scholarly journals ASSORTMENT OF WOODY PLANTS USED IN GREEN CONSTRUCTION IN THE NORTHERN PART OF KAZAKHSTAN

2021 ◽  
pp. 27-36
Author(s):  
Я.А. КРЕКОВА ◽  
С.В. ЗАЛЕСОВ ◽  
М.В. СОЛОВЬЕВА
Keyword(s):  
Plant Species ◽  
Woody Plants ◽  
Plant Introduction ◽  
Daily Lives ◽  
The Past ◽  
Northern Cities ◽  
Time Periods ◽  
The Republic ◽  
The City ◽  
Number Of Plant Species

Интродукции растений отведена большая роль в обогащении районов с бедным флористическом со- ставом и увеличении разнообразия «полезных» для человека растений. Перенос растений человеком из одних районов в другие начался далеко в прошлом, продолжается до настоящего времени и обусловлен желанием создания лучших условий существования. Так, новые растения (при успешной интродукции) в различные временные периоды использовались для пищевых целей, в лесном хозяйстве и озеленении. В настоящее время многие интродуцированные виды растений стали настолько привычными в нашей повседневной жизни, что их отсутствие вызвало бы недоумение. В статье приведена информация о возникновении интродукционных пунктов на территории северной части Республики Казахстан. Освещены основные этапы распространения новых видов в озеленитель- ные насаждения района исследования. Представлен ассортимент видов растений, наиболее устойчивых к условиям Северного Казахстана. По результатам наблюдений для внедрения в озеленительные по- садки пригодны 233 вида, формы и сорта интродуцентов древесно-кустарниковых растений. Проведен анализ видового разнообразия интродуцентов на примере г. Щучинска. Посадки города представлены 65 видами, сортами и формами растений, относящихся к 47 родам и 20 семействам. Из всех выявленных видов наибольшая встречаемость была у клена ясенелистного, который является инвазионным видом. В результате проведенного анализа выявлено, что в озеленительных посадках северных городов Казах- стана применяется ограниченное количество видов растений. Plant introduction plays a major role in enriching areas with poor fl oristic composition and increasing the diversity of plants “useful” for humans. The transfer of plants by humans from one region to another began far in the past, continues to the present time, and is due to the desire to create better living conditions. Thus, new plants (if successfully introduced) were used for food purposes, forestry, and landscaping at various time periods. Currently, many introduced plant species have become so familiar in our daily lives that their absence would leave perplexed. The article provides information about the emergence of introduction points in the northern part of the Republic of Kazakhstan. The main stages of the spread of new species in the landscaping areas of the study area are highlighted. The assortment of plant species that are most resistant to the conditions of Northern Kazakhstan is presented. According to the results of observations, 233 species, forms and varieties of introduced tree and shrub plants are suitable for introduction into landscaping plantings. The analysis of the species diversity of introduced species is carried out using the example of Shchuchinsk. The plantations of the city are represented by 65 species, varieties and forms of plants belonging to 47 genera and 20 families. Of all the identifi ed species, the highest occurrence was in the ash-leaved maple, which is an invasive species. As a result of the analysis, it was revealed that a limited number of plant species are used in landscaping plantations of the northern cities of Kazakhstan.

Numbers of plant species on the islands of Aldabra Atoll

1979 ◽  
Vol 286 (1011) ◽  
pp. 247-254 ◽  
Keyword(s):  
Plant Species ◽  
Woody Plants ◽  
Mixed Model ◽  
Common Species ◽  
Small Island ◽  
Island Ecosystems ◽  
Species Numbers ◽  
Island Effect ◽  
Species Area ◽  
Number Of Plant Species

The logarithm of island area accounts for 70 % of the variance in the number of plant species occurring on 100 lagoon islands. Two components of island altitude (altitude of the island rim and the logarithm of the island’s inland altitude) are also of importance, and account for 9 % of the variation in species numbers. A further 13 variables account for only an extra 5 % of the variance in the mixed model. These results resemble the findings of other island studies. In the equation S = K A z , z = 0.345 and falls within the range of expected values. The species-area curve gives little indication of the ‘small island effect’ found for other small islands; this may reflect, among other factors, the richness of the Aldabran flora when compared with those of the small island ecosystems already studied. The curve is also compared with that compiled by Williams (1964) and a discrepancy between the two is discussed. Woody plants are largely responsible for the increase of species numbers with increasing area. Species that are restricted to islands of particular sizes are listed and the characteristics of the frequencies of occurrence of the more common species are summarized.

