scholarly journals The history of radiation therapy (part I)

2019 ◽  
Vol 8 (1) ◽  
pp. 52-62 ◽  
Author(s):  
A. D. Kaprin ◽  
Yu. S. Mardinskiy ◽  
V. P. Smirnov ◽  
S. A. Ivanov ◽  
A. A. Kostin ◽  
...  

In 1903, on the basis of Morozov Institute of the Moscow Imperial University (currently, P. Herzen Moscow Oncology Research Center, a branch of the National Medical Research Radiological Center, Ministry of Health of the Russian Federation), the first specialized unit in Russia was opened – department of radiation therapy of oncological diseases, in which scientific research in the field of medical radiology was officially launched in our country for the first time. The first studies in the field of radiation therapy can be attributed to this period.The article presents a brief summary of the historical development of radiotherapy in the world and in Russia; provides information on the achievements of global importance, fundamental for this scientific field. The activities of leading Russian organizations in the field of radiation therapy are reviewed; names of scientists, doctors and other specialists who have made a significant contribution to its development are provided. The main literature sources relevant to the field are given.The data in this article may be of interest and be useful for biomedical scientists, practicing radiologists and radiotherapists, oncologists, medical and graduate students, interns and other specialists.

2019 ◽  
Vol 2 ◽  
pp. 11
Author(s):  
Sеrhii Svіtlenko

The article aims to study the personality of Taras Shevchenko in the reflections of the Cyril and Methodius Society Members. The investigators of the figures of the Cyril and Methodius Society, the epistolary and memoir legacy of the participants of the Ukrainian National Movement and their sympathizers are analyzed. As a result, it is argued that the Cyril and Methodius Society Members had fruitful intellectual contacts with T. Shevchenko, knew well and highly respected his work, realized the importance of the poet as a true Ukrainian populist, who made a significant contribution to the national-cultural revival of Ukrainian culture and the creation of a Ukrainian national consciousness It was proved that the activities of the Cyril and Methodius completely coincided with the meaning of Shevchenkoʼs poetic creativity, while the charismatic personality of Kobzar organically entered into the intellectual core of the Cyril and Methodius Society circle, and made a powerful moral and psychological influence on the conscious Ukrainian youth. Members of the Cyril and Methodius Society appreciated the uncompromisingness, courage, radicalism, and deep folk of Shevchenkoʼs poetry. Ukrainian patriotism, patriotism for the fate of the native people united T. Shevchenko with other figures of the society, despite some ideological differences. Progressive Ukrainian youth valued Kobzar for great poetry talent, artistic plastic, extraordinary melodic singing, penetrating mind, deep vital sensibility and, at the same time, unique comic, humor and satire. At the same time, communicating with ideological supporters gav T. Shevchenko a new creative inspiration. During this period the Ukrainian poet was in a state of creative exaltation. It is concluded that the reflections of the Members of the Cyril and Mefodius Society, especially M. I. Kostomarov, P. O. Kulish, G. L. Andruzsky, V. M. Bilozersky, M. I. Gulak, O. D. Tulub, and others, written as during the life of T. Shevchenko, and retrospectively, is an important historical source of life and activity of Kobzar, one of the most prominent representatives of the Ukrainian national elite. The empirical article is written on various documentary and narrative primary sources, for the first time actualizes the problem of historical memory in the Ukrainian national movement at the beginning of its cultural-political stage, contains the original generalizations and conclusions regarding T. Shevchenko as a Ukrainian nation рорulist and harbinger of the Ukrainian national idea in reflections of the Cyril and Methodius Society Members. The material of the article may have practical application in scientific studios on the history of the Ukrainian national movement and the educational process of higher education.


2019 ◽  
Vol 11 (2) ◽  
pp. 182-190
Author(s):  
Marija Czepil ◽  
Oresta Karpenko

The article describes the forms of orphans’ care, custody of children deprived of parental care, their emergence and development in European countries of the 18th century – the first half of the 19th century. Attention is focused on the theory and practice of custodial education, socio-pedagogical concepts, which are based on the principle of family and living together, where you care for the child and love him. The concept of upbringing in Children’s homes, which for the first time in the history of upbringing was implemented in Switzerland, was highlighted. A significant contribution to the theory and practice of upbringing was the adoption to Rescue houses kids of both sexes. At that time that was an innovative idea.


