scholarly journals THE IRISH RENAISSANCE IN FACES

2021 ◽  
pp. 133-141
Author(s):  
Larisa L. Norden ◽  
Valeria S. Miller
Keyword(s):  
National Identity ◽  
English Language ◽  
English Literature ◽  
Irish Literature ◽  
Way Of Life ◽  
Musical Culture ◽  
Political Situation ◽  
Irish Renaissance ◽  
Grammatical Structures ◽  
Made In

The end of the XIX – beginning of the XX centuries is the efflorescence period of national culture in Ireland. In historiography, this time was named the Irish Renaissance. Its bright representatives and organizations promoted national ideas, tried to restrain verbal aggression from the English language, to revive self-consciousness of their compatriots, developed sports, literature, theater, musical culture, and opposed the British way of life. The Irish Renaissance was not homogeneous. Some of its representatives tried to be politically neutral, tried to show their non-involvement in the existing political situation. The other held positions of active cultural nationalism. They believed that the Irish should revive their culture, cultivate their national identity, using a solid language base. They promoted the advantages of the Gaelic lifestyle as opposed to the English one. Still others proceeded from realistic attitudes, they saw narrow-mindedness of the Irish society, they were not afraid to point out its vices, and convinced in the need to include their homeland in the cultural space of the West. In addition to the multiplicity of options, the Irish Renaissance was an elitist phenomenon, since most of the society lived in poverty, did not have the opportunity to get a good education, and cared more about «daily bread». The most vivid appeals to the spiritual Revival of the nation were made in the theater and literature, the flourishing of which is associated with the names of W.B. Yeats, Lady Augusta Gregory, D. Joyce, D.M. Sing and others. To a large extent, the Irish Renaissance was a kind of reaction to modernism. It is quite possible to say that in Ireland there was a strong confrontation between the archaic and the modern. The important features of cultural Irish Renaissance were its anti-British orientation, the desire to emphasize national identity. The Hiberno-English version of English had similarities to Irish in some grammatical idioms, the inhabitants of the Emerald Isle, perhaps subconsciously, used the grammatical structures of their native language when speaking English. This linguistic tradition also influenced the Irish literature, which differed in various ways from the English literature.

The Bible

2017 ◽  
Author(s):  
Hannibal Hamlin
Keyword(s):  
Early Modern ◽  
English Language ◽  
English Literature ◽  
Early Modern Literature ◽  
Modern Culture ◽  
Christian Religion ◽  
The Bible ◽  
Biblical Epics ◽  
Bible Reading ◽  
Made In

The Christian religion is based on the Bible, and no book had a greater influence on early modern English literature. The Bible was at the heart of the early modern culture of translation, and the English language was affected by the efforts of William Tyndale, Miles Coverdale, and others to properly render the Bible’s original Hebrew and Greek. Since understanding and following the Bible was necessary to salvation, and the Bible is often difficult, Bible reading also demanded interpretation, and this led to the proliferation of interpretive aids: biblical paratexts, sermons, and commentaries. Translation is necessarily interpretive, in the choices made in English Bibles, but especially in broader paraphrases and adaptations, from the metrical Psalms of Sternhold and Hopkins and Philip and Mary Sidney to the biblical epics of Du Bartas, Abraham Cowley, and Milton. Much of early modern literature could be described as an effort to understand the Bible.

The Rise and Fall of Meter

2012 ◽  
Author(s):  
Meredith Martin
Keyword(s):  
National Identity ◽  
World War I ◽  
Literary History ◽  
English Language ◽  
English Literature ◽  
Stable Model ◽  
Poetic Form ◽  
Victorian England ◽  
Siegfried Sassoon ◽  
History Of

Why do we often teach English poetic meter by the Greek terms iamb and trochee? How is our understanding of English meter influenced by the history of England's sense of itself in the nineteenth century? Not an old-fashioned approach to poetry, but a dynamic, contested, and inherently nontraditional field, “English meter” concerned issues of personal and national identity, class, education, patriotism, militarism, and the development of English literature as a discipline. This book tells the unknown story of English meter from the late eighteenth century until just after World War I. Uncovering a vast and unexplored archive in the history of poetics, the book shows that the history of prosody is tied to the ways Victorian England argued about its national identity. Gerard Manley Hopkins, Coventry Patmore, and Robert Bridges used meter to negotiate their relationship to England and the English language; George Saintsbury, Matthew Arnold, and Henry Newbolt worried about the rise of one metrical model among multiple competitors. The pressure to conform to a stable model, however, produced reactionary misunderstandings of English meter and the culture it stood for. This unstable relationship to poetic form influenced the prose and poems of Robert Graves, Siegfried Sassoon, Wilfred Owen, W. B. Yeats, Ezra Pound, and Alice Meynell. A significant intervention in literary history, this book argues that our contemporary understanding of the rise of modernist poetic form was crucially bound to narratives of English national culture.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2020 ◽  
Vol 3 (II) ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason of these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Borrowing As A Tool To Fill The Ideological Thoughts: The Role Of Code-Mixing In An American Brat By Bapsi Sidhwa And The Escape By Qaisra Shiraz