Bricks in the Making of Race and Place: Excavating a Lieu de Souvenir in New Orleans

2020 ◽  
Vol 70 (1) ◽  
pp. 7-32
Author(s):  
Angel Adams Parham
Keyword(s):  
New Orleans ◽  
Social Relationships ◽  
Cultural Practices ◽  
Building Blocks ◽  
The Past ◽  
Time Periods ◽  
Key Aspects ◽  
The City ◽  
Race And Place

This essay facilitates a multi-dimensional immersion into the life and rhythms of New Orleans, an entrée to the past that equips us to better understand the present and, from there, critically and creatively to envision our possible futures together. We explore the Faubourg Tremé by traversing layers of its lieux de souvenir - places of remembering, a concept inspired by but distinct from Pierre Nora’s lieux de mémoire - across three time periods. Each lieu de souvenir we visit from 1720 to the present will highlight material and symbolic foundations in Tremé that help us to understand key aspects of New Orleans’s past and present. The object that will guide our travel and meditation through each layer is the lowly but highly serviceable brick. At a purely material level, bricks are the literal building blocks of the city. Roads were paved with them and homes and other buildings were constructed with bricks as well. And at a symbolic level, bricks carry multiple rich and complex significations: Who makes them? How does their manufacturing shape the lives of the laborers who create them? Who buys them, and who profits from their sale? Tracing the brick and its uses throughout each lieu de souvenir sheds light on key social relationships, inequalities, and cultural practices that form the foundation of New Orleans’s past and present.

scholarly journals Pollution of urbanized territories by motor transport using the example of the Republic of North Ossetia - Alani

2020 ◽  
Vol 164 ◽  
pp. 07024 ◽  
Author(s):  
Vladislav Zaalishvili ◽  
Aleksandr Kanukov ◽  
Ketevan Korbesova
Keyword(s):  
Combustion Products ◽  
Road Transport ◽  
The Past ◽  
Sources Of Pollution ◽  
Harmful Emissions ◽  
The Republic ◽  
The City ◽  
Health Deterioration ◽  
North Ossetia ◽  
Stationary Sources

According to numerous studies, even with a relatively low level of exposure to adverse environmental factors, risk of health deterioration may occur. Both the amount of harmful emissions and their chemical composition directly affect the level of air pollution. The article considers the issues of environmental pollution of an urbanized area by automobile exhausts. The most polluted city is Vladikavkaz that is the capital of the Republic. There the main stationary sources of pollution are located and the largest number of vehicles is concentrated. The dynamics of increasing the number of vehicles in the city of Vladikavkaz over the past 10 years and a corresponding increase in harmful emissions from combustion products are shown. For the same period of time, the amount of emissions of harmful substances into the atmosphere from stationary sources has been considered in order to compare their contribution to total pollution compared to road transport. Based on the explorations, it is shown that the main source of pollution in terms of emissions in the Republic of North Ossetia-Alania is road transport. The number of vehicles is increasing year after year, amid a decrease in total emissions of pollutants from stationary sources.

scholarly journals Luiz Rau creek and the city of Novo Hamburgo, Rio Grande do Sul

2015 ◽  
Vol 75 (4 suppl 2) ◽  
pp. 10-15
Author(s):  
C. Schemes ◽  
D. Castilhos-Araujo ◽  
M. Lima-Magalhães
Keyword(s):  
Social Interactions ◽  
Local Population ◽  
Rio Grande ◽  
Primary Objective ◽  
Household Waste ◽  
Rio Grande Do Sul ◽  
Daily Lives ◽  
The Past ◽  
Local Residents ◽  
The City

