Time to Laugh or to Cry?
Hélène Cixous’s 1975 ‘Le Rire de la méduse’, later expanded into ‘Sorties’, represented a defining moment in both feminism and literary criticism/theory. When for the first time the French text was republished in 2010, Cixous speculated that the text was – disappointingly – still timely after all those years, contrary to her hopes at the original time of writing. This chapter explores Cixous’s text in relation to time in a number of different respects. It examines the significance of its very particular reception over time, and the implications that the signal failure to read it may have for both feminism and literary criticism/theory. But the chapter also considers the significance of Cixous’s work on time. The very notion of an anniversary, which simultaneously marks both a movement forward and a return to the past, is at odds with the linear, teleological idea of progress that remains dominant in discourses of political struggle. Yet the term ‘revolution’ indicates the importance of a cyclical movement of turning around or returning in effecting political change. This chapter therefore also studies the political dimension of Cixous’s approach to temporality.