The Sociologist's Eye

2017 ◽  
Author(s):  
Kai Erikson
Keyword(s):  
Social Life ◽  
Race And Gender ◽  
Social Thinking ◽  
The Social ◽  
Social Landscape ◽  
The World ◽  
And Gender ◽  
The Individual ◽  
Over Time ◽  
Human Social Life

This book is a masterful introduction to, and appreciation of, sociology as a window into our world. The culmination of a distinguished career, and a fascinating exploration into the nature of human social life, the book describes the field of sociology as a way of looking at the world rather than as a simple gathering of facts about it. It notes that sociologists look out at the same human scenes as poets, historians, economists, or any other observers of the vast social landscape spread out before them, but select different aspects of that vast panorama to focus on and attend to. The book considers how sociology became a field of study, and how it has turned its attention over time to new areas of study such as race and gender and what the book calls “social speciation.” The book provides readers with new ways of The Individual and the Social thinking about human culture and social life.

The Second Royal Society Nuffield Lecture Anthropological models and social reality

1966 ◽  
Vol 165 (998) ◽  
pp. 20-34 ◽  
Keyword(s):  
Social Life ◽  
Human Life ◽  
Academic Discipline ◽  
Social Reality ◽  
Social Anthropology ◽  
Know How ◽  
The Social ◽  
The World ◽  
History Of ◽  
Human Social Life

In trying to show you the character of social anthropology as an academic discipline, I might try to sketch some substantive and perhaps intriguing findings in the field, or the history of its development, or some of its major intellectual problems today. I have chosen the last of these alternatives, because by showing the general problems we are grappling with I hope to reveal to you, in part no doubt inadvertently, the ways that anthropologists think, and also how our difficulties in part arise from the character of the social reality itself, which we confront and try to understand. The fundamental questions which social anthropology asks are about the forms, the nature, and the extent of order in human social life, as it can be observed in the different parts of the world. There is no need to prejudge the extent of this order; as members of one society we know how unpredictable social life can be. But concretely, human life varies greatly around the world, and it seems possible to characterize its forms to some extent. We seek means systematically to discover, record and understand these forms.

Habitus and Field

2010 ◽  
Author(s):  
Anna Leander
Keyword(s):  
Social Life ◽  
Social World ◽  
The Body ◽  
International Studies ◽  
The Public ◽  
The Social ◽  
The World ◽  
The Individual ◽  
Implicit And Explicit ◽  
Heuristic Devices

The terms habitus and field are useful heuristic devices for thinking about power relations in international studies. Habitus refers to a person’s taken-for-granted, unreflected—hence largely habitual—way of thinking and acting. The habitus is a “structuring structure” shaping understandings, attitudes, behavior, and the body. It is formed through the accumulated experience of people in different fields. Using fields to study the social world is to acknowledge that social life is highly differentiated. A field can be exceedingly varied in scope and scale. A family, a village, a market, an organization, or a profession may be conceptualized as a field provided it develops its own organizing logic around a stake at stake. Each field is marked by its own taken-for-granted understanding of the world, implicit and explicit rules of behavior, and valuation of what confers power onto someone: that is, what counts as “capital.” The analysis of power through the habitus/field makes it possible to transcend the distinctions between the material and the “ideational” as well as between the individual and the structural. Moreover, working with habitus/field in international studies problematizes the role played by central organizing divides, such as the inside/outside and the public/private; and can uncover politics not primarily structured by these divides. Developing research drawing on habitus/field in international studies will be worthwhile for international studies scholars wishing to raise and answer questions about symbolic power/violence.

scholarly journals Pembentukan Karater dari perspektif Kristen dan budaya

2021 ◽  
Author(s):  
Lchiari
Keyword(s):  
Social Life ◽  
Point Of View ◽  
Modern Life ◽  
Peace Of Mind ◽  
The Social ◽  
The World ◽  
Human Social Life