This article presents a reflection on the past and current history, uses, and significance of the Luiz Rau creek to the municipality of Novo Hamburgo, Rio Grande do Sul. Its waters have always been important to the region, quenching the thirst of the local population and their livestock and providing venues for shared social interactions, but also as a destination for municipal industrial and household waste, which has polluted the waters of the creek. Our primary objective is to present and discuss these aspects with the purpose of elucidating the historical importance of this watercourse to the city of Novo Hamburgo. Toward that end, we conducted an exploratory survey to obtain the necessary inputs for such a discussion. We also employed texts from the now-defunct Jornal 5 de Abril and from Jornal NH, the highest-circulating newspaper in the region, to illustrate some situations experienced by the community. We found that municipal waste continues to be dumped into the creek, which has made it rather unloved by the local residents, but it remains firmly present in their daily lives.

Formation and Development Determinants of the City Commemorative Culture

2021 ◽  
Vol 18 (2) ◽  
pp. 127-139
Author(s):  
Olga M. Sokolova
Keyword(s):  
Integrated Approach ◽  
Emotional Impact ◽  
Religious Traditions ◽  
The Past ◽  
Places Of Memory ◽  
The Republic ◽  
Sociocultural Processes ◽  
Different Cultures ◽  
The Impact ◽  
The City

Based on historical-genetic and comparative research methods, the article reveals the determinants of formation and development of the city commemorative culture. This issue is relevant because of the increasing influence of the memory of the past on modern sociocultural processes. The scientific novelty of the article lies in the study of poorly studied issues of the impact of commemorative culture on the development of culture in general; the opportunities of regulating the nature and distribution of memorial forms; the factors determining the formation of the city commemorative culture in the context of the historical and sociocultural dynamics of applicable societies of the civilizations of the past and present. The article uses an integrated approach, which determines the interdisciplinary nature of scientific research, allowing analyzing the aspects of the origin, interpretation of the features of the history and existence of monuments in different cultures. There are provided examples of commemoration practices in the post-Soviet countries, including the Republic of Belarus. The article concludes that the content of commemorative culture is determined primarily by religious traditions and state priorities. The creation of monuments and places of memory is used as an agitation and manipulative resource making an emotional impact; as an ideological tool shaping the perception of history in accordance with the state ideology. Commemorative practices take on special significance during the formation of nations, influencing the subject’s identification with the nation, and the awareness of national solidity. In this case, the monument represents a universal form of embodying and conveying the national idea.

Catalogus

2007 ◽  
Vol 120 (1-2) ◽  
pp. 70-106
Keyword(s):  
Seventeenth Century ◽  
High Standard ◽  
Social Background ◽  
Daily Lives ◽  
The Hague ◽  
The Republic ◽  
Figure Drawings ◽  
To Come ◽  
The Many ◽  
The City