2019 ◽  
Keyword(s):  
Short Story ◽  
English Language ◽  
English Literature ◽  
Native People ◽  
British Imperialism ◽  
Native Languages ◽  
Post Colonial ◽  
Bapsi Sidhwa ◽  
Code Mixing ◽  
Language And Literature

This research article highlights the temperament, inference, scope, and motives of code-mixing in Pakistani English works. One novel from Pakistani English novels namely, An American Brat by Bapsi Sidhwa, and one short story namely, The Escape by Qaisra Shehraz are being selected as an illustration of this reading. In this novel and short story, the writers have already dealt with the characteristics of postcolonialism. English language and literature pierced into the privileged civilizations of the sub-continent, after the end of British Imperialism. Pakistani writers in English are the best interpreter of the post-colonial communal language. In this study, I have hit upon code-mixing in English works written by Pakistani authors to a bigger echelon. These works are paragons of arts and the unbelievable mixture of rhetorical and fictitious study. In these works, the writers have not abased the confined diversities. They have tinted the value of Pakistani English in order to achieve the chatty desires of native people. These borrowings from the native languages are used to fill the lexical fissures of ideological thoughts. The reason for these borrowings is not to represent the English as a substandard assortment. Through the utilization of native words, we conclude that the significance of native languages has been tinted to question mark the dialect as well. The words of daily use also have an area of research for English people without having any substitute in English. That’s why in English literature innovative practices and ideas of code-mixing have been employed.

Brendan Behan's Borstal Boy: Politics in the Vernaculars

2014 ◽  
Vol 44 (1) ◽  
pp. 129-148 ◽  
Author(s):  
Bernice Schrank
Keyword(s):  
English Language ◽  
English Literature ◽  
Great Variability ◽  
The Political ◽  
Standard English ◽  
Cultural Assumptions ◽  
Language And Literature ◽  
Autobiographical Fiction ◽  
Literature And Language

This essay examines the political uses to which Behan puts language in his autobiographical fiction, Borstal Boy, both as an instrument of domination and a means of liberation. Identifying Standard English language and literature as important components of the British imperial project, Behan creates, as a linguistic alternative, ‘englishes’, a composite language in which differences of geography, class, age, education, and occupation create a demotic speech of great variability and expressive force. In so doing, Behan sabotages the cultural assumptions and justifications for colonial exploitation embedded and validated in Standard English literature and language.

ON LITERATURE AND GRAMMAR: A Selection of Annotated Medieval and Renaissance English Texts for (Spanish) University Students

2020 ◽  
Author(s):  
Gema Chocano Díaz ◽  
Noelia Hernando Real
Keyword(s):  
William Shakespeare ◽  
University Students ◽  
Geoffrey Chaucer ◽  
English Language ◽  
English Literature ◽  
Christopher Marlowe ◽  
Sir Philip Sidney ◽  
William Langland ◽  
Sir Thomas Wyatt ◽  
Selection Of

On Literature and Grammar gives students and instructors a carefully thought experience to combine their learning of Middle and Early Modern English and Medieval and Renaissance English Literature. The selection of texts, which include the most commonly taught works in university curricula, allows readers to understand and enjoy the evolution of the English language and the main writers and works of these periods, from William Langland to Geoffrey Chaucer, from Sir Philip Sidney to Sir Thomas Wyatt and Henry Howard, Earl of Surrey, and from Christopher Marlowe to William Shakespeare. Fully annotated and written to answer the real needs of current Spanish university students, these teachable texts include word-by-word translations into Present Day English and precise introductions to their linguistic and literary contexts.

Need of Human Rights as a Better Way of Life

Think India ◽  
2019 ◽  
Vol 22 (3) ◽  
pp. 72-83
Author(s):  
Tushar Kadian
Keyword(s):  
Human Rights ◽  
Basic Needs ◽  
Research Paper ◽  
Human Being ◽  
Way Of Life ◽  
Labour Unions ◽  
The People ◽  
The Subject ◽  
Definition Of ◽  
Made In

Actually, basic needs postulates securing of the elementary conditions of existence to every human being. Despite of the practical and theoretical importance of the subject the greatest irony is non- availability of any universal preliminary definition of the concept of basic needs. Moreover, this becomes the reason for unpredictability of various political programmes aiming at providing basic needs to the people. The shift is necessary for development of this or any other conception. No labour reforms could be made in history till labours were treated as objects. Its only after they were started being treating as subjects, labour unions were allowed to represent themselves in strategy formulations that labour reforms could become a reality. The present research paper highlights the basic needs of Human Rights in life.

