Religious protest and urban authority: the case of Henry Sherfield, iconoclast, 1633

1972 ◽  
Vol 9 ◽  
pp. 295-302 ◽  
Author(s):  
Paul Slack

The trial of Henry Sherfield, the puritan recorder of Salisbury, before Star Chamber in February 1633 was one of the most famous in that court’s last years; and his offence, ‘unlawfully, riotously and prophanely’ smashing the window in St Edmund’s church which contained pictures of the Creation, is one of the best-known cases of puritan religious protest in the years preceding the Civil War. But the background to the trial, and in particular the local tensions which lay behind it, have never been thoroughly explored. Yet Sherfield’s case, like the contemporary churchales controversy in Somerset, provides an example of that important amalgam of local and national issues which shaped the English Revolution. It also illuminates the social and political conditions which moulded Puritanism in an urban setting.

1989 ◽  
Vol 28 (2) ◽  
pp. 97-119 ◽  
Author(s):  
J. D. Alsop

One of the casualties of the economic malaise occasioned by the English Civil War was the business career of an obscure thirty-four-year-old junior freeman of the London Merchant Taylors' Company. Had circumstances been otherwise, Gerrard Winstanley would never have gone on to become the eventual leader and spokesman of the Diggers or to develop some of the most innovative and challenging socioeconomic theories of the seventeenth century. Winstanley's bankruptcy of 1643 did not, of course, create by itself one of the foremost radicals of the English Revolution. But scholars are agreed that the failure provoked a significant break in the continuity of Winstanley's life that forced him to change his livelihood and to transport himself from London to Cobham in Surrey, the location of his Digger radicalism. Furthermore, Winstanley never forgot the experience. Throughout his writings of the later 1640s, the bitter contempt and frustration engendered by his financial failings were obvious. They also colored his perceptions of England's current character and its errors. His portrayal of all commerce as dishonest and corrupt is one of the most striking features of his writings:For matter of buying and selling, the earth stinks with such unrighteousnesse, that for my part, though I was bred a tradesmen, yet it is so hard a thing to pick out a poor living, that a man shall sooner be cheated of his bread, then get bread by trading among men, if by plain dealing he put trust in any.And truly the whole earth of trading, is generally become the neat art of thieving and oppressing fellow-creatures, and so laies burdens, upon the Creation, but when the earth becomes a common treasury this burden will be taken off.


2019 ◽  
Vol 16 (2) ◽  
Author(s):  
Ita Lufiana

Abstrak: Naskah drama Jalan Menyempit merupakan naskah karya Joni Faisal yang mencoba mengritik kondisi sosial dan politik yang terjaadi di wilayah Jakarta. Penelitian ini bertujuan untuk: pertama, mengetahui struktur drama dari Jalan Menyempit; kedua, untuk mengetahui kondisi sosial historis konkret dari drama Jalan Menyempit. Penelitian ini menggunakan teori sosiologis drama. Prinsip dasar sosiologi drama adalah kenyataan bahwa penciptaan drama Jalan Menyempit dipengaruhi oleh kondisi sosial historis tempat karya itu diciptakan. Berdasarkan hasil penelitian, dapat disimpulkan bahwa naskah drama Jalan Menyempit memunculkan peristiwa dengan tema sosial, nilai-nilai material akan mempengaruhi kondisi kehidupan masyarakat. Penulis juga ingin mengkritik kondisi sosial-politik yang terjadi di Jakarta, yang digambarkan dalam dialog dialog tokoh. Kata kunci: naskah drama, sosiologi drama, sosiohistoris Abstract: Jalan Menyempit is a manuscript written by Joni Faisal who tries to criticize the social and political conditions that occur in the Jakarta area. This study aims to: first, find out the drama structure of Jalan Menyempit; second, to find out the concrete historical social conditions of the drama Jalan Menyempit. This research uses the sociological theory of drama. The basic principle of drama sociology is the fact that the creation of the Jalan Menyempit drama influenced by the historical social conditions in which the work was created. Based on the research results, it can be concluded that the drama Jalan Menyempit raises events with social themes, material values will affect the living conditions of the community. The author also wants to criticize the socio-political conditions that occur in Jakarta, which are portrayed in the dialogue dialogue of figures. Keyword: drama script, drama sociology, social-historical


Author(s):  
David Robertson

This chapter explores the ways in which the social and political conditions prevailing in the two decades after Finland had gained independence from Russia in December 1917 can be traced in Jylhä’s translation of Paradise Lost, Kadotettu paratiisi (1933). Jylhä was too young to participate in the civil war of 1918, but he was caught up in some of the fiercest fighting of the brief conflict. In the 1920s and 1930s many young artists consciously worked to move Finnish culture and politics away from Russian influence, towards Western Europe. Jylhä, a rising poet, was one of the youngest writers of this group, and his translations of European poetry are part of this effort. This chapter traces how lexical choices in his monumental translation of Milton’s epic, especially the War in Heaven, reveal his experience of his social and political milieu.


2020 ◽  
pp. 145-163
Author(s):  
Marta Casals Balaguer

This article aims to analyse the strategies that jazz musicians in Barcelona adopt to develop their artistic careers. It focuses on studying three main areas that influ-ence the construction of their artistic-professional strategies: a) the administrative dimension, characterized mainly by management and promotion tasks; b) the artistic-creative dimension, which includes the construction of artistic identity and the creation of works of art; and c) the social dimension within the collective, which groups together strategies related to the dynamics of cooperation and col-laboration between the circle of musicians. The applied methodology came from a qualitative perspective, and the main research methods were semi-structured inter-views conducted with active professional musicians in Barcelona and from partic-ipant observation.


