Mandel’štam. Rom. Pasolini

2021 ◽  
Vol 62 (1) ◽  
pp. 291-320
Author(s):  
Chiara Caradonna
Keyword(s):  
Present Article ◽  
Small Volume ◽  
The Political ◽  
Pier Paolo Pasolini ◽  
Political Dimension ◽  
The World ◽  
First Time

Mandel’štam. Rome. Pasolini In 1972 a small volume presented for the first time a varied choice of poems by the Russian poet Osip Mandel’štam to the Italian public, translated by Serena Vitale. One of the book’s first and most enthusiastic readers was the poet, film director and intellectual Pier Paolo Pasolini, who immediately reviewed it for the Italian newspaper Il Tempo. This review shows the great significance that Mandel’štam’s poetry acquired for Pasolini in the very last years of his life. So much so, that the first verse of Mandel’štam’s late poem, With the world of the powerful …, became the motto of Pasolini’s last, unfinished novel Petrolio. While offering a reading of this poem by Mandel’štam, the present article investigates the reasons for Pasolini’s passionate interest in the Russian poet, and sheds light on the political dimension of both Mandel’štam’s and Pasolini’s œuvre.

scholarly journals Intermingling of History and Politics in The God of Small Things

2018 ◽  
Vol 9 (4) ◽  
pp. 138
Author(s):  
Md. Abdul Momen Sarker ◽  
Md. Mominur Rahman
Keyword(s):  
The Political ◽  
The Novel ◽  
Indian Culture ◽  
Arundhati Roy ◽  
Political Condition ◽  
The World ◽  
History Of ◽  
Democratic Election ◽  
Small Things ◽  
First Time

Suzanna Arundhati Roy is a post-modern sub-continental writer famous for her first novel The God of Small Things. This novel tells us the story of Ammu who is the mother of Rahel and Estha. Through the story of Ammu, the novel depicts the socio-political condition of Kerala from the late 1960s and early 1990s. The novel is about Indian culture and Hinduism is the main religion of India. One of the protagonists of this novel, Velutha, is from a low-caste community representing the dalit caste. Apart from those, between the late 1960s and early 1990s, a lot of movements took place in the history of Kerala. The Naxalites Movement is imperative amid them. Kerala is the place where communism was established for the first time in the history of the world through democratic election. Some vital issues of feminism have been brought into focus through the portrayal of the character, Ammu. In a word, this paper tends to show how Arundhati Roy has successfully manifested the multifarious as well as simultaneous influences of politics in the context of history and how those affected the lives of the marginalized. Overall, it would minutely show how historical incidents and political ups and downs go hand in hand during the political upheavals of a state.

Nothing Absolute

2021 ◽  
Keyword(s):  
Political Theology ◽  
German Idealism ◽  
The Political ◽  
The Enlightenment ◽  
The Earth ◽  
The World ◽  
Theological Perspective ◽  
Traditional Approaches ◽  
First Time ◽  
Point Of Reference

Staging for the first time in extant scholarship a rigorous encounter between German thought from Kant to Marx and new forms of political theology, this ground-breaking volume puts forward a distinct and powerful framework for understanding the continuing relevance of political theology today as well as the conceptual and genealogical importance of German Idealism for its present and future. Against traditional approaches that view German Idealism as essentially a secularizing movement, this volume approaches it as the first speculative articulation of the political-theological problematic in the aftermath of the Enlightenment and the advent of secularity. Via a set of innovative readings and critiques, the volume investigates anew such concepts as immanence, utopia, sovereignty, mediation, indifference, the earth, the absolute, or the world, bringing German Idealism and Romanticism into dialogue with contemporary investigations of the (Christian-)modern forms of transcendence, domination, exclusion, and world-justification. Over the course of the volume, post-Kantian German thought emerges as a crucial phase in the genealogy of political theology and an important point of reference for the ongoing reassessment of modernity and secularity. As a result, this volume not only rethinks the philosophical trajectory of German Idealism and its aftermath from a political-theological perspective, but also demonstrates what can be done with (or against) German Idealism using the conceptual resources of political theology today.

Time to Laugh or to Cry?

Making Waves ◽  
2019 ◽  
pp. 157-170
Author(s):  
Mairéad Hanrahan
Keyword(s):  
French Text ◽  
Literary Criticism ◽  
Political Change ◽  
The Political ◽  
Political Struggle ◽  
Defining Moment ◽  
Political Dimension ◽  
Original Time ◽  
First Time ◽  
Over Time

Hélène Cixous’s 1975 ‘Le Rire de la méduse’, later expanded into ‘Sorties’, represented a defining moment in both feminism and literary criticism/theory. When for the first time the French text was republished in 2010, Cixous speculated that the text was – disappointingly – still timely after all those years, contrary to her hopes at the original time of writing. This chapter explores Cixous’s text in relation to time in a number of different respects. It examines the significance of its very particular reception over time, and the implications that the signal failure to read it may have for both feminism and literary criticism/theory. But the chapter also considers the significance of Cixous’s work on time. The very notion of an anniversary, which simultaneously marks both a movement forward and a return to the past, is at odds with the linear, teleological idea of progress that remains dominant in discourses of political struggle. Yet the term ‘revolution’ indicates the importance of a cyclical movement of turning around or returning in effecting political change. This chapter therefore also studies the political dimension of Cixous’s approach to temporality.

