scholarly journals Proses Kondensasi Imaji dan Pengalihan Mimpi dalam Dongeng Nenek Pakande

ATAVISME ◽  
2013 ◽  
Vol 16 (1) ◽  
pp. 71-84
Author(s):  
Nuraidar Agus
Keyword(s):  
Key Words ◽  
Text Analysis ◽  
Fairy Tale ◽  
Psychoanalytic Theory ◽  
Condensation Process ◽  
Venture Creation ◽  
Way Of Thinking

Tulisan ini bertujuan untuk mengungkap proses kondensasi imaji dan pengalihan mimpi dalam dongeng Nenek Pakande (NP) berdasarkan teori psikoanalisis Freud. Pengumpulan data di lakukan secara dokumentatif atas cerita­‐cerita tentang NP, yaitu melalui teknik pembacaan, analisis teks, dan teknik elisitasi. Berdasarkan hal tersebut ditemukan bahwa gejala kondensasi dan pengalihan mimpi dalam cerita NP adalah melalui usaha penciptaan tokoh­‐tokohnya dan berdasarkan realita yang kemudian diimajinasikan. Proses tersebut melahirkan citraan tentang kemampuan akal tokoh anak kecil dengan segala usahanya untuk menaklukkan NP (raksasa). Selain itu, citra ibu tiri telah terkondensasi lewat imajinasi yang menakutkan bagi sang anak tiri linear dengan sifat­‐sifat buruk dan eksistensi supranatural NP yang mengendap dalam alam imajinasi. Abstract: This paper attempts to describe the process of condensation of reality and its imagination found in the fairy tale Nenek Pakande. This paper aims to reveal the image of the NP condensation process by Freud's psychoanalytic theory. The data was collected through the documentation on the stories of NP by reading techniques, text analysis, and elicitation techniques. Based on them, it is found that the symptoms of NP condensation in the story is through the characters venture creation and, based on what is true in reality, then imagined. It gives birth to images of a child's way of thinking and his efforts to conquer NP. In addition, the image of stepmothers has condensed through a frightening image to his stepson, and of the NP’s vices and supernatural existence living in an imagination. Key Words: Freud’s psychoanalysis, condensation, imagination, fables

Un autore raro: omaggio a Giambattista Muraro

2009 ◽  
pp. 39-54
Author(s):  
Franco Merlini
Keyword(s):  
Key Words ◽  
Small Contribution ◽  
Way Of Thinking ◽  
To Come ◽  
Real Person

- This article is a small contribution to keeping alive an original and rigorous way of thinking, coherent and articulated, not immediately revealed. The thinking of Muraro in Sorpresa ed Enigma (surprise and enigma). Muraro, who nurtured a deep impatience towards a certain psychoanalytic establishment, dedicated his book to those patients and to those analysts still animated by a spirit of research and engaged in a path of life for which both the direction and the result appear uncertain. According to Muraro the invariable fact in analysis is the method, whereas the pivot experience is the patient's surprise. The analyst is requested to be there. As a real person who is not thrown off balance. Maintaining the mysteriousness that the patient tries in every way to eliminate is indispensable for being able to restore to the patients their existential mysteriousness. Their enigma. To melt their own enigmas, patients must expose themselves through subjective choices. It is the feeling of surprise that permits them to come in contact with themselves. [KEY WORDS: spirit of research, mysteriousness, surprise]

scholarly journals The image of the gloomy warrior in M. M. Kheraskov's poem “Vladimir” and in A. S. Pushkin's fairy tale “Ruslan and Lyudmila”

2021 ◽  
Vol 2 (8) ◽  
pp. 64-74
Author(s):  
Anastasia V. Semenova ◽  
Keyword(s):  
Text Analysis ◽  
Fairy Tale ◽  
Russian History ◽  
Evil Spirit ◽  
Epic Hero ◽  
The Core

