scholarly journals Cultural and Social Life of Turkish Pasha in Belgrade – Example of Ali Riza Pasha

2019 ◽  
Vol 14 (1) ◽  
Author(s):  
Danko Leovac
Keyword(s):  
Social Life ◽  
Cultural Dimension ◽  
Upper Echelons ◽  
The Past ◽  
Cultural Life ◽  
The Social ◽  
Relationship Of

This paper focuses on the analysis of a very peculiar relationship of the last commander of the Belgrade fortress Ali Riza-Pasha towards the social and cultural life of the Serbian capital. Having in mind that the relations between the Serbs and Turks at the time were very specific, this pasha decided to break with the shackles of the past and became the first pasha up until that time to get himself fully immersed in the Serbian social life. He personally participated in numerous festivities, while his wife Meyra became known as the first wife of a pasha to organize parlour receptions for women from the upper echelons of the Serbian society at the time. Her oriental-themed salons left a deep mark on the society of the Serbian capital. Our goal in this paper is to present a folkloric and cultural dimension of the life of a Turkish pasha, but also the life at court by showing the activities of his wife.

War and Social Policy1

2018 ◽  
pp. 44-53
Author(s):  
Richard M. Titmuss
Keyword(s):  
Social Policy ◽  
Social Life ◽  
Economic Effects ◽  
The Past ◽  
The Social ◽  
Relationship Of ◽  
Effects Of War ◽  
The Relationship ◽  
Modern War ◽  
The Way

This chapter focuses on the relationship of war and social policy. So far as the story of modern war before 1939 is concerned, little has been recorded in any systematic way about the social arid economic effects of war on the population as a whole. Only long and patient research in out-of-the-way documentary places can reveal something of the characteristics and flavour of social life during the experience of wars in the past. In discussing social policy, the chapter pertains to those acts of governments deliberately designed and taken to improve the welfare of the civil population in time of war. It also asks whether there were any recorded accounts of the movement of civilian populations in past wars as a calculated element in war strategy.

Popularitas Tari Piring sebagai Identitas Budaya Minangkabau

Panggung ◽  
2013 ◽  
Vol 23 (3) ◽  
Author(s):  
Indrayuda
Keyword(s):  
Cultural Heritage ◽  
Life Style ◽  
Social Life ◽  
Attitudes And Behaviors ◽  
Cultural Life ◽  
The People ◽  
The Social ◽  
West Sumatra ◽  
And Behaviors ◽  
Origin Area

ABSTRACT This article aims to explain the existence of Tari Piring dance as a culture identity of Minang- kabau people, both the people who live in the origin area and outside the area. Tari Piring dance is a traditional cultural heritage of Minangkabau people which is used and preserved by Minangkabau people in their life so that it becomes culture identity of Minangkabau people. As the identity of Minangkabau people, Piring dance is able to express attitudes and behaviors as well as the charac- teristics of Minangkabau people. The dance can serve as a reflection of social and cultural life style of Minangkabau society. Through Tari Piring performance, the outsider can understand Minangkabau people and their culture. Tari Piring, therefore, is getting more adhere to the social life of Minang- kabau people in West Sumatra and in the regions overseas. In the spirit of togetherness, Minang- kabau society preserves the existence of Piring dance as the identity and cultural heritage up to the present time. Keywords: Piring Dance, Minangkabau culture  ABSTRAK Artikel ini bertujuan untuk menjelaskan keberadaan Tari Piring sebagai identitas bu- daya masyarakat Minangkabau, baik yang berada di daerah asal maupun di daerah peran- tauan. Tari Piring merupakan warisan budaya tradisional masyarakat Minangkabau yang digunakan dan dilestarikan oleh masyarakat Minangkabau dalam kehidupannya sehingga menjadi identitas budaya Minangkabau. Sebagai jati diri masyarakat Minangkabau, Tari Piring mampu mengungkapkan sikap dan prilaku serta karakteristik orang Minangkabau. Tari Piring dapat berperan sebagai cerminan dari corak kehidupan sosial budaya masyara- kat Minangkabau. Melalui pertunjukan Tari Piring, masyarakat luar dapat memahami orang Minangkabau dan budayanya. Oleh karena itu, sampai saat ini Tari Piring semakin melekat dengan kehidupan sosial masyarakat Minangkabau di Sumatera Barat maupun di daerah perantauan. Dengan semangat kebersamaan, masyarakat Minangkabau mampu mempertahankan keberadaan Tari Piring sebagai identitas dan warisan budayanya hingga masa kini. Kata kunci : Tari Piring, budaya Minangkabau

