scholarly journals Features of the nominative situation and principles of nomination in zoonomy

Author(s):  
Tatyana V. Fedotova ◽  

The article attempts to structure the motivational side, as well as the principles of nomination in the formation of the zoonemic layer of onomastic vocabulary. From the point of view of the onomasiological approach, the onomastic nomination is analyzed in the aspect of modeling of the nominative situation, where the specific properties of zoonyms as one of the bits of the names of their own are taken into account. Terminological definition is carried out in connection with the polyemanticity of the term “zoonym”. It is concluded that the reconstruction of the nominative situation (initial motives of the nomination) allows to interpret it as much as possible in order to further use this information in the identification of associative relations. Factors that create a nominative situation when creating a zoonim have been identified. These include both linguistic and extralinguistic: the purpose of the nomination, the age of the nominee, phonetic features of the supposed onim, the inner world of man, associative connections, the influence of zoonimical stereotype. Each component in the nomination process affects the selection of a ready-made name or the creation of a new one in its own way. Synthesis of participation of factors in creation of a nominative situation when forming a zoonim allowed to formulate the basic principles of the nomination characteristic of area of a zoonimiya and also levels on which these principles are based (actually object, object and subject). The distribution of principles by named levels is reflected. It is concluded that the main principles are the nomination of an object by its properties; Nomination as a result of the intended effect of the perception of others; Nomination as a reflection of the inner world and the nominee 's interests, emerging associations; Nomination taking into account the scale of zoonomic stereotypes. It is concluded that the creation of zoonyms is the result of a conscious strategy of the nominee, which reflects the peculiarities of the national specificity of thinking and relevant associative ties in the process of creation.

2019 ◽  
Vol 9 (4) ◽  
pp. 732-737
Author(s):  
O. V. Mudrak ◽  
G. F. Mazur ◽  
K. H. Herasymiuk ◽  
H. V. Mudrak ◽  
H. S. Tarasenko

The article deals with environmental management of the objects and territories of the Eastern Podillya Nature Reserve in the structure of the regional ecological network from the standpoint of physical and geographical zoning. A system of approaches and principles is proposed, which should be used when forming a network of protected objects. The main criterion for the selection of these objects should be the principle of representativeness, while it is advisable to take into account their three types - biotic (botanical; zoological; mycological); geographical (landscape; biogeographic); geosozological (objective; categorical; functional). The area, its size, configuration, state of internal ecological equilibrium, he qualitative and quantitative composition of the protected objects, the degree of anthropogenic impact and the types of conservation regimes play an important role in the creation of the protected objects. But also, of great importance in forming a network of protected objects is the matrix representation, which is widely used in EU countries. The basis is the landscape-zonal principle, where the matrix of biodiversity and landscapes are systems of units of natural areas (biogeographical, geobotanical, floristic, zoogeographic, physical and geographical). According to this principle, the creation of protected objects must be represented by typical (indicator) species of biodiversity, landscapes of all natural zones, subzones, regions, provinces, sub-provinces, districts. On-site surveys of the Eastern Podillya have found that a large proportion of protected sites do not fulfill the function of biodiversity and landscape diversity. The conducted field studies have shown that in the present ecological conditions of the region there is a risk of loss of this diversity. Therefore, using the principle of representativeness, we propose to optimize the nature reserve fund of Eastern Podillya from the point of view of physical and geographical zoning.