The article uses a comparative text analysis of the poem “Vladimir” and the fairy tale “Ruslan and Lyudmila” to reveal a number of parallels associated with the image of the warrior Rogdai. Previously, researchers have not considered this aspect of the works in detail. The character has a conventionally historical prototype – the epic hero Rogdai is mentioned in the “Core of Russian History” by A. I. Mankiev, and his laconic description in the source sets the type of character in Kheraskov’s and Pushkin’s poems. In both works Rogdai occupies a prominent position at the court of Prince Vladimir of Kiev, and is distinguished by his strength and violent temper. Kheraskov's poem emphasizes the immorality of the character, which is due to the didactic message of “Vladimir” and the need to discredit the warrior who is an opponent of Christianity, while Pushkin omits the ethical points. As the plot develops, the relatively neutral character becomes the antagonist of the main hero – Kheraskov's Vladimir and Pushkin's Ruslan – and at a certain point fights with them, which results in the warrior's dishonorable death. The comparison of “Vladimir” and “Ruslan and Lyudmila” shows that, in addition to the name, Rogdai has similar characteristics in the works of Kheraskov and Pushkin; the image is created according to the model of the epic hero, overshadowed by negative traits. The texts show common motifs - the anger, resentment and vindictiveness of the hero, the corrupting influence of the evil spirit and its helpers, Rogdai's wandering through the desert places, his death at the hands of the enemy. The similarity between Kheraskov's and Pushkin's characters of the same name leads to the conclusion that the image of the gloomy warrior from the poem “Vladimir” was borrowed into Ruslan and Lyudmila.

Katran Tabrizi and the Turkish spirit

2020 ◽  
Vol 60 (11) ◽  
pp. 38-41
Author(s):  
Nigar Firuz Sadigova ◽  
Keyword(s):  
Key Words ◽  
Political History ◽  
The Political ◽  
Turkish Culture ◽  
History Of ◽  
Way Of Thinking

Katran Tabrizi is an Azerbaijani poet of the 11th century. In his work, he reflected the political history of Azerbaijan. These are known as "history verses". Tabrizi wrote poetry on various topics. If you look closely at his work, you can see that he retained the Turkish spirit, way of thinking, Turkish culture in his works, retained the patriotic spirit that we see in Nizami, Fizuli, Khagani. The poetic ideas expressed in "Dada-Gorgud", "Divani-lugati-Turk", "Gutadgu-bilik" are very similar. Turkish culture here is very close to Katran Tabrizi; purity, courage, loyalty. Like many medieval poets, Katran Tabrizi wrote in Persian for socio-political reasons. Key words: Gatran Tabrizi, poet, poetry, Azerbaijan, turkic peoples

scholarly journals PSYCHOLOGISM OF THE NOVEL “THE BOOK OF TOMORROW” BY CECILIA AHERN

2021 ◽  
Vol 1 (11(79)) ◽  
pp. 173-176
Author(s):  
Tetiana Cherepovska ◽  
Olena Binkevych
Keyword(s):  
Key Words ◽  
Fairy Tale ◽  
English Literature ◽  
The Novel ◽  
Life Changes ◽  
Negative Experience ◽  
Ways Of Coping ◽  
Personal Loss ◽  
Linguistic Means

The article reveals the phenomenon of psychologism in fiction and the ways of its actualization in modern English literature concerned with psychological aspects. The notion is analyzed on the basis of Cecilia Ahern’s novel “The Book of Tomorrow” that depicts the protagonist’s psychological crisis as a result of personal loss and the ways of coping with negative experience. Lexical-stylistic and compositional means are studied through the prism of the representation of the protagonist’s internal feelings caused by inner and outer factors. The role of symbols, fairy-tale allusions, personifications, artistic details and comparative tropes in depicting the young girl’s crisis state and her reactions to life changes is traced. The function of key words, implicit details, temporal fractures and the title in the compositional framing of the text is researched. The role of the mentioned-above linguistic means in the reflection of transformations taking place in the protagonist’s consciousness is studied. Some peculiarities of Cecilia Ahern’s individual author’s style, such as wide use of fairy-tale allusions and personifications, contrastive application of some lexical-stylistic means (artistic details) and the coherent function of the others (an implicit detail, extended metaphors), are outlined. The author’s favourite key words are listed; the stylistic role of their repetitions in different contexts is shown. The retrospective actualization of the lexeme tomorrow presented in the title is traced.

scholarly journals Penananaman Nilai Karakter Siswa Kelas IV Sekolah Dasar Negeri 133 Seluma Melalui Dongeng Sayembara Pandai Tidur

2018 ◽  
Vol 1 (2) ◽  
pp. 246-256
Author(s):  
Raminem Raminem
Keyword(s):  
Fairy Tales ◽  
Text Analysis ◽  
Fairy Tale ◽  
Social Care ◽  
Teaching Experience ◽  
Learning Material ◽  
School Students ◽  
Socially Responsible ◽  
The Poor ◽  
The Rich

