scholarly journals HIJAB: KONSEP GENDER SPACE DALAM ARSITEKTUR VERNAKULAR ACEH

2020 ◽  
Vol 6 (1) ◽  
pp. 109
Author(s):  
Nurul Fakriah
Keyword(s):  
Vernacular Architecture ◽  
Space Pattern ◽  
Strong Bound ◽  
Gender Space ◽  
Pattern Production ◽  
Space Production ◽  
Islamic Belief ◽  
The Relationship ◽  
Islamic Values

Rumoh Aceh is part of vernacular architecture in Aceh which the society is believed has strong bound to Islamic belief. This study aims to investigate the relationship between Islam and space pattern production in Rumoh Aceh, especially in gender space production. The result shows that hijab concept is the concept that is used in gender space production based on Islamic values refers to Islamic sources.

GAGASAN PEMIKIRAN DAN GERAKAN DAKWAH M. NATSIR DI INDONESIA

1970 ◽  
Vol 4 (2) ◽  
pp. 284-295
Author(s):  
Muridan Muridan
Keyword(s):  
Boarding School ◽  
Religious Discourse ◽  
The State ◽  
Islamic State ◽  
The Relationship ◽  
Islamic Values

M. Natsir was one of the most prominent figures in religious discourse and movement in Indonesia. He was ada’wa reformer as well as a politician and a statesman.His most well known ideas were about the relationship between Islamand state, Islam and Pancasila, and his idea on da’wa. He stated that a country would be Islamic because of neither itsformal name as an Islamic state nor its Islamic state principles. The principles of the state could be generally formulated aslong as they referred to the Islamic values. Natsir also stated that the essence of Pancasila didn’t contradict with Islam; evensome parts of it went after the goals of Islam. However, it didn’t mean that Pancasila was identical with Islam. In relation toda’wa, he stated that it should be the responsibility of all Muslims, not only the responsibility of kiai or ulama. To make a da’wamovement successful, he suggested that it needed three integrated components; masjid, Islamic boarding school, andcampus.

Gagasan Pemikiran dan Gerakan Dakwah M. Natsir di Indonesia

1970 ◽  
Vol 3 (1) ◽  
pp. 63-74
Author(s):  
Muridan Muridan
Keyword(s):  
Boarding School ◽  
Religious Discourse ◽  
The State ◽  
Islamic State ◽  
The Relationship ◽  
Islamic Values

M. Natsir was one of the most prominent figures in religious discourse and movement in Indonesia. He was ada’wa reformer as well as a politician and a statesman. His most well known ideas were about the relationship between Islamand state, Islam and Pancasila, and his idea on da’wa. He stated that a country would be Islamic because of neither itsformal name as an Islamic state nor its Islamic state principles. The principles of the state could be generally formulated aslong as they referred to the Islamic values. Natsir also stated that the essence of Pancasila didn’t contradict with Islam; evensome parts of it went after the goals of Islam. However, it didn’t mean that Pancasila was identical with Islam. In relation toda’wa, he stated that it should be the responsibility of all Muslims, not only the responsibility of kyai or ulama. To make ada’wamovement successful, he suggested that it needed three integrated components; masjid, Islamic boarding school, andcampus.

Tents: a paradigm of lightness and sustainability in vernacular architecture and in Frei Otto's work

2021 ◽  
Vol ahead-of-print (ahead-of-print) ◽  
Author(s):  
Juan María Songel
Keyword(s):  
Essential Feature ◽  
Vernacular Architecture ◽  
Soap Film ◽  
Common Goal ◽  
Membrane Structures ◽  
Traditional Architecture ◽  
Content Type ◽  
Physical Form ◽  
Hanging Chain ◽  
The Relationship

PurposeThe aim of this paper is to explore the relationship between vernacular architecture and Frei Otto's work, searching for shared principles and specific singularities, and testing whether lightness and sustainability can be identified as a common goal.Design/methodology/approachThe study is focused on tents and yurts, as archetypal examples of traditional architecture, and membrane structures and gridshells, as two types of light structures developed by Frei Otto. A comparative analysis of their behavior, form, elements, types, materials and strength has been carried out.FindingsThe survey carried out shows that Frei Otto's innovative tents and gridshells were not based on form imitation of vernacular architecture, but rather on a thorough understanding of physical form-generating processes, driving specific materials to optimal form, like his experiments with soap film models to generate tensioned minimal surfaces or his experiments with hanging chain net models to generate compressive antifunicular lattice shells.Originality/valueThis paper highlights how Frei Otto's endeavor to get the maximum with the minimum, to achieve a lot from a little, is also a key target of lightness and sustainability, and an essential feature of vernacular architecture.

