scholarly journals Hyperbole in English and Arabic Selected Poems: A Contrastive Study

2021 ◽  
Vol 11 (4) ◽  
Author(s):  
Dhurgham Majeed Abdzaid ◽  
Dhurgham Majeed Abdzaid
Keyword(s):  
Literary Works ◽  
Everyday Language ◽  
Contrastive Study ◽  
Speech Communities ◽  
The Way

Hyperbole is one of the most important figurative devices that are used in most languages, it can be found in literary works whether they are spoken or written. its main purpose is to exaggerate point of views, emotion, feelings, attitudes and thoughts by the author or even the speakers, since it can be found in everyday language of various speech communities. This study investigates hyperbole in order to figure out the way in which it is involved in poetry, also the study aims to show the definitions, uses, ways in which hyperbole is used as well as to search what are the purposes behind using this device. The study shows different views and strategies concerning hyperbole in English and Arabic, then it analyses the occurrences of hyperbole within the selected data which is four poems in two different languages, English and Arabic.

scholarly journals What is a firm? A reply to Jean-Philippe Robé

2021 ◽  
pp. 1-11
Author(s):  
Simon Deakin ◽  
David Gindis ◽  
Geoffrey M. Hodgson
Keyword(s):  
Theory Of The Firm ◽  
Recent Book ◽  
Everyday Language ◽  
Modern Capitalism ◽  
Legal Foundations ◽  
Common Parlance ◽  
The Law ◽  
Business Entities ◽  
Definition Of ◽  
The Way

Abstract In his recent book on Property, Power and Politics, Jean-Philippe Robé makes a strong case for the need to understand the legal foundations of modern capitalism. He also insists that it is important to distinguish between firms and corporations. We agree. But Robé criticizes our definition of firms in terms of legally recognized capacities on the grounds that it does not take the distinction seriously enough. He argues that firms are not legally recognized as such, as the law only knows corporations. This argument, which is capable of different interpretations, leads to the bizarre result that corporations are not firms. Using etymological and other evidence, we show that firms are treated as legally constituted business entities in both common parlance and legal discourse. The way the law defines firms and corporations, while the product of a discourse which is in many ways distinct from everyday language, has such profound implications for the way firms operate in practice that no institutional theory of the firm worthy of the name can afford to ignore it.

scholarly journals MEMORIZING PROPAGANDA OF EQUALITY IN NGULANDARA AND KIRTI NDJOENJOENG DRADJAT, NOVELS OF BALAI POESTAKA (Mengingat Kembali Propaganda Kesetaraan dalam Novel-Novel Balai Poestaka, Ngulandara dan Kirti Ndjoenjoeng Dradjat)

Kandai ◽  
2020 ◽  
Vol 16 (1) ◽  
pp. 96
Author(s):  
Yohanes Adhi Satiyoko
Keyword(s):  
Lower Class ◽  
Point Of View ◽  
Literary Works ◽  
Colonial Era ◽  
Sociological Approach ◽  
Independence Era ◽  
Colonial Government ◽  
The Voice ◽  
Dutch Colonial ◽  
The Way

