Neopatrimonialism and Party Clientelism

The article deals with the features of formation of the party systems in the post-Soviet space. To understand the specific processes, the attention is focused on the inverse logic of the post-Soviet states, the basic features of which can be expressed by the concept of neopatrimonialism. In this context the functioning features of political parties, their principal tasks and the logic of creating the "power party" are described. The article examines the key criteria for the concept of the dominant party, such as its ability to consistently and steadily win the elections, the significant duration of its stay in power, as well as its personnel Control over the government. In the sociopolitical discourse the "power party" enjoys a privileged ideological position and has more opportunities compared to its competitors to appeal to voters. Along with that the party dominance reveals itself not only in its external manifestation (the stay in power), but also in the substantial one – the ability to exercise an effective political choice. The article analyzes the factors of sustainability of the "power party" systems: the historical merits of the "power party"; the ruling party’s ability to effectively take advantage of the electoral system; its strong relationships with the most affluent social groups and major corporations, as well as with the predominant ethnic or linguistic social groups; a privileged access of the ruling party to media resources. These factors are also effective in the polycentric political systems without any dominant party. However, under the dominant party systems they manifest themselves in a complex way, providing the ruling camp with a multi-layered protection due to a synergy effect. Particular attention is paid to the phenomenon of clientelism, widely used by the ruling party as a strategy of political mobilization. However, if discrimination arose by clientelism reaches the level that denies clients the right to choose, this is certainly not consistent with the rules of democracy.

Understanding of White Color in the Art of Valerian Gaprindashvili

The article “Understanding of White Color in the Art of Valerian Gaprindashvili“ analyses what symbolic weight colour have in belletristic works, especially in poetry. In the paper the main attention is drown on sensation of color in Valerian Gaprindashvili's creativity. Color as comparison, as epithet, as metaphor, symbol and manner of allegoric description has exclusive charge in the artistic and cogitative system of any great creator. The aim of the article is colours’ structural-semantic analyze and to gain argumentive materials.The theme is actual because nowadays the interest on colour indicating vocabulary is increasing and Georgian linguists paid their attention on it as well. The survey showed that Georgian symbolists were very interesting phenomena in studing colors. Color artistic analyze has an important part in Valerian Gaprindashvili works. White color dominates in poesy of Val. Gaphrindashvili. As a result of analyzing the symbolism of colors white color is considered as a symbol of light. In some cases white color is symbol of coldness, austerity and in other ones is symbol of concinnity. One can meet black, red, blue, green and yellow colors as well that have semantic charge in his poetry.Color symbols are changeable through time and culture. According to this studying the theme fully is not possible. We can summarize that color is esthetic phenomena and reveals the traits of so called “mark” which is the foundation of color symbols.

Inexhaustible Source of Knowledge

Azerbaijan people have rich and ancient cultural traditions and have contri­buted extensively to the world brilliant masterpieces of artistic, philosophical and scientific thought. This cultural heritage is known not only in Azerbaijan, but also all over the world. Since antiquity, there were large libraries in Azerbaijan. The Institute of manuscripts of the Azerbaijan National Academy of Sciences has a collection of 453 medical manuscripts, dating from the IX century. Seventy three manuscripts were written in Arabic, sixty ones – in Turkic (Azeri and Ottoman Turkish) and three thousand twenty ones - in Persian languages. In 29 July 2005 UNESCO officially included three medieval medical manuscripts from the Institute of Manuscripts of Azerbaijan National Academy of Sciences into the register of the Memory of the World Program which includes the most unique and irreplaceable written monuments of the humankind. The Certificate confirming this decision was presented to the Institute of Manuscripts by Dr. Matsuura, the head of UNESCO. One of them oldest copies of the second volume of “Canon of Medicine” (1030) by Ibn Sina, know in the West as Avicenna (980-1037). Second book is “Zakhira-I Nizamshahi” was written in the XIII century by the famous Central Asian author Zeynaddin Ibn Abu Ibrahim Jurjani. The manuscripts are unique and not found in other manuscripts deposits in the world. The third book is “al-Maqalatun Salasun” by Abulkasim Zakhravı. One of the rarest and most ancient manuscripts of this book in the World. Ancient manuscripts, being a unique invention of mankind, had an impact on the entire history in general and on medicine in particular.

Prophetism and Enigma in Zviad Gamsakhurdia’s poetry

Even a glance at Zviad Gamsakhurdia's work shows that he has experienced a long creative burn, he is extremely strong in worldviews and eternal, unchanging, even strangely calm, but thematically changeable.In his work, the arousal of feelings and the veil of thought are harmoniously combined. When the register of such harmony is very high, elements of prophethood appear in Zviad Gamsakhurdia's work and it must be said that his prophecy is infallible and skillfully placed in the artistic mold. In his poetry there is a skillfully blended vague allegory conveyed with a premeditated intent, something between mediocre openness and obscure, transparent and obscure. It can be boldly said that Zviad Gamsakhurdia is a master of enigmatic poetry.The aim of the research is to critically analyze the poetry of the great Georgian figure, thinker and writer Zviad Gamsakhurdia (from a prophetic and enigmatic point of view).The method is comparative. The merits and weaknesses of Zviad Gamsakhurdia's works can be seen in comparison, more - the first.Research result - Prophecy by Zviad Gamsakhurdia is the biggest secret of life. Both his enigma and prophecy stem from bottomless freedom.

