scholarly journals Image of Chisinau and its evolution in touristic albums and guides (1964–2008)

2021 ◽  
Vol 29 ◽  
pp. 67-71
Author(s):  
Nina Ivanova ◽  

The city image presents an important part of urban research, because representations about the city basically underlie urban identities and are connected with its symbolic capital and attractiveness for the residents. Our earlier research of urban identity in Chisinau included images of the city it was based on and showed their inconsistency. Considering that images represent cognitive and emotional matrixes of the historic period of their formation, congruent with the existing social construct, it is important to trace dynamics of formation and contents of the Chisinau images, which are being formed as the public/brand ones in the touristic albums and guides of the Soviet period, as well as in the years of independence of the Republic of Moldova. For this purpose, we selected several sources from the both periods and carried out their comparison according to the identified categories. The results of the analysis proved the existing correlation between the city image from the albums and the main notional trends of the time of their creation. We can trace evolution of creation of the “new” city concept in the Soviet period and flourishing of this idea in 1980s. During the independence period the city image reflects some obvious ideas of identity search, revision of history, a European city, revival of traditional culture as one of the key components of national identity, which will define the appearance of the city as well. It is challenging to continue the research on additional sources from the last 5–10 years.

2021 ◽  
Author(s):  
Nina Ivanova ◽  

This paper examines the case of Chisinau urban milieu in the context of the ongoing process of transition. The capital city of the Republic of Moldova represents the reflection of society as a whole, being not just a political, cultural and economic center of the country, but a migration hub for the rest of the Moldovan population as well. As a post-Soviet and East-European city, it combines features of both modernization and degradation, generating such phenomena as ruralisation, gated communities in the center of the city, semi-public spaces, chaotic parking, lack of city planning, lack of heterogeneity of the urban space, etc. The urban milieu of Chisinau represents a complicated formation of coexisting social strata with different cultures, memories, aesthetics and urban identities, which can be sometimes conflicting. More uniform representations about the city need the actualization of its symbolic capital, as well as the creation and maintenance of a brand, which should unite core features of different urban identities.


Author(s):  
Yuliya Kuzovenkova ◽  

The last two decades have been a time of serious transformation of youth subcultures. Researchers speak about the formation of the postmodernism paradigm of subculture and the virtualisation of sociocultural phenomena. The subcultural subject and the power that formed it continue to exist in the new realities, but are undergoing a transformation. Changes having occured to the public sphere were especially significant for a subcultural entity since it is the public sphere where a subcultural entity can present itself to authorities, thereby maintaining its social subsistence. Our research was aimed at studying how the transformation of the public sphere has affected the entity’s subculture. For the study, the authors employed the method of a qualitative half-structurated interview and draw on the disciplinary authority concept suggested by M. Foucault. The analysis was based on materials of interviewing some representatives of the graffiti subculture in the city of Samara (twenty-two people) from 2016 to 2018. The author has established that the subcultural subject is processual and dependent on the practices in use; a change in practices leads to a change in the subject. Changes of practices in the graffiti subculture were a result of the virtualisation of culture. The author has identified the changes that have taken place in the subcultural subject under the influence of the transformation of the public sphere (the ‘short time’ of instantaneous fame prevails over the ‘long time’ of the symbolic capital of the nickname, new space-time coordinates within which the entity exists, the ‘digital body’ of the subcultural entity becomes ever more informative rather than that which was created via sketches placed in urban space). Unlike the public sphere, the private sphere under the influence of a subculture ideology remains unchanged.


Author(s):  
M.S. Parvathi ◽  

Burton Pike (1981) terms the cityscapes represented in literature as word-cities whose depiction captures the spatial significance evoked by the city-image and simultaneously, articulates the social psychology of its inhabitants (pp. 243). This intertwining of the social and the spatial animates the concept of spatiality, which informs the positionality of urban subjects, (be it the verticality of the city or the horizonality of the landscape) and determines their standpoint (Keith and Pile, 1993). The spatial politics underlying cityscapes, thus, determine the modes of social production of sexed corporeality. In turn, the body as a cultural product modifies and reinscribes the urban landscape according to its changing demographic needs. The dialectic relationship between the city and the bodies embedded in them orient familial, social, and sexual relations and inform the discursive practices underlying the division of urban spaces into public and private domains. The geographical and social positioning of the bodies within the paradigm of the public/private binary regulates the process of individuation of the bodies into subjects. The distinction between the public and the private is deeply rooted in spatial practices that isolate a private sphere of domestic, embodied activity from the putatively disembodied political, public sphere. Historically, women have been treated as private and embodied and the politics of the demarcated spaces are employed to control and limit women’s mobility. This gendered politics underlying the situating practices apropos public and private spaces inform the representations of space in literary texts. Manu Joseph’s novels, Serious Men (2010) and The Illicit Happiness of Other People (2012), are situated in the word-cities of Mumbai and Chennai respectively whose urban spaces are structured by such spatial practices underlying the politics of location. The paper attempts to problematize the nature of gendered spatializations informing the location of characters in Serious Men and The Illicit Happiness of Other People.