The purpose of storytelling as a form of learning innovation fun for students, especially elementary school students 133 Seluma in learning Indonesian language. The author uses descriptive qualitative methods. The study was taken from the observation and teaching experience in the classroom. With dogeng text analysis developed as a learning material for students. The results show the theme contained in the fairy tale of Sleepy Swarm is the persistence of sleeping youth. While the mandate contained in the story that we must be good at using free time and should not distinguish between the rich and the poor. The value of the characters found in the fairy tale is honest, disciplined and socially responsible. Values ​​of characters in fairy tales or folklore from Bengkulu that often appear based on the story analyzed as much as three stories, namely the character of discipline and social care. Therefore, the character of discipline and social care is very suitable implanted for children. Keywords: Planting, Character, Fairy Tale.

scholarly journals Ondel-ondel kekinian: boneka besar Betawi di zaman modern

2019 ◽  
Vol 3 (6) ◽  
pp. 183-188
Author(s):  
Mita Purbasari ◽  
M Dwi Marianto ◽  
M Agus Burhan
Keyword(s):  
Qualitative Research ◽  
Key Words ◽  
Performing Arts ◽  
Cultural Tourism ◽  
Semiotic Approach ◽  
Way Of Thinking ◽  
Meaning Interpretation ◽  
Made In ◽  
Building Elements

Ondel-ondel is an ancient Betawi’s art work named Barongan, in simple shaped of one pair off greater puppets, complete with the music companion. At the beginning, ondel-ondel was a part of Betawinese scared rituals then become one of Jakarta’s icons. Ondel-ondel can be found until today either in performing arts and decoration element form. In its development as the decoration element form, ondel-ondel is not only the great puppet for buildings and stages decorator, but also has been positioned as a part of cultural tourism and society living needs. Moreover, ondel-ondel has been used to be an inspiration to produce souvenir to support industry. Ondel-ondel is not longer just made in big size, but also in mini size in form of 2 or 3 dimensions, so it is easy to be carried as a souvenir, which represents Jakarta and Betawi. To find out the value behind the sign changed, this qualitative research used the semiotic approach. Connection or relation between symbolic sign in ondel-ondel structure and building elements were collaborated with society condition as the background and impact of the society on that time to get the value. The changes of ondel-ondel’s meanings and functions in building elements have been produced and contracted as its user way of thinking based on its form and context. The meaning interpretation of ondel-ondel craftsman and audience in particular time would be different with government’s policies. Key words: ondel-ondel, building elements, souvenir, meaning, function

scholarly journals FOLK SPIRIT AND STYLE IN ARTISTIC CREATIVITY

2020 ◽  
pp. 210-216
Author(s):  
Matyakubova Tozagul Rajapovna
Keyword(s):  
Key Words ◽  
Fairy Tales ◽  
Life Style ◽  
Fairy Tale ◽  
Artistic Creativity ◽  
Folk Literature ◽  
The Individual ◽  
The Impact ◽  
Individual Style

The impact of the folk literature to the poetry of the Uzbek academician poet Gafur Gulam (1903 - 1966) has been learnt by this article. Through the model of the analyses of poems by the poet the inheriting interrelations between folk and written literature have been observed. The scientific-theoretical opinions on the specific depiction style of the folk melody and spirit, which was closely got acquainted with national belief and life style, that is the peculiar depiction style appropriately to the genre fairy tales and folk epics as proverbs, parable, blessings, scolding have been ahead for formulation the individual style of Gafur Gulam. KEY WORDS: Poetry, lyric feeling, sense, philosophical pithiness, folk melody, folk inspiration, folklore, inheritance, figurativeness, simplicity, coherency, motive, fairy tale, oral epic, blessing, scolding, proverb, parable, sayings, lyric character, outlook, style, folk phrase, ceremony, cross impact, individuality, authentic ideal, literary-depictive means, stanza, idea, content.

scholarly journals Kode-Kode Budaya Dalam Sastra Lisan Biak Papua

ATAVISME ◽  
2015 ◽  
Vol 18 (1) ◽  
pp. 75-89
Author(s):  
Sriyono Sriyono ◽  
Siswanto Siswanto ◽  
Ummu Fatimah Ria Lestari
Keyword(s):  
Qualitative Research ◽  
Key Words ◽  
Oral Literature ◽  
Semiotic Analysis ◽  
Umberto Eco ◽  
Semantic System ◽  
Cultural Codes ◽  
Semiotic Approach ◽  
Way Of Thinking ◽  
Descriptive Qualitative

