scholarly journals Citra Perempuan dalam Novel Upacara, Api Awan Asap, dan Bunga Karya Korrie Layun Rampan

ATAVISME ◽  
2013 ◽  
Vol 16 (1) ◽  
pp. 43-56
Author(s):  
Yudianti Herawati

Masalah dalam penelitian ini adalah perkembangan isu gender yang mewarnai tiga novel karya Korrie Layun Rampan terutama dalam mempresentasikan peran gender laki-­‐laki dan perempuan. Masalah ini lebih ditujukan pada peran perempuan di bidang domestik dan ruang publik. Tulisan ini bertujuan mendeskripsikan keberadaan karya sastra dan persoalan‐persoalan yang terjadi dalam masyarakat, khususnya yang timbul dalam konteks gender. Kajian ini menggunakan teori feminisme sebagai acuan dalam mengungkap citra perempuan. Pengumpulan data menggunakan metode pustaka, sedangkan analisisnya menggunakan teknik analitis. Hasil penelitian ini menunjukkan bahwa tiga novel Korrie Layun Rampan itu memenuhi prinsip-­‐prinsip karya yang berjenis feminisme karena tokoh perempuan dalam ketiga novel itu adalah perempuan Dayak yang sudah tercitrakan sebagai perempuan tradisional dan modern. Namun, sosok mereka masih berbenturan dengan tradisi budaya Dayak yang menganut paham patriarkat. Selain itu, terjadi kekerasan terhadap perempuan di ruang domestik maupun publik sehingga terdapat perbedaan antara perempuan dan laki‐laki yang membentuk stereotip atau pelabelan negatif. Abstract: This research focuses on the growth of gender issues colouring three masterpiece novels of Korrie Layun Rampan, especially in presenting the role of gender among women and men. This problem is addressed more on the role of women in the domestic area and also public space. This paper aims to describe the existence of belles-lettres and problems happening in a society, especially those emerging in the context of gender. The study uses feminism theory in revealing the woman image so that feminism studies used for the elaboration. Librarian method was used in collecting the data. The analysis used the analytical technique so that the role of woman in novels of Upacara, Api Awan Asap, and Bunga in the form of gender can be depicted clearly. The result of this research is that the three novels can be considered as or have fulfilled the principles of being feminism type. It is because the roles of figures in those novels are women of Dayak imaged as modern and traditional women. However, their figures still oppose the cultural tradition of Dayak which still practices patriarchalism. Besides, violence still happen to women in public and also domestic area so that there are differences among men and women which form negative labels or stereotypes. Key Words: novel; role; feminism; domestic; public

KUTTAB ◽  
2020 ◽  
Vol 4 (1) ◽  
Author(s):  
Achmad Faisol Haq

The Islamic education problems that are often criticized by the West are gender issues, Islamic education is considered west to overrule the role of women in Islamic education, whereas in Islamic education since the beginning of Islam Strongly uphold women's standing, especially in terms of inheritance and the similarity of rights and obligations in science. In modern eras of women's emancipation movement in Islam are more likely to follow the western mindset, the activists of Islamic feminism could take a pattern of the Muslim philosopher Greek Helereism, as in classical Islam the Muslim philosopher could put aside the philosophical thought of Greek Helenism that was incompatible with the teachings of Islam, as well as to take the thought of Helenism Greek that matched the spirit of Islam. This article is an explanation of the gender movements and emancipation of women in particular in Islamic education. It is important to reconstruct the fundamentals of Islamic perspectives, because Islam has a universal view and equal rights in education between men and women is the same as other aspects and gender should be the same. Influenced by Islamic spiritual, especially in the rules of education for Muslims


1990 ◽  
Vol 2 (3) ◽  
pp. 55-66
Author(s):  
John S. Hatcher

The Bahá’í teachings simultaneously assert the equality of men and women while advocating in some cases distinct duties according to gender. Since the Bahá’í Faith also teaches that religious convictions should be examined by the “standards of science,” this ostensible paradox invites careful study. At the heart of the response to this query is the Universal House of Justice statement that “equality between men and women does not, indeed physiologically it cannot, mean identity of functions.” To appreciate and to accept this thesis that there can be gender distinction, even insofar as the assignment of fundamental tasks is concerned, without any attendant diminution in the role of women, we must turn to statements in the Bahá’í writings about the complementary relationship between men and women. Through a careful consideration of this principle, we can discover how there can indeed be gender distinction without inequality in status or function.


