scholarly journals Citra Wanita Tokoh Utama Rani Novel Cerita Tentang Rani Karya Herry Santoso Kajian Kritik Sastra Feminis

2020 ◽  
Vol 9 (2) ◽  
pp. 137-143
Author(s):  
Hasindah Mawarni ◽  
Sumartini Sumartini
Keyword(s):  
Literary Criticism ◽  
Young Woman ◽  
Research Method ◽  
Family Members ◽  
Psychological Aspects ◽  
Main Character ◽  
Social Image ◽  
Self Image ◽  
Feminist Literary Criticism ◽  
The Family

Tujuan penelitian ini adalah untuk mengetahui citra wanita dalam sebuah novel karya Herry Santoso berjudul Cerita Tentang Rani. Pendekatan yang digunakan dalam penelitian ini adalah feminisme dan dikaji menggunakan kritik sastra feminis. Metode penelitian yang digunakan yaitu metode deskripsi kualitataif. Adapun permasalahan yang muncul dalam penelitian ini adalah bagaimana citra wanita tokoh utama Rani yang terdapat dalam novel Cerita Tentang Rani karya Herry Santoso. Dalam artikel ini, ditemukan citra tokoh utama Rani meliputi, citra diri dan citra sosial. Citra diri wanita terdiri dari aspek fisik dan psikis, dalam aspek fisik tokoh Rani digambarkan sebagai wanita muda yang cantik dan sudah berkeluarga, seorang wanita yang pandai memasak serta berpenampilan menarik. Dalam aspek psikis Rani digambarkan sebagai wanita yang kuat, tegas, berani, penyanyang keluarga, berani berpendapat yang dianggap benar, selalu bersikap patuh, sabar dan patuh pada perintah suaminya. Sedangkan, citra sosial terdiri dari citra dalam keluarga dan citra dalam masyarakat. Citra dalam keluarga tokoh utama Rani berperan sebagai seorang istri, anak dan anggota keluarga yang penuh tanggungjawab, menyanyi orangtua. Sedangkan, citra dalam masyarakat Rani berperan sebagai wanita yang aktif, tegas dan disiplin, peduli, bertanggungjawab atas tugasnya sebagai seorang guru. The purpose of this research is to find out the image of women in a novel by Herry Santoso entitled Story About Rani. As for the problem that arises in this research is how the image of the main character Rani is contained in Cerita Tentang Rani Herry Santoso'snovel. The approach used in this study is feminism and studied using feminist literary criticism. The research method used is the quality description method. In this article, the image of Rani's main characters is found, including self-image and social image. Women's self-image consists of physical and psychological aspects, in the physical aspects of the character Rani is described as a beautiful young woman and has a family, a woman who is good at cooking and attractive appearance. In psychic aspects, Rani is described as a woman who is strong, firm, brave, family, daring to think that she is right, always being obedient, patient and obedient to her husband's orders. Whereas, social image consists of images in the family and images in society. The image in the family of the main character Rani acts as a wife, child and family members who are full of responsibility, singing parents. Meanwhile, the image in the Rani community acts as a woman who is active, assertive and disciplined, caring, responsible for her duties as a teacher.  

scholarly journals ANALISIS KEBERADAAN EMMA LOU DALAM THE BLACKER THE BERRY KARYA WALLACE THURMAN

HUMANIKA ◽  
2016 ◽  
Vol 23 (1) ◽  
pp. 1
Author(s):  
Ratna Asmarani
Keyword(s):  
Literary Criticism ◽  
Young Woman ◽  
Research Method ◽  
The Novel ◽  
Literary Research ◽  
Feminist Literary Criticism ◽  
Black Skin ◽  
Modes Of Existence

This paper deals with the novel entitled The Blacker the Berry written by Wallace Thurman. The focus of analysis is on the existence of Emma Lou, a young woman with very black skin. The literary research method used is the contextual method supported by Sartre’s ‘Modes of Existence’, Bergoffen’s concept on female’s body, the concept of intra-racial racism, and Faludi’s ‘Backlash’ framed in feminist literary criticism. The result shows that it is not easy for a young, black-skinned woman to live in a world still strictly applied intra-racial racism. She has to endure a bombardment of existential backlashes in the form of otherness due to the ideology adoring lighter skin. Her decision to construct her own existence emerges after she is able to accept her specific blackness.

