Introduction Maurice through Time

Author(s):  
Emma Sutton ◽  
Tsung-Han Tsai

The Introduction provides the biographical, literary and critical contexts for the book. It explores how previous criticism’s concentration on the novel’s portrayal of homosexuality has not only influenced the direction of Forster studies but also exemplified wider disciplinary trends. It illustrates how, by addressing previously overlooked themes and contexts such as feminism, Aestheticism, allegory and body-soul relations, the present volume offers a ground-breaking examination of Maurice and its legacies, sharpening critical appreciation of this under-discussed work and expanding recent revisionist attention to the novel in new modernist scholarship. The fact that the novel can be read divergently, from various approaches including but not limited to those informed by the author’s own sexuality and the representation of same-sex desires in the text, and in different contexts and afterlives, not only signals its protean texture but also prompts us to reconsider our assessments of Forster the writer. What emerges from the volume, the Introduction suggests, is the complexity of the novel, as a text and as a cultural phenomenon. Providing an overview of the volume’s three sections – interpersonal relationships, contemporary contexts and afterlives – the Introduction summarizes the contours of a new multifaceted understanding of Maurice set out in the volume.

Imbizo ◽  
2020 ◽  
Vol 11 (2) ◽  
Author(s):  
Adetunji Kazeem Adebiyi-Adelabu

Sello Duiker’s The Quiet Violence of Dreams offers an extensive treatment of homosexuality, a preoccupation which, until recently, is rare in black African fiction. On this account, as well as its depth and openness, the work has attracted some critical attention. It has been read from a masculinity perspective, as a coming-out novel, as a national allegory, as a work that challenges the notion of fixed sexuality, as a work that normalises same-sex sexuality, and so forth. Unlike these studies, this article examines the representation and disquisition around same-sex preference in the novel, with a view to demonstrating how some myths about homosexuality are exploded in the groundbreaking work, and showing that the narrative could also be apprehended as intellectual advocacy for the right to same-sex orientation.


2020 ◽  
Vol 6 (1) ◽  
pp. 18-30
Author(s):  
Zsolt Bojti

AbstractFin-de-SiècleA Hungarian version of the present paper was published as “Erósz és Agapé: Erotextus Edward Prime-Stevenson Imre: Egy emlékirat című regényének expozíciójában” (2019) in Literatura affiliated with the Hungarian Academy of Sciences. Supported by the ÚNKP-19-3 New National Excellence Program of the Ministry for Innovation and Technology.” gay literature in English operated with a double narrative: one narrative offers a historical (and “innocent”) reading available to general readership; the other offers a personal (often illicit) reading available to the susceptible and initiated readers only. The double narrative, thus, allowed authors to give subtle visibility to same-sex desire in their works that would evade censorship. This paper argues that there is a similar double narrative in the exposition of Imre: A Memorandum by the American music critic and émigré writer Edward Prime-Stevenson. The double narrative of the novel, however, differs from that of prior gay literature. I argue that Prime-Stevenson thought it was a literary sin that prior gay literature offered a sensual, erotic, or even pornographic, subversive secondary reading to susceptible readers. In my reading, Prime-Stevenson consciously planted cues in the exposition of the novel, thus, created an erotext to trigger a similar subversive and illicit reading of his text. However, Prime-Stevenson used this technique to demonstrate that purely erotic literary representations denigrate same-sex desire; therefore, in what followed, he presented a different, agapeic view on same-sex desire. The paper substantiates that Prime-Stevenson’s intention was to break away from earlier narrative “traditions” of gay literature to offer a naturalised and legitimised representation and “script” of “homosexuality” per se. Prime-Stevenson did so in a crucial period of time, as the term “homosexual” just barely entered the English language and its pejorative connotations may not have been set in stone. The paper, as a result, casts a new complexion on sexuality as a literary phenomenon and the relevance of a complex narrative structure composed of “snares” and “false snares” in the exposition of Imre, which plays a crucial role in Prime-Stevenson authoring one of the very first openly homosexual novels in English, which has a happy ending.


