Lethal in Two Languages
This chapter explores the parallels and disjunctions between Máirtín Ó Cadhain and Flann O’Brien, with particular reference to the extent to which formal experiment in both writers owes as much to the specific circumstances of Irish culture, politics, and language in the middle decades of the twentieth century as it does to European modernism and postmodernism. The chapter examines the centrality of both writers’ detailed knowledge of the Irish language and its narrative traditions to their experimental prose fictions. The chapter argues that Ó Cadhain’s insight into lives blighted by economic injustice and bureaucratic tyranny has lost little of its political urgency in the half-century since his death, while Ó Nualláin’s work continues to deride a world in which absurdity insists on being taken seriously and the distortion of language is a defining attribute of power.