scholarly journals Citra Perempuan dalam Novel Metropop “Tetralogi Empat Musim” Karya Ilana Tan

2019 ◽  
Vol 14 (4) ◽  
pp. 583-598
Author(s):  
Tania Intan ◽  
Vincentia Tri Handayani ◽  
Witakania Sundasari Som
Keyword(s):  
Literary Criticism ◽  
Urban Areas ◽  
Methodological Approach ◽  
Social Image ◽  
Love Relationships ◽  
Female Self ◽  
Self Image ◽  
Feminist Literary Criticism ◽  
The Social ◽  
Female Figures

When the storyline of chick lit and teen lit is always dominated by female figures, the metropop shows female and male figures. However, like popular novels that are more read and written by women, the metropop always presents issues that are centered on women. Therefore, this research was conducted with the aim of revealing the image of women in the ‘Tetralogi Empat Musim’ metropop by Ilana Tan consisting of ‘Summer in Seoul’ (2006), ‘Autumn in Paris’ (2007), ‘Winter in Tokyo’ (2008), and ‘Spring in London’ (2010). Data was collected by note-taking technique, and analyzed by descriptive-qualitative method. The methodological approach and the theoretical basis adopted for this research are feminist literary criticism. The results of the analyse indicate that in the tetralogy, (1) female self-image is displayed subject with TWITS (Teenage Women in Their 30s) characteristics, namely single, independent, working, aged between 24-30 years, beautiful and attractive, living in urban areas, lifestyle metropolis, heterosexual, and have character ‘The Waif’, and have 'weakness'. (2) The social image of women is described as being still the object of a patriarchal system in the form of dependence on male figures due to love relationships.

scholarly journals O COTIDIANO DE PESSOAS COM TRANSTORNO ESPECTRO AUTISTA DE ALTA FUNCIONALIDADE: uma análise da Série Atypical

2020 ◽  
Vol 6 (2) ◽  
pp. 338-345
Author(s):  
Nara Moreira Baldoino ◽  
Delza Ferreira Mendes
Keyword(s):  
Social Interaction ◽  
Developmental Disorder ◽  
Family Members ◽  
Main Character ◽  
The Family ◽  
A Chain ◽  
Personal Interests

Autism is classified as a global developmental disorder, characterized by growth sharply atypical in social interaction and in communication and the presence of a restricted repertoire of activities and personal interests (APA, 2013). Based on this was realized this analysis essay of the American series Atypical, where the main character Samuel, a young of 18 years old diagnosed with ASD goes through moments of anguish, when seeks his independence, having an overprotective mother, an older sister who seeks to welcome, a father having difficulty communicating with him and friends who serve as motivation for your daily development. The idea is postulated that when an illness or disability occurs in one of the family members, a chain of emotional stages occurs and attitudinal approximately constant and universal, these being: shock, denial, depression, adaptation and reorganization (Klüber-Ross, 1996). It can be said that the discussion of the topic addressed is of total relevance so that there is greater inclusion of patients with ASD, intending to contribute to the increase of society's knowledge about the challenges faced by autistic patients, their families and friends.

scholarly journals CITRA PEREMPUAN DALAM KUMPULAN PUISI MILK AND HONEY (Image of Women in Milk and Honey Poetry)

Sirok Bastra ◽  
2021 ◽  
Vol 9 (2) ◽  
Author(s):  
Adella Rizkia ◽  
Dadan Rusmana ◽  
Resti Nurfaidah ◽  
Rini Widiastuti
Keyword(s):  
Data Analysis ◽  
Data Collection ◽  
Literary Criticism ◽  
Research Method ◽  
Qualitative Method ◽  
Note Taking ◽  
Analysis Techniques ◽  
Feminist Literary Criticism ◽  
Using Data ◽  
Data Collection Technique