2020 ◽  
pp. 42-52
Author(s):  
Alexander V. Martynenko ◽  

The article is devoted to the problem of the influence of the subethnic factor on ethnocultural and ethnopolitical processes in the Republic of Mordovia in the late 1980s – 2010s. The relevance of this topic is due to the fact that the stable development of the state largely depends on the nature of interethnic relations. Russia as a multiethnic state is a vivid example in this regard. The purpose of this study is to analyze the influence of the sub-ethnicity of the Mordovian people on the specifics of the ethnocultural and ethnopolitical situation in the Republic of Mordovia. Methodologically, the author of the article relies on the constructivist approach, in which the ethnos is interpreted, first of all, as a kind of social construct, the features of which (in our case, the binary character of the Mordovian ethnos, its division into sub-ethnoses) were formed during a long historical period. In the course of the study, the influence of the binary nature of the Mordovian ethnos, its division into Mokshans and Erzyans on the features of ethnopolitical processes in modern Mordovia was analyzed. Special attention is paid to the activities of the public organization Foundation for the Salvation of the Erzya language, whose activists deny the unity of the Mordovian ethnos and accuse the regional and federal authorities of an allegedly purposeful policy of assimilation of Erzya people. At the same time, it is concluded that the absolute majority of ethno-national organizations in Mordovia are building relations of social partnership and constructive cooperation with the regional authorities.


2014 ◽  
Vol 1065-1069 ◽  
pp. 2740-2743
Author(s):  
De Ping Jiang

New city region as the extension of city economic development and progress of science, In the future, new city region will gradually replace the old city became the new center in the city. Rapid development of the new city region and progress of the requirements from the objective need aset of system belong to the city itself, public facilities is one of the contents, Therefore, the public facilities will mark the inherent cultural characteristics of the city,Culture, intelligence and technology will become the ultimate direction of the development of city public environment facilities.


Author(s):  
Anna Ozerina ◽  

The formation of the urban identity of an individual resident and of the urban community as a whole is multi-determined. In socio-psychological research, perceptions of the main factors of its formation can be summarised through geographical, historical, spatial, individual-personal and socio-cultural characteristics. The objective of our study was to describe the role of territorial and temporal factors (place of birth and the duration of dwelling in a city) in the formation and manifestation of emotional, cognitive, motivational and behavioural parameters of the urban identity of residents. The City questionnaires and the Tomsk City Identity Questionnaire adapted by the authors were used to collect empirical data. The data was processed by means of a single-factor analysis of variance and the Student’s T-test. As a result, specific traits of city image formation in the vision of newcomer residents, and its indigenous residents were revealed, which confirms the relevance of the factors under study. It has been established that the image of the city and perceptions of its potential depend largely on the territorial and temporal indicators of the respondent’s residence in the urban space. Place of birth determines the cognitive component of urban identity to a greater extent, while the length of residence determines the emotional and motivational component. The findings allow the temporal and spatial context to be considered in the development of the city brand and the modernisation of urban space. Further researches are planned to include sample differentiation based on the place of birth by settlement type.


2020 ◽  
Vol 1 (1) ◽  
Author(s):  
Erwin Yuniar Rahadian ◽  
Alisha Nuur Salamah ◽  
Verina Dyah Kania ◽  
Vigia Tri Lestari

ABSTRAK Ruang terbuka publik pada dasarnya merupakan suatu wadah yang dapat menampung aktivitas tertentu dari masyarakatnya. Ruang terbuka Publik juga merupakan salah satu identitas citra kota atau kawasan dan indikator kualitas hidup kawasan perkotaan. Mengingat pentingnya peranan keberadaan ruang terbuka publik di dalam suatu kawasan perkotaan, maka sebuah ruang terbuka publik harus memiliki perencanaan dan perancangan sesuai dengan kelengkapan elemen pembentuk fisik kota. Kelengkapan elemen pembentuk kota tersebut juga terkait dengan desain arsitektural agar berfungsi sebagaimana mestinya ruang terbuka publik. Salah satu ruang terbuka publik di Bandung yaitu Alun-alun Cicendo Bandung yang didesain secara arsitektural dan menjadi icon kawasan Cicendo, berfungsi sebagai wadah untuk menampung aktivitas sosial masyarakat di kawasan Cicendo. Penelitian ini bertujuan untuk mengkaji karakretistik ruang terbuka publik berdasarkan elemen-elemen pembentuk fisik kota yang berada di kawasan Alun-alun Cicendo Bandung dengan menggunakan metode kualitatif deskriptif. Hasil pembahasan dapat menggambarkan bahwa kawasan Alun alun Cicendo Bandung memenuhi elemen-elemen pembentuk fisik kota dengan desain yang baik. Kata kunci : Ruang Tebuka Publik, Alun-alun, Elemen Pembentuk Fisik Kota. ABSTRACT Open Space basically is a space that can accommodate people’s activity. Open space is one of the city image and a city life quality indicator. The existence of open space in a city has an important role in an urban area so a public space needs proper planning and design with completeness an image of the city elements. The completeness image of the city elements is related to an architectural design so the public space can operate properly. Alun alun Cicendo is one of open space in Bandung that designed architecturally and become an icon of Cicendo, functions as a place to accommodate a social activity. This research aims to review the characteristics of a public space based on the image of the city elements around Alun alun Cicendo Bandung with the descriptive qualitative method. The result can describe that Alun alun Cicendo Bandung complies image of the city elements with a good design. Keywords: Open Space, Square, Image of the City Elements


