Tracing the Rift: Heidegger, Hölderlin, and “The Origin of the Work of Art”

2019 ◽  
Vol 53 ◽  
pp. 295-307
Author(s):  
Will McNeill ◽  
Keyword(s):  
Central Concept ◽  
Work Of Art ◽  
The Real ◽  
Philosophical Significance ◽  
To Come ◽  
Central Claim ◽  
Do So

Heidegger’s 1936 essay “The Origin of the Work of Art” is notoriously dense and difficult. In part this is because it appears to come almost from nowhere, given that Heidegger has relatively little to say about art in his earlier work. Yet the essay can only be adequately understood, I would argue, in concert with Heidegger’s essay on Hölderlin from the same year, “Hölderlin and the Essence of Poetizing.” Without the Hölderlin essay, for instance, the central claim of “The Origin of the Work of Art” to the effect that all art is in essence poetizing, Dichtung, can hardly be appreciated in its philosophical significance without the discussions of both essence and poetizing that appear in the Hölderlin essay. This is true of other concepts also. The central concept of the rift (Riß)—the fissure or tear—that appears in “The Origin of the Work of Art” might readily be assumed to be adopted from Albrecht Dürer, whose use of the term Heidegger cites at a key point in the 1936 essay. Here, however, I argue that the real source of the concept for Heidegger is Hölderlin, and that the Riß is, moreover—quite literally—an inscription of originary, ekstatic temporality; that is, of temporality as the “origin” of Being and as the poetic or poetizing essence of art. I do so, first, by briefly considering Heidegger’s references to Dürer in “The Origin of the Work of Art” and other texts from the period, as well as his understanding of the Riß and of the tearing of the Riß in that essay and in its two earlier versions. I then turn to Heidegger’s 1936 Rome lecture “Hölderlin and the Essence of Poetizing,” in order to show the Hölderlinian origins of this concept for Heidegger.

scholarly journals Turning differently toward learning design, and finding the real gift of slow

2020 ◽  
Vol 8 (1) ◽  
pp. 121-126
Author(s):  
Nicola Parkin
Keyword(s):  
Time Scales ◽  
Current Situation ◽  
Learning Design ◽  
The Real ◽  
To Come ◽  
The Moment ◽  
The Many ◽  
Future Work ◽  
Do So ◽  
The Way

This paper turns toward learning design, not as a role, method, skill or even style of thinking, but as something that we are already existentially ‘in’, a lived-and-living part of teaching which is natural and arises from the places of our here-and-now situations. This way of understanding the work of learning design contradicts the prevailing position of learning design as instrumental future-work in which our faces are ever turned towards a time that is always yet-to-come. Our work is not, in the temporal sense, of itself, but always on the way to being something other than itself.  As we strive to transcend our current situation towards a greater measure of fulfilment, we are reaching always away from ourselves. Instead, we might take a stance of ‘slow’: Slow makes a space for us to encounter ourselves in practice and invites us to stay-with rather than race ahead. It begins with the quietly radical act of seeing goodness in slowness, in trusting time. Slow means finding the natural pace of our work, and takes the long-scale view that accepts into itself the many tempos and time scales in the work of learning design – including at times, the need for fast work. This paper invites you to pause and sit, to expand the moment you are already in, and to ponder philosophically, rambling across the page with notions of untangling, opening, loosening, listening, seeing, belonging pondering, sitting with and trusting. Taking time to do so is self-affirming. But perhaps the deepest gift that slow offers is choice: it opens a space for considered thought and action, and calls into question the habits and expectations of speed that we have grown so accustomed to.

Roads to the Radical Right

2020 ◽  
Author(s):  
Koen Damhuis
Keyword(s):  
Radical Right ◽  
Right Wing ◽  
Political Forces ◽  
Unique Material ◽  
Marine Le Pen ◽  
To Come ◽  
National Perspective ◽  
Western Democracies ◽  
Do So ◽  
Cross National

Trump, Wilders, Salvini, Le Pen—during the last decades, radical right-wing leaders and their parties have become important political forces in most Western democracies. Their growing appeal raises an increasingly relevant question: who are the voters that support them and why do they do so? Numerous and variegated answers have been given to this question, inside as well as outside academia. Yet, curiously, despite their quantity and diversity, these existing explanations are often based on a similar assumption: that of homogeneous electorates. Consequently, the idea that different subgroups with different profiles and preferences might coexist within the constituencies of radical right-wing parties has thus far remained underdeveloped, both theoretically and empirically. This ground-breaking book is the first one that systematically investigates the heterogeneity of radical right-wing voters. Theoretically, it introduces the concept of electoral equifinality to come to grips with this diversity. Empirically, it relies on innovative statistical analyses and no less than 125 life-history interviews with voters in France and the Netherlands. Based on this unique material, the study identifies different roads to the radical right and compares them within a cross-national perspective. In addition, through an analysis of almost 1,400 tweets posted by Geert Wilders and Marine Le Pen, the book shows how the latter are able to appeal to different groups of voters. Taken together, the book thus provides a host of ground-breaking insights into the heterogeneous phenomenon of radical right support.