AbstractHerman Jansz Breckerveld was born in Duisburg, Germany, in 1595/1596. He left his birth country for religious and economic reasons, deciding to settle in the Netherlands. There is evidence he was living in The Hague in the year 1622, though there is a strong possibility that he had been in the country for some time before then. It is probable that he learned the trade of glass making from a Master in Arnhem. Whilst living in The Hague Breckerveld befriended David Beck, Master of the French School there. Beck kept a diary of the year 1624 from which much information on the daily lives of himself and his friend Breckerveld can be drawn. Breckerveld was registered as an official glass maker of The Hague St. Luke Guild in 1623. The levels of his success varied, resulting in financial ups and downs. In March of 1624 he took on the role of teaching, taking on a student, most probably his first. In August of the same year he acquired new accommodation, where the first evidence of a workshop can be found. This workshop contained a glass furnace, the first he could claim to be his own. Prior to this he would take his glasses to Delft for them to be baked there. Little is known of commissions which Breckerveld may have received in his period in The Hague. Beck does mention a number of commissions for producing glasses, but these were for family members of Beck, who were among Breckerveld's circle of friends and acquaintances. At the end of 1625 Breckerveld, by this time married, left The Hague for Arnhem with his wife Jenneke Arents. He registered himself in the same year as glass maker and painter at the guild. From this time until his death in 1673 he ran a successful glass workshop with a total of 20 students, including his own son, Josua, who would later take over the running of the workshop just before his father's death. Breckerveld received many commissions from the city of Arnhem, a few from local organisations, and even some from the city of Nijmegen. A total amount of 3,000 guilders in commissions can be traced back from city account records. The majority of these earnings were made from the installation or renovation of clear or painted glass. Many commissions were for so-called 'tribute glasse', which were presented by the city of Arnhem to certain citizens or organisations. Alongside his work as a glass painter, Breckerveld was also active as a calligrapher and painter. Furthermore, he was periodically involved in many other work activities. This kind of versatility was hard to come by in the mid seventeenth century in the province of Zeeland in Holland, and in Utrecht. The artists in these regions, which at the time formed the economic heart of the Republic, had already specialised in their form of choice. The generalist Breckerveld would most probably have found it very difficult to compete with the large number of specialists in the more economically developed regions, who all had developed a very high standard of craftsmanship. Perhaps he was conscious of this and made the decision to move to Arnhem to avoid this competition. No painted glasses by Herman Breckerveld are known. It may be suggested that a glass with a depiction of Christ and the Samaritan Woman can be attributed to him. The only collection of his artistry known to date consists of 20 signed and attributed drawings, six prints, one painting and some calligraphic work. All but four of the drawings were produced in the period 1624-1626. Eight landscapes form, together with a set of signed landscapes dated from 1625, a stylistically unambiguous group. During this period he worked with thick, precisely placed lines, despite using almost no washing. His compositions from this time seem to be rather old fashioned for the period. He seems to have drawn inspiration mainly from artists such as Paulus Bril, Hendrick Goltzius and Jacob de Gheyn II. Furthermore, a group of four figure drawings can be attributed to him. Three drawings from the National Museum of Stockholm and one from the Detroit Institute of Arts were previously attributed to Hendrick Bloemaert and Herman Blockhauwcr, respectively. The drawings were made in the same style as Breckerveld's landscapes and seem to have been inspired by the series of prints 'Handling Weapons' by Jacob de Gheyn. Breckerveld often used prints by other artists as an example from which he worked. He was also inspired in this way by the work of Claes Jansz. Visscher, Hendrick Goltzius and Abraham Blocmart. There are only three signed drawings and one attributed drawing known by Breckerveld from the period post-1626. The style and technique of these differ greatly from the drawings from the period 1624-1626, the most obvious being the change in medium from pcn to brush. It is possible that there are more unsigned drawings from the period post-1626 that have remained intact, however, without material to compare these to one cannot without a doubt attribute these to Breckerveld. A number of attributed drawings made to him in the past arc for this reason not entirely convincing. Little research has been carried out into the work of Herman Breckerveld, as is the case for many seventeenth century artists. This lack of interest is partly due to the limited artistic value of their work. Any research does, however, contain cultural historical value. It provides us with new information on the social background of the non-specialised masters of a smaller level than their great counterparts. Even more so, research into these masters can assist in identifying the artists of the many as yet anonymous drawings from this period.

scholarly journals «Немецкая Казань»: имагологический анализ художественных произведений Гузель Яхиной

2021 ◽  
Vol 16 (2) ◽  
pp. 141-152
Author(s):  
Michael Kuhn
Keyword(s):  
The Novel ◽  
Literary Works ◽  
Language And Culture ◽  
The Past ◽  
The Status ◽  
History Of ◽  
The Republic ◽  
Cultural Code ◽  
Analysis Of The Images ◽  
The City