2020 ◽  
Vol 8 (1) ◽  
pp. 37-46
Author(s):  
Stanislava Varadinova

The attention sustainability and its impact of social status in the class are current issues concerning the field of education are the reasons for delay in assimilating the learning material and early school dropout. Behind both of those problems stand psychological causes such as low attention sustainability, poor communication skills and lack of positive environment. The presented article aims to prove that sustainability of attention directly influences the social status of students in the class, and hence their overall development and the way they feel in the group. Making efforts to increase students’ attention sustainability could lead to an increase in the social status of the student and hence the creation of a favorable and positive environment for the overall development of the individual.


Author(s):  
Dira Herawati

Accountability report is a written description of creative experiences as an artist or a photographer of aesthetic exploration efforts on the image and the idea of a human as a basic stimulant for the creation of works of art photography. Human foot as an aesthetic object is a problem that relates to various phenomena that occur in the social sphere, culture and politics in Indonesia today. Based on these linkages, human feet would be formulated as an image that has a value, and the impression of eating alone in the creation of a work of art photography. Hence the creation of this art photography entitled The Human Foots as Aesthetic Object  Creation of Art Photography. Starting from this background, then the legs as an option object art photography, will be managed creatively and systematically through a phases of creation. The creation phases consist of: (1) the exploration of discourse, (2) artistic exploration, (3) the stage of elaboration photographic, (4) the synthesis phase, and (5) the stage of completion. Methodically, through the phases of the creative process  through which this can then be formulated in various forms of artistic image of a human foot. The various forms of artistic images generated from the foots of its creation process, can be summed up as an object of aesthetic order 160 Kaki Manusia Sebagai Objek Estetik Penciptaan Fotografi Seni in the photographic works of art. It is specifically characterized by the formation of ‘imaging the other’ behind the image seen with legs visible, as well as of the various forms of ‘new image’ as a result of an artistic exploration of the common image of legs visible. In general, the whole image of the foot in a photographic work of art has a reflective relationship with the social situation, cultures, and politics that developed in Indonesian society, by value, meaning and impression that it contains.Keywords: human foots, aestheti,; social phenomena, art photography, images


2020 ◽  
Vol 1 (3) ◽  
pp. 236-242
Author(s):  
Barnokhon Kushakova ◽  

This article discusses the conditions, reasons and factors of characterization of religious style as a functional style in the field of linguistics. In addition, religious style and its main peculiarities, its importance in the social life, and the functional features of religious style are highlighted in the article. As a result of our investigation, the following results were obtained: a) the increase in the need for the creation and significance of religious language, particularly religious texts has been scientifically proved; b) the possibility of religious texts to represent the thoughts of the people, culture and world outlook has been verified; c) the specificity of religious language, religious texts has been revealed; d) the development of religious style as a functional style has been grounded.


Author(s):  
Admink Admink ◽  
Жанна Шкляренко

Стаття присвячена дослідженню шляхів вивчення перформансу як культурного явища. Зростаюча увага до цього феномену зумовлена відсутністю лінії розмежування його з життям, створенню особливої реальності, спроможністю викликати потужні емоційні стани та взаємоемпатії. Проблематичність у вивченні його полягає у складності архівування, хиткий своєрідний наратив, що вислизає зі сприйняття непідготовленого глядача, міграція з виставкових зал у соціальну сферу, супроводжувана жанровими новоутвореннями. Даним дослідженням зроблено спробу аналізу шляхів пізнання культурного явища перформансу, визначені особливості побутування, виявлено закономірності проявів та варіативність в сучасній культурі. The article is devoted to the study of ways to research performance study as a cultural phenomenon. The growing interest in the phenomenon of performance art is due to the lack of a dividing line with our life, the creation of a special reality, the ability to cause strong emotional states and mutual empathy. The difficulty of study is also in trouble archiving it, shaky kind of narrative which escapes the perception of the unprepared viewer, the migration of the exhibition halls and in the social media sphere, followed by the creation of new genres. This analyzes the ways of understanding the cultural phenomenon of performance art. The features of being are determined, patterns and a variety of its manifestations in modern culture are revealed.


Author(s):  
Hannah Cornwell

This book examines the two generations that spanned the collapse of the Republic and the Augustan period to understand how the concept of pax Romana, as a central ideology of Roman imperialism, evolved. The author argues for the integral nature of pax in understanding the changing dynamics of the Roman state through civil war to the creation of a new political system and world-rule. The period of the late Republic to the early Principate involved changes in the notion of imperialism. This is the story of how peace acquired a central role within imperial discourse over the course of the collapse of the Republican framework to become deployed in the legitimization of the Augustan regime. It is an examination of the movement from the debates over the content of the concept, in the dying Republic, to the creation of an authorized version controlled by the princeps, through an examination of a series of conceptions about peace, culminating with the pax augusta as the first crystallization of an imperial concept of peace. Just as there existed not one but a series of ideas concerning Roman imperialism, so too were there numerous different meanings, applications, and contexts within which Romans talked about ‘peace’. Examining these different nuances allows us insight into the ways they understood power dynamics, and how these were contingent on the political structures of the day. Roman discourses on peace were part of the wider discussion on the way in which Rome conceptualized her Empire and ideas of imperialism.


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