scholarly journals THE IMAGE OF A WOMAN IN ZH.NAZHIMEDENOV'S STORY «АЗАМАТ АУЫЛЫ» AND «ӘЙЕЛДЕР»

2020 ◽  
Vol 74 (4) ◽  
pp. 230-236
Author(s):  
R. Zhetibay ◽  

This article analyzes in detail the stories of Zhumeken Nazhimedenov "Azamat auyly" and"Ayelder". The author analyzes the stories from the point of view of the author's concept, from the point of view of the artistic structure. The article analyzes the image of a" woman " created by artistic means. The article also examines the manifestations of elements of modernism in the modern literary process. The article contains links to the 6th volume of Zhumken Nazhimedenov's works and to the works of K. Zhanuzakova " introduction to literary studies» The significance of the article lies in the analysis of the artistic structure of Zhumeken's stories, which were not analyzed in the prose of past eras. We identified ways to create a female image by comparing the advantages and disadvantages of the history of that period. Everyone knows that W. Nazhimedenov built a virgin land in poetry, and his prose works moved away from the literary arena. From this point of view, in our article we have made every effort to show the power of the author in a prose work and emphasize the skill in creating a female image. At the end of the article, we showed the unity of the image of the lyrical hero and the hero in prose, the specifics of the author's method of description, and the originality of language use.

2014 ◽  
Vol 2 (3) ◽  
Author(s):  
Redacción CEIICH

<p class="p1">The third number of <span class="s1"><strong>INTER</strong></span><span class="s2"><strong>disciplina </strong></span>underscores this generic reference of <em>Bodies </em>as an approach to a key issue in the understanding of social reality from a humanistic perspective, and to understand, from the social point of view, the contributions of the research in philosophy of the body, cultural history of the anatomy, as well as the approximations queer, feminist theories and the psychoanalytical, and literary studies.</p>


2021 ◽  
Vol 6 (2) ◽  
pp. 74-82
Author(s):  
Anastasia Valerievna Sebeleva

This article proceeds from the fact that the problem of interaction and mutual influence is quite acute in literary studies. In this regard, the relevance of the research is due, firstly, to the correspondence to the priority direction of modern literary studies associated with the comparative analysis of the text, and secondly, to the need to disclose the deep theoretical and artistic content of creative communication of such artistic personalities of the XX century as M. Tsvetaeva and B. Pasternak, whose legacy still contains many lacunae. The methodological basis of the research is an integrated approach, including comparative-historical, historical-literary, comparative-typological, system-analytical and biographical methods, as well as the method of comparative studies, which allows to study literary analogies and connections of different national literatures, their refraction in the texts of the authors studied. Hermeneutics contributed to the mental comprehension of the analyzed texts, the mental processing of textual information. An important episode in the history of world poetry was the correspondence-dialogue of iconic poets for their time: M. Tsvetaeva and B. Pasternak. Correspondence is valuable not only because it shows us the life of poets in relation to time. The creative aspect of correspondence is very important. The rapprochement manifested in it and at the same time the repulsion was deeply creative and left deep traces in the legacy of all its participants. Poets, albeit to varying degrees, concentrated and passionately, sought to define for themselves the essence of life and poetry. In the course of the research, the author of the article comes to the conclusion that, firstly, the literary process is characterized by a systematic nature in which authors and their works are in certain relationships to each other. Secondly, the thirteen-year correspondence of M. Tsvetaeva with B. Pasternak was very significant for literature. Thanks to mutual communication, creative interaction, the poets created unique, emotionally deep works.


2020 ◽  
Vol 5 (4) ◽  
pp. 518-527
Author(s):  
Tamara V. Kudryavtseva ◽  
Alla A. Strelnikova

E.A. Zachevsky’s book is the first study about the Western German author Wolfgang Koeppen (1906–1996). For the first time in the national and international literary studies, the monograph offers a detailed survey of the writer’s life and work as well as defines his place and role in the 20th century German literature. The author analyzes philosophic views as well as the properties of his fictional world and highlights the key moments of his peculiar poetic manner. The book touches upon the main issues of the German literary process and integrates Koeppen’s work into this process which allows us to read the volume as a mini-history of 20th century German literature.


