Max Weber oder das Scheitern an der Religion

2018 ◽  
Vol 56 (2) ◽  
pp. 1-27
Author(s):  
Wolfgang Reinhard

Der Weltruhm Max Webers geht langsam, aber deutlich zurück. An seinem Lebensthema, der Bedeutung der Religion für die moderne Welt, ist er langfristig gescheitert. Das gilt nicht nur für seine Protestantismus-These, sondern auch für den aufwändigen Versuch, die These durch Vergleich mit anderen Weltreligionen auszuweiten und abzusichern. Er landet dabei in der kolonialistischen Orientalismus-Falle, indem er beweist, was er zuvor vorausgesetzt hatte. Umgekehrt wussten und wissen Vertreter anderer Religionen das protestantische Christentum zur Modernisierung ihrer eigenen Kulturen ‚auszuschlachten‘. ‚Das Empire hat zurückgeschlagen‘. Auch Karl Jaspers’ post-koloniale Alternative zu weltanschaulicher Kommunikation auf gleicher Augenhöhe im Zeichen einer ‚Achsenzeit‘ ist gescheitert. Der viel berufene Aufschwung der Religionen besteht global gesehen in pluralistischer Beliebigkeit, die den Charakter von Religion überhaupt verändert hat. ‚Transzendenz‘ ist immanent geworden. Unsere Religion ist längst nicht mehr diejenige Max Webers. Obviously Max Weber’s fame is continuously decreasing. In the end, he failed in his self-chosen task to explain the growth of the modern world through religious experience. This statement does not only refer to his world-famous essay on The Protestant Ethic and the Spirit of Capitalism. It is also true of his extensive attempt to confirm and extent his thesis through careful comparison with other world religions. But he fell into the circular trap of colonialist orientalism because he simply proved what had been his own preconditions. On the other hand, members of other religious communities used and still use protestant Christianity selectively to modernize their own cultures. The empire hits back! Karl Jaspers’s Axial Age, his post-colonial attempt in cultural communication on equal level, failed as well. Today, from the global point of view the famous renewal of religion consists in arbitrary pluralism. The very character of religion as such has changed. Transcendence turned immanent. The religion of today is no longer the religion of Max Weber.

2018 ◽  
Vol 1 ◽  
pp. 141
Author(s):  
Yurii Prysyazhnyuk

Modern Ukrainian historiography of the peasantry is in a position where both modern and postmodern researches are recognized as the scientifically capable ones for proper methodological substantiation and presentation. And while science, as it is known, seeks to focus on innovations that are characterized by greater productivity, convincing argumentation, all of them can still rely on an interested reader. Given this and some other circumstances, the proposed intelligence is a kind of attempt to show how against the backdrop of little apparent crisis phenomena in the methodology of history seem to be efforts aimed at the research prospects of post-human studies. The historiographic feature of intelligence is the author's appeal to a rather wide range of studies of European (more general – Western) scholars, who in the article presented primarily a collection of well – known Polish historians Eve Domanska and Tomas Vyslich. Post-humanism is presented as a complex of institutionalized tendencies and research areas, thoughtfully, intellectually and ethically connected with it. She claims a wide range of "reformal changes" in the methodology of creating historical knowledge, but has not yet been confirmed as a dominant (or even recognized) paradigm. Accordingly, the author tries to find out how scientifically substantiated abandonment of the principles of modernism opens the prospect of a more reliable understanding of the modern world. Critics are subjected to the principles established in modern Ukrainian historiography as anthropocentrism and secularization. They are known to have caused a lot of interpretative inconvenience to researchers in the agrarian society. Qualitative thinking also requires the usual term "Ukrainian peasantry". It loses its widespread significance, because artificially, and therefore, from a scientific point of view it is not justified to "modernize" the peasant traditional world. Post Humanism recognizes the expediency of post-colonial studies. From the point of view of the needs of Ukrainian peasant studies, this is understandable, if we consider that the modernist professed Eurocentrism, it does not refuse from its prevalence, even though it includes both post-European and post-colonial initiatives. In the end, historians (historiographers) will love to "emphasize" under the next flash of activization of peasant studies. Such statements also provoke the logic of creating mega-narratives, since each block of such intellectual products claims to be some kind of (or desired) completeness. The author argues that post humanism destroys this tradition, opens up new horizons for interpreting the past of an "awkward class".


