scholarly journals Fluid spaces in a contemporary urban context: Questioning the boundary between architecture and infrastructure

Spatium ◽  
2020 ◽  
pp. 35-43
Author(s):  
Bojana Jerkovic-Babovic ◽  
Ivana Rakonjac ◽  
Danilo Furundzic

The aim of this paper is to research the relations between the contemporary networked context and transformations in the understanding of architectural and infrastructural spaces, and to research the main models of fluidity within this relation. The contemporary urban context is characterized by globalization, transculturalism and increased technological development, which simultaneously change the everydayness, usage and perception of urban spaces and architecture. New networking phenomena occurring on informational, communicational and spatial levels transform the city and its architecture into constant processes of flows. Fluidity is positioned as the main problem of this research, simultaneously causing, and manifesting in, transformations of contemporary spatial conditions where the notion of flow becomes the new spatial quality. This research is focused on one of the main spatial manifestations of the fluidity phenomenon in contemporary cities - the dispersion of the boundary between architectural and infrastructural space. The aim of the paper is to present the idea that fluid spaces are characterized by: 1) increased loss of disciplinary boundaries; 2) loss of physical boundaries - inner-outer space overlapping; 3) dispersion of perceptual boundaries in space. The research is significant because it defines new meanings of spaces of flows and movement in a contemporary urban context.

2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>


Modern Italy ◽  
2015 ◽  
Vol 20 (3) ◽  
pp. 285-294
Author(s):  
Sebastiano Benasso

This article focuses on the experience of a group of traceurs (people practising parkour) in the urban context of Genoa. It describes a public area of the town – the ‘spot' most frequently used for training – from the specific point of view of the traceurs. Genoa is made up of different and relatively autonomous public spaces with specific and cultural characters, but parkour originates from the attempt to disrupt and reconfigure the city's institutional framework. Genoese traceurs share some of their orientation with other parkour groups in Europe and North America: they are attempting to define new ways of moving and new meanings for urban spaces and to expand the standard definition of a citizen. However, in the urban environment of Genoa, traceurs have to face diverse forms of opposition to their attempts to define their own pathways through the everyday flow of people, and in the disciplinary gaze of other citizens.


GeoTextos ◽  
2010 ◽  
Vol 6 (1) ◽  
Author(s):  
Rita Aparecida da Conceição Ribeiro

O crescimento urbano, associado ao desenvolvimento tecnológico, atribui outros sentidos para a cidade e novos de sociabilidade. Estes, muitas vezes, se constituem a partir da fruição de produtos midiáticos. Assim, vemos surgir espaços que se transformam pela apropriação de grupos identificados com determinados produtos culturais. Este trabalho busca investigar, a partir das manifestações ligadas aos produtos da mídia, como as diversas identidades se constituem no espaço urbano e como estas influenciam na apropriação e nos novos usos deste espaço. Nossa abordagem tem como objeto empírico as manifestações ligadas à black music, mais especificamente ao Quarteirão do Soul, movimento que acontece nas tardes de sábado na região central de Belo Horizonte. O Quarteirão do Soul surgiu como uma forma de se reencontrarem os amigos que frequentavam os chamados bailes black no centro da cidade nos anos 1970 e que, com o passar dos anos, foram sendo expurgados para a periferia da cidade. Tal manifestação constitui uma forma de resistência, pois os participantes do Quarteirão do Soul se apropriaram do local mesmo sem o aval da prefeitura, e também caracteriza-se pela afirmação da identidade de seus participantes, que se espelham no discurso de igualdade pregado pelo movimento soul representado principalmente pela figura do cantor James Brown. Abstract DEFIANCE AND IDENTIFY IN THE URBAN CONTEXT: BLACK MUSIC SETS THE TONE AND CONQUERS SPACE IN THE QUARTEIRÃO DO SOUL IN BELO HORIZONTE Urban growth, associated with technologic development, assigns new meanings to cities; new influences are delineated and create different parameters of sociability. Such parameters, many times constitute themselves from the flow of media products. Therefore, in Belo Horizonte, we see new spaces being formed or the same old locations transforming themselves thorough the appropriation of groups formed by the common taste for specific cultural products. This work intends to investigate, based on the manifestations connected with media products, how different identities establish themselves in the urban space and how they influence the appropriation and new uses ascribed to the space. Our approach has as an empirical object the manifestations linked with black music, most specifically to the Quarteirão do Soul, an event that takes place on saturday afternoons in the central region of Belo Horizonte. The Quarteirão do Soul was born as a form of reconnecting with friends that frequented the so called black parties in the center of the city in the 70s, and that, with the years were obliterated to the suburbs. This manifestation constitutes a form of resistance, because its participants appropriate themselves of the place without the clearance from the mayor’s office and it characterizes itself by the affirmation of the identity of its attendees, which mirror themselves in the discourse of equality preached by the soul movement represented primarily by the figure of the singer James Brown.


