Features of increasing interest in tradition in modern societies and compensation theory

2020 ◽  
Vol 70 (2) ◽  
pp. 119-124
Author(s):  
D.Zh. Zhanguzhekova ◽  
Keyword(s):  
Social Reality ◽  
Modern Society ◽  
Behavior Patterns ◽  
Compensation Theory ◽  
The Times ◽  
Objective Existence

The phenomenon of «tradition» in the realities of modern society requires an important rethinking and differentiation between its objective existence as a certain component of social reality, as well as tradition as a fact of consciousness of society, as an ideologeme. In science, «tradition» is interpreted not as an unchanging and frozen pattern, but as a constantly transforming, reconstructed and, paradoxically, sometimes trying to keep up with the times phenomenon. What is important, reconstruction can take place spontaneously, and therefore subjects, as a rule, recreate such behavior patterns that were learned in the process of socialization.

scholarly journals Designing Wayang Kulit Purwa with Gatotkaca as the Character in Game

2021 ◽  
Vol 2 (1) ◽  
Author(s):  
Nunnun Bonafix
Keyword(s):  
Digital Media ◽  
Rapid Development ◽  
Modern Society ◽  
Young Generation ◽  
Experience Design ◽  
Solid Foundation ◽  
The Times ◽  
Wayang Kulit ◽  
The Impact ◽  
Modern Era

Young generation nowadays has lack of knowledge on the culture of shadow puppet (wayang kulit) which is a heritage that has a high value of art and philosophy. This is caused by the impact of foreign cultures rapidly entering Indonesia. The rapid development of the information technology through internet & game has led to globalization that seems to be not limited to space and time. The speed of information and foreign cultures cannot be stopped. The culture of shadow puppet (wayang kulit) is getting eroded and is not much known by the modern society nowadays. This is an irony to a big nation which has a rich heritage, so it is our obligation as a citizen to maintain and preserve it. Based on the formulae of AIGA 2015 that defines (time + content + context) / time = experience design, the game of wayang kulit (shadow puppet) Gatotkaca put forbattled different experience to users in exploring the information and entertainment in those media. Having the spirit of moderate Postmodernism, the design plan called User Interface which combines the modern and classic traditional elements will encourage new experience to the users (Experience Design). The design recognizes times and trends, and it keeps changing as the development of the times. The design can be a pace setter to next individuals who are called to maintain and preserve national cultures, in general, and wayang kulit purwa, in particular, through digital media. The development in the modern era will not change the identity of shadow puppet (wayang kulit) culture since it has solid foundation.

scholarly journals Implementasi Pelayanan Konseling Holistik Terintegrasi Aspek Teologi, Psikologi dan Skill Konseling

2020 ◽  
Vol 9 (2) ◽  
pp. 17-32
Author(s):  
Joko Santoso
Keyword(s):  
Human Life ◽  
Modern Society ◽  
Guidance Services ◽  
The Times ◽  
Flow Of Information

Services in the Field of Counseling to the community in the current era of mileniel, become a vital need in providing answers to the handling and resolution of multi-dimensional conflicts that occur amid modern society. The complexity of the problems of human life has reached a peak in all aspects and joints of life. Moreover, there are changes that occur in all fields of science that are growing rapidly along with the development of the era and the flow of information. Therefore the need for counseling guidance services to the community increasingly demands a better, comprehensive, integrated handler to meet and respond to the needs of the times.

scholarly journals The Idea of Tragedy in Arthur Miller’s The Crucible and A View from the Bridge

2018 ◽  
Vol 8 (2) ◽  
pp. 115
Author(s):  
Hanyue Li
Keyword(s):  
Twentieth Century ◽  
Greek Tragedy ◽  
Modern Society ◽  
Arthur Miller ◽  
The Times ◽  
Twentieth Century America ◽  
Death Of A Salesman

Arthur Miller is acknowledged as a heavyweight in portraying ordinary life’s tragedy in twentieth-century America. He believes that tragedy is no longer confined to the kingly man placed aloofness from others; he denies rigid definitions of traditional Greek tragedy and enriches them to keep abreast of the times in modern society. Most Miller scholars, unfortunately, are still preoccupying themselves with Death of a Salesman. Available criticism of these two plays is scant and not extensive. This paper studies both the ostensible structures of standardized Greek tragedy and the hidden ideas of modern tragedy as they are intertwiningly applied to the two texts to see how Miller expresses his idea of modern tragedy behind the shield of Greek tragedy and how it gives a new lease on the life of antiquated classical tragedy in modern society.

Numeracy or Enumeration?

