Kajian Retorika Visual: Fotografi Potret Studio

2013 ◽  
Author(s):  
Irwandi, G.R. Lono Lastoro Simatupang,And Soeprapto Soedjono
Keyword(s):  
Visual Media ◽  
Know How ◽  
Human Effort ◽  
The Creation

A study about photography art work in Indonesia is rarely done. Thefact is that the potrait photography discourse in Indonesia is pointed to thecreative process of the creation of the art work and tends to place the potrait photography is more to be a mass product along with its economical value. To fulfill that emptiness, it needs a study which can be used as an explanation on how the portrait photography is evolve among society, one is relate to the human effort who express her/himself through a studio portrait photography.One of the efforts that can be done is inquiring the dimension ofcommunication in portrait photography which is using visual retoric theories. The outline of visual retoric theory has been oftenly used to analyze visual media in general, however it seems seldom chosen to analyze photography art work. Through this writing would be shown the example of theories which could be The theory outline is hoped to be able to give an illustration about many kinds of portrait photography shape and it is hoped to explain the main goal and the pattern of message deliverence photographically and to know how the society figure out the value of portrait photography for her/himself.

scholarly journals Portrait of the artist as a philosopher

2021 ◽  
pp. 105971232199468
Author(s):  
Jeannette Pols
Keyword(s):  
Know How ◽  
The Past ◽  
Aesthetic Practice ◽  
The Creation ◽  
The Aesthetic ◽  
The Relationship

The response asks about the relationship between artist and audience in the RAAAF artworks. Is the artist an Autonomous Innovator who breaches the ties with the past and the environment? Or is the aesthetic practice located in the creation of relationships around these objects, hence expanding the artwork by using know-how, experiences and enthusiasm of the audience/users?

Enterprising SEZ Enclaves and Economic Development in India

2018 ◽  
Vol 19 (1) ◽  
pp. 1-33
Author(s):  
Sazzad Parwez
Keyword(s):  
Economic Development ◽  
Special Economic Zones ◽  
Employment Creation ◽  
Know How ◽  
Domestic Firms ◽  
Foreign Affiliates ◽  
The Creation ◽  
Development Assessment ◽  
Economic Zones ◽  
Conducive Environment

This paper is based on the premises of economic development through the creation of economic enclaves across the region-seeking industrialization in the context of India. The study suggests that Special Economic Zones policy has attracted a considerable amount of export-oriented investment and production, employment creation, and technical know-how. However, the policy has not met the desired results considering the objective of economic development. Assessment leads to understanding that competitiveness of domestic firms and linkages with foreign affiliates can be strengthened by the adoption of institutional re-structuring to create the conducive environment for further industrialization. It may lead to related spillovers to have positive impacts on the overall economy.

scholarly journals Use of Google Form in Support of Data Collection for Student Scientific Work

JUDIMAS ◽  
2021 ◽  
Vol 1 (1) ◽  
pp. 85
Author(s):  
Tri Widayanti
Keyword(s):  
Data Collection ◽  
Community Service ◽  
Scientific Work ◽  
The Other ◽  
Application Form ◽  
Direct Practice ◽  
Know How ◽  
Study Programs ◽  
The Creation ◽  
Conventional Methods

<p>The creation and dissemination of questionnaires conventionally has an impact in data collection and completion of thesis for longer. While on the other hand students should be able to complete college on time. The accuracy of students completing lectures also affects the accreditation of study programs and universities. The purpose of community service implementation to foster knowledge and insight so that students can practice google form application in making questionnaires and collecting scientific work data online. Considering the number of students of the College of Economists Boedi Oetomo Pontianak who do not know how to make questionnaires using the google form application. So far, students are still using conventional methods in the manufacture and dissemination of questionnaires. The seminar was attended by 22 participants from the final semester of the Boedi Oetomo Pontianak College of Economics. Implementation of community service using lecture approach, direct practice guidance and discussion so that participants can understand the material delivered. Based on the results of Pretest and Postest showed that after the seminar all students can understand the use of google application form for the creation of questionnaires and data collection of scientific work.</p>

scholarly journals IMPLEMENTASI MODEL CREATIVE DANCE PADA PEMBELAJARAN SENI TARI MAHASISWA PGSD UNIVERSITAS SARJANAWIYATA TAMANSISWA