Author(s):  
A. A. Grebenyuk

The formation of a new dominant type of culture at the beginning of the 21st century – metamodernism – required the creation of psychological images of a person that would face the challenges of the modern diverse and contradictory world with its all-pervasive virtualization and the creation of previously unseen simulacra of very high orders. Due to these, arose the need for a holistic syncretic reconstruction of psychology as a contradictory unity of science, art and craft. Metamodernism suggests that psychology go on to describe the nature of the psyche and human behavior, using the language of a new aesthetic form – pragmatic romanticism without ideologies. Why shift the research focus from studying a person’s attitude to self, activities and to other people, to expressing this attitude so that one begins to see the study of psychological problems presented by a person, the way one expresses one’s attitude to them, based on true scale of their meaning for one’s personality. The transition happens from studying “attitude to the problem” to studying “expression of the attitude to the problem” consequently excluding provocativeness and irony from psychological tools, which are replaced by a warm human attitude, which is supported by self-reflection, intertextuality and by various references to other cultural forms of expression of the attitude to the problem. Metamodern psychology does not choose a modernist romantic claim to a deep knowledge of the psyche and human behavior, or a postmodern superficiality of such knowledge, but a metamodern depthlessness, in which the presence of a depth of the psyche is recognized, acknowledging that psychology can occasionally peer into, sometimes revealing things previously unseen by it. Guided by the principle of “fluctuation,” it explores as objects of study trivial psychic and behavioral mechanisms and phenomena that, from a modernist and postmodern aesthetic point of view, habitually seem unattractive, simplistic or trivial to view their always existing natural beauty without irony and change them attitude. It suggests starting to view the psychologist as a go-between the client’s inner world, containing a variety of forms hidden in its movements, and psychological concepts, as a result of which it tightly connects the psychological plan formed in the process of such interaction with its implementation.


The success of the Program of housing stock renovation in Moscow depends on the efficiency of resource management. One of the main urban planning documents that determine the nature of the reorganization of residential areas included in the Program of renovation is the territory planning project. The implementation of the planning project is a complex process that has a time point of its beginning and end, and also includes a set of interdependent parallel-sequential activities. From an organizational point of view, it is convenient to use network planning and management methods for project implementation. These methods are based on the construction of network models, including its varieties – a Gantt chart. A special application has been developed to simulate the implementation of planning projects. The article describes the basic principles and elements of modeling. The list of the main implementation parameters of the Program of renovation obtained with the help of the developed software for modeling is presented. The variants of using the results obtained for a comprehensive analysis of the implementation of large-scale urban projects are proposed.


2019 ◽  
Vol 16 (2-3) ◽  
pp. 161-179
Author(s):  
Outi Paloposki

The article looks at book production and circulation from the point of view of translators, who, as purchasers and readers of foreign-language books, are an important mediating force in the selection of literature for translation. Taking the German publisher Tauchnitz's series ‘Collection of British Authors’ and its circulation in Finland in the nineteenth and early twentieth century as a case in point, the article argues that the increased availability of English-language books facilitated the acquiring and honing of translators' language skills and gradually diminished the need for indirect translating. Book history and translation studies meet here in an examination of the role of the Collection in Finnish translators' work.


2020 ◽  
Vol 7 (2) ◽  
pp. 34-41
Author(s):  
VLADIMIR NIKONOV ◽  
◽  
ANTON ZOBOV ◽  

The construction and selection of a suitable bijective function, that is, substitution, is now becoming an important applied task, particularly for building block encryption systems. Many articles have suggested using different approaches to determining the quality of substitution, but most of them are highly computationally complex. The solution of this problem will significantly expand the range of methods for constructing and analyzing scheme in information protection systems. The purpose of research is to find easily measurable characteristics of substitutions, allowing to evaluate their quality, and also measures of the proximity of a particular substitutions to a random one, or its distance from it. For this purpose, several characteristics were proposed in this work: difference and polynomial, and their mathematical expectation was found, as well as variance for the difference characteristic. This allows us to make a conclusion about its quality by comparing the result of calculating the characteristic for a particular substitution with the calculated mathematical expectation. From a computational point of view, the thesises of the article are of exceptional interest due to the simplicity of the algorithm for quantifying the quality of bijective function substitutions. By its nature, the operation of calculating the difference characteristic carries out a simple summation of integer terms in a fixed and small range. Such an operation, both in the modern and in the prospective element base, is embedded in the logic of a wide range of functional elements, especially when implementing computational actions in the optical range, or on other carriers related to the field of nanotechnology.


