scholarly journals Translation Strategy of Proper Name

2019 ◽  
Vol 3 (2) ◽  
pp. 151-164
Author(s):  
M. Agus Suriadi ◽  
Ni’ mah Nurul Ihsani

Massive discussion has been done related to the translation strategy, including the proper name. This study discussed the types of a proper name and the translation strategy of a proper name in an English-Indonesian Novel Harry Potter and The Chamber of Secret. The data will be presented qualitatively by using Peter Newmark and Lincoln Fernandes theories. Six data are frequently typed into addressing name, four are typed as a geographical place, and one as an object name. Moreover, the most strategies used to engage the equivalence effect are copy strategy with seven data, rendition strategy with three data, and re-creation strategy with one datum. Therefore, the copy strategy can be a solution to deliver proper names into TL because it preserves the proper name and introduces the foreign name of foreign culture to the target language and target culture. Moreover, if a proper name has its equivalence meaning in TL, it might be translated by rendition strategy.

2011 ◽  
Vol 347-353 ◽  
pp. 426-430
Author(s):  
Da Lai Wang

This paper aims to account for sustainable development of different cultures in the context of globalization from the perspective of cultural functions of translation, which wield enormous power in constructing representations of the foreign culture and have far reaching effects in the target culture. According to cultural communication of translation, the major task of translation is to turn the cultural information in one language into another. Therefore, in the process of translating, the translator should try his utmost to allow his target language reader to acquire cultural information of the source text in order to promote mutual understanding between Western people and Eastern people and make different cultures co-exist peacefully and achieve sustainable development.


2005 ◽  
Vol 9 (1) ◽  
Author(s):  
Frédérique Biville

SummaryProper names are specific to the civilisation and to the language in which they occur. The 'translation' of a proper name involves in the first place establishing the identity of its referent This identification is conditioned by the degree of familiarity with the proper name in question and by the cultural and linguistic level of the speakers and hearers who use it. It is often based on a presentation strategy which has recourse to characterising expansion and metalinguistic paraphrase. The translation of a proper name also involves a confrontation with the structures of the target language into which it can be assimilated to differing degrees. In most cases proper nouns become loanwords, but it can also happen that they are translated, that is to say replaced by lexical equivalents, of a greater or lesser degree of complexity, which already exist in the language or which are invented, often maladroitly, for that specific purpose. These translations display a concern to explain rather than to name the foreign object. They reveal differences in status between different onomastic categories and lead to a consideration of the controversial question of the 'meaning' of proper names*.


Literator ◽  
2011 ◽  
Vol 32 (3) ◽  
pp. 105-124 ◽  
Author(s):  
M.R. Masubelele

Through translation the target reader is exposed to other cultures. Translators, therefore, have to use the target language to convey the source text message to the target reader. There are various choices at their disposal as to how they wish to convey the source text message. They may choose to adopt the norms and conventions of the source text message, and therefore those of the source language and culture, or choose those of the target language. Commonly, adherence to the target language norms and conventions leads to a strategy in which the foreignness of both linguistic and cultural conventions is reduced. According to Venuti (1995) this is domestication. Since translations are rarely equivalent to the original, this article seeks to examine how Makhambeni uses Venuti‟s domestication as a translation strategy, with the purpose of rewriting the original to conform to functions instituted by the receiving system. The descriptive approach to translation, which advances the notion that translations are facts of the target culture, will be used to support the arguments presented in this article. It will be shown that, although Achebe has used a lot of Igbo expressions and cultural practices in his novel, Makhambeni has not translated any of the Igbo expressions and cultural practices into Zulu. Instead Makhambeni used Zulu linguistic and cultural expressions such as similes, metaphors, idioms, proverbs and of cultural substitutions to bring the Igbo culture closer to her audience. It will be concluded that through the use Zulu linguistic and cultural conventions Makhambeni has effectively minimised foreign culture and narrowed the gap between the foreign and target cultures. She has successfully naturalised the Igbo culture to make it conform more to what the Zulu reader is used to.


HUMANIS ◽  
2020 ◽  
Vol 24 (4) ◽  
pp. 386
Author(s):  
Ni Putu Devi Lestari ◽  
I Made Winaya ◽  
I Gst. Ayu Gede Sosiowati

Translation procedure is a procedure or a method to translate the unit of language from the source language to the target language. Every linguistic part needs to be translated. It means including the proper names in the literary work. This study is aimed at identifying and analyzing the types of the proper name and their translation procedures in the novel entitled Pembunuhan di Orient Express. The problems in this study are discussed based on the theory of proper name and the theory of the translation procedure by Newmark (1988). The method used to collect the data was documentation method. This study applied the descriptive qualitative method in analyzing the data. The result of the analysis was presented using an informal method. The analysis showed three types of proper names in the data sources. They are people’s names, the name of an object, and the geographical term. The translator uses seven methods from 18 translation procedures that were proposed by Newmark (1988). 


2010 ◽  
Vol 55 (3) ◽  
pp. 474-498 ◽  
Author(s):  
Erika Mussche ◽  
Klaas Willems

This paper investigates the transfer of proper names and references to food in the Arabic translation of the first three Harry Potter volumes. The focus of the study is twofold: (1) What is the relation between the different transfer procedures employed in the translation process and the formal, semantic and cultural properties of the source text material? And (2) what is the effect of the applied procedures on the textual and stylistic features of the target text? The major finding that emerges from the investigation is that the main translation strategy is that of simplification. Occasionally, foreignisation is involved as well, but domestication is virtually absent. The findings broadly concur with converging evidence from the translation of other cultural-specific items in the corpus such as references to school and education, kinship and family ties, and the use of dialect and slang, which additionally demonstrate the role of attenuation and normalisation.