Equality of men is a great issue to maintain every country all the time. Indonesia is one of them which should struggle to maintain it so far. Fictional work is one of the aesthetical means to support it. The way of struggle can be memorized through the time of independence era in fictional works of Balai Poestaka publisher. Javanese language novels, Ngulandara and Kirti NdjoendjoengDradjat are two literary works published by BalaiPoestaka that were written in the dominance times of Balai Poestaka activities as commission for people’s reading in Dutch colonial era in Indonesia (Dutch Indies). Kepriyayian (nobility) was the theme of Ngulandara (1936) and Kirti NdjoendjoengDradjat(1924) novels. As seen from propaganda point of view, ideologically the portrayal of priyayi (nobleman) was analogy symbol of Dutch colonial government that ruled social system. Ngulandara and Kirti Njunjung Drajat showed a “struggle” through literary works as portrayed in wong cilik (Javanese: lower class people) who struggled against the existence of the authorities. The struggle emerged in the way of wong cilik behaved intellectually, morally, even mannerly better than the nobles (priyayi). This research used the theory of literature and propaganda using a sociological approach. Those oppositional relationships between deconstruction nobles and the raise of wong cilik in the field of intellectual, moral, and manner show the propaganda of equality of men through the voice of Jasawidagdo and Margana Djajaatmadja.Kesetaraan manusia merupakan isu besar yang harus selalu dijaga di setiap negara. Indonesia adalah salah satu negara yang harus tetap berjuang menjaga isu tersebut. Karya fiksi berfungsi sebagai salah satu peranti estetis untuk mendukung isu tersebut. Cara memperjuangkan isu tersebut ialah dengan mengingat kembali masa kemerdekaan melalui penerbit Balai Poestaka. Novel-novel berbahasa Jawa, Ngulandara dan Kirti Ndjoendjoeng Dradjat ialah dua karya sastra yang diterbitkan oleh Balai Poestaka yang ditulis pada waktu dominasi Balai Poestaka sebagai komisi bacaan rakyat di era kolonial Belanda di Indonesia (Hindia Belanda). Kepriyayian merupakan tema novel Ngulandara (1936) dan Kirti Njoendjoeng Dradjat (1924). Dilihat dari sudut pandang propaganda, penggambaran priyayi merupakan analogi simbol pemerintah kolonial Belanda yang berkuasa mengatur sistem sosial kemasyarakatan. Ngulandara dan Kirti Ndjoendjoeng Dradjat menunjukkan sebuah “perjuangan” melalui karya sastra seperti digambarkan melalui wong cilik yang berjuang melawan kemapanan penguasa. Perjuangan tersebut muncul dengan cara wong cilik tersebut bertindak secara intelektual, bermoral, bahkan bersikap lebih terhormat daripada para priyayi. Penelitian ini menggunakan teori sastra dan propaganda dengan pendekatan sosiologi. Relasi oposisional antara dekonstruksi priyayi dan bangkitnya wong cilik dalam ranah intelektual, moral, dan sikap menunjukkan propaganda kesetaraan manusia melalui suara Jasawidagdo dan Margana Djajaatmadja.  

Arbitration and Literature

2020 ◽  
pp. 894-909
Author(s):  
François Ost
Keyword(s):  
Law And Literature ◽  
State Courts ◽  
Literary Fiction ◽  
Court System ◽  
Literary Works ◽  
The Law ◽  
The Difference ◽  
To Receive ◽  
The Way

This chapter discusses the representation of arbitration in literature. Arbitration seems to receive little attention in literary works, as opposed to justice and the judge, which form the heart of the ‘law and literature’ movement. This disparity is likely due to the collective fascination with the judge as the embodiment of justice. The air of mystery that often surrounds arbitration can also be explained by the difference between the way in which it is presented in fictional texts and in modern law. Literature does not usually apprehend arbitration in the strict understanding of a private judge chosen by the parties, who adjudicates on a dispute by rendering a final and binding award which he cannot enforce without the assistance of state courts. Yet literature’s approximations in the treatment of arbitration are precisely what makes them interesting, in that they shed a welcome light on a justice that is both broader and more perennial than the justice that is rendered within the strict boundaries of the traditional court system. Works of literary fiction also provide many valuable stories about the value and reach of decisions rendered by arbitrators.

“A very big thank you to…”

2015 ◽  
Vol 15 (2) ◽  
pp. 251-279
Author(s):  
Isolda Rojas-Lizana
Keyword(s):  
Cultural Context ◽  
Letters To The Editor ◽  
Contrastive Study ◽  
Communicative Intention ◽  
Politeness Strategies ◽  
Written Form ◽  
The Way

Letters to the Editor (LTEs) in the local press are a relatively formalised everyday genre in which readers’ opinions appear in a publication. In this article 20 Chilean and 20 Australian LTEs which contained the macro communicative intention of ‘thanking’ were analysed and compared with regard to the structural moves and Politeness Strategies (PS) they presented. The results show that addressers in both cultures follow a highly schematic way of constructing their Letters of Gratitude. This is evident not only in the sharing of most of their obligatory moves but also in that some of these moves present similar lexico-syntactic compositions to establish their limits. With regard to PS, the Chilean group showed the exclusive presence of strategies that acknowledged the role of the editor as a letter mediator directly. This suggests that the similarities found are genre-defining aspects. Conversely, the differences are connected to the cultural context of publication. The results also suggest that expressing gratitude in the written form may functionally differ from the way it is expressed orally. This type of contrastive study helps to identify both the genre- and culture specific aspects of discourse, which deepen our understanding of cultural, everyday manifestations and their realization in different settings.