2019 ◽  
Vol 3 (2) ◽  
pp. 357
Author(s):  
Dyan Indah Purnama Sari ◽  
Poppy Indriyanti
Keyword(s):  
Descriptive Analysis ◽  
Teaching Model ◽  
Analysis Method ◽  
Creation Process ◽  
Creative Dance ◽  
Know How ◽  
Creative Idea ◽  
Art Teaching ◽  
The Creation

This article studied the creative dance model implementation in dance teaching for PGSD students, this article is formulated so that (1) PGSD Universitas Sarjanawiyata Tamansiswa students know how to create children dance, (2) PGSD Universitas Sarjanawiyata Tamansiswa students can create children dance by using creative dance model, (3) in the creation process, PGSD Universitas Sarjanawiyata Tamansiswa students can develop their creative idea, (4) PGSD students become active, creative, and innovative students in the process of creating children dances. Additionally, this article also aims at analyzing the role of creative dance model in the creation of children dance in Dancing Art teaching. The creative dance model is often referred to as creation model. The approach used in this research is qualitative research which applied a descriptive analysis method aimed at describing, summarizing various conditions, various situations, or various social reality phenomena in the community. The data collection was conducted by means of observation, interview, and documentation. The product of this research would be a teaching model that can be used as a guide or manual in the process of construction and exploration of children dance to be used by PGSD students, especially PGSD Universitas Sarjanawiyata Tamansiswa students.

scholarly journals Modern ideas about types of knowledge and experience in psychological research of the problem of their capitalization

2017 ◽  
Vol 10 (4) ◽  
pp. 74-95 ◽  
Author(s):  
E.S. Samoylenko ◽  
I.V. Bogdanova
Keyword(s):  
Professional Knowledge ◽  
Psychological Research ◽  
Perceived Quality ◽  
Individual Experience ◽  
Natural Activity ◽  
Know How ◽  
Types Of Knowledge ◽  
The Creation

The article analyzes modern ideas about “knowledge” and “experience” in the context of problems of “capitalization” of professional knowledge that determine the specifics and know-how of the enterprise. Different interpretations of the concept of “knowledge” are considered, as well as questions concerning the sources and principles of their creation in the organization. The specificity of the concept of “experience” is determined by the practice of using individualized knowledge. Among the tasks of capturing individual experience, the creation of methods enabling the identification of its components in natural activity is put at the forefront. The practical perspective is seen in the application of the paradigm of perceived quality, whose methodology is aimed at the integration of different approaches and the triangulation of data obtained by various methods and procedures.

scholarly journals The representation of legitimacy in Sassanian coins (Kavad I and Zamasp eras)

2016 ◽  
pp. 95-103
Author(s):  
Ilnaz Rahbar ◽  
Mahmoud Tavoosi ◽  
Reza Afhami
Keyword(s):  
Visual Media ◽  
Point Of View ◽  
Public Media ◽  
The Creation ◽  
Visual Changes