TANTANGAN DAN PENGUATAN IDEOLOGI PANCASILA DALAM MENGHADAPI ERA REVOLUSI INDUSTRI 4.0

2019 ◽  
Vol 2 (02) ◽  
pp. 66-78
Author(s):  
Nurul Fadilah
Keyword(s):  
Content Analysis ◽  
National Identity ◽  
Data Analysis ◽  
Data Collection ◽  
Human Resources ◽  
Research Method ◽  
Industrial Revolution ◽  
Qualitative Approach ◽  
The State ◽  
Way Of Life

The ideology of Pancasila as a way of life, the basis of the state, and national identity has a various challenge from time to time so that the existence of Pancasila as an Ideology must be maintained, especially in industrial revolution 4.0. The research method used is a qualitative approach by doing study of literature. In data collection the writer used documentation while in techniques data analysis used content analysis, inductive and descriptive. Results of the research about challenges and strengthening of the Pancasila Ideology in facing the era of the industrial revolution 4.0 are: (1)  grounding Pancasila, (2) increasing professional human resources based on Pancasila’s values, (3) maintaining the existence of Pancasila as the State Ideology.

scholarly journals Linguistic structures and functions of thesis and dissertation titles in Dentistry

2020 ◽  
Vol 65 (1) ◽  
pp. 49-73 ◽  
Author(s):  
Oscar Alberto Morales ◽  
Bexi Perdomo ◽  
Daniel Cassany ◽  
Rosa María Tovar ◽  
Élix Izarra
Keyword(s):  
Single Unit ◽  
English Language ◽  
Genre Studies ◽  
Linguistic Features ◽  
Distinctive Features ◽  
Syntactic Structures ◽  
Nominal Phrase ◽  
Research Students ◽  
Linguistic Structures ◽  
Grammatical Structures

AbstractTitles play an important role in genre analysis. Cross-genre studies show that research paper and thesis titles have distinctive features. However, thesis and dissertation titles in the field of dentistry have thus far received little attention. Objective: To analyze the syntactic structures and their functions in English-language thesis and dissertation titles in dentistry. Methodology: We randomly chose 413 titles of English-language dentistry theses or dissertations presented at universities in 12 countries between January 2000 and June 2019. The resulting corpus of 5,540 running words was then analyzed both qualitatively and quantitatively, the two complementary focuses being grammatical structures and their functions. Results: The average title length was 13.4 words. Over half of the titles did not include any punctuation marks. For compound titles, we found that colons, dashes, commas, and question marks were used to separate the different components, colons being the most frequent. Four syntactic structures (nominal phrase, gerund phrase, full-sentence, and prepositional phrase) were identified for single-unit titles. Single-unit nominal phrase titles constituted the most frequent structure in the corpus, followed by compound titles. Four particular rhetorical combinations of compound title components were found to be present throughout the corpus. Conclusions: Titles of dentistry theses and dissertation in English echo the content of the text body and make an important contribution to fulfilling the text’s communicative purposes. Thus, teaching research students about the linguistic features of thesis titles would be beneficial to help them write effective titles and also facilitate assessment by teachers.

Nepalese English (Nenglish): Diverse and expanded assortment of Standard English

2021 ◽  
Vol 2 (01) ◽  
pp. 39-49
Author(s):  
Nani Babu Ghimire
Keyword(s):  
Social Norms ◽  
Qualitative Analysis ◽  
Word Order ◽  
Cultural Context ◽  
English Language ◽  
English Literature ◽  
Standard English ◽  
Literal Translation ◽  
Norms And Values ◽  
Written Form

Nepalese English is a new version of Standard English which is developed due to the effect of the Worlds Englishes. When the English language is expanded, the consequence has been seen in the use of English according to the socio-cultural context of the countries. The use of English either in spoken or written form is also seen differently from the Standard English in Nepal. To uncover this change in the use of English in Nepal, I studied two fictions (novels) written by two Nepalese literary figures in English based on qualitative analysis of the authors’ practice in the use of Nepalese English in writing fiction and found that there is the influence of Nepalese socio-cultural, socio-political, social norms and values in English literature. The finding also illustrated that Nepalese words (characters, location, kinship and taboos terms) are making their entries, complete sentences in Nepali are written, English suffixes are being attached to Nepalese words and vice versa, the word order of English is changed in Nepalese English (Nenglish), the literal translation of Nepalese proverbs are being introduced in English literature. The practice of writing English literature using Nepalese English is being extended to create its own features in English language which leads to develop Nepalese English as a separate variety in the field of language study.

Sign in / Sign up

Export Citation Format

Share Document