Human social life lately is getting more and more worried. The large number of news for violence between fellow humans is good in people's lives in general, also in families. Not only about violence, disputes, competition, envy and curtains are also coloring that color modern life lately. All people compete to get validation from others, and like the world has lost peace of mind. This paper aims to determine Christianity's point of view on the social life of the present and how a Christian person can stick to the Christ character, who is to love the world, currently filled with hatred, as well as how a character is influenced by culture.

scholarly journals La riscoperta dell'amicizia nell'età adulta in tempo di pandemia

2021 ◽  
Vol 11 (2) ◽  
Author(s):  
Federico Zannoni
Keyword(s):  
Social Isolation ◽  
The Self ◽  
Mutual Assistance ◽  
Face To Face ◽  
The Social ◽  
The World ◽  
The Individual ◽  
Relationship Of ◽  
Collective Dimension ◽  
Over Time

In recent decades we have witnessed the disruptive rise of an ultraliberalism which, by enhancing the autonomy of the individual, has given the collective dimension a primarily instrumental connotation; the affirmation of the “self-centered man” (Bertin’s definition), that pursues the experience of the world above all on the level of “possession”, has intertwined with the crisis, especially among adults, in the practice of friendship, understood as a relationship of voluntary, free interdependence, which continues over time through manifestations of sharing, complicity, intimacy, affection and mutual assistance. The social isolation resulting from the pandemic event has led to the reconsideration of the importance of friendships and to the search for new opportunities for meeting, online or face to face (possibly respecting the current restrictive rules for the containment of the epidemic), in which “being together” is predominant over “doing something together”.

scholarly journals Trolling as a Collective Form of Harassment: An Inductive Study of How Online Users Understand Trolling

2020 ◽  
Vol 6 (2) ◽  
pp. 205630512092851 ◽  
Author(s):  
Stephanie M. Ortiz
Keyword(s):  
Construct Validity ◽  
Social Life ◽  
Race And Gender ◽  
The Social ◽  
Online Spaces ◽  
Survey Instruments ◽  
Identity Based ◽  
And Gender ◽  
Definition Of ◽  
Everyday Discrimination

Rising media and academic concerns for the social implications of online trolling require that scholars understand how everyday users conceptualize trolling. The validity of survey instruments may potentially be at risk if online users and academics, who subsequently advocate for interventions, have competing understandings of trolling. Surveying 120 US-based online users, I find that the spectrum of behaviors classified in the literature as “trolling” do not resonate with respondents. Instead, respondents report that harassment on the basis of race and gender is indicative of trolling. These results suggest a disconnect between academic definitions of trolling that focus on prosocial or humor-based forms of trolling and lay definitions which foreground identity-based harassment and harm. Current instruments that assess trolling behaviors and experiences do not attend to this definition of trolling as identity-based harassment, calling into question construct validity. Furthermore, sociologists identify identity-based harassment as a form of discrimination in other domains of social life, but present measures of discrimination do not consider the online domain. This suggests that studies of everyday discrimination and the implications of mistreatment should extend to online spaces, where racism and sexism are reproduced.

Cognitive Bias and Facial Depiction from Skeletal Remains

2020 ◽  
Vol 4 (1) ◽  
pp. 1-14
Author(s):  
Caroline Wilkinson
Keyword(s):  
Cognitive Bias ◽  
Population Characteristics ◽  
Archaeological Remains ◽  
Race And Gender ◽  
The Past ◽  
The Social ◽  
Toma De Decisiones ◽  
And Gender ◽  
The Individual ◽  
Ancient Remains