1998 ◽  
pp. 115-124
Author(s):  
Yu. M. Skomorovskiy

New Age in religious literature is regarded as an integral eclectic concept that refers to a person's search for spirituality outside of known world religions in their confessional terms. Conditionally it includes non-religious groups and trends, Gnostic and metaphysical schools, non-confessional spiritual associations, groups and currents of the "alternative" way of life. From the sociological point of view, it can be attributed to the manifestation of deviations in the form of social anomalies. At the same time, for participants in this direction, their own values, knowledge, activities are seen as a gradual approximation to the norm, a model, in assessing the life of the main mass of society as pathological or nearpathological states that also have the chance to change when they realize their true nature. The description of these public phenomena through the concept of "New Age" is seen as an intermediate or transitional nature due to the presence of serious differences in both the vision of the world and their practical activities.


2018 ◽  
Vol 1 (2) ◽  
pp. 9-22
Author(s):  
Вильям Викторович Смирнов ◽  
◽  
Карэн Владимирович Агамиров ◽  
Эмиль Вачаганович Габрелян ◽  
Антон Борисович Дидикин ◽  
...  

2017 ◽  
Vol 61 (0) ◽  
pp. 21-37 ◽  
Author(s):  
Marta Bucholc

The article analyses Max Weber’s position regarding the so-called Polish question from the point of view of post-colonial theory. The author discusses the circumstances of Weber’s scientific interest in the Polish question and offers an interpretation of his statements in this regard. Then, she moves on to explore the relationship between this early inspiration and the subsequent development of Weber’s comparative historical sociology, whereupon follows an outline of its post-colonial criticism. The article concludes with a suggestion of applying the author’s approach to studying the post-communist transformation and transitological debates in Poland.


2021 ◽  
Vol 27 (3) ◽  
pp. 26-34
Author(s):  
Nataša Jovanović Ajzenhamer

In this paper we analyse Max Weber's view on Islam as a religion of warriors who lived at the Arabian Peninsula in the 7th century, and also, we analyse this interpretation in the context of Edward Said’s (orientalistic) theoretical approach. The first part of the paper presents various aspects of the analysis of Islam by Max Weber, which must be taken into the context of comparative theology, that is, in the light of considering the characteristics of Islam against the background of other world religions. In the second part of the work, we will analyse the concept of Said’s orientalism. We will construct the framework of moderate orientalism, which, according to the author of this paper, is an important conceptual adjustment that can contribute to a better understanding and analysis of various oriental discourses, including Weber discourse. Taking into account that we are talking about the most influential classics sociologists, especially in the case of the sociology of religion, it is very important to critically analyse his understanding of Islam so that we can determine which of his conclusions are significant for the sociology of religion and the sociology of Islam today, and which of his hypotheses can we attribute to some kind of reductionism or orientalism.


2020 ◽  
Vol 26 (1) ◽  
pp. 84-103
Author(s):  
Christian J. Anderson

While studies in World Christianity have frequently referred to Christianity as a ‘world religion’, this article argues that such a category is problematic. Insider movements directly challenge the category, since they are movements of faith in Jesus that fall within another ‘world religion’ altogether – usually Islam or Hinduism. Rather than being an oddity of the mission frontier, insider movements expose ambiguities already present in World Christianity studies concerning the concept of ‘religion’ and how we understand the unity of the World Christian movement. The article first examines distortions that occur when religion is referred to on the one hand as localised practices which can be reoriented and taken up into World Christianity and, on the other hand, as ‘world religion’, where Christianity is sharply discontinuous with other world systems. Second, the article draws from the field of religious studies, where several writers have argued that the scholarly ‘world religion’ category originates from a European Enlightenment project whose modernist assumptions are now questionable. Third, the particular challenge of insider movements is expanded on – their use of non-Christian cultural-religious systems as spaces for Christ worship, and their redrawing of assumed Christian boundaries. Finally, the article sketches out two principles for understanding Christianity's unity in a way that takes into account the religious (1) as a historical series of cultural-religious transmissions and receptions of the Christian message, which emanates from margins like those being crossed by insider movements, and (2) as a religiously syncretic process of change that occurs with Christ as the prime authority.


