The Fast and the Slow

2020 ◽  
pp. 102-124
Author(s):  
Angèle Christin

This chapter explores the consequences of distinct understandings of metrics on the daily life of news organizations. It looks into two key aspects of metrics: editorial production and compensation systems, and analyzes the editorial routines associated with online news production. The chapter assesses how TheNotebook and LaPlace websites handled the tension between “fast” and “slow” news and highlights contradictory views on the bureaucratic and disciplinary dynamics that structured the daily life of the two websites. It also reveals the differences in the distinct strategies of TheNotebook and LaPlace for handling the tension between click-based and editorial modes of evaluation. By showing how digital metrics become integrated in broader organizational dynamics, the chapter reveals the dialectical relationship between algorithms and their contexts.

Author(s):  
Mary Angela Bock ◽  
Allison Lazard

Journalism critics have argued that transparency about the reporting process is an ethical imperative. Convergence offers news organizations opportunities for changed writing styles that may foster more transparency, especially as they embrace video storytelling. This project used two experiments to investigate the impact of transparent language on the way online news consumers perceive the credibility of video news reports. The study operationalized transparency in narrative as the use of first-person statements and references to the newsgathering process. Subjects noticed transparency statements but this had no significant effect on their assessment of the credibility of a story or reporter. The results suggest that transparency is a distinct variable with a complicated relationship to other audience effects.


1988 ◽  
Vol 9 (3) ◽  
pp. 105-114
Author(s):  
David Pearce Demers

Previous research and this study's data suggest newspaper polls often fall short of “scientific” standards. Part of the problem is that many newspapers rely heavily on their news staff for many key aspects in the research process, including data analysis. News organizations are encouraged to rely more on “experts,” but for the long run they need to implement programs and policies that give journalists themselves the education and training necessary to handle all phases of the research process.


2018 ◽  
Vol 34 (1) ◽  
pp. 74-87
Author(s):  
Jenni Hokka

With the advent of popular social media platforms, news journalism has been forced to re-evaluate its relation to its audience. This applies also for public service media that increasingly have to prove its utility through audience ratings. This ethnographic study explores a particular project, the development of ‘concept bible’ for the Finnish Broadcasting Company YLE’s online news; it is an attempt to solve these challenges through new journalistic practices. The study introduces the concept of ‘nuanced universality’, which means that audience groups’ different kinds of needs are taken into account on news production in order to strengthen all people’s ability to be part of society. On a more general level, the article claims that despite its commercial origins, audience segmentation can be transformed into a method that helps revise public service media principles into practices suitable for the digital media environment.


Journalism ◽  
2017 ◽  
Vol 19 (1) ◽  
pp. 37-55 ◽  
Author(s):  
Keren Tenenboim-Weinblatt ◽  
Motti Neiger

This article develops the concept of temporal affordances as a framework for understanding and evaluating the relationship between news technologies and journalistic storytelling practices. Accordingly, temporal affordances are defined as the potential ways in which the time-related possibilities and constraints associated with the material conditions and technological aspects of news production are manifested in the temporal characteristics of news narratives. After identifying six such affordances – immediacy, liveness, preparation time, transience, fixation in time, and extended retrievability – we examine manifestations of temporal affordances in different journalistic cultures over time, based on a content analysis of Israeli and US news narratives in different technological eras (from 1950 to 2013). The findings point to a consistent pattern of inter-media differences, in accordance with the distinct affordances of print and online news, alongside cross-cultural and cross-organizational variations in the use of these affordances. In addition, we detect complex patterns of stability and change in the use of temporal affordances in print media over time. Implications and directions for future research are discussed.


Journalism ◽  
2017 ◽  
Vol 19 (5) ◽  
pp. 611-631 ◽  
Author(s):  
Alberto Ardèvol-Abreu ◽  
Catherine M Hooker ◽  
Homero Gil de Zúñiga

This article explores the role of trust in professional and alternative media as (a) antecedents of citizen news production, and (b) moderators of the effect of citizen news production on political participation. Using two-wave panel survey data collected in the United States between December 2013 and March 2014, results show that trust in citizen media predicts people’s tendency to create news. In turn, citizen news production is a positive predictor of both offline and online participation. More importantly, trust in the media moderates the effect of citizen news production over online political participation. Overall, this article highlights the importance of trust in the media with respect to citizen news production and how it matters for democracy. Thus, this study casts a much-needed light on how media trust and citizen journalism intertwine in explaining a more engaged and participatory citizenry.