scholarly journals Ambiance through Spatial Organization in Vernacular architecture of hot and dry regions of India − The case of Ahmedabad and Jodhpur

2019 ◽  
Vol 64 ◽  
pp. 03002
Author(s):  
Vibha Gajjar ◽  
Foram Bhavsar
Keyword(s):  
Spatial Organization ◽  
Vernacular Architecture ◽  
Movement Analysis ◽  
Graph Analysis ◽  
Climatic Regions ◽  
Spatial Morphology ◽  
Visibility Graph Analysis ◽  
Relationship Of ◽  
Digital Simulations ◽  
The Relationship

Most notable vernacular settlements of the past had a potential of generating stimulating ambiance because of their “organicness”. The understanding of the “Nature of order” in this informality can identify the factors or parameters generating the definite spatial character appropriate for the time and place. The spatial character generates the spirit of the place, what we call the genius loci. This paper analyses the relationship of spatial organization and ambiance of the old city settlements in hot and dry climatic regions of two selected cities of India − Ahmedabad and Jodhpur at various levels. Both the selected cities are informal in nature and rich with its ambiance. Space syntax and digital simulations are used to decode the parameters of the spatial organization. The spatial morphology is analysed using tools such as justified graph analysis, visibility graph analysis, isovists analysis, agent movement analysis and sunlight study. The result of the study is summarised in tabular format and presented in a graphical manner for better understanding. This analysis is valuable in the derivation of the constants and variables to define the learning from the vernacular spatial organization.

IMAGINING JAPANESE AS A MUSLIM: THE NARRATIVE OF NON-OPPOSITIONAL RELATIONS BETWEEN JAPANESE CULTURE AND ISLAMIC VALUES WITHIN MULIYATUN N.’S “AKATSUKI”

2018 ◽  
Vol 3 (2) ◽  
Author(s):  
Himawan Pratama
Keyword(s):  
Military Occupation ◽  
Japanese Culture ◽  
The Novel ◽  
Literary Works ◽  
Islamic World ◽  
Japanese Military ◽  
Romantic Novel ◽  
Positive Images ◽  
The Relationship ◽  
Islamic Values

Within the so many positive images of Japan produced and reproduced in Indonesia, there seems to be a convention to portray the relationship between Japanese culture and Islamic values as an oppositional one. This is evident in the depiction of the clash between the two in various stories of the Japanese Military Occupation Period in Indonesia, as well as in Indonesian Islamic literary works until the 2000s. However, through her Islamic-romantic novel “Akatsuki” (2009, 2012, 2017) Muliyatun N., by creating a story that entirely takes place in Japan and with all Japanese characters, depicts Japanese culture and Islamic values relations as non-oppositional and non-confrontational. This paper first describes the depiction of Japanese culture-Islamic values relations within “Akatsuki”. Furthermore, by considering contexts lingering the production of the novel, it analyzes how the “Akatsuki” marks the shift in Indonesian Muslim’s perception towards Japan in the decade of 2010s. My argument is that this shift is in line with the trends of creating a global and successful image of Muslims through literary works, and the recent development of the relationship between Japan and Islamic world.

scholarly journals PERKEMBANGAN SEKSUAL SANTRI PADA PESANTREN SINGLE-SEX

2018 ◽  
Vol 1 (1) ◽  
pp. 47-56
Author(s):  
Agus Abdul Rahman
Keyword(s):  
Coming Out ◽  
Sexual Development ◽  
Educational Institution ◽  
Social Contact ◽  
Boarding School ◽  
Single Sex ◽  
Actual Reality ◽  
The Social ◽  
The Relationship ◽  
Islamic Values

Pesantren (Islamic boarding school) as islamic educational institution in general organizes and designs curriculum that able to avoid its students from sexual behavior that contrast to the islamic values, as well as in pesantren or after graduating from pesantren. One of the effort of pesntren to reach such goal among them are by organizing the relationship between sexs and to separate its students according to the sexs. Students are faced to the situation that different at all with the actual reality. Some aspects are regarded can direct to the social contact between sexs are controlled. The question appears about how the influence of the sexs separation (single sex-pesantren) to the student sexual development, as they coming out from that pesantren and must face the actual reality, which heterogenous, uncontrollabe and different at all with the relaity that experienced in pesantren. 