2018 ◽  
Vol 35 (4) ◽  
pp. 62-64
Author(s):  
Nazar Ul Islam Wani

Pilgrimage in Islam is a religious act wherein Muslims leave their homes and spaces and travel to another place, the nature, geography, and dispositions of which they are unfamiliar. They carry their luggage and belongings and leave their own spaces to receive the blessings of the dead, commemorate past events and places, and venerate the elect. In Pilgrimage in Islam, Sophia Rose Arjana writes that “intimacy with Allah is achievable in certain spaces, which is an important story of Islamic pilgrimage”. The devotional life unfolds in a spatial idiom. The introductory part of the book reflects on how pilgrimage in Islam is far more complex than the annual pilgrimage (ḥajj), which is one of the basic rites and obligations of Islam beside the formal profession of faith (kalima); prayers (ṣalāt); fasting (ṣawm); and almsgiving (zakāt). More pilgrims throng to Karbala, Iraq, on the Arbaeen pilgrimage than to Mecca on the Hajj, for example, but the former has received far less academic attention. The author expands her analytic scope to consider sites like Konya, Samarkand, Fez, and Bosnia, where Muslims travel to visit countless holy sites (mazarāt), graves, tombs, complexes, mosques, shrines, mountaintops, springs, and gardens to receive the blessings (baraka) of saints buried there. She reflects on broader methodological and theoretical questions—how do we define religion?—through the diversity of Islamic traditions about pilgrimage. Arjana writes that in pilgrimage—something which creates spaces and dispositions—Muslim journeys cross sectarian boundaries, incorporate non-Muslim rituals, and involve numerous communities, languages, and traditions (the merging of Shia, Sunni, and Sufi categories) even to “engende[r] a syncretic tradition”. This approach stands against the simplistic scholarship on “pilgrimage in Islam”, which recourses back to the story of the Hajj. Instead, Arjana borrows a notion of ‘replacement hajjs’ from the German orientalist Annemarie Schimmel, to argue that ziyārat is neither a sectarian practice nor antithetical to Hajj. In the first chapter, Arjana presents “pilgrimage in Islam” as an open, demonstrative and communicative category. The extensive nature of the ‘pilgrimage’ genre is presented through documenting spaces and sites, geographies, and imaginations, and is visualized through architectural designs and structures related to ziyārat, like those named qubba, mazār (shrine), qabr (tomb), darih (cenotaph), mashhad (site of martyrdom), and maqām (place of a holy person). In the second chapter, the author continues the theme of visiting sacred pilgrimage sites like “nascent Jerusalem”, Mecca, and Medina. Jerusalem offers dozens of cases of the ‘veneration of the dead’ (historically and archaeologically) which, according to Arjana, characterizes much of Islamic pilgrimage. The third chapter explains rituals, beliefs, and miracles associated with the venerated bodies of the dead, including Karbala (commemorating the death of Hussein in 680 CE), ‘Alawi pilgrimage, and pilgrimage to Hadrat Khidr, which blur sectarian lines of affiliation. Such Islamic pilgrimage is marked by inclusiveness and cohabitation. The fourth chapter engages dreams, miracles, magical occurrences, folk stories, and experiences of clairvoyance (firāsat) and the blessings attached to a particular saint or walī (“friend of God”). This makes the theme of pilgrimage “fluid, dynamic and multi-dimensional,” as shown in Javanese (Indonesian) pilgrimage where tradition is associated with Islam but involves Hindu, Buddhist and animistic elements. This chapter cites numerous sites that offer fluid spaces for the expression of different identities, the practice of distinct rituals, and cohabitation of different religious communities through the idea of “shared pilgrimage”. The fifth and final chapter shows how technologies and economies inflect pilgrimage. Arjana discusses the commodification of “religious personalities, traditions and places” and the mass production of transnational pilgrimage souvenirs, in order to focus on the changing nature of Islamic pilgrimage in the modern world through “capitalism, mobility and tech nology”. The massive changes wrought by technological developments are evident even from the profusion of representations of Hajj, as through pilgrims’ photos, blogs, and other efforts at self documentation. The symbolic representation of the dead through souvenirs makes the theme of pilgrimage more complex. Interestingly, she then notes how “virtual pilgrimage” or “cyber-pilgrimage” forms a part of Islamic pilgrimage in our times, amplifying how pilgrimage itself is a wide range of “active, ongoing, dynamic rituals, traditions and performances that involve material religions and imaginative formations and spaces.” Analyzing religious texts alone will not yield an adequate picture of pilgrimage in Islam, Arjana concludes. Rather one must consider texts alongside beliefs, rituals, bodies, objects, relationships, maps, personalities, and emotions. The book takes no normative position on whether the ziyāratvisitation is in fact a bid‘ah (heretical innovation), as certain Muslim orthodoxies have argued. The author invokes Shahab Ahmad’s account of how aspects of Muslim culture and history are seen as lying outside Islam, even though “not everything Muslims do is Islam, but every Muslim expression of meaning must be constituting in Islam in some way”. The book is a solid contribution to the field of pilgrimage and Islamic studies, and the author’s own travels and visits to the pilgrimage sites make it a practicalcontribution to religious studies. Nazar Ul Islam Wani, PhDAssistant Professor, Department of Higher EducationJammu and Kashmir, India