2020 ◽  
Vol 4 (1) ◽  
pp. 44-55
Author(s):  
Grecetinovitria Merliana Butar-butar

AbstractPurpose of this study was to describe the meaning of ezer kenegdo and to know position and role of women in the family. The research method used is qualitative research methods (library research). The term of “ ezer kenegdo” refer to a helper but her position withoutsuperiority and inferiority. “The patner model” between men and women is uderstood in relation to one another as the same function, where differences are complementary and mutually beneficial in all walks of life and human endeavors.Keywords: Ezer Kenegdo; Women; Family.AbstrakTujuan penulisan artikel ini adalah untuk mendeskripsikan pengertian ezer kenegdo dan mengetahui kedudukan dan peran perempuan dalam keluarga. Metode yang digunakan adalah metode kualitatif library research. Ungkapan “ezer kenegdo” menunjuk pada seorang penolong namun kedudukannya adalah setara tanpa ada superioritas dan inferioritas. “Model kepatneran” antara laki-laki dan perempuan dipahami dengan hubungan satu dengan yang lain sebagai fungsi yang sama, yang mana perbedaan adalah saling melengkapi dan saling menguntungkan dalam semua lapisan kehidupan dan usaha manusia.Kata Kunci: Ezer Kenegdo, Prerempuan, Keluarga.


2020 ◽  
Vol 5 (2) ◽  
pp. 133-142
Author(s):  
Fokky Fuad Wasitaatmadja ◽  
Susianto Susianto ◽  
Suartini Supendi

Research on the relation of gender in Islamic Jurisprudence field always sparks the interest to study because of several things: the idea of power relations which has been touted as a thought that subordinates the role of women in their dynamic movements. Second, the role of the text of the Holy Qur'an in seeing and explaining gender relations in Islam, specifically when influencing or influenced by local culture. The main research question to be revealed is: how does the concept developed in Islamic Jurisprudence schools interpret the relations of men and women? The theoretical framework developed in this study is based on the thought which built in the Islamic Jurisprudence Schools. Sachiko Murata sees that there is a relationship between cultural understanding and the understanding of God in the relationship of men and women. The research method applied in this research is prescriptive normative legal method with conceptual approach. The conclusion in this study states that in the narrative approach to the Holy Qur'an, there is no significant power relation that degrades, dominates, or subordinates the role of women in Islam. Spatial structure of culture becomes a matter of concern when there is submission in the role of women in their socio-cultural environment. The narrative text of the Holy Qur’an explains the high appreciation of domestic and public roles for women. Feminism itself can be traced in various narrative texts in the Holy Qur'an that place women in a place of honor.


JALABAHASA ◽  
2021 ◽  
Vol 17 (1) ◽  
pp. 1-14
Author(s):  
Herlianto A.

Penelitian ini menginvestigasi representasi feminisme pada lagu dangdut koplo Jawa. Tidak banyak yang mengkaji lagu dangdut koplo Jawa dari perspektif feminisme. Padahal, secara historis, Jawa memiliki agen-agen pergerakan untuk feminisme yang secara faktual seharusnya mempengaruhi kesusastraan dan kesenian Jawa. Ada lima lagu dalam bentuk transkrip sebagai data yang diperoleh dengan mentranskripsi lagu dangdut koplo Jawa dari YouTube. Data lalu dianalisis dengan menggunakan analisis wacana kritis van Dijk. Hasil penelitian menunjukkan bahwa lagu-lagu dangdut koplo Jawa merepresentasikan kesetaraan perempuan terhadap laki-laki. Peran perempuan diungkapkan tidak lagi sebagai second sex, yang sepenuhnya sebagai ibu rumah tangga, tetapi mereka memiliki kesempatan untuk memilih masa depan secara independen. Sementara itu, feminisme dinyatakan secara langsung dan tidak langsung di dalam lagu dengan menggunakan bahasa kiasan dalam bentuk metafora.This research investigated the representation of feminism in Javanese koplo dangdut song. These songs have got little attention in terms of feminism representation. Meanwhile, historically, Javanese society has factual agents of movement for feminism who should be influencing to the Javanese arts and literature.There arefive transcriptions of the songs as the data which collected by transcripting the songs from YouTube. The collected data were then analysed by applying van Dijk frame work of critical discourse analysis. The results show that most of the songs present gender equality between men and women. The role of women is not only presented as the second sex or as mainly a house wife, but they have opportunities to choose their own future life independently. This condition is suggested by using indirect language or using metaphoric expressions.