Author(s):  
Nikolai N. Petrykin

We contribute to the discussion of the results of a significant resettlement policy, the role of the gendarme railway police in its implementation and the role of the gendarme structure in the history of the Russian Empire. For the first time, we make an attempt to disclose the mechanism of the gendarme railway police in implementing the state’s resettlement policy in the area of migration flows on the materials of the Kursk Governorate, taking into account the existing rail-way network and the structure of the gendarme police departments. Based on the materials of the State Archive of the Russian Federation and local archives, the issues of legal regulation of mass railway transportation by the gendarme railway police are considered. An analysis of the gen-darme’s paperwork based on the materials of the Kursk branch of the gendarme police department of the Moscow-Kursk railway is given, aspects of interaction with the railway administration, local authorities, and the general police are highlighted. We trace the change and expansion of the duties of the railway gendarmes in connection with changes in the resettlement policy during the period under review and highlight the main stages. Particular attention is paid to issues of public safety in the context of criminalization on the railways. We show the role of the gendarme railway police in ensuring the sanitary and epidemiological welfare of passengers, taking into account the situation in the Kursk Governorate. Particular attention is paid to the influence of resettlement processes on the internal organizational, personnel aspects of the activities of the railway police, the dependence of the employee’s spiritual and moral condition on personal choice. We draw conclusions on the significance, scale, diversity of the gendarme railway police activities during the implementation of the resettlement policy.


Author(s):  
O.A. Yartseva

The article is devoted to the history of a unique collection made by famous American patron and curator Peggy Guggenheim. For several decades, she has been gathering works by European Cubists, Abstractionists and Surrealists, creating the huge collection of the 20th century art. But she made the most significant contribution to the development and popularization of modernism by organizing the «Art of this Century» gallery in New York. This gallery hosted for the first time exhibitions of artists who later became known as abstract expressionists. Their work loudly declared itself on the international art scene and won worldwide recognition. В фокусе внимания автора статьи — история создания уникального собрания произведений искусства ХХ века, принадлежавшего известной американской меценатке и куратору Пегги Гуггенхайм. На протяжении нескольких десятилетий она коллекционировала картины европейских кубистов, абстракционистов и сюрреалистов. Но самый значительный вклад в развитие и популяризацию модернизма она внесла, организовав в Нью-Йорке галерею «Искусство этого века», в которой впервые были проведены выставки художников, позже ставших классиками абстрактного экспрессионизма США, магистрального направления, громко заявившего о себе на международной художественной сцене и завоевавшего всемирное признание.


2020 ◽  
Vol 17 (5) ◽  
pp. 496-509
Author(s):  
Grigory A. Moiseev

Pyotr Ilyich Tchaikovsky and Grand Duke Konstantin Konstantinovich (the august poet K. R.) were linked by many years of friendship and creative cooperation. After the composer’s death (October 25, 1893), K. R. became involved in the process of perpetuating his memory. The posthumous dialogue was manifested in various forms: Grand Duke Konstantin Konstantinovich’s participation in church and secular memorial ceremonies, private commemorations, and his close communication with M.I. Tchaikovsky and V.L. Davydov — the composer’s brother and nephew. In addition, K. R. reexamined his creative and epistolary communication with the composer, whose memory he would pass on to his children. These and other aspects are considered in three sections of the proposed article: 1) “Under the Sign of the Liturgy Op. 41” (this spiritual and musical work runs through the whole life of the Grand Duke); 2) “The Grand Duke and M.I. Tchaikovsky” (a key figure in the “human” aspect); 3) “K. R. Reads ‘The Life of Pyotr Ilyich Tchaikovsky’” (one of the most important findings was a copy of the book ‘The Life of Pyotr Ilyich Tchaikovsky’, which belonged to Grand Duke and bears his notes; they retrospectively reflect the process of in-depth family reading). The article is based on documentary materials from Russian and foreign collections (including the State Archive of the Russian Federation and the Library of Congress, USA), many of which are introduced into scientific use for the first time. The article uses methods of comparative source studies. The materials of the article can be used in a course of the history of Russian music, as well as in a modern commented edition of the epistolary heritage and diaries of P.I. Tchaikovsky, M.I. Tchaikovsky and Grand Duke Konstantin Konstantinovich.