Risking Debt for Honor

2017 ◽  
Vol 43 (1) ◽  
pp. 51-71
Author(s):  
Jennifer R. Cash
Keyword(s):  
Social Relations ◽  
Social Life ◽  
Urban Migration ◽  
Long Term Stability ◽  
The Past ◽  
Political Upheaval ◽  
The Social ◽  
Rural Urban Migration ◽  
The Republic

Research on godparenthood has traditionally emphasized its stabilizing effect on social structure. This article, however, focuses attention on how the practices and discourses associated with marital sponsorship in the Republic of Moldova ascribe value to the risks and uncertainties of social life. Moldova has experienced substantial economic, social, and political upheaval during the past two decades of postsocialism, following a longer period of Soviet-era modernization, secularization, and rural–urban migration. In this context, godparenthood has not contributed to the long-term stability of class structure or social relations, but people continue to seek honor and social respect by taking the social and economic risks involved in sponsoring new marriages.

scholarly journals GURIAH LIMPAPEH

2018 ◽  
Vol 7 (2) ◽  
pp. 218
Author(s):  
Intania Ananda Jonisa ◽  
Susas Rita Loravianti ◽  
Rasmida Rasmida
Keyword(s):  
Social Life ◽  
Open Space ◽  
Final Part ◽  
Behavior Patterns ◽  
Female Behavior ◽  
The Third ◽  
The Past ◽  
The Social ◽  
Main Medium ◽  
The Ideal

AbstrakKarya tari yang berjudul “Guriah Limpapeh” terinspirasi dari kehidupan sosial perempuan Minangkabau yang pengkarya amati di sekeliling pengkarya bersikap dan bertingkah laku tidak sesuai dengan etika idealnya perempuan Minangkabau. Dalam aplikasinya menginterpretasikan bergesernya nilai dan etika perempuan hari ini dan mengungkap nilai yang relevan dengan adat dan budaya Minangkabau. Dalam konsep gerak sebagai media utama tari pengkarya mengembangkan gerak yang relevan dengan konsep garapan, selain itu diperkuat dengan menggunakan drum sebagai properti dan setting. Karya ini digarap dalam tiga bahagian yakni pada bagian pertama menginterpretasikan tentang kehidupan dan aktivitas masyarakat di Kecamatan Matur, bahagian kedua menggambarkan perubahan memori pada dahulu dan zaman sekarang, kemudian bahagian ketiga menginterpretasikan bagaimana pola tingkah laku perempuan yang dalam adat Minangkabau yang disebut Simarewan dan Mambang Tali Awan yang menjadi konflik dalam garapan, sedangkan bagian endingnya adalah mengekspresikan idealnya perempuan Minangkabau yang disebut dengan Parampuan. Karya ini diperkuat dengan musik untuk memperkuat suasana, demikian juga elemen-elemen dan artistik lainnya untuk penampilannya memilih ruang terbuka atau outdoor. Kata Kunci: interpretasi, perempuan, adat MinangkabauAbstractThis work of dance entitled  as "Guriah Limpapeh" which is inspired from the social life of Minangkabau women, that the observed around the worker’s attitude and behaved not in accordance with the ideal ethics of Minangkabau women. In its application interpet the shifting values and ethics of women today and reveal values relevant to the customs and culture of Minangkabau. In the concept of motion as the main medium of the dance the developer develops a motion that is relevant to the concept of arable, besides being strengthened by using drums as property and settings. This work is worked on in three parts, namely in the first part of interpreting the life and activities of the community in the mature sub-district, the second part describes the change of memory in the past and present, then the third part interprets how the female behavior patterns in the Minangkabau tradition called simarewan and mambang tali awan  which becomes conflict in claim while the final part is expressing ideally the Minangkabau women who is called parampuan. This work is strengthened by music to strengthen the atmosphere, as well as other artistic and elements for his appearance in choosing open space or outdoor.Keywords: interpretation, women, adat Minangkabau.