2021 ◽  
pp. 121-131
Author(s):  
Quill R Kukla

This brief chapter introduces the notion of a repurposed city. A repurposed city is one that was built to support one spatial order with specific economic, social, and political relations, but in which that spatial order has now collapsed, so that the city has to accommodate radically new uses, users, and purposes. In turn, residents have to find ways of using and adapting a material city built for something quite different. In repurposed cities, new dwellers must find ways of tinkering with urban spaces and reinvesting them with new meanings in order to use them in new ways. Their uses are constrained by the material forms of the past order, while conversely, they creatively remake those forms.


2021 ◽  
Author(s):  
◽  
Dylan Kanagaratnam

<p>Architecture provides the platform for the inherent connections between people and their city to flourish. The urban realm naturally invites diverse people to inhabit and interact together, giving city life its vibrancy. Urban spaces encourage spontaneous interactions between people and with architecture, to produce creative acts of play and liberating moments of leisure. It has been suggested that these events encapsulate the everyday performance of the city and are the antithesis to everyday life. It is argued this performance is often ignored in modern urban design. It has been noted that Wellington’s waterfront offers areas where momentary and impotent engagement can be developed into meaningful experiences.  Simultaneously, the importance and potency of sound within urban spaces may be undervalued. It is often argued that modern cities assault our senses with sounds leading to discomfort and distracted inhabitation, contributing to a lack of engagement. Urban sounds are commonly dampened in public spaces to combat this assault, but with more thoughtful design these sounds can be reinterpreted to augment the innate everyday performances. This thesis proposes that controlling how people experience urban sounds through architecture can create a deep sensory performance that increases engagement, awareness and interaction.  This research explores ways to harness the latent sounds of the city to form meaningful connections between people and their city while providing moments of play and leisure. Once isolated and harnessed, the urban sounds’ unique and intrinsic power can aid the development of urban spaces, thus producing greater significance within the urban fabric. There will be focus on the connection between the senses, performance and the urban context. The opportunity to enable the acceptance of the environment and reflection on their city marks an important role within the urban fabric.  Concurrently, this research explores how an intuitive drawing-led process can integrate and challenge the boundaries of both interior and the exterior urban realm. Other interior architectural strategies, together with soundscape design and urban interior principles aid this interdisciplinary exploration.</p>


Author(s):  
Paul Niell

The Baroque in Ibero-American Architecture and Urbanism, in parts of the Americas formerly comprising the Spanish and Portuguese empires, has been traditionally studied as a question of adherence to or deviation from a Counter-Reformation style promoted primarily by ecclesiastical institutions. This article expands upon what is meant by “Baroque” in the architecture and urbanism of the Iberian empires in the Americas. Through the analysis of urban plans, images of the city, architectural interiors and exteriors, physical urban spaces, and other forms of material culture, this article argues that Ibero-American architecture and urbanism in the age of the Baroque belonged to a phenomenon of ordering and thereby creating the “New World” as ideologically constituted colonial spaces that reified social and political norms. Furthermore, human subjects actively negotiated the spaces created by architecture and the city, making the American Baroque also part of a process of negotiating order and thereby producing American spaces.


Author(s):  
Gabriel Lefebvre-Ropars ◽  
Catherine Morency ◽  
Paula Negron-Poblete

The increasing popularity of street redesigns highlights the intense competition for street space between their different users. More and more cities around the world mention in their planning documents their intention to rebalance streets in favor of active transportation, transit, and green infrastructure. However, few efforts have managed to formalize quantifiable measurements of the balance between the different users and usages of the street. This paper proposes a method to assess the balance between the three fundamental dimensions of the street—the link, the place, and the environment—as well as a method to assess the adequation between supply and demand for the link dimension at the corridor level. A series of open and government georeferenced datasets were integrated to determine the detailed allocation of street space for 11 boroughs of the city of Montréal, Canada. Travel survey data from the 2013 Origine-Destination survey was used to model different demand profiles on these streets. The three dimensions of the street were found to be most unbalanced in the central boroughs of the city, which are also the most dense and touristic neighborhoods. A discrepancy between supply and demand for transit users and cyclists was also observed across the study area. This highlights the potential of using a distributive justice framework to approach the question of the fair distribution of street space in an urban context.