Author(s):  
Andrey V. Arkhipov ◽  
◽  

The article examines the history of the emergence and development of Russian legislation on criminal liability for fraud. It is noted that for the first time fraud is mentioned in the legal acts of the second half of the 16th century - the Codes of Justice of Tsars Ivan IV and Fyodor Ioannovich. Initially, fraud was most often understood as a deft but petty theft, in which de-ception was used to facilitate its commission. The understanding of fraud as the theft of other people's property, committed by deception, began to be formed only in the second half of the 18th century with the publication on April 3, 1781 by Empress Catherine II of the Decree "On the court and punishments for theft of different kinds and the establishment of working houses in all the gubernias." In the 19th century, the clarifying process of the content of the term "fraud" continued. It was reflected in the first codified criminal laws of the Russian Empire - Code of crimi-nal and corrective penalties of Russia of 1845 and the Charter on Punishments imposed by the justices of the peace of 1864. A significant contribution to the development of the Russian criminal law on liability for fraud was made by a group of legal scholars involved in the de-velopment of the Criminal Code of the Russian Empire, in which the whole Chapter 33 (Arti-cles 591-598) contained the rules on liability for fraud. Although the 1903 Criminal Code was not fully enacted, it had a significant impact on the formation of criminal law on liability for fraud in subsequent regulations. During the Soviet period, the legislation on the responsibility for fraud continued to develop. For the first time, abuse of trust was mentioned as a method of crime, along with deception. After the collapse of the Soviet Union and the adoption in 1993 of the Constitution of the Russian Federation, the Federal Law 10 of 01.07.1994 made signifi-cant changes to the Criminal Code of the Russian Federation of 1960 that served as the basis for the system of crimes against property in modern Russia.


2020 ◽  
Author(s):  
А.А. Логунова

Статья продолжает тему, начатую документальной публикацией автора в журнале Opera musicologica № 4 (42) / 2019, и освещает малоизвестные факты из истории взаимоотношений Россини с подданными Российской империи в период с 1817 по 1865 год. Источниками информации послужили материалы из следующих хранилищ: Российский государственный исторический архив, Российская национальная библиотека, Государственный архив Российской Федерации, Российский национальный музей музыки, Санкт-Петербургский государственный музей театрального и музыкального искусства, Российский государственный архив литературы и искусства. В статье подробно комментируются два письма Россини к И. М. Толстому, придворному из окружения Александра II, свидетельствующие о продолжительных дружеских отношениях композитора с влиятельным российским чиновником. Среди рекомендательных писем Россини особенно интересны послания 1860 года — к Т. Рикорди и Дж. Боноле, в которых идет речь о молодом русском певце, будущем режиссере А. Д. Гарфильд-Дмитриеве. Представленные в настоящей статье документы — шесть писем и музыкальный автограф для альбома М. Я. Раппапорта — не только открывают новую страницу в истории русских контактов Россини, но содержат малоизученные факты, касающиеся биографии композитора и его итальянских связей. Большинство автографов публикуются впервые. The article continues the documentary publication in the Opera musicologica, no. 4 (2019) and deals with unknown facts from the history of relations between Rossini and subjects of the Russian Empire on the basis of the materials from the Russian State Historical Archive, the State Archive of the Russian Federation, the Russian National Museum of Music, the National Library of Russia, the St. Petersburg State Museum of Theatre and Music, the Russian State Literature and Arts Archive. The main attention is paid to letters by Rossini to Ivan M. Tolstoy, testifying to the composer’s long-term friendly relations with the influential Russian official from the entourage of Alexander II. Among Rossini’s letters of recommendation, messages to Tito Ricordi and Giovanni Bonola about a Russian singer Aleksandr Dmitriev are of particular interest. Six letters and a musical autograph presented in this article not only open a new page in the history of Rossini’s Russian contacts, but also contain little-studied facts concerning the composer’s biography and his Italian connections. Most autographs are published for the first time.