2021 ◽  
Vol 75 (1) ◽  
pp. 223-229
Author(s):  
R. Zhetibay ◽  

This article analyzes in detail the story of Zhumeken Nazhimedenov “Көне жұрт”. The analysis of the story is carried out from the point of view of the author's concept, from the point of view of the artistic structure. In artistic details-inappropriate use. The path and shape type are determined. A psychoanalyst is created for the main character. We also analyzed the manifestations of psychoanalysis in the modern literary process. It is analyzed from a meaningful and formal point of view, and an overview of the artistic world is given. Weak points of plot connections are shown. On the basis of Sigmund Freud's philosophical platform "vision of color", a psychoanalyst of the hero is created. The significance of the article lies in the analysis of the artistic structure of Zhumeken's stories, which were not analyzed in the prose of past eras. Defining ways to create the main character, comparing the advantages and disadvantages of stories from that period. To reveal the essence of the aesthetics of helplessness through a thorough analysis of the state of the soul and mind, the hero's exit from the psychological category into a duel of consciousness with paradoxical events. In a social phenomenon, an action that carries consciousness is a demonstration that the brutal treatment of the hero, who was left in the captivity of powerlessness, led the main character to the aesthetics of helplessness.


BUILDER ◽  
2019 ◽  
Vol 261 (4) ◽  
pp. 76-77
Author(s):  
Katarzyna Bednarz

The technology of erecting war shelters has been evolving over the centuries alongside the development of technology and buildingoriented requirements. Many papers have been published on this subject in recent times. The ruins of the Wolf’s Lair war fortress prompted the authors to write this work with a slightly different emphasis than the previous papers. In addition to a brief history of the objects, the work presents the design guidelines used in their construction and describes the construction solutions applied. In addition, where appropriate, the advantages and disadvantages of these construction solutions from an engineering point of view are highlighted. Keywords: concrete building , war shelter, Wolf’s Lair


2018 ◽  
pp. 21-75
Author(s):  
Danuta Ulicka

The author attempts to reconstruct a short history of modern Polish literary studies not from the perspective of schools or methodological orientations that are usually applied, but from the perspective of what is known in sociology as cultural themes. This point of view offers the opportunity to (re)construct the process of continuity /discontinuity in the whole field of research focused on the problem of reference, which has been recognized as the most important one in Polish studies (as well as in Polish literature, and art) since its beginning in the first decade of the 20th century. In the broader scope the article attempts to rearticulate the definition of the discipline conventionally called “the theory of literature”, and to propose a new way of writing its history.


2021 ◽  
Vol 1 (6) ◽  
pp. 127-133
Author(s):  
Olga V. Bystrova ◽  

The article explores the boundaries of the term “literary chronicle”. The scientific community is beginning to take a more detailed interest in such a concept as a literary institution. Throughout the twentieth century, literary studies studied and described only individual periods in the history of literature. This development of individual periods of the century helped to create the necessary theoretical tools for analytical work on the study of the socio-cultural process in society. For many years, the very attempt to understand the literary process as a phenomenon encountered terminological blurring. The accumulated knowledge of historical literary studies allows us to raise as a problem of scientific research a chronicle description of the life of a literary organization, which is understood as a structural association of creative people (on the example of individual facts of the existence of All-Russian Association of Proletarian Writers). It is the socio-institutional description of the life of the literary community of Russia in the 1920s that allows us to feel the communicative space of the country in which cultural processes take place. Another important aspect in the study of the chronicle of a literary institution is its existence in everyday life, that is, its existence in everyday life. With the frequency of meetings of members of the structural association. In this case, the scattered facts of everyday life become a historical stream of events.


2013 ◽  
Vol 37 (3) ◽  
pp. 515-533 ◽  
Author(s):  
Olga Fischer

This paper assumes that in order to explain rather than describe language change, historical linguists should not only consider what happens diachronically at the language output level but also, crucially, what speaker-listeners do at the processing level. The reason for this is that the structure of the language is shaped by the properties of the neurolinguistic mechanism underlying both language use and language learning. It will be argued that analogy as an important principle in grammar formation is the main mechanism in grammaticalization and in change in general when looked at from a processing point of view. The paper discusses the workings of analogy in a number of cases in the history of English which have traditionally been interpreted as unidirectional cases of grammaticalization . It will be shown instead that multiple source constructions were involved, which influenced one another and thus gave direction to the change.