2000 ◽  
Vol 24 (2) ◽  
pp. 199-203 ◽  
Author(s):  
K. Roger Van Horn ◽  
Juracy Cunegatto Marques

Interpersonal relationships were evaluated in 260 middle-class Brazilian youths aged 11–12, 15–16, and 19–20 years, using the Network of Relationships Inventory (Furman & Buhrmester, 1992). Participants rated four dimensions (support, conflict, relative power, and punishment) of relationships with five social network members (mother, father, teacher, sibling, and same-sex friend). Ratings were consistent with ecological models predicting culture-specific characteristics of relationships. In contrast to previous research on US adolescents, Brazilian adolescents reported high levels of both support and conflict and there was no shift from parents to peers as the primary source of support. Differences between early and late adolescents were not consistent with the processes of individuation and rapprochement. One of the few significant sex differences resulted from females rating support higher than males in relationships with siblings and friends.


altrelettere ◽  
2020 ◽  
Author(s):  
Simona Casadio

This article analyzes the «lesbian-machines» (Grosz 1995, 184) at work in Dacia Maraini’s novel Lettere a Marina (1981) and collection of poems Mangiami pure (1978). To this purpose, I engage with two conceptions of desire within the western philosophical tradition. Firstly, examining the development of the metaphor of cannibalism or ‘eros fagico’, I argue that Maraini avoids the ontologization of the notion of desire considered as a lack and thus disengages it from its historical association with the denigration of the female other. Secondly, conceiving desire as a force of production, relational and creative, I explore a particular use of metaphors in the novel which leads to bodily transformations or metamorphosis, without, however, reaching the subject’s imperceptibility through progressive identification. The co-presence and re-elaboration of two, apparently incompatible, theories of desire underline female same-sex desire’s potential to be thought and actualized as a lack and a production, its tendency to annihilate and being annihilated as well as its creative impulses. As a result, Dacia Maraini’s Lettere a Marina and Mangiami pure complicate and destabilize the fixity of representational categories, expanding discourses on lesbianism and lesbian desire. Indeed, the convolution of negative and positive dilates the domain of desire and multiplies its possibilities, carving out a «narrative space in which women might desire differently» (Ross 2015, 16), beyond the heterosexual norm and in diverse ways, who and how they please.


2017 ◽  
Vol 10 ◽  
pp. 187-195
Author(s):  
Małgorzata Łoboz

Zakryte Zaryte, or Zakopane art where cultures met. Digressions following the reading of WitkacyThe article is an attempt to describe the cultural phenomenon of Zakopane in the early 20th century on the basis of Witkacy’s Pożegnanie jesieni [Farewell to Autumn]. In the dynamic and multi-layered plot of his novel Witkacy, emotionally involved but also with his usual sarcastic and critical distance, presents a collection of characters who make up a collective model of a specific group of residents of Zakopane set against the background of a clearly defined mountain space the action of the novel takes place in Zakopane. The key motifs of the novel correspond to the narcotic Zakopane demonism — a style characteristic of the Zakopane culture at the turn of the centuries and using the legend and creative capital of the Young Poland movement in the Tatras. An important pla­ne bringing together the protagonists’ sentimental sublimations in the novel is music as a universal form of art, using the power of sound, i.e. communication tool available to all sensitive recipients. Two protagonists compose and perform it Żelisław Smorki and Prince Azalin Prepudrech, others listen to it. Smorski is a pupil of Karol Szymanowski who lived in Zakopane at the time; the name of the composer recurs several times, which testifies to the author’s intention to make his literary fiction credible. The model of the protagonists’ pianistic interpretation also draws on the virtuoso method of Egon Petri, who in the inter-war period ran his own piano school in Zakopane.


2021 ◽  
Author(s):  
Freda D. Intiful ◽  
Rebecca Steele-Dadzie ◽  
Patricia Mawusi Amos ◽  
Ruth Pobee ◽  
Joana Ainuson-Quampah ◽  
...  