scholarly journals LA INFLUENCIA DEL LUGAR

2020 ◽  
pp. 279-287
Author(s):  
Pablo Jara-Espinoza
Keyword(s):  
Vernacular Architecture ◽  
Modern Architecture ◽  
Cultural Environment ◽  
Human Being ◽  
Architectural Form ◽  
Palabras Clave ◽  
Mies Van Der Rohe ◽  
Relationship Of ◽  
The Relationship

Ante la necesidad de contar con criterios de orden que otorguen identidad a la arquitectura, y ante la evidente identidad que posee la arquitectura vernácula, considerando la relación de aproximadamente 3600 años entre humano y entorno, inicia la búsqueda de los criterios de orden de esta arquitectura. Al comprobar que sus criterios provienen del lugar, resulta que la universalidad de la naturaleza está presente en su forma. Mediante el análisis de las similitudes entre la arquitectura vernácula y la arquitectura moderna, se identifica la universalidad de los criterios compartidos. Tanto la arquitectura moderna como la vernácula descubren la forma arquitectónica solo al final de un proceso riguroso, en el que la estrategia estructural es resuelta simultáneamente con el programa y las particularidades del lugar, mediante una serie de decisiones tomadas con autenticidad y solvencia, dan como resultado una forma arquitectónica coherente con el entorno natural y cultural, teniendo como protagonista al ser humano. En este sentido, partiendo de los resultados de la investigación, en la cual, se comprobó que el orden formal de la arquitectura vernácula depende de los factores constantes que el lugar posee, este artículo sintetiza los resultados encontrados para analizarlos desde las similitudes teóricas respecto a la relación entre arquitectura moderna y lugar presente en la obra de Mies van der Rohe. Una vez encontradas las similitudes más evidentes se procede a identificar la universalidad en sus estrategias, de esta manera se obtienen criterios de orden que al ser aplicados otorgan identidad a los proyectos arquitectónicos contemporáneos. Palabras clave: Arquitectura, vernáculo, forma, modernidad, lugar, entorno, identidad. AbstractGiven the need to have order principles that give identity to architecture, and faced with the evident identity that vernacular architecture has, considering the relationship of approximately 3600 years between humans and the environment, the search for order principles for this architecture begins. By confirming that its criteria come from the place, it turns out that the universality of nature is present in its form. Through the analysis of the similarities between vernacular architecture and modern architecture, the universality of the shared criteria is identified. Both, modern and vernacular architecture, discover the architectural form only at the end of a rigorous process, in which the structural strategy is resolved simultaneously with the program and the particularities of the site, through a series of decisions taken with authenticity and solvency, resulting in an architectural form consistent with the natural and cultural environment, with the human being as the protagonist. In this sense, starting from the results of the investigation, in which it was proved that the formal order of the vernacular architecture depends on the constant factors that the place has, this article synthesizes the results found and analyzes them by taking into account the theoretical similarities between modern architecture and the place present in Mies van der Rohe's work. Once the most evident similarities are found, the universality in their strategies is identified; in this way, order criteria are obtained, that when applied, give identity to contemporary architectural projects. Keywords: Architecture, vernacular, form, modernity, place, environment, identity.

scholarly journals Academic performance and moral competence: A match made in heaven?

2016 ◽  
Vol 2 (2) ◽  
pp. 206
Author(s):  
Umaru Mustapha Zubairu ◽  
Chetubo Kuta Dauda ◽  
Olalekan Busra Sakariyau ◽  
Isa Imam Paiko
Keyword(s):  
Positive Relationship ◽  
Grade Point Averages ◽  
Accounting Students ◽  
Moral Competence ◽  
Grade Point ◽  
Ethical Content ◽  
Moral Competency ◽  
The Relationship ◽  
Islamic Values ◽  
Made In

This study aims to empirically assess the relationship between accounting students' academic performances and moral competencies by focusing on final-year accounting students enrolled at the International Islamic University Malaysia (IIUM). The students' moral competencies were measured using a scenario-based instrument developed through a collaboration with Islamic accounting scholars, called the Muslim Accountant Moral Competency Test (MAMOC), whilst students' academic performances were measured using their Cumulative Grade Point Averages (CGPAs). Contrary to the expected positive relationship between these two variables, the study found a negative, and insignificant, relationship. The implication of this result is that IIUM's Accounting Department needs to conduct a comprehensive review of the ethical content of its courses and use a more effective strategy of how to more effectively integrate Islamic values into the curriculum. Additionally, institutionalizing a measure of students' moral competencies would enable the department to objectively determine how well it is doing in developing the moral competencies of its students.