Author(s):  
N. V. Bashmakova ◽  
K. V. Kravchenko

The purpose of this article is process of analyzing in reference to concert capriccio by C. Munier for mandolin with piano («Bizzarria», op. 201, Spanish сapriccio, op. 276) from the point of view of their genre specificity. Methodology. The research is based on the historical approach, which determines the specifics of the genre of Capriccio in the music of the late 19th and early 20th centuries and in the work of C. Munier; the computational and analytical methods used to identify the peculiarities of the formulation and the performing interpretation of the original concert pianos for mandolins with piano that, according to the genre orientation (according to the composerʼs remarks), are defined as capriccio. Scientific novelty. The creation of Florentine composer,61mandolinist-vertuoso and pedagog C. Munier, which made about 300 compositions, is exponential for represented scientific vector. Concert works by C. Munier for mandolin and piano, created in the capriccio genre, were not yet considered in the art of the outdoors, as the creativity and composer’s style of the famous mandolinist. Conclusions. Thus, appealing to capriccio by С. Munier, which created only two works, embodied in them virtually all the evolutionary stages of the development of genre. In his opus of this genre there are a vocal, inherent in capriccio of the 17th century solo presentation, virtuosity, originality, which were embodied in the works of 17th – 18th centuries and the national color of the 19th century is clearly expressed. Thus, the Spanish capriccio is a kind of «musical encyclopedia» of national dance, which features are characteristic features of bolero, tarantella, habanera, and so forth. The originality of opus number 201 – «Bizzarria», is embodied in the parameters of shaping (expanded cadence of the soloist in the beginning) and emphasized virtuosity, which is realized in a wide register range, a variety of technical elements.


Author(s):  
Petar Halachev ◽  
Aleksandra Todeva ◽  
Gergana Georgieva ◽  
Marina Jekova

he report explores and analyzes the application of the most popular programming languages from different organizations: GitHub; Stackoverflow; the TIOBE's Community index. The main client technologies: HTML; CSS; JavaScript; Typescript are presented and analysed. Features are characterized and the advantages and the disadvantages of the server technologies are described: Java; PHP; Python; Ruby. The application areas for web site development technologies have been defined. The creation of a quality web site is a complex and complicated process, but by observing some guidelines and recommendations in the work process can help to select the tools and the technologies in its design and development.


Trictrac ◽  
2016 ◽  
Vol 9 ◽  
Author(s):  
Liliana Danciu ◽  
Petru Adrian Danciu

The axes of the creation and birth of the imaginary as a mythical language. Our research follows the relationships of the concepts that are taking into account creation on the double axis of verticality and horizontality. We highlight those symbolic elements which would later constitute the mythical language about the sacred space-temporality. Inside this space-temporality a rich spectrum of mythical images develops; images capable of explaining the relationships of the creation plans. Without a religious perception of the temporality, the conceptualization of the axis would remain a philosophical approach. Through our point of view, the two are born simultaneously. Thanks to them, creation can be imagined. The first “frozen” formula of the mystical human spirit can be thought, brought to a palpable reality, expressed in an oral and then a written form. Studied together, temporality (sacred or not) and space are permanently imagined together. For example, a loss of mundane temporality in the secret ecstasy that offers to the soul an ascending direction does not mean getting out of universal temporality, but of its mundane section. In the sacred space the soul relates to time. Even the gods are submitted by the sacred, Aeon sometimes being synonymous to destiny. The universal creator seems to evade every touch, but not consistently, only when he avoids the descent into its created worlds. In sacredness, time and space seem or become confused, both expressing the same reality, by the immediate swing from thinking to deed. The mythical imagery conceives the displacement in the primary space-temporality by the spoken word. So, for something to appear and live, the spoken word is required. Even the divine dream appears as a pre-word of a creator’s thought. The thought follows the spoken word, the spoken word follows the gestures which finally indicate the meanings of the creative act, controlling the rhythm of the creation days. These three will later be adapted through imitation in rite. We are now situated at the limit of the physical world, a real challenge for the mythical imagery. The general feature of the mythical expression on the creation of the material world is the state of the divinity’s exhaustion, most often conceptualized by sacrifice or divine fatigue. The world geography identifies with the anatomy of a self-gutted god. Practically, material creation is most likely the complete revelation of God’s body autopsy. As each body decomposes, everything in it is an illusion. An axial approach of the phenomenon exists in all religious systems. The created element’s origin is exterior, with or without a pre-existing matter, by a god’s sacrifice or only because it has to be that way. This is the starting point of the discussion on the symbolism of axiality as a reason for the constitution of the language of creation, capable of retelling the imaginary construction of myth in an oral and then written form.