Author(s):  
Олег Малярчук

The article describes the changes that took place as a result of the socialist industrialization of the western regions of the Ukrainian SSR by the example of the Ivano-Frankivsk region and related urbanization. The architecture of the city of Ivano-Frankivsk (Stanislavov, Stanislav) has absorbed features of different historical epochs. Architectural features different from all other styles as well as the scale of development characterized the Soviet period in the history of the city. The urbanization of Ivano-Frankivsk, Ternopil, Chernivtsi, Uzhhorod, and especially Lviv, is unique in its historical experience. It was “overdue” and was preceded by a radical military and postwar change in the ethnic and social composition of the population of cities where Jews and Poles were the dominant majority. The rapid increase in urban population of the western region of the republic was at the expense of the Ukrainian rural population. Among other major Ukrainian cities, Ivano-Frankivsk was notable for being one of the few regional centers (inferior to Lviv), that was Ukrainized, and played a decisive role in the national-religious movement of the second half of the 1980s. The purpose of the study is to analyze in the historical context the specifics of architectural and artistic design, improvement of the city of Ivano-Frankivsk during the rule of the Soviet totalitarian system (“developed socialism”), successes and miscalculations. Objectives: 1) to prove that irreparable damage was caused to the historic part of the city as a result of Soviet reconstruction. Many old buildings could have been in operation for decades, after preventive repairs. They reiterated the fate of their former owners, who were physically destroyed; 2) to generalize the gains and disadvantages in the practice of housing, industrial and communal construction on the example of frequent cases when in the territory of the new building (quarters, neighborhoods and even entire settlements) the inhabitants were not provided with the most necessary elements of improvement. Significant disadvantages were allowed in the landscaping business. To develop the topic, the authors used a whole group of scientific methods: the principles of objectivity and historicism, which involve consideration of particular phenomena and processes in their development and close connection with the system of relevant social relations; historical facts are considered against the backdrop of political processes, which involves the use of a method of comparative analysis, which clarifies the essence of many significant events for Ukrainian socio-political thought. Design and construction organizations while constructing residential complexes did not always take care of the conservation of natural relief, vegetation, green space. The public carried out systematic work on the improvement of cities, towns and villages. The Party-Soviet authorities tried to chalk up all the achievements. The regional center of Ivano-Frankivsk gained the glory of a beautiful city. At one time, it won prizes in urban competitions. This glory was preserved and multiplied by the city’s inhabitants, despite the adverse political conditions of the totalitarian system through creative approach to the renewal and expansion of the city, attentive and careful attitude to the existing capital buildings and nature. Keywords: architectural styles, Ivano-Frankivsk, complex development, residential areas, landscaping, planting.    


Author(s):  
Iraida A. Pakshina ◽  
◽  
Elena S. Rus’kina ◽  

Nowadays, the city with its unique local and historical features is placed into the focus of the modern urban media. Media text verbalizes the results of a person’s subjective perception of the surrounding urban space and represents the identity of the city. The purpose of this article is to identify the representation of the «urban identity» concept in the media of the Republic of Mordovia — both in city and republican newspapers and social networks. The authors conducted content analysis of the articles published in city newspapers and the comments to the posts of local Internet communities regarding their ideas about the city. Analysis of the print media deduced that the municipal authorities realize the urgency of the urban identity formation under the competition for human, informational and economic resources. The editorial boards of newspapers do a lot to create a positive image of the city. Local urban Internet communities, which has recently appeared in the regional media space, have a powerful influence on public opinion. Their communication is built mainly around the private problems of everyday urban life and is accompanied by negative evaluation of those. It was established that active discussion of problems leads to active post-discussion, post-provocation, post-hype, post-photography, post – criticism of the authorities, post – dialogue with a representative of the authorities, post – question and post-game. There is an asymmetry in the representation of the city image created, on the one hand, by the print media, and, on the other hand, by the participants in the Internet communities. The study identified the markers that can be significant for the citizens. It also detected the dependence of the construction of the Mordovia’s cities identity and its representation and the communicative practices of the urban population.


2021 ◽  
Vol 7 (5) ◽  
pp. 3485-3492
Author(s):  
Hui Huang ◽  
Junjian Liu

Objectives: the city cultural brand image is to excavate from a city’s depth, integrate the city’s history, culture, economic development and other urban planning, and create a new city image under the strategy of city cultural brand image integration. Methods: A good city image is an intangible asset for a city, which can enhance the core competitiveness of the city. Results: Based on the theory of visual semantics and the strategy of urban cultural brand image integration, this paper proposes the overall planning of Nanchang brand design and the application design of urban visual image after the specific analysis of Nanchang. Conclusion: so as to enhance the cultural identity of urban residents and strengthen the economic connection with the city.


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