“Concepts of Konstantine Gamsakhurdia`s “Moon`s Abduction”

“Moon`s Abduction” by Konstantine Gamsakhurdia is a very important text written in the Soviet Georgia. The writer created monumental literary landscape in the period of so called “socialist realism” literary style. The novel makes a great demand on the reader`s erudition, on his capacity to understand the complex allusions, literary, philosophical and mythological, that characterize Gamsakhurdia`s prose. The present article deals with the world-outlook of Soviet and Post-Soviet literary critique – on the background of the publicistic letters of the outstanding critics Beso Zhghenti and Soso Sigua. The novel clears up the writer`s attitude to the revolution, socialism, collectivization of agriculture, person`s role as a member of society. The Soviet and Post-Soviet critics world-outlooks are absolutely different. By the Soviet critic (Beso Zhghenti) the novel is an excessive apologia of Soviet system, of Soviet state-building, a positive character (hero) is Arzakan Zvambaia, the security officer, the ossicial of Cheka, Bolshevism is better than traditional life of Georgia, civilization is better than culture. By the Post-Soviet world-outlook (Soso Sigua) the novel is a reflection of tragedy of the Georgian nation (because of negation of Georgian traditions, unique Georgian culture), a positive character is a prince Tarash Emkhvari, cultural and well-educated person; Bolshevizm is tragedy. Literary, philosophical and mythological allusions characterize Gamsakhurdias literary heritage (verses, short-stories, novels). The article deals with the world-outlook of the author. The official of Cheka Arzakan is a patricide, another official Arlan cut the centuries-old sacral tree - Bolhevizm hates roots and traditions. There are a lot of mythological characters reflected in the novel (Aramkhutu-Amirani, Sacral-tree, Mezir – Sacral serpant…). A reader feels the influence of Nitcze and Bergson world-outlook, passages from Hesiod`s “Theogony” and Appolonios from Rodoss “Argonautica.”The novel of Konstantine Gamsakhurdia is one of the best reflections and the best samples of Georgian novel of the 30s of the 20th century epoch.

Metaphors of Life in German Idioms

The aim of the study is to define the metaphoric meaning of the concept ‘life’ in the German idioms. The German word das Leben means both to live and life in Georgian. It means German does not differentiate them. Our task is to define the positive and the negative connotations of idioms containing the concept of life/ live. To solve this task, we searched for the relevant phraseologisms in the dictionaries and classified them. The study has revealed that lexemes denoting seasons prevail in such idioms. In a metaphoric sense, we can show these idioms as a whole life cycle: from cradle to grave. The lexeme spring stands for youth years (Der Frühling des Lebens-the spring of life), while the lexeme autumn stands for the old age (Der Herbst des Lebens- the autumn of life). In the same figurative sense, the lexeme Lebenmay refers to one day only. For instance, Leben ist ein Tag – Life is one day. This phraseologism shows the brevity of life. Metaphorical compound Lebensabend means the evening of life, that is the old age. The brevity of life is also reflected in the idiom sein letztes Stündlein hat geschlagen- ‘his last hour struck’, meaning, his life came to an end. Metaphorisation of human’s life is also common with the following lexemes: plants, travel, road, food, struggle, liquid and vessel. Thus, life is alternation of positive and negative moments. The former are often compared to light and the sun, while the latter - to shade, darkness and night. Proceeding from this life is a regular alteration of light and darkness, the sun and shade, light and dark.

Biodiversity of Vegetation around the Mingechevir Reservoir

Mingechevir reservoir is one of the deep-water artificial reservoirs in the territory of Azerbaijani was created on the Kura River in the 50s. Before the construction of the Mingechevir reservoir, 681 species of plants belonging to 74 families and 325 genera were found here. As a result of our research in the valley in 2019-2021, only 154 species were found, belonging to 24 families and 36 genera. As a result of changes during the last 70 years of the hydrographic regime, the influence of edaphic, physical, anthropogenic factors, the original vegetation cover of the Mingechevir Valley has completely changed, and urbanization, land reclamation and other works have further accelerated these changes. If the successions that have begun are not prevented, there may be a risk of destruction of the high-pressure earth dam built in Europe using the leaching method. With the implementation of the proposed phytomeliorative measures, the bare slopes of the reservoir dam can be turned into a “green cover”.