Upravlenie ◽  
2020 ◽  
Vol 8 (4) ◽  
pp. 116-122
Author(s):  
Sadeghi Elham Mir Mohammad ◽  
Ahmad Vakhshitekh

The article considers and analyses the basic principles and directions of Russian foreign policy activities during the presidency of V.V. Putin from the moment of his assumption of the post of head of state to the current presidential term. The authors determine the basic principles of Russia's foreign policy in the specified period and make the assessment to them. The study uses materials from publications of both Russian and foreign authors, experts in the field of political science, history and international relations, as well as documents regulating the foreign policy activities of the highest state authorities. The paper considers the process of forming the priorities of Russia's foreign policy both from the point of view of accumulated historical experience and continuity of the internal order, and in parallel with the processes of transformation of the entire system of international relations and the world order. The article notes the multi-vector nature of Russia's foreign policy strategy aimed at developing multilateral interstate relations, achieving peace and security in the interstate arena, actively countering modern challenges and threats to interstate security, as well as the formation of a multipolar world. The authors conclude that at present, Russia's foreign policy activity is aimed at strengthening Russia's prestige, supporting economic growth and competitiveness, ensuring security and implementing national interests. Internal political reforms contribute to strengthening the political power of the President of the Russian Federation and increasing the efficiency of foreign policy decision-making.


Panggung ◽  
2014 ◽  
Vol 24 (1) ◽  
Author(s):  
Nur Sahid

ABSTRACTRevolutionary struggle in order to compete for the independence of Indonesia has been a source of inspiration Indonesian artists, including Bambang Soelarto who wrote drama Domba-domba Re- volusi (DDR). DDR studied drama is quite interesting because it tries to criticize the freedom fight- ers. This study aims to: first to know the theme and the problem plays DDR; second to determine the relationship of the socio - historical struggle in 1948 with the sociological elements of drama DDR themes and issues. This study uses sociological theory of art. The basic principles of the sociology of art is the fact that the creation of works of art influenced by the historical social conditions where the work was created. Research using content analysis of Krippendorf, the methods used to examine the symbolic phenomena with the aim to explore and express the observed phenomenon which is the content, meaning, and an essential element of the literary work. Based results of this research is that Bambang Soelarto as the author tries to capture di?erence between fighters during the struggle for the political aspirations for 1948 are expressed in a work of drama. Historical events inspired the creation of drama DDR. Soelarto want to respond to the political aspirations of the di?erence between historical figures and wanted to provide an assessment and outlook through DDR.Keywords: themes, drama, sociology of art, social historical ABSTRAKRevolusi perjuangan dalam rangka memperebutkan kemerdekaan Indonesia telah men- jadi sumber inspirasi para seniman Indonesia, termasuk Bambang Soelarto yang menulis drama Domba-domba Revolusi (DDR). Drama DDR cukup menarik diteliti karena mencoba mengkritisi para pejuang kemerdekaan. Penelitian ini bertujuan untuk: pertama, mengeta- hui tema dan permasalah drama DDR; kedua, mengetahui hubungan kondisi sosio-histo- ris perjuangan pada tahun 1948 dengan unsur-unsur sosiologis terimplisir pada unsur tema dan masalah drama DDR. Penelitian ini menggunakan teori sosiologi seni. Prinsip dasar dari sosiologi seni adalah adanya fakta bahwa penciptaan karya seni dipengaruhi oleh kon- disi sosial historis tempat karya itu diciptakan. Penelitian ini menggunakan metode con- tent analysis dari Krippendorf, yakni metode yang dipergunakan untuk meneliti fenome- na-fenomena simbolik dengan tujuan untuk menggali dan mengungkapkan fenomena yang teramati yang merupakan isi, makna, dan unsur esensial karya sastra. Berdasarkan hasil penelitian dapat diketahui bahwa Bambang Soelarto sebagai penulis mencoba un- tuk menangkap perbedaan antara pejuang aspirasi politik selama perjuangan tahun 1948 untuk diekspresikan dalam sebuah karya drama. Peristiwa sejarah mengilhami penciptaan drama DDR. Soelarto ingin menanggapi aspirasi politik perbedaan antara tokoh-tokoh se- jarah dan ingin memberikan penilaian dan pandangan pandangannnya melalui DDR.Kata kunci: tema, drama, sosiologi seni, sosial historis


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