5 The Judiciary under Siege: The 1988 Crisis

2017 ◽  
Author(s):  
Lee HP
Keyword(s):  
Supreme Court ◽  
Legal History ◽  
Prime Minister ◽  
The Political ◽  
Political Survival ◽  
Political Dimension ◽  
One Stage ◽  
The Supreme Court ◽  
Political Dimensions ◽  
First Time

This chapter explores the constitutional and political dimensions of the crisis that rocked the Malaysian judiciary in 1988. For the first time in Malaysian legal history, the highest judicial officer in the land was suspended and, after an inquiry to determine whether he should be removed for alleged misbehaviour, was subsequently removed. Following this unprecedented development, two other senior judges of the Supreme Court were also removed from office after an inquiry by a second tribunal. The political dimension cannot be divorced from the constitutional dimension because the legal and constitutional manoeuvrings were consonant with political skirmishes that involved, at one stage, the political survival of Prime Minister Mahathir.

scholarly journals Universal War Strategy Supported Political Integration Reviewed from The Third Sila Pancasila; The Unity of Indonesia

2021 ◽  
Vol 2 (3) ◽  
pp. 228-234
Author(s):  
Agus Setyo Hartono
Keyword(s):  
Cultural Diversity ◽  
The Political ◽  
Political Integration ◽  
Government Agencies ◽  
National Unity ◽  
Political Dimension ◽  
The Third ◽  
Government Power ◽  
The World ◽  
The Face

The understanding of uniting the nation's cultural diversity requires a strategy in handling it so that it does not become a breaker of Indonesian unity, in the political integration of diversity in party groups and their partisanship with government power, it becomes less and less pro to certain communities in society that are represented in dealing with various problems. Cultural diversity that characterizes the Indonesian nation is a nation's wealth or asset that must be preserved and it is hoped that it will lead to potential excellence in the world. Conflicts that are oriented towards division, disintegration of the nation, and want to liberate from the unitary republic of Indonesia require concrete efforts to be overcome for the sake of realizing national unity in the Universal War Strategy. Therefore, the researcher wants to examine how the implementation of a sense of unity and political integration as an element that plays a very important role in the universal war strategy, because the understanding of universal war in the face of non-military threats is needed from government agencies outside of defense, especially in the political dimension, so civic, universality and populist is a feature of the settlement with a universal war strategy.

COVID-19 Vaccine Nationalism and Politicization

2021 ◽  
pp. 86-111
Author(s):  
Savithri Sellapperumage
Keyword(s):  
Developing Nations ◽  
Great Powers ◽  
The Political ◽  
Power Politics ◽  
Health Security ◽  
Political Dimension ◽  
The World ◽  
Vaccine Distribution ◽  
The Impact ◽  
Global Initiatives

The COVID-19 pandemic has swept the world uprooting people from their livelihoods and toppling the economy of the world. Thus, to everyone's interest, producing a vaccine became the priority to gain at least half the normalcy in day-to-day activities of the world. With over a year passing, several states have come to the front in producing vaccines, having completed tedious processes of research and clinical trials. The next mammoth task at hand is distribution and administration in countries. However, with only a few countries gaining the advantage of production, they are seen to exercise power politics in purchasing and distribution of the vaccine. Developing countries have succumbed to a difficult predicament amidst balancing the great powers and the financial inability to obtain the vaccination. Therefore, the chapter explores the political dimension to vaccine distribution and the plight of developing nations in obtaining the vaccine. Further, the chapter observes the global initiatives taken to address the issue and the impact of distribution on health security.

Science, Technology, and the Political

2013 ◽  
Vol 17 (1) ◽  
pp. 93-123 ◽  
Author(s):  
Gert Goeminne ◽  
Keyword(s):  
Political Theory ◽  
Technological Progress ◽  
Radical Change ◽  
Radical Democracy ◽  
The Political ◽  
Political Dimension ◽  
Science Technology ◽  
The World ◽  
Central Notion ◽  
Do So

In this paper, I elaborate on the very political dimension of epistemology that is opened up by the radical change of focus initiated by constructivism: from science as knowledge to science as practice. In a first step, this brings me to claim that science is political in its own right, thereby drawing on Mouffe and Laclau’s framework of radical democracy and its central notion of antagonism to make explicit what is meant by ‘the political.’ Secondly, I begin to explore what this intrinsic political dimension of science might entail for democratic thought. I do so by connecting my preliminary explorations in the field of science with Andrew Feenberg’s elaborate frame of thought on the democratization of technology. Interestingly, Feenberg is one of the few thinkers who have connected questions of power and ideology, typically treated of within the field of political theory, with a constructivist approach to technological progress. In this sense, this paper can be seen as a first attempt to expand Feenberg’s framework of democratic rationalization from the world of technology to the world of science.