scholarly journals PRESERVAR PARA QUEM? AS CONTRADIÇÕES NA PRESERVAÇÃO DO PATRIMÔNIO URBANO-INDUSTRIAL EM CAMPINAS (SP)

GEOgraphia ◽  
2021 ◽  
Vol 23 (51) ◽  
Author(s):  
Rafael Roxo
Keyword(s):  
Urban Space ◽  
Industrial Restructuring ◽  
Public Power ◽  
Industrial Heritage ◽  
Palabras Clave ◽  
Methodological Procedures ◽  
Space Production ◽  
The Relationship ◽  
The City ◽  
Los Grupos

O objetivo deste artigo é analisar a relação entre a reestruturação urbano-industrial e os conflitos na conservação do patrimônio industrial de Campinas. A análise privilegia o final dos anos 1970 até 2014, anos de intensificação dos processos destacados. Nossa pesquisa teve como procedimentos metodológicos: revisão bibliográfica, trabalhos de campo, entrevistas, pesquisa documental, produção cartográfica. O estudo mostra que, em Campinas, o elevado número de tombamentos associados à dimensão cotidiana do trabalho indica uma tendência política de preservação da memória trabalhadora, ferroviária e industrial. Entretanto, muitos dos tombamentos contribuíram contraditoriamente para a deterioração de exemplares do patrimônio industrial da cidade. Nesse sentido, os projetos e as ações impelidas pelos agentes produtores do espaço urbano de Campinas – o poder público municipal, os empresários, os moradores (antigos e novos), as instituições e os grupos políticos de defesa do patrimônio – evidenciam os conflitos pelos usos, funções e apropriação material e simbólica da cidade.  Palavras-chave: reestruturação urbano-industrial; patrimônio cultural; produção do espaço urbano. PRESERVE FOR WHOM? THE CONTRADICTIONS IN THE PRESERVATION OF THE URBAN-INDUSTRIAL HERITAGE IN CAMPINAS (SP) Abstract: The purpose of this article is to analyze the relationship between urban-industrial restructuring and conflicts in the conservation of the industrial heritage of Campinas. The analysis privileges the late 1970s to 2014, years in which the highlighted processes were intensified. As methodological procedures, our research had: bibliographic review, fieldwork, interviews, documentary research, cartographic production. The study shows that, in Campinas, the high number of legally protected buildings associated with the daily dimension of work indicates a political tendency to preserve working, railway and industrial memory. However, many rules contradictorily contributed to the deterioration of specimens of the city's industrial heritage. In this sense, the projects and actions driven by the producing agents of the urban space of Campinas – the municipal public power, the businessmen, the residents (old and new), the institutions and the political groups for the defense of the heritage – evidence the conflicts over the uses, functions and the material and symbolic appropriation of the city. Keywords: urban-industrial restructuring; cultural heritage; urban space production. ¿CONSERVAR PARA QUIÉN? LAS CONTRADICCIONES EN LA PRESERVACIÓN DEL PATRIMONIO URBANO-INDUSTRIAL EN CAMPINAS (SP) Resumen: El propósito de este artículo es analizar la relación entre la reestructuración urbano-industrial y los conflictos en la conservación del patrimonio industrial de Campinas. El análisis privilegia los últimos años de la década de 1970 hasta 2014, años de intensificación de los procesos destacados. Nuestra investigación tuvo como procedimientos metodológicos: revisión bibliográfica, trabajo de campo, entrevistas, investigación documental, producción cartográfica. El estudio muestra que, en Campinas, el elevado número de edificios legalmente protegidos asociados a la dimensión cotidiana del trabajo indica una tendencia política a preservar la memoria laboral, ferroviaria e industrial. Sin embargo, muchas de las normas han contribuido de forma contradictoria al deterioro de ejemplares del patrimonio industrial de la ciudad. En este sentido, los proyectos y acciones impulsados ​​por los agentes productores del espacio urbano de Campinas – el poder público municipal, los empresarios, los vecinos (viejos y nuevos), las instituciones y los grupos políticos de defensa del patrimonio – evidencian los conflictos por los usos, funciones y apropiación material y simbólica de la ciudad. Palabras clave: reestructuración urbano-industrial; patrimonio cultural; producción de espacio urbano.

Sign in / Sign up

Export Citation Format

Share Document