German Kazan”: Imagological Analysis of Guzel Yakhina’s Literary Works| The capital of the Republic of Tatarstan is a multicultural city. It is a combination of “Russian,” “Tatar” and, not least, “German elements”. The writer Guzel Yakhina has repeatedly addressed this cultural diversity in her literary works. In them a native of Kazan explores the past and present of the city. Excellent knowledge of German language and culture allows her to study in detail the “German trace” in the history of the capital of Tatarstan to determine its status. The article offers a brief imagological analysis of the images of “German Kazan” presented in the novel Zuleikha and the essay Garden on the Border, or the Garden “Russian Switzerland”. The imagological study conducted at the macro-, meso- and micro-levels shows that in Yakhina’s literary works the images of “German Kazan” are equivalent to the images of “Russian Kazan” or “Tatar Kazan.” The “German elements” are firmly rooted inthe texture of the city and have been an integral part of its cultural code for several centuries. At the same time, following the novel and the essay, they do not have the status of an exotic “foreign,” but a familiar “other.” „Niemiecki Kazań”: imagologiczna analiza utworów Guzel Jachiny Stolica Republiki Tatarstanu to miasto wielokulturowe. To połączenie „rosyjskiego”, „tatarskiego” i, co nie mniej ważne, „niemieckiego” pierwiastka. Pisarka Guzel Jachina wielokrotnie odnosiła się do tej różnorodności kulturowej w swoich tekstach literackich. Rdzenny mieszkaniec Kazania odkrywa w nich przeszłość i teraźniejszość miasta. Doskonała znajomość języka i kultury niemieckiej pozwala autorce na szczegółowe zbadanie „niemieckiego śladu” w historii stolicy Tatarstanu w celu określenia jego statusu. Artykuł zawiera krótką analizę imagologiczną obrazów „niemieckiego Kazania”, przedstawionych w powieści Zulejkaotwiera oczy i eseju Ogród na granicy, czyli Ogród „Rosyjska Szwajcaria”. Badania imago-logiczne, przeprowadzone na poziomach makro-, mezo- i mikro-, pokazują, że w dziełach literackich Jachiny obrazy „niemieckiego Kazania” są równoważne obrazom „rosyjskiego Kazania” czy „tatarskiego Kazania”. „Elementy niemieckie” są mocno zakorzenione w strukturze miasta i od kilku stuleci stanowią integralną część jego kodu kulturowego. Jednocześnie, w powieści i eseju, nie mają one statusu egzotycznego Obcego, ale znajomego Innego.

scholarly journals Vilnius archipelago: Performative walks around this performative city

2019 ◽  
Vol 19 ◽  
Author(s):  
Małgorzata Kasner
Keyword(s):  
Political System ◽  
Recent History ◽  
Central European ◽  
European Cities ◽  
The Past ◽  
History Of ◽  
The Republic ◽  
Totalitarian Regimes ◽  
The City ◽  
Cultural Hybrid