The representation of legitimacy in Sassanian coins (Kavad I and Zamasp eras)In each era, social, cultural and political aspects, and their changes have a prominent role on the creation of the Governmental artworks that tries to act as a public media to show their power and legitimacy trends. This study wishes to survey the symbols of Sassanian coins and the role of this visual media from the power and legitimacy point of view during Kavad I (r. 488-531 AD) and Zamasp (r. 496-499 AD) eras, as a challenging period of the Sassanid dynasty. We try to show how Sassanid kings used artworks, especially coins, because of their spreads to transfer their legitimacy messages, thus they used it as the most principal media to show the power and its changes to publics. The result shows the changes during the first reign of Kavad I and after his deposing by clergies due to supporting the Mazdakites doctrine, raise of Zamasp to the throne and the second reign of Kavad I that they used various icons and symbols rooted in Zoroastrian beliefs to show their power and legitimacy according to condition changes. The emphasis of Kavad I on astrologic signs as the symbol of charisma and, in contrast, the representation of Zamasp, the successor of Kavad I after deposing, in the form of receiving diadem as a sign of his superiority and power, and the reuse of traditional symbols of legitimacy by Kavad I in the combination of diadem as the representation of his legitimacy after his second reign are some documents of visual changes of this challenging period. Wizerunkowa legitymizacja władzy na monetach Sasanidów (za Kavada i za I Zamaspa)W każdej epoce zmienne czynniki społeczne, kulturowe i polityczne mają istotne znaczenie dla tworzenia dzieł sztuki, które w sferze publicznej mają się stać nośnikiem legitymizowania przez sprawujących rządy ich władzy politycznej. Celem niniejszego studium jest zbadanie symboli przedstawionych na monetach bitych przez władców z dynastii Sasanidów i ich roli jako medium wizualnego w legitymizowaniu władzy w trudnym dla Sasanidów okresie za panowania Kawada I (488-531) i Zamaspa (496-499). Chcemy pokazać, w jaki sposób obaj królowie sasanidzcy w przekazie społecznym wykorzystywali dzieła sztuki, przede wszystkim monety, jako podstawowe medium dla ugruntowania legitymizowanych zmian na tronie. W rezultacie podjętych badań ustalono, że wobec zmiany sytuacji w pierwszym okresie panowania Kawada I i po jego obaleniu przez kapłanów z powodu wspierania przez króla nauk Mazdaka, po osadzeniu na tronie Zamaspa i w czasie drugiego panowania Kawada I wykorzystywane były różne wizerunki i symbole, zakorzenione w zaratusztranizmie, po to by umocnić władców i legitymizować ich władzę, adekwatnie do zachodzących zmian. Podkreślenie przez Kawada I roli znaków astrologicznych jako symbolu charyzmy, z drugiej zaś strony przedstawienie wizerunku Zamaspa – następcy usuniętego z tronu Kawada – jako tego, który otrzymuje diadem na znak jego zwierzchności i władzy, jak też ponowne wykorzystanie przez Kawada I tradycyjnych symboli legitymizacji w powiązaniu z diademem wyobrażającym go jako prawowitego władcę w drugim okresie jego panowania – to niektóre ze świadectw dokumentujących przemiany wizerunkowe w okresie trudnych wyzwań.

scholarly journals MAGIA E IMAGINAÇÃO: ESTUDO E DESENVOLVIMENTO DA MARCA PIXIE AROMAS

2019 ◽  
Vol 16 (2) ◽  
pp. 186
Author(s):  
Marcieli Hoffmann ◽  
Elizete De Azevedo Kreutz
Keyword(s):  
Human Being ◽  
Know How ◽  
Brand Building ◽  
Visual Identity ◽  
The World ◽  
Five Senses ◽  
The Creation ◽  
Deep Interest

O ser humano usa os cinco sentidos para perceber o mundo, e o branding sensorial vem cada vez mais ganhando espaço no mercado como estratégia de evocar nossas emoções, com muito mais intensidade do que qualquer outro estímulo. O presente estudo tem como objetivo geral descrever os processos de criação e de desenvolvimento de uma marca de aromatizantes para o mercado do Vale do Taquari/RS. O processo de construção de marca é complexo e exige do profissional conhecimento (saber), experiência (saber fazer) e ética (saber ser). Assim, o estudo se justifica na medida em que é relevante para os profissionais da área, para os acadêmicos e também para os empresários, posto que apresenta os passos para criação de uma marca real. As metodologias adotadas foram a qualitativa exploratória, ancorada na Hermenêutica de Profundidade, e a metodologia de Construção de Marcas Mutantes. Como resultados, verificou-se que, para honrar a essência de uma marca cuja missão é despertar emoções por meio do olfato, o que exige ainda mais engajamento e interesse profundo em sentimentos humanos por parte dos profissionais responsáveis, a estratégia de criação e de desenvolvimento de uma marca mutante foi a mais adequada, e esse processo é descrito ao longo do presente artigo.Palavras-chave: Marca. Brandsense. Estratégias. Aromas. Identidade visual mutante.ABSTRACTThe human being uses the five senses to perceive the world and sensory branding has been increasingly gaining market space like strategy of evoke our emotions with much more intensity than any other stimulus. The present study has as general objective describe the process of creation and development of a flavourings brand for the Vale do Taquari/RS’s market. The process of brand building is complex and demands of the professional the knowledge (to know), experience (know how) and ethics (how to be). Therefore, the study is justified by the relevance for professionals of the area, the academics and the entrepreneurs too, once it presents the steps for the creation of a real brand. The methodology adopted was the qualitative exploraty, anchored in Deep Hermeneutic and methodology of building Mutant Brands. As a result, it was verified that to honor the essence of a brand whose mission is to arouse emotions through smell, which requires even more engagement and deep interest in human feelings on the part of the professionals responsible, the strategy of creation and development of a changeable brand was the most suitable and this process is described over the present article.Keywords: Brand. Brandsense. Strategies. Flavors. Mutant visual identity.