Misoprostol on trial: a descriptive study of the criminalization of an essential medicine in Brazil

2021 ◽  
Vol 37 (10) ◽  
Author(s):  
Mariana Prandini Assis
Keyword(s):  
Public Health ◽  
Social Life ◽  
Descriptive Analysis ◽  
Essential Medicine ◽  
Social Consequences ◽  
Informal Markets ◽  
The Past ◽  
Legal Implications ◽  
Life Saving ◽  
The Social

Misoprostol is a medicine with a “double” social life recorded in several places, including Brazil. Within formal and authorized health facilities, it is an essential medicine, used for life-saving obstetric procedures. On the streets, or in online informal markets, misoprostol is treated as a dangerous drug used to induce illegal abortions. In the Brazilian case, despite a rich anthropological and public health analysis of the social consequences of misoprostol’s double life, there are no studies on the legal implications. This article offers such descriptive analysis, presenting and examining a comprehensive dataset of how Brazilian courts have treated misoprostol in the past three decades. It consists of an encompassing mapping of the “when, where, how, and who” of misoprostol criminalization in Brazil, pointing to the unjust consequences of the use of criminal law for the purpose of protecting public health.

Jaziret Fadel

2021 ◽  
pp. 104-126
Author(s):  
Amal Adel Abdrabo
Keyword(s):  
Social Life ◽  
Arab Countries ◽  
Ethnographic Study ◽  
Point Of View ◽  
Mutual Interaction ◽  
The Past ◽  
The Social ◽  
Preliminary Research ◽  
The Village ◽  
Key Questions

The plight of refugees fleeing from Palestine in 1948 raises several key questions regarding their historical fragmentation as a nation and their future. From a social anthropological point of view, the existing literature seems to tackle the Palestinian case from different perspectives influenced by the mass exodus of Palestinians from their homeland. Such perceptions took for granted the recognition of the state of “refugeeness” of the exiled Palestinians around the globe, while, in reality, it is a mutual interaction between people, place, and time. In the aftermath of the Arab-Israeli War at the beginning of the year 1948, more than 700,000 Palestinians fled their homes in Palestine to the nearby Arab countries, among them was Egypt. Some thousands settled in different areas all over Egypt. Based on a preliminary research on the literature, the author can argue that this is the first ethnographic study of the social life of the village of Jaziret Fadel and its Palestinian inhabitants in Egypt. The chapter is about tackling the historical trajectories, genealogies, memories, and present of the inhabitants of this village who seemed to be torn between two nostalgic pasts. The author's emphasis within this chapter is about how the narratives of the past memories could reveal a lot about the present time of the human societies and their future.

scholarly journals Presenting unwieldy pasts

2020 ◽  
Vol 13 (3) ◽  
pp. 245-252
Author(s):  
Katherine Hite ◽  
Daniela Jara
Keyword(s):  
Social Life ◽  
Social Dynamics ◽  
Late Phase ◽  
The Political ◽  
History And Memory ◽  
The Past ◽  
The Social ◽  
Political Struggles ◽  
Intellectual Traditions ◽  
The Rich

In the rich and varied work of memory studies, scholars have turned to exploring the meanings that different communities assign to the past, the social mediations of memories, as well as how the memories of subaltern subjects re-signify the relationship between history and memory. This special issue explores the ever present dynamics of unwieldy pasts through what have been termed “the spectral turn” and “the forensic turn.” We argue that specters (which appear in the literature as ghosts, or as haunting) and exhumations defy notions of temporality or resolution. Both trace the social dynamics that redefine the meanings of the past and that voice suffering, expose institutions’ limits, reveal disputes, explore affect and privilege political resistance. They draw from significant intellectual traditions across disciplinary and thematic boundaries in the natural and social sciences, the humanities, art and fiction. Their intellectual subjects range from work that explores the political struggles of confronting slavery and the possibility of reparations in the Americas long after it was formally abolished, to sensitive treatments of graves of Franco’s Spain. We suggest that both the spectral turn and the forensic turn have provided lenses to conceptualize the social life of unwieldy pasts, by exploring its dynamics, practices, and the cultural transmissions. They have also offered a language to communities that mobilize the political strength of resentment, deepened by the late phase of global capitalism and its consequent, deepening inequalities.

Availability of public theaters for persons with disabilities

2019 ◽  
Vol 43 (1) ◽  
pp. 59-72
Author(s):  
Aleksandra Mazurek
Keyword(s):  
Social Exclusion ◽  
Social Participation ◽  
Social Life ◽  
Social Phenomenon ◽  
Persons With Disabilities ◽  
Artistic Creation ◽  
Cultural Life ◽  
The Social ◽  
Public Theaters ◽  
Symbolic Interactions

Accessibility is a prerequisite for participation in social life. The possibilities of a person with disability and environmental barriers determine the level of accessibility in various areas of cultural life. The degree of infrastructure adaptations and less visible symbolic interactions have a significant impact on the possibility of social participation and access to cultural artifacts by people from groups at risk of social exclusion. Theater is an area of art, an inseparable element of which is a meeting, and thus openness to what is different, conditions for establishing dialogue and performative interaction. In the Polish theater of recent years, the context of disability is more and more often perceived as a subject of artistic creation. The article discusses institutional theaters constituting significant culture-forming centers in individual regions and taking part in international festivals. The formal infrastructural availability of theatrical spaces to the needs of people with disabilities and the adaptation of the cultural offer to perceptive capabilities of people with different disabilities were analyzed. Other activities related to the social phenomenon of disability were also indicated, if it was possible.