Tujuan penelitian ini adalah untuk mendeskripsikan dan mengidentifikasi citra perempuan pada kumpulan puisi Milk and Honey karya Rupi Kaur. Metode penelitian yang digunakan adalah metode kualitatif dengan menggunakan kritik sastra feminisme. Teknik pengumpulan data dilakukan dengan menggunakan teknik simak catat. Sedangkan tahapan penelitian data dilakukan dengan menggunakan teknik analisis data. Citra perempuan diklasifikasikan menjadi tiga aspek, yaitu fisik, psikis, dan sosial. Hasil penelitian dan pembahasan menunjukkan bahwa citra perempuan tidak hanya memberikan gambaran mengenai tingkah laku, mental, dan sosial perempuan, tetapi juga memperlihatkan gambaran mengenai berbagai permasalahan yang dihadapi perempuan di dalam masyarakat patriarki. The purpose of this study was to describe and identify the image of women in the collection of poetry Milk and Honey by Rupi Kaur. The research method used is a qualitative method using feminist literary criticism. The data collection technique was carried out using the note-taking technique. While the data research stages are carried out using data analysis techniques. The image of women is classified into three aspects, namely physical, psychological, and social. The results of the research and discussion show that the image of women not only provides an overview of women's behavior, mental and social, but also shows an overview of the various problems faced by women in a patriarchal society.

scholarly journals Perempuan Lajang dan Perjodohan dalam Novel "Jodoh Terakhir" Karya Netty Virgiantini

2021 ◽  
Vol 10 (1) ◽  
pp. 1
Author(s):  
Tania Intan
Keyword(s):  
Social Construction ◽  
Literary Criticism ◽  
Single Women ◽  
Adult Women ◽  
The Novel ◽  
Note Taking ◽  
Female Characters ◽  
Social Constructs ◽  
Feminist Literary Criticism ◽  
The Family

Kelajangan dianggap sebagai hal yang tidak wajar pada perempuan dewasa. Penelitian dilakukan dengan tujuan mengungkap bagaimana perempuan lajang dan perjodohan ditampilkan di dalam novel “Jodoh Terakhir” (2016) karya Netty Vigiantini. Metode yang digunakan adalah deskriptif kualitatif dengan pendekatan sosiologi sastra dan kritik sastra feminis. Data berupa kata, frasa, dan kalimat dikumpulkan dengan teknik simak catat setelah melalui pemhacaan tertutup. Hasil penelitian menunjukkan bahwa perempuan lajang dianggap tidak wajar dan melanggar aturan, sehingga untuk mengembalikannya pada jalur normatif, perjodohan dijadikan solusi. Dalam novel, terungkap adanya resistensi dan negosiasi dari tokoh perempuan dalam menyikapi pernikahan yang dipaksakan kepadanya. Kecurigaan bahwa teks akan cenderung bersifat feminis tidak terbukti, karena wacana yang justru dikembangkan pengarang adalah kepatuhan anak perempuan pada konstruksi sosial yang ditanamkan melalui struktur keluarga.Katakunci: feminis, konstruksi sosial, lajang, perjodohan Abstract:Singleness is considered an unnatural thing for adult women. This research was conducted to reveal how single women and matchmaking are featured in Netty Vigiantini's novel Jodoh Terakhir (2016). The method used is descriptive qualitative with sociological literary approaches and feminist literary criticism. Data in the form of words, phrases, and sentences were collected using the note-taking technique after going through closed reading. The data are then classified, interpreted, and analyzed with relevant theories. The results of this study indicate that single women are considered unnatural and violate the rules, so to return them to the normative path, matchmaking is used as a solution. In the novel, it is revealed that there are resistance and negotiation from female characters in responding to the marriage that was forced on her. The suspicion that the text will tend to be feminist is not proven, because the discourse developed by the author is the obedience of girls to social constructs that are instilled through the family structure.Keywords: feminist, social construction, single, matchmaking

scholarly journals Citra Perempuan dalam Novel "Kala" Karya Stefani Bella dan Syahid Muhammad