Author(s):  
Jacob L. Nelson

The news industry faces profound financial instability and public distrust. Many believe the solution to these ongoing crises is for journalists to improve their relationship with their audiences. This raises important questions: How do journalists conceptualize their audiences in the first place? What is the connection between what journalists think about their audiences and what they do to reach them? Perhaps most important, how aligned are these “imagined” audiences with the real ones? Imagined Audiences draws on ethnographic case studies of three news organizations to show how journalists’ assumptions about their audiences shape their approaches to their audiences. In doing so, it examines the role that audiences traditionally have played in journalism, how that role has changed, and what those changes mean for both the profession and the public. It concludes by drawing on audience studies research to compare journalism’s “imagined” audiences with actual observations of news audience behavior. The result is a comprehensive study of both news production and reception at a time when the connection between the two has grown more important than ever.


Journalism ◽  
2020 ◽  
pp. 146488492091343
Author(s):  
Manuel Goyanes ◽  
Marton Demeter ◽  
Laura de Grado

The homogenization and commoditization of news have risen since the emergence of the Internet, but have sharply increased in recent years due to economic constraints on news organizations and journalists’ labor conditions. This article explores readers’ perceptions and attitudes toward the economic and informative value of online news in particular, and toward the Internet as a means of news dissemination in general. Drawing upon 50 in-depth interviews with respondents from Spain aged 18–65 years, we conceptualize the lack of readers’ inclinations to pay for digital news as a culture of free and explore its main dimensions. Specifically, the culture of free is a strong orientation to considering news as a public good that must be free of charge, rooted in customs/habits of free consumption on the Internet over decades, fueled by free competition, subtended by advertising, and a lack of interest in the news more generally. Despite the fact that the digital versions might be theoretically considered as inferior, we argue that both products (print vs online) are equally valuable (economically and informatively) and the only divergence lies in their format and thus in their price.


Author(s):  
Siti Nor Amalina Ahmad Tajuddin ◽  
Roslan Ali

The Internet is a modern Pandora's Box which has exceptionally altered the way we disseminate and receive information messages, particularly news. Despite technological innovations being the apex of our history, it is undeniable that they pose new challenges and threats to a different degree. Hence, this study examined the risks and challenges faced by the Malaysian media professionals in this new age and how technological developments had impacted their work. Situated within the framework of the technological determinism theory, this study employed a qualitative semi-structured interview with thirteen (13) Malaysian journalists. This study found several challenges related to the journalists' safety and their professionalism. Media professionals, such as journalists and editors, often caught in a paradoxical and risky situations, which challenge the process of news production and deliverance ethically and legally. Journalists, who participated in this study, were pressured to produce more story ideas and deliver news assignments with shorter deadlines. This not only impacted the online news quality but also the credibility and transparency of the news organization.


2017 ◽  
Vol 38 (s2) ◽  
pp. 7-23 ◽  
Author(s):  
Filip Láb ◽  
Sandra Štefaniková

Abstract The adoption of digital technologies, along with current economic realities, has affected the entire process of visual news production. It has also influenced the traditional concept of photojournalism. As a result, news photographers face multiple new challenges. Although visual news material is becoming ever more important, news organizations have cut back on employment, leaving those few who remain employed with additional workload and responsibilities. Based on interviews with photojournalists and photo editors, this article examines the current state of photojournalism and editorial processes in three Central European countries – the Czech Republic, Poland and Slovakia. Findings indicate that photojournalists and photo editors face ongoing developments in the photographic medium that significantly affect their working practices and routines. At the same time, they must deal with increasing workload, new responsibilities, competition and the challenges of maintaining quality in the digital age.


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