Anamorphic Atmospheres

2020 ◽  
Vol 11 (2) ◽  
pp. 27-41
Author(s):  
Linda Matthews
Keyword(s):  
Urban Space ◽  
Church And State ◽  
Digital Technologies ◽  
Linear Perspective ◽  
City Image ◽  
Perspective Geometry

The principles of linear perspective geometry were applied to both the representation and the form of the Renaissance city to reflect the collective proprietorial ambitions of church and state. Anamorphosis was developed by intellectual dissidents as a drawing mechanism and as a counter to the previous representational constraints imposed by linear perspective. The contemporary city image relies upon on an array of pixels mediated by technology to foster existing relationships between power and place. The paper argues that digital technologies initiate anamorphic viewing conditions that correspond to previous attempts to destabilise the covert ambitions of linear perspective. By presenting digital anamorphic representations of contemporary urban space, it shows how the temporal nature of the image and the pixel-based geometry of the digital array not only contest the promotional city view but multiply the opportunity to understand previously unexplored qualitative, atmospheric properties of urban space.

Introduction

2020 ◽  
pp. 1-24
Author(s):  
Germaine R. Halegoua
Keyword(s):  
Digital Media ◽  
Urban Space ◽  
Sense Of Place ◽  
Digital Technologies ◽  
Theoretical Framework ◽  
Careful Attention ◽  
Digital City ◽  
Mobile Media ◽  
Media Technologies ◽  
Cautionary Tales

This chapter provides an overview of the territory and arguments that The Digital City explores. In recent work on digital and mobile media technologies, scholarly perspectives have broadened to recognize positive associations between digital media and experiences of place. Humans and machines are no longer readily perceived as mutually exclusive categories, nor are they treated as separate considerations for designers of everyday experience. People work with technologies to move through and experience places. This book aims to illustrate and analyze the ways actors are actually using digital technologies and practices to re-embed themselves within urban space and to create a sense of place for themselves and others. Although there are copious cautionary tales around the potential for digital media to dissociate or liberate us from the confines of physical locations, we’ve lacked careful attention to the ways people actually use digital media to become placemakers. Creating and controlling a sense of place is still the primary way that we connect with our environments, interact with others, and express our identities. The Digital City offers a new theoretical framework for thinking about our relationship to digital media by reconceptualizing common, everyday interactions with digital media as placemaking activities.

Public Art and Contemporary Urban Culture – Research of Embodiment of Core Value of Urban Public Art in the Construction of Urban Culture

2014 ◽  
Vol 919-921 ◽  
pp. 1634-1637
Author(s):  
Zhi Guo Li ◽  
Jing Sun
Keyword(s):  
Urban Space ◽  
Public Art ◽  
Urban Culture ◽  
City Image ◽  
Cultural Interpretation ◽  
The Public ◽  
City Culture ◽  
Core Value ◽  
The Masses ◽  
The Relationship

As the cultural interpretation and the most intuitionist expression vector, urban public art explain the urban space morphology, aesthetic function by the visual art, construct contemporary aesthetic culture and the public service system of the masses, manifest characteristics of urban culture value and the trend in period of social transition increasingly. It explained the relationship between public art and urban culture core value and construction of Public art in city culture construction in detail. In the end, it presented the realization of culture value taken from public art and the creation of city image by public art.

The Vault of Perception: Are Straight Lines Seen as Curved?

2015 ◽  
Vol 3 (1) ◽  
pp. 117-137 ◽  
Author(s):  
Christopher W. Tyler
Keyword(s):  
Perceptual Experience ◽  
Linear Perspective ◽  
Wide Field ◽  
Perspective Geometry ◽  
3D Space ◽  
Geometric Approximation ◽  
The World ◽  
Widespread Belief ◽  
Straight Lines ◽  
Valid Form

There is a widespread belief in art praxis that linear perspective is only a geometric approximation to the ‘true’ properties of perspective as experienced in the perception of the world, which are thought to involve some form of curvilinear perspective. The origins of that belief are examined from Roman times to the present, with a focus on the generation of perspective curvature by the active viewer as a means of elucidating the underlying perceptual principles involved. It is concluded that the only valid form of perspective for the flat canvas is linear perspective, and that it is valid only for a viewing location at the geometric center of projection for which the picture was constructed. Viewing from any other location (particularly in the case of wide-field images viewed from greater than the required distance) generates perceived distortions that have often been misinterpreted to imply that linear perspective geometry is inadequate and that some form of curvilinear perspective would be more representative. However, as long as it is viewed with one eye from the center of projection, the perceptual experience of accurate linear perspective is of a full, explorable 3D space, in contrast to any other form of perspective convention.

scholarly journals Industrial Heritage Tourism: a Regional Perspective (Warsaw)

