший компонент структуры реалистического типа мышления, основы которого он же и заложил в формирующейся осетинской литературе. The essence of Khetagurovs methodological approach to the problems of cultural and historical development of the Ossetian people is that he considered the social existence and social consciousness of Ossetians as interrelated and interdependent phenomena making up a single whole, an integral system that forms the fundamental basis of a realistic type of thinking, pursuing the goal in a surprisingly vital, created by them images, deeply and thoroughly reveal the aesthetic specificity of the philosophical, spiritual, moral, cultural and historical development of the highlanders of the objective world, the world of their national reality. The theoretical tools for Kosta is the method of ascent from the abstract, which in this case includes such components of spiritual culture as the national mentality, customs, rituals, traditions, Agdau as a moral code of life of the highlanders to the specific, i.e. to the fate and character of the individual, a member of the mountain society the carrier of his generic qualities and birthmarks. In addition, the theoretical tools of Kosta, when forming a realistic type of artistic thinking, include the principle of objectivity, allowing him to analyze the contradictory nature of both reality and the nature of the individual the principle of development, which helps Kosta to take into account the dialectical nature of mountain life the principle of continuity, which gave the poet a deep understanding of the organic connections of the past and the present. But the systemhistorical approach helped Kosta to identify the most significant, permanent, i.e. constant connections of phenomena in public life and public consciousness, while determinism made it possible to expose their objective dependence on sociohistorical and naturalgeographical factors. Such a wealth of theoretical tools helped Kosta to think deeply and thoroughly about the metaphysical problems of mountain society. And this was the basis for the formation of his realistic type of thinking that can give a surprisingly organic, objectively conceptual, artistic and aesthetic analysis of the critical state of the world. And from this analysis logically followed a convincing conclusion, calling people to ruthless struggle for freedom, equality and brotherhood of people, namely: the world is hostile to man, destroys it physically and corrupts morally. And, therefore, in these sociohistorical circumstances, a person is doomed to death if he does not protect his life and freedom. In solving such a complex artistic and aesthetic problem Kosta skillfully used Ossetian mythology as an important component of the structure of the realistic type of thinking, the foundations of which he laid in the emerging Ossetian literature.

Notions “association”, “associativity” in modern linguo-stylistics

2019 ◽  
pp. 84-89
Author(s):  
Iryna Ivanenko
Keyword(s):  
Subjective Experience ◽  
Green Light ◽  
Human Memory ◽  
Text Structure ◽  
Point Of View ◽  
Modern Theory ◽  
Literary Language ◽  
The Core ◽  
History Of ◽  
The Aesthetic

Charles Bally’s works laid the basis for the linguistic interpretation of the conceptions of association and associativity and understanding of associative mechanisms with regard to the fundamentals of psychology and systemacy of semantic links in thinking and language. The foundation of the modern theory of associativity is the classification of associations (mnemonic and necessary, close and distant, internal and external) developed by Charles Bally in his works. In linguo-stylistics the conception of association and associativity are associated with understanding of the psycholinguistic mechanisms of figurative use of language units and the realization of the aesthetic function of a literary language (S.Ya. Yermolenko, A.A. Moisiienko, L.V. Tailor, O. Malenkov, H.M. Siuta). Among the mechanisms for the formation of linguistic associations are the following factors: objective, social and intellectual experience, dependence on cultural and historical traditions, the gender identity of the speaker, etc. One of them dominates in each specific communicative situation. Currently known classifications of types of associative links take into account the basic positions of psycholinguistics, and the needs of lexicology and stylistics, etc. General differentiation is carried out: 1) for contiguity, similarity and contrast, 2) according to the scheme “word-stimulus, word-reaction”, 3) according to the type of relationship between the stimulus and the associate). Deep differentiation of associations according to the type of relationship between stimulus and associate) determines the allocation of several associative types: paradigmatic (food – bread) / syntagmatic (food – consume); thematic (friend – childhood - childhood friend); empirical (associated with the subjective experience of the speaker); social (associated with the social experience of the speaker), etc. The use of other criteria motivates the allocation of these types of associations: a) audio, visual, adorational, tangential; b) the usual and unexpected; c) direct and indirect, mediated; d) positive and negative; e) cultural, ethnic and author’’s individual. Understanding the connection between associativity and imagery is a primary issue in the modern literary language theory. Being a basis of concrete and sensual perception of the literary text, associations serve as a basis of creation of character in literature (S.Ya. Yermolenko, L.O. Pustovit, L.O. Stavitska, V.A. Chabanenko). It is necessary to consider the ideas of Franko’s treatise according to the history of the formation of the associativity theory. In particular, the proposed division of poetic associations by content (“ordinary”, that is, simple, and “linked by force”, that is, complex), remains undeniable. During the twentieth century the understanding of the mechanisms of implementation of associativity significantly deepened. One of the main subjects of intensive processing was the paradigmatic ordering of words in language and in human memory, the presence of clear mental connections between certain objects, realities on the basis of commonality or adjacency of their individual traits, features, etc. (compare.: spring – green, light, sun, warmth, flowers, feelings). This motivates the associative grouping of words into semantic fields. From linguo-stylistics point of view the associative-semantic field is a text structure, the model of the functional and stylistic implication of lexical-semantic units. The core of such a field, as a rule, are the keywords – the semantic and estimated coordinates of the entire work. Another type of lexicon combination, taking into account the associative links between the components, is an associative and imaginative field. It arises on the basis of associative and semantic or lexical and semantic association due to the identity of the denotative properties of linguistic signs, the general tradition of common language and poetic usage. Its center is the most active unit (dominant) – the core component of the series, which organizes the relationship of all other components. Associative-figurative series (lexical-thematic lines) go from this dominant, which work together semantically with the center for associative and creative field. Associativity is one of the key concepts of modern linguistic style. Terminological functionality of the conception of association and associativity is associated with the activity of cognition of the problems of “language association”, “artistic association”, “associativity and creative work”.