If All the Sky were Parchment

PMLA ◽  
1938 ◽  
Vol 53 (4) ◽  
pp. 951-970
Author(s):  
Irving Linn
Keyword(s):  
Comparative Literature ◽  
Western Europe ◽  
Literary Tradition ◽  
Literary Works ◽  
Rhetorical Figure ◽  
The Way

The present paper, though it has a bearing upon the problems of comparative literature, does not deal directly with literary works themselves, but is confined to the study of a single rhetorical figure which made its appearance more than two thousand years ago and still lingers in folk rimes of the present day. This rhetorical figure, which is striking enough to be easily identifiable, can be traced all the way from the Orient to Western Europe and thus serves as a floating straw to mark the currents and eddies in the stream of literary tradition.

scholarly journals The New World Order and the Unmasking of the Neo-Colonial Present

2012 ◽  
Vol 9 (1) ◽  
pp. 29-40
Author(s):  
Lilijana Burcar
Keyword(s):  
Physical Abuse ◽  
New World ◽  
World Order ◽  
Local People ◽  
Colonial Discourse ◽  
New World Order ◽  
Everyday Language ◽  
Discursive Strategies ◽  
Local Populations ◽  
The Way

In his dramatic sketch The New World Order Pinter exposes practices of psychological and physical abuse targeted at local people who resist neo-colonial advancements in territories directly occupied or indirectly controlled by Western hegemonic powers. Through the deployment of Pinteresque double-layered meanings conveyed through seemingly ordinary, everyday language, the drama unveils the ideological premises and operating principles of neo-colonial discourse. The paper discusses the way Pinter blasts apart a seemingly neutral Western rhetoric of humanitarian militarism, focusing on the discursive strategies by means of which neo-imperial violence, torture and massive dispossession of local populations are justified and naturalized.

scholarly journals The Fragility of Identity and the Imagination of Otherness in Bai Hua’s novel The Remote Country of Women

2020 ◽  
pp. 72-91
Author(s):  
Tânia Ganito ◽  
Keyword(s):  
Cultural Revolution ◽  
Western Culture ◽  
The State ◽  
The Novel ◽  
Literary Works ◽  
Chinese Author ◽  
The Way ◽  
The Cultural Revolution

Drawing on The Remote Kingdom of Women (1988), the novel written by Chinese author Bai Hua (1930-2019), this essay examines how post-Mao China articulated the notions of memory and identity, as well as of belonging and othering, as an attempt to overcome the state of fragility caused by the trauma of the Cultural Revolution and the post-revolutionary growing influence of Western culture. It proposes to explore the way some of the literary works produced during this period were to promote an encounter between a fragmented yet hegemonic culture and the cultures of the internal ethnic Other, and how this encounter between majority and minority subjects was to highlight precisely the condition of fragility that underlies the very concept of identity. Keywords: China; Literature; Bai Hua; Identity; Majority; Minorities.

scholarly journals A Contrastive Study of Anaphora in English and Chinese

2020 ◽  
Vol 4 (1) ◽  
pp. 13
Author(s):  
Simo Jia
Keyword(s):  
Detailed Analysis ◽  
Fairy Tales ◽  
Theoretical Framework ◽  
Quality Analysis ◽  
English Text ◽  
Real Situation ◽  
Contrastive Study ◽  
Oxford Dictionary ◽  
Chinese Texts ◽  
The Way