2002 ◽  
Vol 26 (4) ◽  
pp. 653-698 ◽  
Author(s):  
Rebecca Jean Emigh
Keyword(s):  
Social Science ◽  
Quantitative Methods ◽  
Social Reality ◽  
Modern Society ◽  
Modern Life ◽  
Science Disciplines

Quantification is often taken to be a hallmark of modern society and science. This is perhaps no where more obvious than in social science disciplines, marked by often heated debates about whether quantitative methods illuminate or obscure social reality. Quantification itself depends upon numeracy, that is, the ability to count, keep records of these counts, and make rational calculations. Thus, numeracy, like its more frequently studied counterpart, literacy, is central to modern life, both inside and outside of academia.

scholarly journals The role of media in the construction of social reality

2017 ◽  
Vol 4 (7) ◽  
Author(s):  
Vanja Nišić ◽  
Divna Plavšić
Keyword(s):  
Daily Life ◽  
Social Reality ◽  
Modern Society ◽  
The State ◽  
The Social ◽  
Media Construction ◽  
Rapid Spread ◽  
The Media ◽  
The Impact

Th is paper analyzes the concept of media construction of reality and its impacton society. Recognizing the growing infl uence and importance of themedia in a man’s daily life, it can be said that the media and media cultureitself are an important factor in modern society. Th e media have the abilityto place information and to provide to the citizens-consumers to accept themwithout critical and conscious interpretation and real understanding. An importantfactor in the development of the media is and technological advancesthat contributed to the rapid spread of the media and gave more power to thepresentation of reality and the state of society as it corresponds to the creatorsand the “constructors” of that reality. By understanding Baudrillard and hisunderstanding of the simulation, we will present the impact and role of themedia in constructing the social reality (simulation of reality).

scholarly journals ESBOÇO CRÍTICO DA PRODUÇÃO ARTÍSTICA COMO REALIDADE SOCIAL: CONVERGÊNCIAS E DIVERGÊNCIAS ENTRE PIERRE BOURDIEU E GILLES LIPOVETSKY E JEAN SERROY

2018 ◽  
Vol 7 (2) ◽  
pp. 52
Author(s):  
Antônio Micael Pontes da Silva ◽  
Elcimar Simão Martins ◽  
Antônio Ailton de Sousa Lima
Keyword(s):  
Pierre Bourdieu ◽  
Social Reality ◽  
Modern Society ◽  
Review Of Literature ◽  
Artistic Production ◽  
Goods Market ◽  
The Aesthetic ◽  
Poetic Value ◽  
Consumption Strategies ◽  
And Diffusion

Este artigo é um convite crítico e reflexivo sobre a produção artística como realidade social a partir das obras de Pierre Bourdieu em A Economia das Trocas Simbólicas (2005) e Gilles Lipovetsky e Jean Serroy em A Estetização do Mundo (2015). A metodologia apresentada é de revisão de literatura pautada numa análise hermenêutica problematizadora das obras citadas, destacamos em Bourdieu: a) o campo das instâncias de consagração e difusão da arte e b) o mercado de bens simbólicos como sistema de produção, consumo e mercantilização da arte. E em Lipovetsky e Serroy: a compreensão da arte sobre a lógica de uma economia mercantil que é um processo de artealização capitalista da economia e de estetização da vida cotidiana, resultando num capitalismo transestético. Concluímos que as transformações acerca da estrutura do campo de produção artística como realidade social estão inteiramente ligadas aos interesses do mercado, sempre adotando novas estratégias de consumo sobre quem/como deve consumir e produzir; e de definições sobre o que é arte perante as dinâmicas capitalísticas da sociedade moderna. Todo o valor estético e poético da arte é dilacerado e transfigurado em produto que deve tão somente seduzir e vender gostos, desejos, emoções, sensações e sonhos. CRITICAL OUTLINE OF ARTISTIC PRODUCTION AS A SOCIAL REALITY: CONVERGENCES AND DIVERGENCES BETWEEN PIERRE BOURDIEU AND GILLES LIPOVETSKY AND JEAN SERROY ABSTRACT This article is a critical and reflexive invitation on artistic production as a social reality from the works of Pierre Bourdieu in The Economics of Symbolic Exchanges (2005) and Gilles Lipovetsky and Jean Serroy in The Estetization of the World (2015). The methodology presented is a review of literature based on a problematic hermeneutical analysis of the works cited, we highlight in Bourdieu: a) the field of the consecration and diffusion of art and b) the symbolic goods market as a system of production, consumption and commodification of art. And in Lipovetsky and Serroy: the understanding of art on the logic of a mercantile economy, which is a process of capitalist artalization of economy and aestheticization of everyday life, resulting in a transaesthetic capitalism. We conclude that the transformations about the structure of the field of artistic production as a social reality are entirely linked to the interests of the market, always adopting new consumption strategies on who / how to consume and produce; and of definitions about what is art before the capitalistic dynamics of modern society. All the aesthetic and poetic value of art is torn and transfigured into a product that must only seduce and sell tastes, desires, emotions, sensations and dreams.

scholarly journals TEACHER EDUCATION STUDENTS' SELF-ASSESSMENT OF COMPETENCE FOR COOPERATION WITH PARENTS

2021 ◽  
Vol 1 ◽  
pp. 105-118
Author(s):  
Marina Đuranović ◽  
Siniša Opić ◽  
Irena Klasnić
Keyword(s):  
Teacher Education ◽  
Modern Society ◽  
Education Students ◽  
Self Assessment ◽  
Assessment Of Competence ◽  
The Times ◽  
The University ◽  
Composite Variables ◽  
Teacher Education Students ◽  
Insight Into