Figurative Comparison in Tedo Razikashvili's Works

The article discusses the figurative comparison in Tedo Razikashvili's prose language, as one of the defining factors of style and one of the best means of revealing the outside world, which, naturally, determines the aesthetic and emotional function of the text.Tedo Razikashvili's stories are characterized by the diversity figurative comparisons. comparisons., in his works, the author mostly compares animate and inanimate things, humans and animals.In Tedo Razikashvili's stories, comparative constructions are made with the following grammatical connections: as if, as though and with separate adverbs and words: -ვით {-vit} as; -ებრ {-ebr} like/as, -თანა {-tana} like/as , -ტოლა {-tola} like, ktseuli {-ქცეული} and others. Sometimes in comparative constructions there are not used any connectives and that gives those constructions an emotional coloring. Figurative comparison in terms of expression is very interesting; the reader feels the writer's message vividly, clearly imagines the picture or scene that the writer tries to describe.We believe that figurative comparison is one of the defining factors in Tedo Razikashvili's prose language and writing style. It gives his language more emotion, and more expressiveness.Thus, it should be mentioned that the comparison is considered as one of the stylistic features in Tedo Razikashvili's prose language, that makes our thinking emotional, and makes his fictions unique with its individual style.It is obvious that through comparative constructions, Tedo Razikashvili uses various possibilities of language, and consequently makes his own style distinctive and unique.

Georgian-Austrian Unknown Preludes of the Treaty of Georgievsk

Studying the external policy of the king Erekle II is a topical issue for the modern historiography. The information maintained in the archives of various European cities, namely of Vienna, Vatican and Venice, convey to us the fact that while exercising pragmatic attitude toward relations with the European countries the King of Kartli and Kakheti considered the interests of both his own country and of those European countries as well. Over the years 1781-82 Erekle II sends his ambassadors to Europe twice: first he sends a Capuchin monk Domenique who dies in Constantinople in uncertain circumstances not having reached the destination; after him Erekle II sends another Capuchin Mauro the Veronese who also dies for unknown reasons while still on his way. It is a very important fact that the letters sent by the King Erekle, unlike the ambassadors, reach their destination which is the Emperor’s Court in Austria.The present article shows the international political background that the king Erekle II had at that time and that he attempted to use for the interests of his country.The plan of dividing Europe anew, officially developed by the relevant imperial authorities of Saint Petersburg and Vienna, aimed at neutralizing the Ottoman Empire and dividing its territories. According to the Greek Project, it was supposed to resurrect the Byzantine Empire that would be formally independent from Russia but factually acting as a marionette with the Romanov dynasty ruling in it and build Dacia Kingdom as a buffer between the Ottoman and the Austrian Empires.This project was topical for Erekle II who was trying to get involved in the international political processes to the maximum level as the king of a sovereign and independent country, as in the result of implementation of the Greek Project Georgia would obtain an environment of Christian countries instead of the previous encirclement by Muslim countries. Thus, Georgia would find herself in an absolutely different qualitative dimension that had been a sacred dream of the Georgian Kings at all times. This was why the Greek Plan held such a great importance for Erekle II. This international project was made secret by the empress Catherine the Great and Joseph II, therefore, the official pragmatic reason that Erekle II referred to when sending ambassadors to Austria which was obtaining financial support for two regiments was merely a mask behind which in reality the ambassadorial mission served the purpose of active involvement and participation in the implementation of the Greek Project. The Austrian Emperor’s Court, on its part, was going to use this intension of the Georgian king for its own pragmatic goals which implied strengthening of the Holy Roman Empire that had been actually made fictitious by that time. The widely acknowledged and reputed international level diplomats of the Austrian Empire Kaunitz and Kobenzl were involved in the process.

Fictive Protrait of the King Vakhtang VI

From the medieval past we can single out several kings-poets, kings-scientists and scholars, education reformers, of whom Vakhtang VI deserves great respect.Versatile and varied turned out to be his genius and spectacle as well. King Vakhtang's intellect was accessible to completely different fields of science, such as history, jurisprudence, philosophy, astronomy-astrology, chemistry, medicine, grammar, textology, pedagogy. Not to mention the writing, where he said a decent word. Despite the difficult political situation, King Vakhtang VI still managed to create a prosperous cultural and educational environment in the country. With his initiative and support, the first printing house was established in Georgia in 1709. With the revival of the printed word, writing opened up vital space, giving more thought to thinking.By printing "The Knight in the Panther's Skin" the foundation was laid for the scientific study of the text of the poem - the work of restoration, the foundation was given to the most important field - Rustvelology.The literature of the Renaissance period is characterized by a number of novelties associated to the name of the King Vakhtang VI. The King, endowed with creative talent, contributed in every way to the development of new fields of science, the introduction of new themes and genres in literature. Understanding the national problem, trying to establish it and turning it into a spiritual need is the niche of Vakhtang's creativity.The only spiritual refuge of the king tired of life was the Christian faith. "The elaboration of religious themes, the cry to God, in addition to bringing spiritual peace to the deeply believing poet, at the same time he promoted the ideas of Christianity among the people and strengthened the religious faith.King Vakhtang VI not only enriched the Georgian literature with his original works, but also greatly contributed to his translation activities. His role in the development of lexicography was also great.The genius of Vakhtang VI can be discussed endlessly. It means a lot even to the fact that the history has survived in the name of the "lawgiver" king.