scholarly journals The Motif of Mastery in Modern Traditionalism: Features of the Author’s Representation

2020 ◽  
Vol 19 (9) ◽  
pp. 126-143
Author(s):  
Natalia V. Kovtun
Keyword(s):  
Personal Contact ◽  
The Real ◽  
Know How ◽  
The Social ◽  
The Creation ◽  
Post War ◽  
The City ◽  
The Universe ◽  
Opening Up

Purpose. The purpose of the article is to analyze the motive of mastery in modern artistic traditionalism. Results. The works of F. Abramov, V. Shukshin, and V. Rasputin as representatives of the socio-moral, existential, and ‘mystical’ lines of development of this movement were chosen for our research. We separate the motif of craft and the the actual creative act, and analyze the effect of luminophany typical to the latter. In Shukshin’s work, the motive of skill correlates with the plot of civilization, the characters leave the countryside in search of wisdom. In the early texts, the city is presented as a promising space for the formation of personality, in the later ones, on the contrary, the image of the city gets a tragic resolution, the master chooses the path of a hired craftsman who repeats other people's patterns. The real hero here is ‘strange’, ‘foolish’, who does not know how to make practical use of the skill. He creates his world as a miracle, a refuge where you can escape from the cruel present. In Abramov’s work, the themes of labor and skill are key, the social efforts of masters are important, they strive to transform the house, the countryside, and Russia here and now. There is an ethicization of labor, labor becomes a commandment, a prayer, the masters themselves belong to the fabulous chronotope, perform the functions of demiurges, opening up to the profane crafts, culture, and the vertical. Women often show skill in men's professions, which is due to the unique traits of the post-war period. The motif of skill in Rasputin's later texts correlates with the motif of death. The theme of the master and his fate unfolds in the story Izba, where the question arises about a new hero who can lead the nation out of the spiritual impasse. Rasputin, disappointed in the possibilities of a patriarchal man, leaves the chance for the renewal of the universe to a woman whose feat is set off by the presence of the master Savelii, whose image is enhanced by the figure of Orpheus. When the masters no longer have a place, in reality, they establish personal contact with time, and Eternity resonates with the question of man. Conclusion. Over the centuries, the experience of searching for ‘secret freedom’, the creation of the master of light, accumulates, is transmitted from generation to generation, which determines the existence of culture.

Merajut Ummatan Waasathan di tengah Pandemi menuju Ukhuwah Wathoniyah

An Nadwah ◽  
2021 ◽  
Vol 26 (1) ◽  
pp. 31
Author(s):  
Devi Eka Yulita Br. Tarigan ◽  
Hasrat Efendi Samosir
Keyword(s):  
Data Collection ◽  
Research Method ◽  
Electronic Media ◽  
Know How ◽  
Related Information ◽  
Library Research ◽  
The Creation

<em><span lang="EN-US">The purpose of this paper is to find out how to knit the wasathan ummatan in the midst of a pandemic towards ukhuwah wathoniyah. The approach used in this paper uses a library research method or approach, while data collection is done by examining, collecting and exploring several books, journals, related information from print and electronic media, as well as things that are considered relevant to the writing. The findings of this paper are to know how to knit a wasathan ummatan (middle), that is, to become a personal mediator in the midst of a pandemic, by not becoming a proponent and confusing the atmosphere that results in the disruption of this nation. The method that is taken to create national harmony starts with yourself, by becoming a person / middle ummat (wasathan), after you are tidied up, it will affect the environment that makes the nation's life harmonious even in the midst of a pandemic, by taking the steps described in the writing this so that the creation of ukhuwah wathoniyah (fellow countrymen)</span></em>

Sign in / Sign up

Export Citation Format

Share Document