TAVERNS IN INDRA IN THE 1930s FROM A HISTORICAL POINT OF VIEW

Via Latgalica ◽  
2008 ◽  
pp. 163
Author(s):  
Olga Krēgere
Keyword(s):  
Customer Service ◽  
Social Life ◽  
Point Of View ◽  
Main Function ◽  
Popular Entertainment ◽  
Rural Municipality ◽  
Brass Band ◽  
Cultural Life ◽  
The Social ◽  
Live Stock

Based on the sources and literature available to the author, as well as on data obtained during field study, the paper describes the origins and functions of a tavern in Daugavpils region (now Kraslava region) in the rural Indra municipality in the 1930s. The chronology of the paper is determined by the founding of the establishment in 1929 and its operation until 1940 when Latvia was occupied by the USSR army. The paper is organized into three topical parts: first, the origins of the tavern are described, then the environment and its development over time, and finally the fulfillment of the tavern’s objectives in the economic and cultural life. The paper is based on the following: 1) documents of the Latvian State Historical Archives (hereinafter LSHA): The 1935 census materials of the State Statistics committee; Orders to the authorities issued by the head of the administration of Daugavpils County; Notices of the Indra rural municipality (until 1937 Piedruja rural municipality) to the head of the administration of Daugavpils Region; Lists of taxpayers (1929–1940); Population statistics (1941– 1943), 2) Audiotape-recorded narrations of the tavern building heir Anna Šiško obtained during Rezekne University College’s (2007), as well as factual material obtained during the interview (2008). Judging by Jānis Šiško’s family’s purposeful construction of the tavern and its role in Indra’s economic and social culture in the 30’s of the 20th century, it can be considered that its main function was customer service. The operation and the use of the tavern was adjusted to the particular needs of the social life according to the conditions during that period. The location of the tavern within reach of the railway station and the market square provided advantageous lodging and recreation facilities. These were used by the buyers of agricultural goods and corners, called „uzkupči”, arriving on a regular weekly basis from far away, mainly from Riga, by the producers of these goods from the wide neighbourhood, as well as by local farmers in the periods of supply and sale of sugar-beet, flax, and live stock. Therefore, the operation of the tavern contributed greatly to the economic activity of the municipality. Organized recreation – dances and open-air parties in the tavern yard on the playground and in the specially arranged spacious premises of a shed with the border guards brass band, and regular theatre performances and celebrations at the occasion of public holidays – introduced the tavern to the social life of Indra and made it a popular entertainment place in the finest sense of the word and thereby contributed to the enrichment of the county’s cultural life.

VI Images

2010 ◽  
Vol 40 ◽  
pp. 124-149
Author(s):  
Brian A. Sparkes
Keyword(s):  
Social Life ◽  
Visual Language ◽  
Public Performance ◽  
Human Form ◽  
Daily Lives ◽  
Funerary Monuments ◽  
The Past ◽  
The Social ◽  
The Look ◽  
Greek World

As we have seen in previous chapters, throughout the Greek world, in cities, cemeteries, and sanctuaries, images, usually of figures in human form, were omnipresent, shaped at full and small size in wood, stone, and bronze, painted on panels and walls, and chosen as decoration for metal and clay vessels, for textiles, for jewellery and gems, for bone and ivory objects, and so on. Such images were constantly before the eyes of the men and women as they went about their daily lives. They acted as a visual language that was parallel to the oral versions in talk, recitation, songs, and plays. It is unlikely that the general public gave much thought to the men who made the images and gradually changed the look of the statues seen in the street, the reliefs that adorned the temples in the sanctuaries, the funerary monuments in the cemeteries, or the painted objects handled at home and elsewhere. They would have scanned the images for their content – figures created in their imagination or stories conjured up from the past that they had heard in public performance or private conversation, as well as scenes that related to the social life of their own day.

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