Almada Negreiros, José Sobral de (1883–1970)

Author(s):  
Antonio Trinidad Muñoz

José Sobral de Almada Negreiros was a Portuguese artist (mainly writer and painter) and a most dynamic and multifaceted figure in early 20th-century Portuguese culture. Moving constantly between literature and the visual arts, he produced a multidisciplinary oeuvre. Both in his literary work, which includes poetry, short stories, drama, and essays, and in his painting and graphic work, Almada Negreiros took a rebellious and combative stance towards traditional academism and aesthetic conservatism. One of the main advocates of avant-garde in Portugal, he also championed the modernization of the country, motivated by the ideal of "educating the people through scandal." Born in the then Portuguese African colony of São Tomé e Príncipe, Almada Negreiros lost his mother at the age of three. Because his father was organizing the Pavilion of Portuguese Colonies for the 1900 World Fair in Paris, he spent his childhood and adolescence in a boarding school in Lisbon. Later on he attended a secondary school in Coimbra and the International School in Lisbon. Almada Negreiros would never obtain a university degree; he was a self-taught artist and a fervent reader and drawer from a very young age. In 1911 he started his career as a collaborator of the newspaper A Sátira; a year later, he participated in the I Salão dos Humoristas (first Salon of Humorists), an exhibition of caricatures and graphic humor in Lisbon.

2020 ◽  
Vol 43 (1) ◽  
pp. 1-10
Author(s):  
Safa El Naili

Alongside the rapid political and social change post Arab Spring, Libyan writers were constantly producing volumes of literary work, whether in print or online, to reflect on the socio-political issues in the society. Among these writers is Libyan lawyer and writer Azza Al-Maghour; Al-Maghour has published a great many short stories during and after the revolution. What makes her work distinctive is that she not only narrates fictional events, but that she simultaneously reflects on the Libyan reality post revolution; and her voice, she is the voice of the people. Her narrative style is structured as a cultural and intellectual revolution. Using a critical discourse analysis, this paper will examine how Al-Maghour contributes to the socio-political construction of Libyan society, and argues that Al-Maghour`s narrative structure, story frame, language style, and word connotations are used as tools to channel her political views. This paper will pay special attention to Al-Maghour`s discussions of women rights, social justice, and Libyan nationalism through her story settings and her characters. This paper begins by giving a brief overview of the context of Libyan women in the aftermath of the 2011 revolution, followed by Azza Al-Maghour`s biography. The paper will then present an analysis of her stories through language, style, story structure, socio-political discussions, and her contribution as a Libyan female writer to the context of the post Arab Spring.


Author(s):  
Abdul Muin

AbstractThe purpose of this paper is to reveal how the quality of education in this Islamic boarding school is, particularly related to education facilities, curriculum and strategies of education quality improve­ments. This study used the qualitative method. Findings of this study are: first, education infrastructure and facilities are relatively complete and adequate, which are supported by the atmosphere of the Islamic boarding school that is full of simplicity and modesty by habituation in implementing clean and healthy lifestyle. Second, the tafaqquh fi-al din (understanding of religion)-based curriculum compiled by the Islamic boarding school occupies the same degree (equal) to the curriculum prepared by the Ministry of Religious Affairs, so that both tafaqquh fi-al din (understanding of religion) studies and general studi­es have high electability, which is able to increase the quality of education and also generates interest and motivation of the people (parents) to put their children to the Islamic boarding school. Third, education in the Islamic boarding school has a strong independency because it is supported by substantial financial resources.AbstrakTujuan tulisan ini untuk mengungkapkan bagaimana mutu pendidikan di pondok pesantren ini, khususnya berkaitan dengan sarana pendidikan, kurikulum dan sterategi peningkatan mutu pendidik­an. Penelitian ini menggunakan metode kualitatif. Hasil temuan studi ini adalah: Pertama, sarana dan fasilitas pendidikan relatif lengkap dan memadai, ini didukung oleh suasana kehidupan pondok pesan­tren yang penuh kesederhanaan dan kebersahajaan dengan pembiasaan menerapkan pola hidup bersih dan sehat. Kedua, kurikulum yang berbasis tafaqquh fi-al din yang disusun oleh pondok pesantren ini menempati derajat yang sama (equal) dengan kurikulum yang disusun Kementerian Agama, sehinga baik kajian tafaqquh fi al-din maupun pelajaran umum memiliki electabilitas yang tinggi, hal ini mampu meningkatkan mutu pendidikan dan sekaligus membangkitkan animo dan motivasi masyarakat (orangtua) untuk memasukkan anaknya ke pesantren ini. Ketiga, penyelenggaraan pendidikan di pon­dok pesantren ini memiliki kemandirian yang kuat, karena didukung oleh sumber dana yang besar.