Soziale Disziplinierung im flexiblen Kapitalismus

2004 ◽  
Vol 34 (136) ◽  
pp. 339-356
Author(s):  
Tobias Wölfle ◽  
Oliver Schöller
Keyword(s):  
Social Welfare ◽  
Second Step ◽  
Social Rights ◽  
Federal Law ◽  
Capitalist Development ◽  
The Core ◽  
The Past ◽  
The Impact ◽  
Municipal Level

Under the term “Hilfe zur Arbeit” (aid for work) the federal law of social welfare subsumes all kinds of labour disciplining instruments. First, the paper shows the historical connection of welfare and labour disciplining mechanisms in the context of different periods within capitalist development. In a second step, against the background of historical experiences, we will analyse the trends of “Hilfe zur Arbeit” during the past two decades. It will be shown that by the rise of unemployment, the impact of labour disciplining aspects of “Hilfe zur Arbeit” has increased both on the federal and on the municipal level. For this reason the leverage of the liberal paradigm would take place even in the core of social rights.

Adaptations of Time Travel Narratives in Japanese Multimedia: Nurturing Eudaimonia across Time and Space

2014 ◽  
Vol 7 (2) ◽  
pp. 136-151 ◽  
Author(s):  
Sung-Ae Lee
Keyword(s):  
Travel Narratives ◽  
Time Travel ◽  
Cultural Knowledge ◽  
Human Beings ◽  
The Core ◽  
The Past ◽  
Life Styles ◽  
Concern For Others ◽  
The Future ◽  
Live Action

To displace a character in time is to depict a character who becomes acutely conscious of his or her status as other, as she or he strives to comprehend and interact with a culture whose mentality is both familiar and different in obvious and subtle ways. Two main types of time travel pose a philosophical distinction between visiting the past with knowledge of the future and trying to inhabit the future with past cultural knowledge, but in either case the unpredictable impact a time traveller may have on another society is always a prominent theme. At the core of Japanese time travel narratives is a contrast between self-interested and eudaimonic life styles as these are reflected by the time traveller's activities. Eudaimonia is a ‘flourishing life’, a life focused on what is valuable for human beings and the grounding of that value in altruistic concern for others. In a study of multimodal narratives belonging to two sets – adaptations of Tsutsui Yasutaka's young adult novella The Girl Who Leapt Through Time and Yamazaki Mari's manga series Thermae Romae – this article examines how time travel narratives in anime and live action film affirm that eudaimonic living is always a core value to be nurtured.

PRACTICAL BASE OF FORMULATING RETRAINING PROGRAMS ON ETHNIC MINORITY AFFAIRS KNOWLEDGE FOR CADRES, CIVIL SERVANTS UP TO 2030

2018 ◽  
Author(s):  
Nguyen Van Dung ◽  
Giang Khac Binh
Keyword(s):  
Ethnic Minority ◽  
Training Program ◽  
Political System ◽  
Prime Minister ◽  
Training Programs ◽  
Civil Servants ◽  
The Political ◽  
Target Groups ◽  
The Core ◽  
The Past

As developing programs is the core in fostering knowledge on ethnic work for cadres and civil servants under Decision No. 402/QD-TTg dated 14/3/2016 of the Prime Minister, it is urgent to build training program on ethnic minority affairs for 04 target groups in the political system from central to local by 2020 with a vision to 2030. The article highlighted basic issues of practical basis to design training program of ethnic minority affairs in the past years; suggested solutions to build the training programs in integration and globalization period.