scholarly journals Selection, Subdivision and Extinction and Recolonization

Genetics ◽  
2004 ◽  
Vol 166 (2) ◽  
pp. 1105-1114 ◽  
Author(s):  
Joshua L Cherry
Keyword(s):  
Frequency Dependence ◽  
Allele Frequency ◽  
Deleterious Alleles ◽  
Subdivided Population ◽  
Theoretical Predictions ◽  
Subdivided Populations ◽  
Fixation Probabilities ◽  
Selection Parameters ◽  
To Come ◽  
Do So

Abstract In a subdivided population, the interaction between natural selection and stochastic change in allele frequency is affected by the occurrence of local extinction and subsequent recolonization. The relative importance of selection can be diminished by this additional source of stochastic change in allele frequency. Results are presented for subdivided populations with extinction and recolonization where there is more than one founding allele after extinction, where these may tend to come from the same source deme, where the number of founding alleles is variable or the founders make unequal contributions, and where there is dominance for fitness or local frequency dependence. The behavior of a selected allele in a subdivided population is in all these situations approximately the same as that of an allele with different selection parameters in an unstructured population with a different size. The magnitude of the quantity Nese, which determines fixation probability in the case of genic selection, is always decreased by extinction and recolonization, so that deleterious alleles are more likely to fix and advantageous alleles less likely to do so. The importance of dominance or frequency dependence is also altered by extinction and recolonization. Computer simulations confirm that the theoretical predictions of both fixation probabilities and mean times to fixation are good approximations.

Die koninkryk van God in die Ou Testament: ’n Kort oorsig

2021 ◽  
Vol 55 (1) ◽  
Author(s):  
Daniel F. O'Kennedy
Keyword(s):  
Old Testament ◽  
Kingdom Of God ◽  
Church Leaders ◽  
Real Difference ◽  
Central Concept ◽  
The Past ◽  
To Come ◽  
Psalm 22 ◽  
The Church ◽  
Technical Terms

The kingdom of God in the Old Testament: A brief survey. The kingdom of God is a central concept in the teaching of Jesus, but the question posed by this article is the following: What does the Old Testament say about the kingdom of God? Several Old Testament terms convey the concept of kingdom, kingship and rule of God. This article focuses on the Hebrew and Aramaic ‘technical’ terms for kingdom: mamlākâ, malkût, mělûkâ and malkû. One finds only a few Old Testament references where these terms are directly connected to God, most of them in the post-exilic literature: 1 Chronicles 17:14; 28:5; 29:11; 2 Chronicles 13:8; Psalm 22:29; 103:19; 145:11–13; Daniel 2:44; 3:33 (4:3); 4:31 (4:34); 6:27; 7:14, 18, 27; Obadiah 21. A brief study of these specific references leads to a few preliminary conclusions: The kingdom of God refers to a realm and the reign of God, the God of the kingdom is depicted in different ways, God’s kingdom is eternal and incomparable with earthly kingdoms, the scope of the kingdom is particularistic and universalistic, the Old Testament testifies about a kingdom that is and one that is yet to come, et cetera. It seems that there is no real difference when comparing the ‘kingdom of God’ with the ‘God is King’ passages. One cannot unequivocally declare that ‘kingdom of God’ is the central concept in the Old Testament. However, we must acknowledge that Jesus’s teaching about the kingdom of God did not evolve in a vacuum. His followers probably knew about the Old Testament perspective on the kingdom of God.Contribution: The concept ‘kingdom of God’ is relevant for the church in South Africa, especially congregations who strive to be missional. Unfortunately, the Old Testament perspective was neglected in the past. The purpose of this brief survey is to stimulate academics and church leaders in their further reflection on the kingdom of God.