2009 ◽  
Vol 46 (1) ◽  
pp. 276-287 ◽  
Author(s):  
Anna Pawlikowska-Piechotka
Keyword(s):  
Urban Space ◽  
Local Community ◽  
Planning Process ◽  
Heritage Tourism ◽  
Well Being ◽  
City Image ◽  
Industrial Heritage ◽  
Industrial Landscape ◽  
Industrial Architecture ◽  
Regional Perspective

Industrial Heritage Tourism: a Regional Perspective (Warsaw)When touring a region, one of the things previous generations certainly overlooked were the industrial areas. With the exception of the old saltmine "Wieliczka" in the south of Poland, industrial heritage was mainly unknown. Industrial landscape (mills, factories with chimneys emitting all-blackening smoke, poverty-stricken workers' houses) have been regarded with dislike and considered grim.Using the example of Warsaw's industrial heritage revitalization projects, we examined already modernized historic buildings, which sought to respond to tourist and leisure needs (museums, art galleries, cultural centres). We were interested in their new functions and meanings for urban space quality. We wanted to consider how much revitalized architecture help to change (socially, culturally, economically) declining areas and their painful "inner-city" image (Thorns 2001). Our research (carried out in 2005-2006) covered nine historic industrial compounds, already converted and having new functions. Results of our inquiry polls (taken in 2005-2006) confirmed the thesis, that revitalized historic industrial architecture might enrich urban space with values visible in many dimensions: social, historical, aesthetical and economic (Evans 2005). Although selected and studied cases in Warsaw were not completed equally successfully, due to the objective barriers or carelessness in the planning process, all show good results in space quality and cultural services improvement, appreciated by the local community members and visitors relevantly.Once neglected run-down Warsaw districts (Wola, Praga) now draw benefits from new identities, attracting tourists and enhancing the local community's sense of belonging and well-being. Similar cases were described by scholars after studies in other European cities (Jones 2006).

scholarly journals Territorial and Temporal Factors of Urban Identity

2020 ◽  
Author(s):  
Anna Ozerina ◽  
Keyword(s):  
Urban Space ◽  
Psychological Research ◽  
Place Of Birth ◽  
City Image ◽  
Urban Identity ◽  
City Brand ◽  
Cognitive Component ◽  
Temporal Factors ◽  
Student’S T ◽  
The City

The formation of the urban identity of an individual resident and of the urban community as a whole is multi-determined. In socio-psychological research, perceptions of the main factors of its formation can be summarised through geographical, historical, spatial, individual-personal and socio-cultural characteristics. The objective of our study was to describe the role of territorial and temporal factors (place of birth and the duration of dwelling in a city) in the formation and manifestation of emotional, cognitive, motivational and behavioural parameters of the urban identity of residents. The City questionnaires and the Tomsk City Identity Questionnaire adapted by the authors were used to collect empirical data. The data was processed by means of a single-factor analysis of variance and the Student’s T-test. As a result, specific traits of city image formation in the vision of newcomer residents, and its indigenous residents were revealed, which confirms the relevance of the factors under study. It has been established that the image of the city and perceptions of its potential depend largely on the territorial and temporal indicators of the respondent’s residence in the urban space. Place of birth determines the cognitive component of urban identity to a greater extent, while the length of residence determines the emotional and motivational component. The findings allow the temporal and spatial context to be considered in the development of the city brand and the modernisation of urban space. Further researches are planned to include sample differentiation based on the place of birth by settlement type.

scholarly journals "MANAGING TOGETHER" PORTAL AS A TOOL OF URBAN MANAGEMENT FOR THE POPULATION

2020 ◽  
Author(s):  
Мазука Анастасия ◽  
Keyword(s):  
Urban Space ◽  
Local Governments ◽  
Public Management ◽  
New Technologies ◽  
Digital Technologies ◽  
Urban Management ◽  
Efficiency And Effectiveness ◽  
The Media

The problems of implementing digital technologies are analyzed using the example of the "Manage together" portal. Based on the analysis of publications about the work of the portal in the media, conclusions are drawn about the lack of readiness of local governments to work with new technologies. Measures are pro-posed to improve the efficiency and effectiveness of public management of urban space through the portal.

scholarly journals Cities of Mordovia: identity in media discourse

2020 ◽  
pp. 328-343
Author(s):  
Iraida A. Pakshina ◽  
◽  
Elena S. Rus’kina ◽  
Keyword(s):  
Identity Formation ◽  
Urban Space ◽  
Print Media ◽  
Urban Life ◽  
Negative Evaluation ◽  
Subjective Perception ◽  
City Image ◽  
Urban Identity ◽  
Internet Communities ◽  
The City