To be a teacher in the times of today is a great challenge. In order to respond to the needs of modern society, lifelong learning and mastery of numerous competences are expected of the teacher in various fields of work, wherein cooperation with parents is one of the extremely important areas. The goal of the research was to gain insight into self-assessment of competence of students at the Faculty of Teachers Education for future cooperation with parents. The research was implemented during October, 2020, on the sample of 416 students in their first, third and fifth year at the Faculty of Teacher Education of the University of Zagreb (Croatia). It is a futurological research for whose needs a questionnaire was designed with 26 manifest variables on an ordinal, five-degree Likert-type scale. From the manifest set of variables of competence for future cooperation with parents, three composite variables were formed: general cooperation competence, competence for cooperation directed to teaching efficacy, and competence for cooperation directed to communication with parents. The results show that the total student self-assessment of competences for future cooperation with parents is relatively positive, and the existence of statistically significant differences in all three composite variables. Faculties educating future teachers should introduce obligatory courses which would sensitise and capacitate them for future cooperation with parents.

scholarly journals Protecting Traditions with Modernization: Community Empowerment in Rejowinangun through the Village of Traditional Herbal Medicine Destination

2020 ◽  
Vol 4 (2) ◽  
pp. 463-484
Author(s):  
Sriharini Sriharini ◽  
Shofwah Syafira
Keyword(s):  
Herbal Medicine ◽  
Community Development ◽  
Economic Value ◽  
Modern Society ◽  
Phenomenological Approach ◽  
Community Empowerment ◽  
Traditional Herbal Medicine ◽  
Tourist Village ◽  
The Times ◽  
The Village

This article aims to provide another perspective on the concept of community empowerment by utilizing local potential with cultural value combined with a tourism-based empowerment pattern. Herbal medicine as a hereditary heritage in Rejowinangun village is optimized for marketing in the concept of a tourist village, thereby increasing its economic value in a modern society. To achieve this goal, this study uses a qualitative method with a phenomenological approach to capture the context of changes experienced by the community to see the significance of the empowerment model. The results of this study indicate that the process of developing the production of herbal medicine as a processed product of herbal plants is produced through the use of land owned by the community. The expertise of the Rejowinangun village community in concocting traditional herbal medicine is produced from hereditary inheritance. As a form of re-actualization in the marketing system, modern methods were introduced, from the concept of a tourist village to marketing herbal medicine in the form of instant packaging. Modernization steps in all aspects as part of empowerment have an impact on increasing the economic value of these products, so that they have an impact on improving the community in the economic, social, cultural, environmental and health fields. The integration between the concept of cultural preservation and modern management in community development that takes place in the village of Rejowinangun has proven to be effective and efficient, so that this method can be a new alternative in group-based community development that still preserves local traditions and keeps up with the times. 

scholarly journals Art History in the Context of Other Sciences: Challenges of Modernity

2019 ◽  
Vol 16 (4) ◽  
pp. 418-433
Author(s):  
Grigoriy R. Konson
Keyword(s):  
Art History ◽  
Modern Society ◽  
Program Committee ◽  
Modern World ◽  
Policy Document ◽  
World University Rankings ◽  
Russian State ◽  
Science And Education ◽  
The Times ◽  
State Library

The interview reveals modern art history’s main trends identified within the framework of the conference “Art History in the Context of Other Sciences in the Modern World. Parallels and Interactions”. The Russian State Library and the scienti­fic journal “Observatory of Culture” were partners in organizing the conference in 2019. The method of aca­demic interviewing used in this publication provides an opportunity to reveal the personal vision of the conference project’s author and co-chairman of the Organizing Committee, chairman of the Program Committee, head of the Department of Humanities and Social Sciences of the Institute of Contemporary Art, chief researcher of the GITR Film & Television School, expert of the Times Higher Education World University Rankings, member of the Russian Expert Council (ASEP/Scopus), D.Sc. (Art History), professor Grigoriy R. Konson. In fact, the interview is a quintessence of the author’s policy document on the development of culture, science and education in modern society.The academic forum was a socially significant event of international scale, characterized by the latest scientific and educational trends in Russia and fo­reign countries, as well as by art studies integration into the context of interdisciplinary research loca­ted at the intersection of art history, philology, linguistics, philosophy, cultural studies and psychology. As a result, there are prospects for reaching the level of cross-sectoral conceptualization of research ge­neralizations. The interview reveals the topical issues of science functioning in the modern internatio­nal society. There is concluded that the scientific integration characteri­zing the conference “Art History in the Context of Other Sciences in the Modern World. Parallels and Interactions” is a progressive method in understanding the essence of art, permeated by multi-vector trends in the global humanita­rian process. Therefore, the joint efforts of scientists here contribute to the development of an antidote to destructive trends in the socio-cultu­ral life of mo­dern society.

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