2020 ◽  
Vol 9 (2) ◽  
pp. 164
Author(s):  
Hanif Ivo Khusri Wardani ◽  
Rina Ratih Sri Sudaryani
Keyword(s):  
The Novel ◽  
Main Character ◽  
Note Taking ◽  
Social Image ◽  
The People ◽  
Study Results ◽  
The Family ◽  
The One ◽  
Descriptive Qualitative

Penelitian bertujuan untuk mendeskripsikan citra perempuan pada tokoh utama dalam novel “Kala” karya Stefani Bella dan Syahid Muhammad dengan kajian feminisme ideologis. Penelitian dilakukan secara deskriptif kualitatif. Pengumpulan data dilakukan dengan teknik kepustakaan dan teknik baca-catat serta metode membaca sebagai perempuan. Hasil penelitian adalah sebagai berikut: (1) citra fisik Lara adalah perempuan dewasa yang sederhana, apa adanya, dan tidak suka bersolek, (2) citra psikis Lara adalah perempuan yang berjiwa kuat, tegar, tanggung jawab, dan mandiri, (3) citra sosial Lara dalam keluarga adalah anak perempuan yang berbakti kepada orang tuanya, dan (4) citra sosial Lara dalam masyarakat adalah perempuan yang ramah, mudah bergaul, dan aktif berkegiatan. Sosok perempuan dalam novel “Kala” ini menggambarkan sosok perempuan yang berhasil menyetarakan kedudukannya dengan laki-laki khususnya dalam bidang pekerjaan di ranah publik. Ketidakadilan yang dihadapinya karena jenis kelamin tidak menjadikan perempuan lemah dan terpuruk tetapi membangkitkan semangatnya menjadi perempuan yang mandiri.Katakunci: citra, perempuan, feminis ideologisAbstract:The study aimed to describe the woman’s image reflected by the main character of Kala, a novel written by Stefani Bella and Syahid Muhammad. The woman’s image was viewed from an ideological feminism approach. The research was descriptive qualitative of which the data were collected through library study and note-taking, as well as reading as woman. The study results in several findings. First, Lara’s physical image was described as modest, natural, and not keen on prinking herself. Second, psychologically, Lara’s image was strong, tough, responsible, and independent. Third, Lara’s social image in the family was filial to her parents, and fourth, Lara’s social image in society was described as friendly, sociable, and active. The woman’s figure in the novel shows the one who is able to equalize the position with men, especially in occupations related to the people. The inequality as experienced by the character should not weaken women. Instead, it should encourage women to be independent.Keywords: image, women, ideological feminism

scholarly journals CITRA PEREMPUAN DALAM NOVEL CERITA TENTANG RANI KARYA HERRY SANTOSO; TINJAUAN KRITIK SASTRA FEMINIS* (The Image of Women in the Novel Entitled Cerita Tentang Rani by Herry Santosa: A Feminist Literary Criticism)

ALAYASASTRA ◽  
2019 ◽  
Vol 15 (2) ◽  
pp. 71
Author(s):  
Choerul Anam
Keyword(s):  
Literary Criticism ◽  
Qualitative Method ◽  
Feminist Criticism ◽  
The Novel ◽  
Main Character ◽  
Descriptive Research ◽  
Feminist Literary Criticism ◽  
History Of ◽  
And Gender ◽  
Research Types

This study aims to describe the image of women in Herry Santoso's novel: Cerita Tentang Rani in the perspective of feminist literary criticism. The method applied in the research is a qualitative one. The purpose of the qualitative method leads the writer being able to get to know the in-depth history of the research environment by applying descriptive research types. Feminist criticism theory of Rosemarie Putnam Tong and gender theory of Judith P. Butler were applied in this research. The results of this study prove that the image of the main character, Maharani, is a strong and tough woman. The images of the woman cover 1) the image of women in her relation with Allah Swt (God); 2) the image of women in her relation with herself; and 3) the image of women in her relationship with others. Keywords: female image, feminist literary criticism, Novel Cerita Tentang Rani.

scholarly journals Interpretation of Family Members’ Involvement in Religious Groups