Recently, there has been growing interest in the study on cohesion of texts, particularly in the aspect of anaphoric reference. The problem under discussion is within the scope of similar and different usages of anaphors in English and Chinese. Although much work has been done, more studies need to be conducted to ascertain the convincingness of the theories. This essay will demonstrate language materials in real situation in English text and its Chinese translations to prove, explain and enrich the theories about the distinction of English and Chinese anaphora. The thesis for this essay is the contrastive study of anaphora between English and Chinese texts that is the dissimilarities of anaphora in these two language texts and discuss the reasons that caused these differences. And for arguments, four cases of Han’s Andersen’s fairy tales and their Chinese translations and one example from New Oxford Dictionary are selected for the purpose. For methodology, quality analysis is employed. But in general, it is to compare and to contrast in the light of Halliday’s theory on cohesion. The way adopted is to compare broad wise, which means to list similarities and dissimilarities of things needed to be contrast -- anaphora in English and Chinese texts, and then conducts further analysis on them with the theoretical framework. In aspect of detailed analysis, the author adopts the way of illustration, combining language phenomenon listed above with arguments.

scholarly journals CLIMATE AS CLIMAX IN ‘KING LEAR’

2018 ◽  
Vol 28 (7) ◽  
pp. 2349-2353
Author(s):  
Fatbardha Doko
Keyword(s):  
Weather Conditions ◽  
King Lear ◽  
The Other ◽  
Literary Works ◽  
Weather And Climate ◽  
Points Of View ◽  
Local Weather ◽  
Harsh Reality ◽  
Structured Play ◽  
The Way

Shakespeare’s tragedies are among the most analyzed and discussed literary works. In his tragedies Shakespeare follows the Aristotelian pattern of drama, so it is easy to notice there all the elements of a tragedy presented in Aristotle’s Poetics. In this paper I will define what climax in literature is and explore the climax of one of the four great tragedies of Shakespeare, that of King Lear. As a masterfully structured play, the central part of the play is the climax itself. But what is the climax of this play, how is it presented, does it have any impact on the characters, how does it change the course of events, etc? Answers to these questions will be given here. As an example of the interactions between men and weather conditions in Shakespeare’s drama, I will explore climate as climax. The climactic moment of the play is the storm, in the 3rd act, when we see the psychological rage of King Lear. Unsurprisingly, Shakespeare exposes the issue of how the local weather durably affects the nature of men as well as by the way their humours are temporarily changed by climate and environment. Yet, I will argue that this issue actually prompts him to reverse traditional points of view in order to show that things also work the other way round. Indeed, in some of his plays, the playwright insists on men’s unfortunate capacities to provoke violent climactic disorders and to generate chaos on earth. So, it is not only the weather and climate that affect the behaviour and humour of people, but the way people feel and behave. The case with King Lear is a perfect example of this problem. The storm that Lear finds himself is actually reflected in his inner state, in his psychological rage due to his disappointment with his two daughters, and facing with the harsh reality for a father, but mostly for being unjust to his younger daughter, Cordelia.

scholarly journals THE CHARACTERISTICS OF SIMILES IN UZBEK AND KOREAN LANGUAGES AND THE SYMBOLIC MEANING OF ANIMALS USED IN SIMILE EXPRESSIONS

2021 ◽  
Author(s):  
Jo MINYOUNG ◽  
Keyword(s):  
Everyday Life ◽  
Cognitive Activity ◽  
Symbolic Meaning ◽  
Literary Works ◽  
The World ◽  
Long Time ◽  
The Way

This thesis explains the characteristics of the simile concept and application of Uzbek and Korean, and the differences and similarities between the objects used as simile auxiliary ideas in Uzbek and Korean through simile example sentences. Humans have been vividly and efficiently expressing parts and various thoughts that are difficult to speak directly through the method of simile within a limited vocabulary for a long time. In particular, it can be seen that expressing animals, plants, and nature, which have always been together since the beginning of humanity, in relation to simile objects, occurs frequently in everyday life and in literary works. For a long time, many scholars around the world have found that metaphors are indispensable and important tools in human cognitive activity, and in particular, representing animals that are closest to humans is very effective in the way humans communicate.

Sign in / Sign up

Export Citation Format

Share Document