scholarly journals Eastern naturalness versus western artificiality: Rimsky Korsakov's influence on Manoles Kalomoires' early operas

Muzikologija ◽  
2005 ◽  
pp. 101-117
Author(s):  
Aikaterini Romanou
Keyword(s):  
Nineteenth Century ◽  
National Identity ◽  
Present Article ◽  
Ancient Greece ◽  
Greek Literature ◽  
Ancient Greek ◽  
The West ◽  
The World ◽  
First Time ◽  
Language Question

In this article the writer investigates the relations between perceptions of the East and the West in nineteenth century Greece, their connection to national identity, to the language question and to political tendencies. The composer Manoles Kalomoires was influenced by a group of progressive intellectuals striving to liberate Greek literature and language from its dependence on Ancient Greek legacy, a dependence motivated by Western idealists (who saw in the Greek Revolution of 1821 a renaissance of Ancient Greece). Most were educated in the West, but promoted an oriental image of Greeks. Kalomoires' musical expression of this image was inspired by Rimsky-Korsakov's Sheherazade and the Golden Cockerel. In 1909-910 he wrote an unfinished opera, Mavrianos and the King, on the model of the Golden Cockerel. He later used this music in his best known opera, The Mother's Ring (1917). In the present article the similarities in the three works are for the first time shown. An essential influence from Rimsky-Korsakov's work is the contrast between the world of freedom, nature and fantasy and that of oppression.

scholarly journals Los desempleados como sujetos de acción colectiva

2011 ◽  
pp. 208-229
Author(s):  
Sohely Rúa Castañeda
Keyword(s):  
Latin America ◽  
The Political ◽  
Labor Flexibility ◽  
Political Dimension ◽  
Recycling Industry ◽  
Neoliberal Capitalism ◽  
The World ◽  
America Latina ◽  
The Unemployed ◽  
Theoretical Reflection

Ante la flexibilización laboral y la desregulación neolibral, la autora analiza uvas formas de trabajo no fabril en América Latina que recrean el mundo laboral y renuevan las identidades. Aunque su reflexión es de carácter teórico, la aplica a la situación actual de los piqueteros y cartoneros argentinos. Estudias también los repertorios de acción, las relaciones con el Estado y la dimensión política de las nuevas ciudadanías laborales que estos actores encarnan. Todo ello arroja nuevos sentidos en el mundo del trabajo que propenden por salidas al capitalismo neoliberal. The Unemployed as Subjects of Collective Action Faced labor flexibility and neoliberal deregulation, the author analyzes new forms of unmanufactured work in Latin America that recreate the world of labor, and renew identities. Although it is a theoretical reflection, the analysis is applied to the current situation of Argentine “piqueteros” in cardboard recycling industry. The article also studies the repertoires of action, the relations with the state, and the political dimension of the new labor citizenships that these actors incarnate. All this brings new meaning in the world of labor that promote alternatives to the neoliberal capitalism. Keywords: Informal Works, New Identities, “Piqueteros, Argentine Cardboard. 

scholarly journals Mitologia artystyczna na kontrkulturowych ścieżkach: Roy Harper

2018 ◽  
Vol 15 (2) ◽  
pp. 127
Author(s):  
Marek Jeziński
Keyword(s):  
Mass Media ◽  
Popular Music ◽  
The Political ◽  
Political Dimension ◽  
The Public ◽  
Musical Works ◽  
The World ◽  
The Mass Media ◽  
Fairy Story

<p>W artykule niniejszym przedstawiam polityczny wymiar muzyki popularnej w kontekście działań mitologizacji własnej twórczości przejawianych przez politycznie i społecznie zaangażowanych wykonawców z kręgu miejskiego folku i rocka, na przykładzie brytyjskiego artysty Roy’a Harpera</p><strong>Artistic Mythology on Counterculture Paths: Roy Harper</strong><p>SUMMARY</p><p>The article presents the political dimension of popular music in the context of actions meant to mythologize their own musical works by politically and socially engaged urban folk and rock performers, as exemplified by a British artist Roy Harper. The case of this performer shows that artistic mythology can be gradually constructed strictly according to the patterns taken from mythical narratives that function in all cultures in the world. It serves the specifically understood process of mythologizing the activities of an artist and the personality created by the performer. Harper’s biography is a contemporary version of the heroic myth transmitted to the public through the mass media and complemented with themes originating from folkloristic stories such as the magic fairy story. A myth like that is a certain pivot around which a mythological narrative is developed, consisting of diverse elements essential to a specific artist.</p>

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