Diacronia ◽  
2017 ◽  
Author(s):  
Cristian Ungureanu

Vita di Pietro is a work authored by the Greek Antonio Catiforo in Italian and published in Venice in 1736. A Greek version was published a year later, also in Venice, by Alexandros Kankellarios. The work is comprised of six books and synthesizes information from various sources relating to the age and personality of the Russian tsar. It was translated several times into Romanian in the mid and late eighteenth century, in all three of the Romanian provinces. The large number of copies is evidence for the interest it aroused during that period. This paper describes several particulars regarding the transfer of the proper names from the source language to the target language. I have analysed four types of proper name: the choronym Moscovia and its relating ethnonym, Western choronyms, Russian anthroponyms, and anthroponyms of other origins, noting how the translators employ their source and the ensuing differences among the versions.


2021 ◽  
Vol 37 (3) ◽  
Author(s):  
Nguyen Viet Khoa

Translation of phraseological units with proper names (PUPs) is topical for the contemporary translation studies nowadays. It is noted that PUPs reflect the culture and national mentality of a definite nation. Quite a few studies have prospectively examined English PUPs and their translation into other languages, but it is hard to find such an in-depth study in the case the target language is Vietnamese. By employing the qualitative approach, this paper sets out the findings of the study where 241 English PUPs in our compiled database were classified into four groups according to their translations into Vietnamese. The group of non-idiomatic and descriptive translation equivalents accounts for a majority of more than 57% of all the PUPs, proving that PUPs in both languages are highly culture-specific. Although the other three groups share a minority of approximately 43% of all the PUPs, they hold interesting implications and multiple levels of similar or different metaphors. Based on the findings, the paper discusses the challenges translators encounter during the translation process of English PUPs into their Vietnamese equivalents. It is evident that among various translation obstacles, the proper name factor is clearly one of the most challenging issues. The paper then proposes some translation solutions to cope with these special expressions. In addition to recommending to flexibly apply translation strategies, the author's conclusion emphasizes that only when translators manage to decode and grasp how PUPs work cross-linguistically in both languages and cultures can they achieve an appropriate translation of English PUPs.


Author(s):  
Olena Karpenko ◽  
Tetiana Stoianova

The article is devoted to the study of personal names from a cognitive point of view. The study is based on the cognitive concept that speech actually exists not in the speech, not in linguistic writings and dictionaries, but in consciousness, in the mental lexicon, in the language of the brain. The conditions for identifying personal names can encompass not only the context, encyclopedias, and reference books, but also the sound form of the word. In the communicative process, during a free associative experiment, which included a name and a recipient’s mental lexicon. The recipient was assigned a task to quickly give some association to the name. The aggregate of a certain number of reactions of different recipients forms the associative field of a proper name. The associative experiment creates the best conditions for identifying the lexeme. The definition of a monosemantic personal name primarily includes the search of what it denotes, while during the process of identifying a polysemantic personal name recipients tend have different reactions. Scientific value is posed by the effect of the choice of letters for the name, sound symbolism, etc. The following belong to the generalized forms of identification: usage of a hyperonym; synonyms and periphrases or simple descriptions; associations denoting the whole (name stimulus) by reference to its part (associatives); cognitive structures such as “stimulus — association” and “whole (stimulus) — part (associative)”; lack of adjacency; mysterious associations. The topicality of the study is determined by its perspective to identify the directions of associative identification of proper names, which is one of the branches of cognitive onomastics. The purpose of the study is to identify, review, and highlight the directions of associative identification of proper names; the object of the research is the names in their entirety and variety; its subject is the existence of names in the mental lexicon, which determines the need for singling out the directions for the associative identification of the personal names.


Author(s):  
Bairon Oswaldo Vélez

This paper comments on the first Spanish translation of João Guimarães Rosa's short story "Páramo", which narrates the exile of a Brazilian lost with mountain sickness in a cold and hostile Bogotá. This translation is briefly explained in the following pages, giving special emphasis to some prominent features of the original version, in addition to the cultural context, critical and theoretical readings and the translation strategy evident in the translator‘s intervention. Finally, it is made clear how a certain perspective of the other – present in the original version as well – passes through the translation process and indicates the conditions of its presentation in the target language. The original article is in Portuguese.


2019 ◽  
Vol 64 (2) ◽  
pp. 175-189
Author(s):  
Jana Šnytová

Summary In this paper, I focused on the translation work by František Benhart which, due to its extensiveness, was of crucial importance to the reception of Slovenian literature in the Czech cultural environment of the second half of the 20th century. The aim of this study is the linguistic analysis of the literary translations of selected literary works of the canon of Slovenian literature into Czech. Translation can be considered to be a cultural transposition, i. e. a transfer of the text and cultural environment from the source language into the text and cultural environment of the target language. In the analyses, I focused on some partial issues that either dominated in the particular text (expressivity, phraseology, idiomatic or proper names) or occurred across the texts analysed (realia) and in this context, I searched for his specific translation solutions. I also examined short excerpts of the original text and its translated counterpart looking for the presence of stylistically marked elements. Based on the results of individual analyses, I presented Benhart’s specific translation approaches and I attempted to summarize and indicate the basic features of his translation method. Furthermore, my second objective was to point out the possible consequences of Benhart’s translation method for the reception of the Slovenian literature in the Czech cultural environment.


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