Rome's marble yards

2001 ◽  
Vol 14 ◽  
pp. 167-198 ◽  
Author(s):  
J. Clayton Fant
Keyword(s):  
Eastern Desert ◽  
Building Projects ◽  
The Real ◽  
The Social ◽  
Real Importance ◽  
To Come ◽  
Vast Network

By the death of Augustus, imperial building projects in Rome were being supplied by marble from Africa (Chemtou), Asia (Docimium), Egypt (various alabaster sources), Aegean Greece (Chios, Euboea, and Paros), Attica (Pentelikon), and from Luna (Carrara) in N Italy. A vast network of quarries in Egypt's Eastern Desert was already under development, and their granites and porphyry began to be seen at Rome in the middle of the Julio-Claudian era. By the Antonines, marble from Scyros, Thasos, Proconnesos, and Iasos was also arriving in Rome.Quantities in this period reached several thousand blocks per year. Relative to demand, was this a lot or a little? The Roman marble trade has always attracted attention because of the facilities and the organizational feats that brought so much exotic stone to the capital and thence outward, but the real importance of the answer lies in the use of marble. Whether marble was easy or hard to come by and what distinguished the grades and colors — even whether all grades and colors were available to customers up and down the social ladder — are prerequisite questions for understanding the choices open to imperial and private architects, to sculptors with great or humble commissions, and even to wall-painters with faux architecture to apply to a wall.

scholarly journals Cultural Materialism in Lorca’s Poetry

2020 ◽  
Vol 3 (2) ◽  
pp. 682-691
Author(s):  
Mahnaz Soqandi ◽  
Fatemeh Sadat Basirizadeh
Keyword(s):  
Ethnic Studies ◽  
Fine Arts ◽  
Point Of View ◽  
Cultural Materialism ◽  
Social Mechanism ◽  
Work Of Art ◽  
External Point ◽  
Language And Politics ◽  
Mechanism Function ◽  
Do So

The aim of the present research is to investigate Lorca’s poem from cultural materialist point of view. To do so, the researcher investigates how culture and social mechanism function in the context in which the poems have been written. Cultural materialism attempts to investigate different aspects of society, art, economy, language, and politics from an external point of view and analyze them to find out how identity and self are shaped accordingly. Cultural materialism is demonstrated in different categories including gender, ethnic studies, postmodernism, postcolonialism, and other fields. Cultural materialism highlights the relation between a work of art and the ideological system in which it has been created. In other words, cultural, social, religious and several other factors must be accounted for while interpreting a work of art. Consequently, how cultural dogma functions within fine arts in order to produce the internal textures is uncovered through cultural materialism. In Lorca’s poems, the contents have symbolic and metaphoric mechanisms which can be interpreted through material analysis.

scholarly journals Análisis del rendimiento a través de la utilización de patrones de actividad temporal en jugadores de elite de vóley playa (Performance analysis through the use of temporal activity patterns of elite players in beach volleyball)

Retos ◽  
2015 ◽  
pp. 67-69
Author(s):  
José Antonio Pérez Turpin ◽  
Juan Manuel Cortell Tormo ◽  
Juan José Chinchilla Mira ◽  
Roberto Cejuela Anta ◽  
Concepción Suárez Llorca
Keyword(s):  
Performance Analysis ◽  
Average Length ◽  
Activity Patterns ◽  
Total Duration ◽  
Specific Training ◽  
The Real ◽  
Absolute Time ◽  
Video Recordings ◽  
Playing Time ◽  
Do So

Para conocer los componentes actuales del rendimiento en vóley playa, es preciso conocer la estructura temporal de la competición. Por ello, el objetivo del presente estudio fue conocer la distribución del tiempo de juego real y absoluto durante el partido, los sets y los puntos en jugadores de vóley playa profesionales. Para esto, se realizaron video grabaciones de 10 jugadores durante cuatro encuentros disputados en el Campeonato de Europa de vóley playa (Valencia 2005). Se cuantificó la duración total de los partidos, sets y puntos al tiempo que se diferenció del tiempo real de juego. Como resultado se observó que la media de tiempo absoluto por partido fue de 37min 17,4s±11min 16,2s mientras que el tiempo real fue de 8min 12s±2min 24s. La duración media del total del tiempo de duración de los sets fue de16min 19,8s±2min 27s. y la real de 3min 25,8s±43,20s. La media de tiempo invertida en la realización del punto fue de 6±0,95s. El conocimiento mejorado del tiempo absoluto y real de juego en los jugadores puede aportar una valiosa información que permita establecer patrones de entrenamiento específicos para el vóley playa.Abstract: In order to identify the real components of beach volleyball performance, we need to know the time structure of the competition. This study was designed to identify the distribution of time in real and absolute play during the matches, sets and points played by professional beach volleyball players. To do so, we made video recordings of 10 players playing four matches at the European Beach Volleyball Championships (Valencia 2005). We measured the total length of the matches, sets and points while differentiating real playing time. We observed that the absolute time per match was 37min 17.4sec±11min 16.2sec, while real playing time was 8min 12sec±2min 24sec. The average length of the total duration of the sets was 16min 19.8sec±2min 27sec and real playing time was 3min 25.8sec±43.20sec. The average time taken to play a point was 6±0.95sec. An improved understanding of absolute and real playing time provides valuable information that allows us to create specific training patterns for beach volleyball.