2018 ◽  
Vol 2 (1) ◽  
pp. 17
Author(s):  
Ahmad Fauzi ◽  
Chusnul Muali

Pesantren and social value system is the result of constructing kiai's thoughts and social actions as an inseparable entity. This study aims to interpret the role and social action of kiai Moh Hasan, both as a fighter (al-haiah al-jihaadi li'izzi al-Islaami wal muslimin) in the community as well as guidance and guidance for the community (al-haiah al ta 'awuny wa al takafuly wal al ittijaahi) and teaching in educational institutions (al-haiah al ta'lim wa al-tarbiyah), significantly contributes greatly to the social realities of society in Indonesia. Portrait of central figure kiai Moh Hasan can not be separated from the depth of his field of Islamic science, simplicity, kezuhudan, struggle, sincerity and generosity. This view, not only recognized among the people around the boarding school, students and colleagues, but also spread in some areas in Indonesia. The fame of kiai Moh Hasan among scholars, habaib and society has many karamah and some other privileges, not even a few from the social recognition of kiai Moh Hasan Genggong, because the kiai are believed to have closeness with God, thus perceived as auliya'Allah. Thus the role and social actions of the kiai above, gave birth to the value system, so as to influence and move the social action of other individuals. The internalization of the aforementioned values becomes social capital in building a spiritual-based transformative leadership, as a strong leadership model and conducts various changes in the social field, by transforming the value of the ethical values.


Author(s):  
Sergey Nickolsky

The question of the Russian man – his past, present and future – is the central one in the philosophy of history. Unfortunately, at present this area of philosophy is not suffciently developed in Russia. Partly the reason for this situation is the lack of understanding by researchers of the role played by Russian classical literature and its philosophizing writers in historiosophy. The Hunting Sketches, a collection of short stories by I.S. Turgenev, is a work still undervalued, not fully considered not only in details but also in general meanings. And this is understandable because it is the frst systematic encyclopedia of Russian worldview, which is not envisaged by the literary genre. To a certain extent, Turgenev’s line is continued by I. Goncharov (the theme of the mind and heart), L. Tolstoy (the theme of the living and the dead, nature and society, the people and the lords), F. Dostoevsky (natural and rational rights), A. Chekhov (worthy and vulgar life). This article examines the philosophical nature of The Hunting Sketches, its structure and content. According to author’s opinion, stories can be divided into ten groups according to their dominant meanings. Thus, in The Hunting Sketches the main Russian types are depicted: “natural man,” rational, submissive, cunning, honest, sensitive, passionate, poetic, homeless, suffering, calmly accepting death, imbued with the immensity of the world. In the image and the comments of the wandering protagonist, Ivan Turgenev reveals his own philosophical credo, which he defnes as a moderate liberalism – freedom of thought and action, without prejudice to others.


2020 ◽  
Vol 37 (7-8) ◽  
pp. 115-132
Author(s):  
Branden Hookway

This essay presents the experimental subject as a figure of modernity. It addresses notions of control, sensory thresholds, automatism, and human agency through a study of experimental psychology and psychological apparatus from the late 19th century to the First World War, juxtaposing this with notions of experimentation in early 20th-century avant-garde movements. The human subject of experimental psychology, defined by its inexpression as it awaits the stimuli of testing and measurement, is treated as a prototype for the present-day user of technological interfaces.