Society ◽  
2020 ◽  
Vol 8 (2) ◽  
pp. 695-706
Author(s):  
Kurniati Abidin
Keyword(s):  
Social Relationships ◽  
Social Relations ◽  
Cultural Context ◽  
Research Method ◽  
Family Members ◽  
Sampling Technique ◽  
Social Phenomenon ◽  
Religious Groups ◽  
The Family ◽  
Depth Interviews

Family reactions and assessments of all family members towards family members belonging to specific religious groups still occur. This interpretation can trigger disharmony in the family and is an interesting social phenomenon to research. This research uses a qualitative research method. This research assumes that empirical realities occur in a socio-cultural context that is interrelated with one another. This research aims to describe family reactions, family social relationships, and family assessments on their family members’ involvement in specific religious groups. The informants were selected using a purposive sampling technique by taking three people from each religious group (Jamaah Tabligh, Wahdah Islamiyah, and Lembaga Dakwah Islam Indonesia known as LDII). Data were collected using in-depth interviews, observation, and documentation. The data analysis used in this research is descriptive qualitative. The results showed that family social relations on family members’ involvement in certain religious groups tended to get the same reaction based on their interpretation. Contravention interpretation from dominant family on family members belonging to specific religious groups still occurs compared with accommodative relationships. Meanwhile, family assessments on their family members’ involvement in certain religious groups are generally negative.

scholarly journals Lebanon Shiite Woman in the Middle of Discrimination Feminist Literary Criticism Analysis of the Novel Hikayah Az-Zahra

Humanus ◽  
2020 ◽  
Vol 19 (1) ◽  
pp. 47
Author(s):  
Betty Mauli Rosa Bustam
Keyword(s):  
Literary Criticism ◽  
Family Members ◽  
The Novel ◽  
Daily Lives ◽  
State Laws ◽  
Feminist Literary Criticism ◽  
Laws And Regulations

This article reveals a picture of discrimination against women that occurs in a Shiite Muslims community in Lebanon. As is well known, Shi'a Muslims are second only to Sunnis in Lebanese Muslims as a whole, even though both populations are balanced. Islam itself became the second religion after Christianity in Lebanon and there are still several other religions (sects). Lebanon accommodates the growth of many religions that have a variety rules for their followers, so there is often attraction in making decisions regarding state laws and regulations, especially relating to women. Feminist Literary Criticism is used to explain all literary phenomena relating to women that aesthetically spread in the Hikayah az-Zahra novel which is the object of the research, this is due to the peculiarities of women which can only be explained using their own perspective. The results of this study will show a variety of forms of discrimination against women in Shiite circles, which are part of the daily lives of Lebanese people in situations of prolonged conflict. Shiite women, represented by the character of Zahra, cannot even expect protection from anywhere, including family members.

scholarly journals Bride kidnapping in Northern Kyrgyzstan as the initial stage of subjectivity-forming process Bride kidnapping in Northern

2021 ◽  
Vol 6 (6) ◽  
Author(s):  
Sylwia Pietrowiak
Keyword(s):  
Young Woman ◽  
Social Process ◽  
Family Members ◽  
Collective Agency ◽  
Kyrgyz Republic ◽  
Female Subjectivity ◽  
Forming Process ◽  
Initial Stage ◽  
The Social ◽  
The Family

Kyz ala kachuu (Kyrgyz: кыз ала качуу) translated as “to take a young woman and run away” is a form of women kidnapping for marriage purposes in Kyrgyzstan (Kyrgyz Republic). This term applies to either of the performed actions: kidnapping with permission from the future wife, and without her consent. In this article, I propose an anthropological interpretation of bride kidnapping, using the concept of ‘person-making’. In my analysis, I go beyond the act of kidnapping itself, which I present as part of a wider social process. Drawing on my fieldwork in Northern Kyrgyzstan, I show that marriage through kidnapping is the first stage in the social process of building female subjectivity and the way ofreproduction of Kyrgyz families. The reproduction takes place through the acquisition, familiarization, and constitution of subjectivity resulting from the collective agency of all the family members.

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