Author(s):  
E.J.G. Lips

AbstractThe genre of the Ars moriendi is by no means a homogeneous one. Indeed, the great textual diversity has more than once attracted the attention. This diversity, caused by various omissions and, more often, extensions in the original text-types, is often considered as the decay of an originally orthodox theological genre. In this essay, manuscripts and printed versions of the Ars moriendi in the Dutch language ( ± 1450-1530) are studied. Instead of considering the omissions and extensions meant above as a decline of the genre, the author attempts to regard them, as the medieval writers may have done, as means to make the texts find their way to the public more easily. Various methods used by the authors of these Artes to reach their public, are examined and their presumable succes is evaluated. It seems that, whereas particularly the older literature assumes an almost infinite public, recent research does not confirm this point of view. For, in spite of explicit remarks addressed to all christians, commerce dictated to the printers a more or less wealthy public. As for the manuscripts, these seem mainly to have had a public of clergy and (female) religious communities. However, considering the existence of a public of listeners, both manuscripts and printed versions had, in an indirect way, their impact on the masses of the christians.


2021 ◽  
Vol 18 (4) ◽  
pp. 352-364
Author(s):  
Natalia G. Fedotova

The article is devoted to the discourse of the city’s cultural memory. The relevance of studying this topic is determined not only by the fundamental aspect associated with the episodicity of existing studies of this phenomenon. From an applied point of view, the city’s cultural memory is a symbolic resource that can be used to create an appealing image, form a sustainable urban identity, and strengthen the citizen’s sense of belonging to the city. The accumulation and objectification of cultural memory take place in symbolic forms, which makes it important to study the practices of symbolizing the urban past, the essence of which is to generate the significance of the relevant or latent layers of cultural memory for the citizens.The article presents the results of the final stage of research related to the study of the process of constructing the cultural memory of the city. The purpose of the article is to analyze modern practices of symbolizing fragments of the urban past, which mean their significance for contemporaries. Basing on the culturological cross-section of the issue, the author integrates different research contexts. The methodological basis of the article is the communicative approach that focuses on the processes of meaning formation, and the constructivist method that considers memory as a multi-layered and dynamic construct. Analyzing the practices of symbolizing the urban past by the example of Russian cities, the author of the article demonstrates how the episodes of the city’s memory are updated in the modern world, how cultural meanings become memorable for citizens. The author uses the results of previous studies and identifies the following elements of the symbolization of the urban past: a) ways of encoding fragments of the past; b) communicative trajectories of memory symbolization; c) factors of producing meanings about the collective past of the city. The obtained results open up new frontiers in understanding the processes of formation of the collective ideas about the city, and prospects for empirical research, forecasting and constructing the cultural memory of Russian cities, giving them the opportunity to change their present and future.


2021 ◽  
Vol 6 (4) ◽  
pp. 104-121
Author(s):  
Assel Imayo ◽  
Aizhan Kalibayeva

2021 year has become time for drawing the bottom line under the achievements in the field of culture and science for 30 years of independence of Kazakhstan. The high level of modern cultural potential, rich cultural heritage have become one of the leading factors in the formation of a positive image of Kazakhstan as a country with a distinctive culture and spiritual traditions that go deep into history. Creative personalities, public policy and private organizations contribute to the development and promotion of Kazakhstan’s art in the world, which invariably arouses interest of the world community. However, a problem of the popularization of Kazakh music, art, film and theater art is still relevant. In addition to examples of achievements and successful cases of Kazakhstan’s culture, in this article the authors try to consider the problem from the point of view of management in culture and show importance of the position of an art manager in the modern world of arts. To implement this issue, the authors studied publications on the achievements of various types of arts in recent years and also took into account reaction of domestic and foreign audiences to cultural products and projects from this area. This article lists specific achievements in the field of academic art. As the analysis of publications on this topic has shown, most of them were implemented by cultural figures in the last decade of independence of the republic. At the forefront is the question of the consistency and well-coordinated interaction of cultural management with the creative component of the academic sphere of art in Kazakhstan. And the most striking examples of successful cases of such interaction are given as well. This study has analytical value and can be presented at seminars and conferences as a demonstration of examples of achievements for reporting presentations in the year of the celebration of the thirtieth anniversary of Kazakhstan's independence.


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