2018 ◽  
Vol 16 (4) ◽  
pp. 147470491880886
Author(s):  
Carlos Hernández Blasi ◽  
Laura Mondéjar

The context of a famous novel by Milan Kundera ( Immortality) suggests that when faced with a life-or-death situation, every woman would prefer to save her child than her husband, left hanging whether every man would do the same. We labeled this as the Kundera hypothesis, and the purpose of this study was to test it empirically as we believe it raises a thought-provoking question in evolutionary terms. Specifically, 197 college students (92 women) were presented a questionnaire where they had to make different decisions about four dilemmas about who to save (their mate or their offspring) in two hypothetical life-or-death situations: a home fire and a car crash. These dilemmas involved two different mate ages (a 25- or a 40-year-old mate) and two offspring ages (1- or a 6-year-old child). For comparative purposes, we also included complementary life-or-death dilemmas on both a sibling and an offspring, and a sibling and a cousin. The results generally supported the Kundera hypothesis: Although the majority of men and women made the decision to save their offspring instead of their mate, about 18% of men on average (unlike the 5% of women) consistently decided to save their mate across the four dilemmas in the two life-or-death situations. These data were interpreted with reference to Hamilton’s inclusive fitness theory, the preferential role of women as kin keepers, and the evolution of altruism toward friends and mates.


Ramus ◽  
1990 ◽  
Vol 19 (2) ◽  
pp. 130-142 ◽  
Author(s):  
Francis M. Dunn

Euripides' Ion has suffered from the attempt to find in the play an overriding message or moral. Verrall and his successors saw the Ion as an attack against Apollo and organized religion; Wassermann and Burnett argue that it defends orthodox piety; Grégoire and Loraux view it as a hymn or lament on Athenian national pride; and Knox and Gellie respond that the Ion is pure comedy with no deeper meaning. There is of course some truth to each of these interpretations, but it does not follow that the play's ‘real meaning’ lies somewhere in between them. I suggest that we read the Ion not as an abstract argument but as drama, and in particular as a social comedy whose ‘meaning’ lies not in an underlying message but in the action itself and in the conflicts among the play's characters, human and divine, male and female, foreign and Athenian.Such conflicts, in this play at least, focus attention upon the role of the gods, the place of foreigners in Athens, and relations between men and women. Of these three subjects, the first two have dominated discussion of the Ion, both by those who find them central to the play's religious or nationalistic theme, and by those who consider them incidental to the play as comedy. I shall first show that the third area of conflict — relations between men and women — is equally important in the Ion and reflects an important issue in contemporary Athens. Second, I shall argue that the gender issues raised somewhat provocatively in the first half of the play are upstaged by the melodramatic excitement of the second half. And I shall suggest, in conclusion, that although it is only one of many social and family conflicts in the drama, the battle between the sexes shows how the Ion raises important and difficult questions without becoming an ‘issue play’.