2021 ◽  
Vol 1 (1) ◽  
pp. 8-13
Author(s):  
Patricia Wulandari

A good literary work can provide information about various kinds of community life,including life related to religiosity. Literary works are closely related to religisiutas,because of that, various works appearing showing the religiosity of society, one ofwhich is the Javanese. Modern Indonesian literary works that illustrate this are thecollection of short stories from Umi Kalsum by Djamil Suherman, the lyrical prosePengakuan Pariyem by Linus Suryadi AG, and the novel Ronggeng Dukuh Paruk byAhmad Tohari. Each of these works represents the diversity of Javanese society. Thecollection of short stories from Umi Kalsum shows the religious side of the communitycalled the santri who are so obedient in carrying out their worship. The lyrical proseof Pariyem's confession provides information on how a babu is so resigned to seeinglife, but in her soul holds the wisdom of Kejawen. Meanwhile, Ronggeng Dukuh Parukdescribes the Javanese people who worship the spirits of their ancestors. Even thoughthey have different religions, they basically want harmony. Javanese people who livein santri enjoy harmony when they live with strong Islamic values. The Javanesepeople of the Gunung Kidul area live in harmony if they are always nrimo and see lifeas it is according to its Javanese nature. The Dukuh Paruk community attainsharmony that originates from the worship of the spirit of Ki Secamenggala.


2015 ◽  
Vol 11 (1) ◽  
pp. 6-8
Author(s):  
S Dahal ◽  
SK Agrawal ◽  
A Shrestha ◽  
TK Bhagat

Background and Objectives: Increased concern over dental appearance has been observed during childhood and adolescence to early adulthood. The study was conducted with objectives to assess the self-perception of dental aesthetics, knowledge, attitude and management of dental trauma and halitosis.Materials and Methods: Self-administered questionnaire translated in Nepali language consisting of 32 questions was used. The completed questionnaires were analyzed using descriptive statistics.Results: Out of the total study population, 63% were satisfied with their overall tooth appearance and 71.7% with their tooth color. Twenty-nine percent had experienced dental trauma. More than half of the study population thought that immediate treatment was required after dental trauma. Fifty seven percent of the villagers had halitosis.Conclusion: The research clearly shows that the people of Aurabani VDC were satisfied with their tooth color and overall tooth appearance; however the knowledge regarding emergency management of dental trauma, the cause and management of halitosis was insufficient.JCMS Nepal. 2015;11(1):6-8


ALAYASASTRA ◽  
2021 ◽  
Vol 17 (2) ◽  
pp. 279-293
Author(s):  
Mega Fransiska Ariani ◽  
Eggy Fajar Andalas

ABSTRAKPenelitian ini bertujuan untuk mengungkap suara-suara masyarakat yang dimarginalkan dalam kumpulan cerpen Orang-Orang Pinggiran karya Lea Pamungkas. Penelitian ini menggunakan teori sosiologi sastra dengan metode penelitian deskripsi kualitatif hermeneutik. Sumber data penelitian ini adalah karya sastra berupa kumpulan cerpen Orang-Orang Pinggiran karya Lea Pamungkas. Data pada penelitian ini berupa teks yang memperlihatkan suara-suara masyarakat pinggiran. Hasil penelitian ini berupa marginalisasi terhadap perempuan dan kelompok masyarakat. Marginalisasi pada perempuan, yaitu perempuan dianggap hanya sebagai subjek pemuas nafsu kaum laki-laki. Marginalisasi terhadap kelompok masyarakat ini berupa suara yang diabaikan dalam memenuhi kebutuhan sehingga menyebabkan kemiskinan Indonesia.Kata kunci: kumpulan cerpen, marginal, masyarakat pinggiran, sosiologi sastra ABSTRACT This study aims to reveal the voices of the marginalized in a collection of short stories Orang-Orang Pinggiran by Lea Pamungkas. This research uses sociology of literature theory with hermeneutic qualitative description research method. The Source of this research is a literary work in the form of a collection of short stories from Orang-Orang Pinggiran by Lea Pamungkas. The data in this study are in the form of texts that show the voices of marginalized communities. The result of this research is the marginalization of women and community groups. Marginalization of women, women are considered only as a subject to satisfy the lust of men. The marginalization of this community groups is in the form of their a voice that is ignored in meeting their needs, causing poverty in Indonesia.Keywords: a collection of short stories, marginal, marginal societ, literary sociology


Sign in / Sign up

Export Citation Format

Share Document