What's the Message of Architecture?

2014 ◽  
pp. 126-136
Author(s):  
Аndrey G. Velikanov
Keyword(s):  
Separate Entity ◽  
Aesthetic Value ◽  
Current State ◽  
Entire Complex ◽  
History Of ◽  
The Aesthetic

Considers the aspects of architecture as a language able to express the current state and to prophetically indicate the upcoming changes. The aesthetic value of a construction cannot be perceived just as a separate entity, but it can be cognized in the context and not only a visual one, in space. It is necessary to see the entire complex of the accompanying phenomena, all the flow of the unfolding metaphors and values. In the model in view the figure of the author-creator must be reconsidered as no longer conforming to today's reality. The development of the Stalinist Empire style, as well as its transformations, is considered as one of the specific phenomena in the history of well-known constructions

The Nature of Degrowth: Theorising the Core of Nature for the Degrowth Movement

2020 ◽  
Author(s):  
Pasi Heikkurinen
Keyword(s):  
Human Nature ◽  
Culturally Sensitive ◽  
Theory And Practice ◽  
The Core ◽  
The Past ◽  
The Future ◽  
Radical Reduction ◽  
Nature Experience ◽  
Matter Energy

This article investigates human–nature relations in the light of the recent call for degrowth, a radical reduction of matter–energy throughput in over-producing and over-consuming cultures. It outlines a culturally sensitive response to a (conceived) paradox where humans embedded in nature experience alienation and estrangement from it. The article finds that if nature has a core, then the experienced distance makes sense. To describe the core of nature, three temporal lenses are employed: the core of nature as ‘the past’, ‘the future’, and ‘the present’. It is proposed that while the degrowth movement should be inclusive of temporal perspectives, the lens of the present should be emphasised to balance out the prevailing romanticism and futurism in the theory and practice of degrowth.

Acid ceramidase, a double-edged sword in cancer aggression: A minireview

2020 ◽  
Vol 20 ◽  
Author(s):  
Helen Shiphrah Vethakanraj ◽  
Niveditha Chandrasekaran ◽  
Ashok Kumar Sekar
Keyword(s):  
Cell Fate ◽  
Cancer Progression ◽  
Potential Role ◽  
Tumour Progression ◽  
Acid Ceramidase ◽  
The Core ◽  
The Past ◽  
Sphingosine 1 Phosphate ◽  
Key Enzyme

: Acid ceramidase (AC), the key enzyme of the ceramide metabolic pathway hydrolyzes pro-apoptotic ceramide to sphingosine, which by the action of sphingosine-1-kinase is metabolized to mitogenic sphingosine-1-phosphate. The intracellular level of AC determines ceramide/sphingosine-1-phosphate rheostat which in turn decides the cell fate. The upregulated AC expression during cancerous condition acts as a “double-edged sword” by converting pro-apoptotic ceramide to anti-apoptotic sphingosine-1-phosphate, wherein on one end, the level of ceramide is decreased and on the other end, the level of sphingosine-1-phosphate is increased, thus altogether aggravating the cancer progression. In addition, cancer cells with upregulated AC expression exhibited increased cell proliferation, metastasis, chemoresistance, radioresistance and numerous strategies were developed in the past to effectively target the enzyme. Gene silencing and pharmacological inhibition of AC sensitized the resistant cells to chemo/radiotherapy thereby promoting cell death. The core objective of this review is to explore AC mediated tumour progression and the potential role of AC inhibitors in various cancer cell lines/models.

The ICRC Library goes digital

2020 ◽  
pp. 1-2
Keyword(s):  
International Committee ◽  
Red Cross ◽  
International Humanitarian Law ◽  
Humanitarian Law ◽  
Reference Library ◽  
Parallel Development ◽  
Humanitarian Action ◽  
The Core ◽  
The Past

The ICRC Library is home to unique collections retracing the parallel development of humanitarian action and law during the past 150+ years. With the core of these collections now digitized, this reference library on international humanitarian law (IHL) and the International Committee of the Red Cross (ICRC) is a resource available to all, anytime, anywhere.

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