2021 ◽  
Vol 11 (1) ◽  
Author(s):  
Clara Inés Pardo Martínez ◽  
William Alfonso Piña ◽  
Angelo Facchini ◽  
Alexander Cotte Poveda

Abstract Background Currently, most of the world’s population lives in cities, and the rapid urbanization of the population is driving increases in the demand for products, goods and services. To effectively design policies for urban sustainability, it is important to understand the trends of flows in energy and materials as they enter and leave a city. This knowledge is essential for determining the key elements characterizing future urban growth and addressing future supply challenges. Methods This paper presents an analysis of the energy and material flows in the city of Bogotá over the time span from 2001 to 2017. Urban flows are also characterized in terms of their temporal evolution with respect to population growth to compare and identify the changes in the main input flows, wealth production, emissions and waste in the city. Results The results of the analysis are then compared with those for other selected large urban agglomerations in Latin America and worldwide to highlight similarities and make inferences. The results show that in Bogotá, there was a decrease in some of the material flows, such as the consumption of water and the generation of discharge, in recent years, while there was an increase in the consumption of energy and cement and in the production of CO2 emissions and construction materials. Solid waste production remained relatively stable. With respect to the other large cities considered, we observe that the 10-year growth rates of the flows with respect to population growth are lower in Bogotá, particularly when compared with the other urban agglomerations in Latin America. Conclusions The findings of this study are important for advancing characterizations of the trends of material and energy flows in cities, and they contribute to the establishment of a benchmark that allows for the definition and evaluation of the different impacts of public policy while promoting the sustainability of Bogotá in the coming decades.


Buildings ◽  
2021 ◽  
Vol 11 (8) ◽  
pp. 322
Author(s):  
Simone Ferrari ◽  
Federica Zagarella ◽  
Paola Caputo ◽  
Giuliano Dall’O’

To boost energy efficiency in the building sector at urban and district scales, the use of a Geographic Information System (GIS) for data collection and energy spatial analysis is relevant. As highlighted in many studies on this topic reported in literature, the correlation among available databases is complex due to the different levels of information. As the first part of a wide research aimed at estimating the energy demand of urban buildings, we present in this article a focus on the details of the GIS-based procedure developed to assess the main energy-related features of existing building stocks. The procedure is based on the elaboration of data from the Italian Topographic Databases, under provision at the national level according to the INSPIRE European Directive and the national General Census of Population and Houses. It enables one to calculate and map the urban built volume characterized by mostly diffuse use categories in an urban context (residential and offices), to which different equipment and building usage patterns can be associated, and by construction periods, featuring different technological solutions. The method has been applied to the city of Milan (Italy). An insight into the outcomes from the overall method of the wider research is also reported.


2020 ◽  
Vol 5 (2) ◽  
Author(s):  
Sapar Junoko

<div class="page" title="Page 1"><div class="layoutArea"><div class="column"><p><span>Technological progress is something that can not be avoided in today's life. One of the results of technological development is the internet, one of its benefits is as a means of entertainment, for example to play online games. Online games themselves are not only played from computer games but can also be played on smartphones, online games are much loved by teenagers because online games themselves are a means of entertainment for them but most teenagers are addicted to playing online games. Online games themselves have positive and negative impacts, but if playing excessive online games can have positive impacts which are definitely addicted to playing continuously. The main study of this research focuses on the identification, analysis and design of Video Motion Graphic works and other supporting media. This design uses premedia media planning methods, playing media and media follow-up. Data collected through, observation, interviews, literature and website. The data is then identified, classified, selected, then analyzed using the 5W + 1H method and interpreted according to the text and context. The design of the social media campaign of the impact of online games for teens in the city of Palembang as a visual communication media which is part of the design discussion. This design aims to encourage adolescents to reduce and reduce the number of addictions due to online games especially teenagers in the city of Palembang in order to be able to balance between playing online games and learning to get achievements in education. </span></p></div></div></div>


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