In recent times, there is significant level of evidence to suggest a transition in the eating pattern and dietary habits of people across the globe. Food, though a physiological necessity and required for good health and functionality, also contributes to the social, cultural, psychological and emotional well-being of our lives. There is no doubt that relationships contribute to how, what and when people eat. This chapter will review the impact of how different categories and levels of interpersonal relationships impact on the development of dietary habits among people. Additionally the chapter will explore how the advent of the novel corona virus, covid-19 has impacted on interpersonal relationships and consequently on dietary habits.


Author(s):  
Pallavi Thakur ◽  

Khaled Hosseini’s The Kite Runner is a powerful narrative on ‘Bacha Bazi’, “same-sex pedophilia restricted to adult men and adolescent boys” (Powell, 2018, p.1), prevalent in Afghanistan. When marginalisation of Afghan women became the nucleus of major studies , especially during the Taliban regime in Afghanistan, Hosseini unveiled in The Kite Runner, the gruesome Afghan culture of ‘Bacha Bazi’ that disintegrates a boy’s social and sexual identity. ‘Bacha Bazi’ is not consensual rather coercion hence is equivalent to rape and reflects the grotesque violation of Afghan male children’s human rights. While the world viewed Afghanistan as a land of incessant wars, tribal conflicts, violence and female exploitation, Khaled Hosseini’s The Kite Runner provided a startling insight into ‘Bacha Bazi’ and its implications on Afghan boys. The novel reveals the socio-culture domain of Afghanistan and ethnic rivalry playing an instrumental role in the existence of Bacha Bazi. In the light of the above discussions, the present paper examines the deleterious effects of Bacha Bazi on Afghan male children. It elucidates the psychological trauma of adolescent Afghan boys that evolves out of the sexual abuse and new androgynous identity imposed on them.


2021 ◽  
Vol 11 (4) ◽  
pp. 6-14
Author(s):  
Marina G. Bubnova ◽  
Anna L. Persiyanova-Dubrova ◽  
Nadezhda P. Lyamina ◽  
David M. Aronov

The novel coronavirus infection (COVID-19), which quickly became a pandemic in 2020, has presented new challenges for healthcare system. COVID-19, being a contagious infectious disease predominantly affects respiratory system, causes cardiovascular, neurocognitive, renal, gastrointestinal, hepatic, metabolic and mental damages, which is in fact a multisystem disease. Patients with COVID-19, primarily with moderate and severe forms, need appropriate rehabilitation. This article establishes need of development of rehabilitation programs for COVID-19 patients, identifies their problems that leads to restrictions on everyday life, self-service, mobility, communication, interpersonal relationships, and professional activities. Goals and general principles of medical rehabilitation in context of a pandemic at all three stages are presented. Features of rehabilitation approaches are highlighted and important components of individual rehabilitation program for COVID-19 patients are highlighted.


Author(s):  
Riska Rahayu Roisiah ◽  
Pramudana Ihsan ◽  
Wijayadi Wijayadi

Narcissism is one of the most common diseases in psychology, but its concern is the least. Therefore, this research was focused on narcissism disorder of one of the main characters named Megan Hipwell in the novel The Girl on the Train by Paula Hawkin. The analysis was done by applying psychoanalytic theory, in narcissism, which is the most common mental disorder among the members of a society. The method of research was qualitative, which required an in-depth analysis of the literary works used by the writers of this research according to the selected theories. The analysis was aimed to find illustrations and evidence of the main character in the novel The Girl on the Train to illustrate narcissism disorder. In this research, it was found that the main character suffered from narcissistic disorder, such as big ego, over-self confidence, exploitation of Interpersonal relationships, arrogance, and deficient social conscience. The triggers were rationalization and projection.


2020 ◽  
Vol 60 (11) ◽  
pp. 147-150
Author(s):  
Gulshan Bahadur Karimova ◽  
◽  
Shahla Zahid Safarova ◽  

The article is dedicated to the embodiment of the phenomenon of alienation in the twentieth century.The author fully understands the responsibility of the subject to which he addresses, and clearly sees the danger that alienation really poses to the very existence of human society. However, what distinguishes the American writer from other writers would emerge as a process that would inevitably lead to the destruction of mankind. Keywords: realities of life, interpersonal relationships, alienation, society, women, selfishness


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