2021 ◽  
pp. 615-625
Author(s):  
Tatyana I. Dolzhenkova ◽  

The famous Soviet and Russian sculptor V. M. Klykov (1939-2006), winner of state prizes of the RSFSR and the USSR, People's Artist of Russia, Honored Artist of the Russian Federation, was an ambiguous figure in the eyes of his contemporaries. His caught the attention not only of professional critics, but also of ordinary people. Many publications and memoirs dedicated to the sculptor had been published during his lifetime. However, V. M. Klykov himself gave contradictory information on the history of his family in his interviews. At the same time, a complete and objective assessment of his life and work and his role in art is impossible without studying his social origin and family history, which determined the relevance of this work. Until now, the history of the Klykov family has been reconstructed from stories and memoirs of those who knew him personally. The study has also been hampered by the fact that there are misconceptions about V. M. Klykov’s ancestors that often spring from desire to create a certain image that fits the worldview of the famous sculptor. The purpose of the study has been to identify and analyze the documentary sources on the subject: archival materials, documents from the museum collection and periodicals. The fonds of the State Archive of the Kursk Region (GAKO) have provided most sources. However, destruction of the archives during the Civil War and the Nazi occupation resulted in a lack of documents and photographs from the early 20th century. Some information has been found in databases available on the Internet. A number of documents are being introduced into scientific use for the first time. The study is based on the key principles of historicism, consistency, and objectivity, which allows the author to avoid mythologization of the sculptor. Comparative analysis of the identified sources has allowed the author to trace V. M. Klykov’s genealogy up to the mid-19th century, to identify the names of his ancestors, to note the family’s difficult fate through the pivots of Russian history, to determine V. M. Klykov’s ancestors and to explore their biographies, achievements, and social status. Several representatives of the Klykov family have been identified, who showed themselves worthily in the military service of the Fatherland. In addition, the author has refuted the tale of the sculptor's grandfather ‘s de-kulakization and persecution by the Soviet power. The author concludes that peasant origin and environment in which the sculptor grew up left an imprint on his worldview, and therefore, on the theme of his monumental creativity and ideas that he defended in public life.


2020 ◽  
Vol 23 (4) ◽  
pp. 89-98
Author(s):  
Sergei A. Popov ◽  
◽  
Ksenia M. Gerasimova ◽  

The subject of analysis in this article is the ranks of proper names that have entered the onomastic space of Russia over the past 75 years, in which the memory of the heroes and events of the Great Patriotic War of 1941–1945 has been preserved. The purpose of the work is to identify the specificity of onomastic units associated with the specified period in the history of our country. The authors of the article suggest calling them heroic toponyms, ergonyms, carabonyms, etc. According to the authors, the onomastic space of the Russian Federation is currently one of the most reliable types of historical memory of the people, since the names, surnames, and occupations of people who have made a significant contribution to the history of a particular settlement, region or country in overall, as well as the names of historical events. The process of this onomastic nomination is presented as part of the state policy of memory. The article examines in the aspect of commemoration toponyms, microtoponyms, oikonyms, urbanonyms, oronyms, carabonyms, astronyms, cosmonyms, ergonyms, as well as modern memorial sports events dedicated to the events and heroes of the Great Patriotic War of 1941-1945. The main attention is paid to heroic toponymy, in particular, the specificity of the commemorative nomination in the settlements on the territory of which during the war years hostilities took place (hero cities, cities of military glory, settlements of military valor) are highlighted. The authors come to the conclusion that reliable information about one of the most difficult periods of Russian history will be reliably transmitted from generation to generation through the onomastic space of Russia.


Author(s):  
Andrei N. Artizov ◽  
Petr V. Stegniy

The article describes the history of appearance of the Baron Ginzburg Collection in the holdings of the Russian State Library. This Collection of Jewish and Arabic books and manuscripts of Baron Ginzburg is considered to be one of the treasures of the Russian State Library. The manuscript part of the Collection consists of 1913 units of the 14th - 19th centuries. In 2010 the Prime Minister of Israel Benjamin Netanyahu during the official visit to the Russian Federation raised the issue of transfer of the Ginzburg Collection to Israel “as a reciprocal gesture of good will” (the building of St. Sergius Metochion in Jerusalem was returned to the Russian Federation at the end of 2008). The search of documents relating to the fate of the Baron Ginzburg Collection in Russia held in the Russian archives produced unexpected results. After the First World War the Society of Friends of the Jewish National and University Library in Jerusalem (JNUL), created in London, got interested in the Ginzburg Collection. At the beginning of the 1920s representatives of JNUL claimed that Baronesse M. Ginzburg has been paid in advance and there has been drawn the act of purchase and sale of the Collection. However they did not submit any documents which could confirm the version of sale of the Collection. By that time books and manuscripts were nationalized as scientific treasures and got held at the Rumyantsev Museum. The Museum leadership and Soviet Jewish community objected the idea of transfer of the Collection. Director of JNUL G. Leve appealed to V. Lenin, to A. Lunacharsky, the People’s Commissar of Education, and to other leaders of the Soviet Russia to solve the matter concerning the transfer of the Collection to Jerusalem. The request was supported by the famous scientist Albert Einstein. His letters to A. Lunacharsky are published for the first time.


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