The human face is physically, psychologically, and socially significant, and facial appearance is crucial to social identity. Therefore, the facial depiction of people from the past is a useful tool for the social interpretation of archaeological remains. However, scientific assumptions surrounding the interpretation of ancient remains influence how the individual is depicted, and facial depictions can contribute to and perpetuate confirmation bias. The primary goals of facial depiction of people from the past are humanistic; re-socializing, and re-personifying, and these aims may create an environment where the interests of the museum visitor influence the level of realism presented in a facial depiction, even where there is little evidence to justify many facial details. Enhanced levels of realism have led to the depiction of character and personality through facial expression. Facial depictions will also influence popular notions of race and gender identity, and the application of contemporary gender and population characteristics to ancient populations may not be justifiable. Facial depiction practitioners should be aware of cognitive bias in their work and make all attempts to avoid the effects. Practitioners should be involved in the decision-making process around the presentation of these exhibits in museums or by the police. El rostro humano es fisica, psicologica y socialmente significativo y la apariencia facial es crucial para la identidad social. Por lo tanto, la representacion del rostro de personas del pasado es una herramienta util para la interpretacion social de los restos arqueologicos. Sin embargo, las presunciones que los cientificos toman entorno a la interpretacion de los restos antiguos influyen en como se representa al individuo, asi como las representaciones faciales pueden contribuir y perpetuar el sesgo de confirmacion. Los objetivos principales de la representacion facial de personas del pasado son humanistas; re-socializar y re-personificar. Estos objetivos pueden crear un entorno donde los intereses del visitante del museo influyen en el grado de realismo presentado en una representacion facial, incluso cuando las evidencias son pocas para justificar muchos detalles faciales. Los niveles mejorados de realismo han llevado a la representacion del personaje y la personalidad a traves de la expresion facial. Las representaciones faciales tambien influiran en las nociones populares de identidad de raza y genero, y la aplicacion de las caracteristicas contemporaneas de genero y poblacion a las poblaciones antiguas puede no ser justificable. Los profesionales que crean las representaciones faciales deben ser conscientes del sesgo cognitivo en su trabajo y hacer todo lo posible para evitar los efectos. Los profesionales deben participar en el proceso de toma de decisiones en torno a la presentacion de estas exhibiciones en museos o por la policia.

scholarly journals A view of women in painting from the past to the present: the image of women in art and women painters

2021 ◽  
Vol 18 (3) ◽  
pp. 431-449
Author(s):  
Zuhal Köse ◽  
Gülsün Şahan
Keyword(s):  
Social Life ◽  
Turkish Women ◽  
Frida Kahlo ◽  
The Social ◽  
Women In Art ◽  
The World ◽  
Artemisia Gentileschi ◽  
The Individual ◽  
Sexual Object

The woman, has been one of the main themes of art throughout all art processes. Social processes and the place of women in society were also reflected in art and shaped the image of women in art. The same, artwork sheds light on the social conditions of the period. The fact that women remain in the background in social life is seen in the art of painting as in many other fields since the transition to the patriarchal order. Although the image of the woman has changed over the years, the woman is outside of her identity; It continued to be processed as a mother, wife or sexual object. Despite many advances in the individual works of contemporary artists and in the art that values women, a prejudiced view towards women has not yet been prevented. When the number of women engaged in art increases, women's self-expression has brought a different dimension to this commodification instead of the male gaze. The inclusion of feminist discourse and the changing structure of the world in art has also affected the role of women in social life. Art is one of the methods that can be used to achieve social change. For this reason, it can be said that women should continue to raise their voices for their rights and freedoms through art. One of the biggest roles in this regard falls to female artists. In this research; Throughout history, the image of women in painting and women painters have been examined, and the process of women's existence in art has been evaluated. For this purpose, written documents on the image of women, women painters and their lives from past to present have been examined. The image of women in art and its change throughout history, prominent female painters in the world, the image of women in Turkish painting and Turkish women painters, have revealed the place of women in the field of painting. Levina Teerlinc, Artemisia Gentileschi, Rosa Bonheur, Käthe Kollwitz, Frida Kahlo, Jeny Saville, Mihri Müşfik, Fahrünnisa Zeid, Şükriye Dikmen, Neşe Erdok, Nur Koçak and Gülsün Karamustafa, among the prominent painters in terms of Turkish and world history, were discussed. ​Extended English summary is in the end of Full Text PDF (TURKISH) file.   Özet The woman, has been one of the main themes of art throughout all art processes. Social processes and the place of women in society were also reflected in art and shaped the image of women in art. The same, artwork sheds light on the social conditions of the period. The fact that women remain in the background in social life is seen in the art of painting as in many other fields since the transition to the patriarchal order. Although the image of the woman has changed over the years, the woman is outside of her identity; It continued to be processed as a mother, wife or sexual object. Despite many advances in the individual works of contemporary artists and in the art that values women, a prejudiced view towards women has not yet been prevented. When the number of women engaged in art increases, women's self-expression has brought a different dimension to this commodification instead of the male gaze. The inclusion of feminist discourse and the changing structure of the world in art has also affected the role of women in social life. Art is one of the methods that can be used to achieve social change. For this reason, it can be said that women should continue to raise their voices for their rights and freedoms through art. One of the biggest roles in this regard falls to female artists. In this research; Throughout history, the image of women in painting and women painters have been examined, and the process of women's existence in art has been evaluated. For this purpose, written documents on the image of women, women painters and their lives from past to present have been examined. The image of women in art and its change throughout history, prominent female painters in the world, the image of women in Turkish painting and Turkish women painters, have revealed the place of women in the field of painting. Levina Teerlinc, Artemisia Gentileschi, Rosa Bonheur, Käthe Kollwitz, Frida Kahlo, Jeny Saville, Mihri Müşfik, Fahrünnisa Zeid, Şükriye Dikmen, Neşe Erdok, Nur Koçak and Gülsün Karamustafa, among the prominent painters in terms of Turkish and world history, were discussed.