Author(s):  
Екатерина Валентиновна Александрова

Введение. Представлен ранее практически не исследованный материал исторических очерков Е. П. Ковалевского, посвященных событиям Дунайской кампании. Цель – изучить жанровое своеобразие очерков Ковалевского с точки зрения их содержания (осмысления событий), формы (проблема повествователя) и определить их роли в литературном процессе 1850-х гг. Материал и методы. В центре исследовательского внимания – «Три главы из политической и военной истории 1853, 1854 и 1855 годов», написанные непосредственным участником событий и одновременно представителем официальных кругов. Материалы, опубликованные в «Отечественных записках» в 1856 г., рассматриваются в сопоставлении с изданным только в 1868 г. (по политическим соображениям) произведением «Война с Турцией и разрыв с западными державами в 1853 и 1854 годах». В работе использованы сравнительно-сопоставительный и культурно-исторический методы. Результаты и обсуждение. Очерки Ковалевского представляют собой важный факт одного из первых осмыслений событий Дунайской кампании на фоне замалчивания официальными кругами политических причин начала Крымской войны. Двойственная позиция автора-повествователя и специфика содержания определили своеобразие жанровой формы – синтез документального изложения с элементами очерка и рассказа. Заложенная в «Трех главах…» этическая проблематика (проблема героя, патриотизма) и их поэтика (описание природы, роль повествователя) расширяют горизонты творческих поисков автора и дают толчок в осмыслении, подаче нового материала (форма и содержание) современникам. Заключение. Выявлены типологические свойства исторического очерка в творчестве Ковалевского и его художественные особенности. Исследование очеркового жанра на примере «военных рассказов» Ковалевского дает возможность выстроить линию творческой преемственности в русской литературе (Толстой и Достоевский). Работа будет полезна ученым историко-филологического профиля: с точки зрения генезиса, синтетической природы очеркового жанра (идея патриотизма неразрывно связана с позицией автора и ролью повествователя) и литературно-фактографического контекста событий Крымской кампании. Introduction. The material of historical essays by E. P. Kovalevsky, devoted to the events of the Danube campaign, which was practically not studied before, is presented in the work. The aim of the work is to study the genre content of Kovalevsky’s essays and determine their role in the literary process of the 1850s. Material and methods. The research focuses on the work “Three chapters from the political and military history of 1853, 1854 and 1855”, written by a direct participant of the events and at the same time a representative of official circles. Published in “Otechestvennye Zapiski” in 1856, it is considered in comparison with the work “The War with Turkey and the severance with the Western powers in 1853 and 1854” which was published for political reasons only in 1866. The research uses comparative and cultural-historical methods. Results and discussion. The research shows that Kovalevsky’s essays are the first artistic interpretation of the Danube campaign events against the background of official circles’ silence on the political reasons for the beginning of the Crimean war. The originality of the author’s creative manner is shown in the synthesis of a documentary narrative with elements of essay and story. The problems of essays (the problem of the hero, patriotism) and their poetics (the description of nature, the role of the narrator) expand the horizons of the author’s creative search and give an impetus to understanding and presenting new material (form and content) to contemporaries. Conclusion. Typological features of the historical essay and its artistic features in the work of Kovalevsky are revealed. The study of the essay genre on the example of Kovalevsky’s “war stories” makes it possible to build a line of creative continuity in Russian literature (Tolstoy and Dostoevsky). This work will be useful for scientists of historical and philological profile: from the point of view of genesis, the synthetic nature of the essay genre and the literary and factual context of the events of the Crimean campaign.


Author(s):  
Adriana HENTS

The article explores the theoretical and practical principles of Ukrainian literature histories in the context of pan-European historiographical traditions. The study's subject is histories of literature, which are an integral part of Western scientific thought and hold an important place in the history of national and European university literary studies of the nineteenth century are outlined, the histories of education. The stages of the development of the literary history of the world Ukrainian literature are analyzed and systematized in typological comparisons characteristics, criteria for selecting texts, author's interpretations, with European concepts. The difference between the historiographical studies of literature and the textbooks, which is primarily reflected in formal conceptual approaches, and methodological base, is revealed. The basis of and interdependence. The genealogical and genre features of Ukrainian literary historiographical studies is the identification of the intrinsic connection between literary history, philosophy, and history, the study of their interdependence studies are considered. The author pays attention to the methodological planes realities. The advantages and disadvantages of literary histories, reviews, and and vectors of the study of historiographical discourse. The article describes the main achievements of historians of the literature of the 19th century, comprehensively defines the methodology of creating an integrated and scientific evidence corpus of Ukrainian literature history in contemporary of university literary education and the creation of a pan-European cultural holistic syntheses of Ya. Holovatskyi, P. Kulish, M. Petrov, M. Dashkevych, I. Franko are analyzed not only in the paradigm of Ukrainian literary historiography but also in the process of integration of Ukraine into the worldeducational space. The historiography has great importance in the development discourse. Keywords: history of literature, historiography, history of ideas, textbooks, methodology of literary studies, university education.


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