1995 ◽  
Vol 9 (3) ◽  
pp. 244-248 ◽  
Author(s):  
Dorothy J. Lovett ◽  
Carla D. Lowry

The purpose of this paper is to present a historical overview of the role of women in the National Collegiate Athletic Association (NCAA) since the demise of the Association of Intercollegiate Athletics for Women (AIAW). The paper traces the reluctance of some men and women to form this uneasy alliance. The paper presents evidence showing that the NCAA recognizes that women's athletics are part of the organization and that they deserve recognition and concern. However, the paper also shows that when substantive changes in the NCAA appeared imminent and the degree of recognition approached proportional equity, the pervasive and strong loyalty to the status quo quelled any proactive legislation that might include equal voice for reform in the organization.


Author(s):  
Tri Wahyudi Ramdhan

Traditional Islamic thought in general provides limited role of women as wives and mothers. Based on the view of classical Islamic texts and literature are still seen that women are still marginalized, or in other words, women are still under the domination of men. Therefore, women need to construct a discourse or text at will. It is undeniable that the interpretation of the classical scholars on the concept of equality of men and women from the perspective of today may well be judged as biased. For interpretations of the past can not be released to the socio-historical context of the time. Departing from the problems mentioned above then this article would like to see and analyze how the concepts offered and presented Islam in view of gender equality between men and women starting from the concept of gender so that the concept of gender bias by sex.Selanjutnyan followed by a discussion of the word gender mufrodat in the Qur'an and concludes with the interpretation of the discourse of gender equality. Dalama This commentary will set forth the extent where the equality between men and women


2019 ◽  
Vol 18 (2) ◽  
pp. 105
Author(s):  
Muhammad Alwi

Artikel ini bertujuan untuk mendialogkan pemahaman Ahmad Syafi’i Ma’arif, seorang negarawan dan agamawan di Indonesia kontemporer, atas QS. an-Nisa: 34 dengan diskursus kesetaraan gender dalam mengkontekstualisasikan ajaran Islam di Indonesia, termasuk peran perempuan di ruang publik. Letak penting pemahaman Ahmad Syaf’i Ma’arif adalah kemampuannya dalam memberi sikap tengah, tidak konservatif dan tidak juga liberal, dalam mengemukakan spirit kepemimpinan perempuan menurut Islam dan Negara. Syafi’i Maarif menilai wacana konteks antara Arab-Indonesia tidak dapat diabaikan ketika pembaca teks hendak memahami kandungan QS. an-Nisa: 34. Perempuan Arab memiliki ruang dan dinamikanya sendiri, yang berbeda dengan perempuan di Indonesia, sehingga konteks ini berpengaruh dalam memahami al-Qur’an. Catatan kesetaraan gender Syafii Maarif adalah ada keadaan tertentu, seperti mengandung dan melahirkan, yang hanya dilakukan oleh perempuan. Upaya Ahmad Syafii Maarif dalam mengkontekstualisasikan QS. an-Nisa: 34 adalah kerja penting atas pembumian al-Qur’an sebagai pedoman (QS. al-Baqarah: 2 dan 185) ke dalam kehidupan masyarakat Indonesia, sehingga Islam yang rahmatan lil alamin dapat dirasakan dari segi pengangkatan peran perempuan di ruang publik.[This article aims to provide understanding of Ahmad Syafi’i Ma’arif, an Indonesian statesman and religious leader, over QS. An-Nisa: 34 with the discourse of gender equality in the contextualization of Islamic teachings in Indonesia, including the role of women in public space. The important point of understanding Ahmad Syaf’i Ma’arif is in his ability to give a central, non conservative and illiberal in raising the leadership spirit of women according to Islam and the state. Syafi’i Maarif assessed that the context discourse between Arab-Indonesia can not be ignored when the reader want to understand the content of QS. An-Nisa: 34. Arab women have its own space and dynamism, that is different from women in Indonesia, so this context is influential in understanding the Qur’an. The notion of the gender equality of Syafi’s Ma’arif is that there are certain circumstances, such as pregnant and childbirth, that only women can do.  The efforts of Ahmad Syafi’i Ma’arif in contextualizing QS. An- Nisa: 34 is an important work on the ground of the Qur’an as a guideline (QS. Al-Baqarah: 2 and 185) into the lives of Indonesian society, so that Islam, as rahmatan lil alamin, can be felt in terms of the female role in the public space.]


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