Nowadays, the city with its unique local and historical features is placed into the focus of the modern urban media. Media text verbalizes the results of a person’s subjective perception of the surrounding urban space and represents the identity of the city. The purpose of this article is to identify the representation of the «urban identity» concept in the media of the Republic of Mordovia — both in city and republican newspapers and social networks. The authors conducted content analysis of the articles published in city newspapers and the comments to the posts of local Internet communities regarding their ideas about the city. Analysis of the print media deduced that the municipal authorities realize the urgency of the urban identity formation under the competition for human, informational and economic resources. The editorial boards of newspapers do a lot to create a positive image of the city. Local urban Internet communities, which has recently appeared in the regional media space, have a powerful influence on public opinion. Their communication is built mainly around the private problems of everyday urban life and is accompanied by negative evaluation of those. It was established that active discussion of problems leads to active post-discussion, post-provocation, post-hype, post-photography, post – criticism of the authorities, post – dialogue with a representative of the authorities, post – question and post-game. There is an asymmetry in the representation of the city image created, on the one hand, by the print media, and, on the other hand, by the participants in the Internet communities. The study identified the markers that can be significant for the citizens. It also detected the dependence of the construction of the Mordovia’s cities identity and its representation and the communicative practices of the urban population.

scholarly journals Post-Pandemic City: Historical Context for New Urban Design

2020 ◽  
pp. 94-108
Author(s):  
Veaceslav MIR
Keyword(s):  
Public Administration ◽  
Urban Design ◽  
Urban Space ◽  
Soft Power ◽  
Historical Context ◽  
Digital Technologies ◽  
Point Of View ◽  
The Past ◽  
The City

Cities have been almost completely unprepared for the COVID-19 pandemic. Urban history has known many epidemics and pandemics, and there are clear historical parallels between the 13th and 19th century plague pandemics and cholera epidemics and the 21th century COVID-19 pandemic, from an administrative point of view. However, the cities’ public administration did not take into account the experience of the cities of the past to be prepared for the future problems. This requires developing flexible pandemic strategies and focusing on the decentralization of urban space through an even distribution of population in the urban environment. The COVID-19 pandemic will change the city, as previous pandemics and epidemics did. Urbanism v.3.0. will emerge, combining a green vector of development and digital technologies to ensure the autonomy and sustainability of buildings, districts and cities. At the same time, the role of culture will increase, which will become an effective tool for consolidating the soft power of the city in order to attract new people as the opposition of nowadays trend for living in the countryside.

Venice: The Converted City

2021 ◽  
pp. 12-34
Author(s):  
Iain Fenlon
Keyword(s):  
Urban Space ◽  
Urban Culture ◽  
Church And State ◽  
Urban Spaces ◽  
Religious Indoctrination ◽  
Growing Population

By focusing on the Piazza San Marco, the chapter draws attention to the transformation of civic and religious spaces that took place in Venice between the late sixteenth and early seventeenth centuries. It argues that the rise of urban culture and the reconfiguration of urban space sought not only to accommodate a growing population, but also to facilitate the emerging conversional theatrics of Church and State, which made use of urban spaces for the purpose of political and religious indoctrination.

scholarly journals FORMATION OF URBAN PUBLIC SPACES IN THE ARCHITECTURE OF POSTMODERNISM

2021 ◽  
pp. 89-97
Author(s):  
Olena Oliynyk
Keyword(s):  
Urban Space ◽  
Urban Landscape ◽  
Historical Memory ◽  
Urban Structure ◽  
City Image ◽  
Architectural Style ◽  
Urban Centers ◽  
Architectural Elements ◽  
Characteristic Features ◽  
The One

The article deals with the most characteristic features of postmodernism in architecture and in the formation of urban spaces. Postmodernism in architecture was involved as a solution that would combine the rationality and feasibility of modernism with artistic and design solutions. However, in the postmodern era, the urban environment is gradually losing its historical memory, its importance as an anthropological category and as a place of identity identification. Urban centers are turning into purely commercial theme parks for tourists. Postmodern space is an urban structure formed by signs that meet the demands of society. The Postmodern City Image is a conglomerate of ideas and images built with the help of visual personality memory. Rem Koolhaas calls this phenomenon a «Junkspace»,  built as a conglomeration of ideas, concepts and dreams. This space is designed to please people thanks to whimsical and exaggerated elements: neon, casinos and buildings that combine architectural elements of any age with the intention to create a new architectural style. Las Vegas is a hypertrophied example of a postmodern city. Its urban landscape leaves facades and walls aside, replacing them with signs and symbols. Such a symbolic place becomes timeless, unrealistic and transit, not intended for everyday life. Space and time in such a city lose their essence. Urban space brings together different elements from other historical, artistic and cultural eras to interpret them as reflecting modernity. The value of images copied from historical reality becomes more important than reality itself. Humanity regards this unreal world as an idealized model of society, parallel to the one that actually exists, more attractive and interesting. Thus, the very essence of the architecture, the meaning of which is replaced by temporary advertising symbols, is lost.

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