The True Believers

2018 ◽  
Author(s):  
Barbara J. Risman
Keyword(s):  
Gender Differences ◽  
Social Networks ◽  
Social Life ◽  
Gender Ideology ◽  
Macro Level ◽  
Individual Level ◽  
Gender Differentiation ◽  
The World ◽  
The Individual ◽  
Gendered Expectations

This is the first data chapter. In this chapter, respondents who are described as true believers in the gender structure, and essentialist gender differences are introduced and their interviews analyzed. They are true believers because, at the macro level, they believe in a gender ideology where women and men should be different and accept rules and requirements that enforce gender differentiation and even sex segregation in social life. In addition, at the interactional level, these Millennials report having been shaped by their parent’s traditional expectations and they similarly feel justified to impose gendered expectations on those in their own social networks. At the individual level, they have internalized masculinity or femininity, and embody it in how they present themselves to the world. They try hard to “do gender” traditionally.

Commentary

2017 ◽  
Author(s):  
Peggy J. Miller ◽  
Grace E. Cho
Keyword(s):  
Self Esteem ◽  
Social Imaginary ◽  
Active Engagement ◽  
Socioeconomic Conditions ◽  
Personal Meanings ◽  
Self Evaluation ◽  
The Social ◽  
The World ◽  
The Individual ◽  
Past Experiences

Chapter 12, “Commentary: Personalization,” discusses the process of personalization, based on the portraits presented in Chapters 8–11. Personalization is not just a matter of individual variation; it is a form of active engagement through which individuals endow imaginaries with personal meanings and refract the imaginary through their own experiences. The portraits illustrate how the social imaginary of childrearing and self-esteem entered into dialogue with the complex realities of people’s lives. Parents’ ability to implement their childrearing goals was constrained and enabled by their past experiences and by socioeconomic conditions. The individual children were developing different strategies of self-evaluation, different expectations about how affirming the world would be, and different self-defining interests, and their self-making varied, depending on the situation. Some children received diagnoses of low self-esteem as early as preschool.

Resurrection

2009 ◽  
Author(s):  
Leo Tolstoy
Keyword(s):  
Nineteenth Century ◽  
Social Life ◽  
The Novel ◽  
Recent Scholarship ◽  
The Social ◽  
The World

Resurrection (1899) is the last of Tolstoy's major novels. It tells the story of a nobleman's attempt to redeem the suffering his youthful philandering inflicted on a peasant girl who ends up a prisoner in Siberia. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence, dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting its author's outrage at the social injustices of the world in which he lived. This edition, which updates a classic translation, has explanatory notes and a substantial introduction based on the most recent scholarship in the field.

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