Vilnius archipelago: Performative walks around this performative cityThe present study deals with the performative memory of a city, namely modern Vilnius, the capital of the Republic of Lithuania. The difficult past of Vilnius that is shared by other eastern and central European cities and is marked by the bitter legacy of the “city of changed blood” (Pl. “miasto o wymienionej krwi”, a notion introduced by M. Lewicka) has been subjected to a number of changes effected by modernity and dynamic Europeanization at the turn of the twentieth and twenty-first centuries. The confrontation between the past and modernity has resulted in serious social and national problems (e.g. Polish–Lithuanian relations) dating to the early as well as the most recent history of Lithuania and its capital. Having experienced various totalitarian regimes, Vilnius is an interesting example of the redefining of the memory of the space of a city at a time of a changing political system; it is also an example of the establishing of a hierarchy of new values and symbols. Vilnius is also a cultural hybrid resulting from long-lasting transgressions. However, a comprehensive account of its history still remains utopian. Drawing on the #skaitomevilniu (‘We read Vilnius’) project that was carried out in Vilnius in 2016–2017 and which adopted a performative perspective, the author of the present study attempts to describe a city that is constantly becoming. Archipelag Wilno. O performatywnym chodzeniu po performatywnym mieścieNiniejszy artykuł został poświęcony problematyce performatywnej pamięci miasta na przykładzie współczesnego Wilna, stolicy Republiki Litewskiej. Skomplikowana, choć tak charakterystyczna dla miast Europy Środkowo-Wschodniej, przeszłość Wilna, naznaczona bolesnym dziedzictwem „miasta o wymienionej krwi” (pojęcie M. Lewickiej), zderzyła się na przełomie XX i XXI wieku z pełną zmian nowoczesnością i pośpieszną europeizacją. Ta konfrontacja stała się źródłem poważnych problemów społecznych i narodowych (w tym relacji polsko-litewskich), których korzenie sięgają zarówno najodleglejszych, jak i nowszych dziejów Litwy i jej stolicy. Wilno jako miasto silnie nacechowane doświadczeniem totalitaryzmów jest ciekawym przykładem ilustrującym proces redefiniowania pamięci przestrzeni miasta w okresie transformacji ustrojowej oraz ustanawiania nowej hierarchii wartości i symboli. Jest także kulturową hybrydą będącą efektem wielowiekowych transgresji, której całościowy opis pozostaje ciągle badawczą utopią. Autorka artykułu podejmuje próbę opisu miasta, które „ciągle się staje”, na przykładzie realizowanego w Wilnie w latach 2016–2017 projektu #skaitomevilniu (pol. Czytamy Wilno) z zastosowaniem perspektywy performatywnej.

scholarly journals Tashkent by the Interpretation of Russian Researchers

2020 ◽  
Vol 7 (10) ◽  
pp. 409
Author(s):  
Ergashev Bahtiyar Ergashevich ◽  
Amirkulov Zhasur Bahtiyorovich ◽  
Mamatkulova Farangiz Orzukulovna ◽  
Asatullaev Mirzhalolhon Isahonovich
Keyword(s):  
Stages Of Change ◽  
Economic Life ◽  
Central State ◽  
The Past ◽  
The Social ◽  
History Of ◽  
The Subject ◽  
The Republic ◽  
The City ◽  
Official Records

The article is devoted to the history of Turkestan in the second half of XIX – beginning of XX centuries. The main object of research is the book by A.I.Dobrosmyslov "Tashkent in the past and present" which was published in 1912. The subject is the study of historical facts stated in the book. The article provides a historical retrospective of the history of Tashkent in the early XX century. The author of the book, being a veteran by profession on the instructions of the administration of the Turkestan General-Governorate, collected a wealth of material on the history of Tashkent. The book, which consists of 15 chapters, covers questions on the history of the city before the conquest, historical facts related to the conquest and the subsequent stages of change and formation of the social and economic life of Tashkent. The authors in the article explore the issues of irrigation in the context of improvement of water supply to the city. The biography of A.I.Dobromyslov is studied separately from the source side. The authors widely used the materials of the Central State Archive of the Republic of Uzbekistan to reveal this problem. They mainly use the official records of the Turkestan General-Governorate Office.

GEOBOTANICAL SURVEY OF PASTURES OF THE ALTSYNKHUTINSKY RMU OF KETCHENEROVSKY DISTRICT OF THE REPUBLIC OF KALMYKIA

2020 ◽  
Author(s):  
Olga Bembeeva ◽  
Keyword(s):  
Plant Species ◽  
Life Forms ◽  
Composition Analysis ◽  
Northwestern Part ◽  
Time Intervals ◽  
Pasture Load ◽  
Different Types ◽  
Minimum Number ◽  
The Republic ◽  
Number Of Plant Species

The article presents the results of a geobotanical survey of the territory of one of the typical rural municipalities in the northwestern part of the Caspian region. The species composition, analysis of life forms, the ratio of ruderal and stern plant species noted in the herbage have been studied. The total number of plant species in the communities, their maximum and minimum number in different periods of the growing season are noted. The productivity of pasture phytocenoses in different types of soils and in different time intervals has been studied. A comparative analysis of the permissible pasture load with the normative one in the spring and autumn periods of research is presented.

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