scholarly journals Afanasy Afanasyevich Fet as a poet-thinker

2020 ◽  
pp. 9-23
Author(s):  
Alexey V. Fedorov
Keyword(s):  
Late Period ◽  
The Real ◽  
Life And Death ◽  
Religious Issues ◽  
The World ◽  
To Come ◽  
Good And Evil ◽  
Critical Reviews

The article proposes to consider the creative individuality of A.A. Fet as a poet-thinker. It places a special emphasis on his ideological views, expressed in his enthusiasm for the teachings of A. Schopenhauer’s and in disputes with L.N. Tolstoy; extensive epistolary material is involved (this correspondence with Ya.P. Polonsky, L.N. and S.A. Tolstoy, N.N. Strakhov, K.R. and others); a brief overview of the critical reviews of contemporaries on the poet’s poetry collections is given. Here, Fet’s philosophical lyrics are analyzed in particular detail (first of all – the late, period of “Evening Lights”, in which there is an understanding of the universal categories of being – life and death, good and evil, the world and man, time and eternity), some parallels are drawn with F.I. Tyutchev. The article traces the development of spiritual and religious issues in the work of Fet’s (gospel stories and motives, the image of the Lord, the genre of prayer, etc.). The article raises the question of expanding the concept of “poet-thinker” taking into account the category “mind of the heart” designated by Fet himself. From these positions, his poem “I am waiting, embraced by anxiety...” from the “Evening Lights” collection is analyzed. Considering Fet’s work as “the poetry of thought” does not cancel, but enriches his airy image in our minds, allows us to present Fet’s personality in more volume, to clarify and expand the idea of the real complexity and versatility of his artistic nature, to come closer to understanding “lyrical insolence” as “the property of great poets” (words of L.N. Tolstoy about A.A. Fet).

scholarly journals When All Products Are Digital: Complexity and Intangible Value in the Ecosystem of Digitizing Firms

MIS Quarterly ◽  
2021 ◽  
Vol 45 (3) ◽  
pp. 1025-1058
Author(s):  
Pouya Rahmati ◽  
◽  
Ali Tafti ◽  
J. Christopher Westland ◽  
Cesar Hidalgo ◽  
...  
Keyword(s):  
Control Systems ◽  
Digital Technologies ◽  
Market Value ◽  
Positive Influence ◽  
Panel Regression ◽  
Tobin’S Q ◽  
Tobin's Q ◽  
Regression Methods ◽  
To Come ◽  
Do So

During the last four decades, digital technologies have disrupted many industries. Car control systems have gone from mechanical to digital. Telephones have changed from sound boxes to portable computers. But have the firms that digitized their products and services become more valuable than firms that didn’t? Here we introduce the construct of digital proximity, which considers the interdependent activities of firms linked in an economic network. We then explore how the digitization of products and services affects a company’s Tobin’s q—the ratio of market value over assets—a measure of the intangible value of a firm. Our panel regression methods and robustness tests suggest the positive influence of a firm’s digital proximity on its Tobin’s q. This implies that firms able to come closer to the digital sector have increased their intangible value compared to those that have failed to do so. These findings contribute a new way of measuring digitization and its impact on firm performance that is complementary to traditional measures of information technology (IT) intensity.

Islamic Democracy and Popular Sovereignty: A Critical Essay on Andrew March’s The Caliphate of Man

2021 ◽  
Vol 1 (2) ◽  
pp. 303-312
Author(s):  
Raja Bahlul
Keyword(s):  
Popular Sovereignty ◽  
Political Practice ◽  
Central Concept ◽  
Critical Essay ◽  
Islamic Thought ◽  
Intellectual Revolution ◽  
Central Claim

Abstract In this review of Andrew March’s book, The Caliphate of Man, I shall focus on one central concept and one central claim to be found in the book: the concept of Islamic democracy, and the claim that al-Ghannūshī’s vision of popular sovereignty “reflects a genuine intellectual revolution in modern Islamic thought.” I suggest that the concept of Islamic democracy is logically possible only on the assumption of a purely procedural, value-neutral conception of democracy, and that the vision of the umma [the demos, populus] to be found in al-Ghannūshī is not such as to make the notion of popular sovereignty desirable by modern standards. I will suggest further that liberal Islamist thinkers stand to offer a superior view of Islamic democracy, one toward which al-Ghannūshī himself seems to be moving in his post-Revolutionary political practice.

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