Penelitian ini bertujuan mendeskripsikan kode-kode budaya yang terdapat dalam sastra lisan Biak di Papua. Penelitian ini merupakan penelitian deskriptif kualitatif dengan pendekatan struktur dan semiotik Umberto Eco. Sumber data penelitian ini adalah sastra lisan Biak yang diambil di Kampung Opiaref, Distrik Biak Timur. Melalui analisis semiotik sistem sintaktik diperoleh kode­‐kode yang signifikan antara lain: latar darat dan laut, tokoh Manarmakeri dan Marmar, serta mitos sebagai penanda hak ulayat. Dari analisis semiotik sistem semantik diperoleh kode­‐kode yang signifikan seperti: nyambondi, tifa Aryam, farbuk idadwer, patrilokal, eksistensi anak laki­‐laki dalam kekerabatan patrilineal, ararem, abeyap srendi, munara, dan totem ikan sako. Makna dari kode­‐kode budaya tersebut mengomunikasikan tentang proyeksi berfikir mereka yang bermuara pada eksistensi dan gengsi keret. Abstract: This research aims to describe the cultural codes in oral literature of Biak in Papua. It is a descriptive qualitative research with structure and Umberto Eco’s semiotic approach. The main data of this research are the oral literature of Biak, exactly from Opiaref Village, East Biak District. Based on the semiotic analysis of syntactic system, there are some significant codes such as the setting of land and sea, the characters of Manarmakeri and Marmar, and myth as a claim of land possession. Based on the semiotic analysis of semantic system, there are some significant codes such as nyambondi, tifa Aryam, farbuk idadwer, patrilocal custom, the existence of a man in patrilineal clan, ararem, abeyap srendi, munara, and totem of sako fish. The significance of those cultural codes communicate their way of thinking, emphasizes on clan existence and prestige. Key Words: oral literature; cultural codes; meaning

scholarly journals El género, los hombres y las mujeres

2015 ◽  
Vol 12 (1) ◽  
pp. 21
Author(s):  
Ninfa Stella Cárdenas Sánchez
Keyword(s):  
Key Words ◽  
Research Group ◽  
Text Analysis ◽  
Recent Discussion ◽  
Men And Women ◽  
Feminine Gender ◽  
Special Cases ◽  
The Feminine ◽  
Current Article ◽  
Las Mujeres

ResumenEste artículo es un producto del proyecto de investigación Del análisis textual al análisis del discurso: un estudio de la lengua del fútbol, que pertenece al grupo de investigación Fray Antón de Montesinos: lenguajes y universos simbólicos de la Universidad Santo Tomás. El texto pretende hacer un acercamiento a un problema de reciente discusión: ¿es sexista la lengua? ¿es la lengua un instrumento de discriminación? Y, por lo tanto, ¿un instrumento para mantener la desigualdad entre los hombres y las mujeres? Aunque el texto no responde directa y ampliamente a estas preguntas, plantea el carácter no sexista de la lengua, a partir de los casos especiales de la flexión de género en español para sustentar así que, desde la gramática de nuestra lengua, el uso del masculino genérico es una forma de inclusión, y no de exclusión, del género femenino.Palabras Clave: Lengua, gramática, género, masculino, femenino, discriminación, discurso.******************************************************************Gender, men and womenAbstractThe current article is a product of the research project From text analysis to discourse analysis: a study of the language of football, belonging to the research group Fray Antón de Montesinos at Universidad Santo Tomás: Languages and symbolic universes. The text aims at approaching a problem under recent discussion: Is language sexist? Is language an instrument of discrimination? And if so, is language an instrument to maintain inequality between men and women? Even though the text does not answer these questions directly or broadly, it states there is a non-sexist nature of language departing from special cases of the gender flexion in Spanish to state that, from the grammar of our language, the use of the masculine generic form is a way of inclusion, not of exclusion of the feminine gender. Key words: language, grammar, gender, masculine, feminine, discrimination, discourse******************************************************************O gênero, os homens e as mulheresResumoEste artigo é um produto do projeto de investigação Da análise textual à análise do discurso: um estudo da língua do futebol, que pertence ao grupo de pesquisa Fray Antón de Montesinos: linguagens e universos simbólicos da Universidade Santo Tomás. O texto pretende fazer uma aproximação a um problema de recente discussão: é sexista a língua?, é a língua um instrumento de discriminação? E, em consequência, um instrumento para perpetuar a desigualdade entre homens e mulheres? Ainda que o texto não responda direta e amplamente a estas perguntas, propõe o caráter não sexista da língua, partindo dos casos de flexão de gênero em espanhol para sustentar assim que, partindo da gramática de nossa língua, o uso do masculino genérico é uma forma de inclusão e não de exclusão do gênero feminino.Palavras chave: Língua, gramática, gênero, masculino, feminino, discriminação, discurso.

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