scholarly journals Creativity through the prism of the unconscious in S. Freud's concept of psychoanalysis

2020 ◽  
pp. 20-27
Author(s):  
Ol'ga Nikolaevna Tomyuk
Keyword(s):  
Social Factors ◽  
Cultural Practices ◽  
Special Significance ◽  
The Unconscious ◽  
Cultural Phenomenon ◽  
Complex Process ◽  
The Subject ◽  
Global World ◽  
Modern Era

The modernizing global world with new socio-cultural practices actualizes the study of creativity as a constitutive phenomenon of human personality in the context of challenges of the modern era. The object of this research is creativity as a cultural phenomenon, while the subject is creativity in the S. Freud's concept of psychoanalysis. In the era of transformations and uncertainty, when the role of creativity is growing, the ideas of S. Freud acquire special significance. The article considers the unconscious in the context of social, in conjunction with social factors and as the key position in creativity. The theoretical and methodological framework us comprised of the cultural-historical and comparative methods. Systemic approach allowed considering the phenomenon of creativity as a system in the assembly of elements. The author also applies the methods of analogy, analysis, comparison, generalization. Sublimation mechanism, discovered by Freud, is viewed in the context of creativity, as a method for redirection of energy displaced into the field of the unconscious by social factors, into the sphere of creativity. The concept of psychoanalysis serves as the methodological basis for explaination of creativity as a complex process of cumulation of conscious and unconscious.

scholarly journals Creativity through the prism of the unconscious in S. Freud's concept of psychoanalysis

2020 ◽  
pp. 11-20
Author(s):  
Ol'ga Nikolaevna Tomyuk
Keyword(s):  
Social Factors ◽  
Special Significance ◽  
The Unconscious ◽  
Cultural Phenomenon ◽  
Complex Process ◽  
The Social ◽  
The Subject ◽  
Global World ◽  
Modern Era

The modernizing global world with new sociocultural practices actualizes the study of creativity as a constitutive phenomenon of human personality in the context of the challenges of modern era. The object of this research is creativity as a cultural phenomenon. The subject is creativity in the S. Freud's concept of psychoanalysis. In the era of change and uncertainty, when the role of creativity is increasing, the ideas of S. Freud acquire special significance. The article considers the unconscious in the context of the social, in correlation with social factors and as a key position in creativity. The theoretical and methodological framework of the study includes cultural-historical and comparative methods. The systemic approach allowed viewing the phenomenon of creativity as a system in combibation of elements. The author also used the methods of analogy, analysis, comparison, and generalization. The discovered by Freud mechanism of sublimation is considered through the lens of creativity, as a way of redirecting energy displaced into the field of the unconscious by social factors, the sphere of creativity. The psychoanalytic concept serves as the methodological basis for explaining creativity as a complex process in combination of the conscious and unconscious.

Social Constructionism and the Role of the Unconscious in Hypnotic Responding: A Single Case Experiment

2011 ◽  
Vol 28 (3) ◽  
pp. 156-163
Author(s):  
David P. Fourie
Keyword(s):  
Social Constructionism ◽  
Cognitive Process ◽  
Single Case ◽  
Alternative View ◽  
The Unconscious ◽  
Socially Constructed ◽  
Wide Acceptance ◽  
The Subject ◽  
Unconscious Mind

AbstractThere seems to be wide acceptance by both professionals and lay people that hypnotic and especially hypnotherapeutic responding is based on the long-standing but still hypothetical dichotomy between the conscious and unconscious minds. In this simplistic view, hypnotic suggestions are considered to bypass consciousness to reach the unconscious mind, there to have the intended effect. This article reports on a single-case experiment investigating the involvement of the unconscious in hypnotherapeutic responding. In this case the subject responded positively to suggestions that could not have reached the unconscious, indicating that the unconscious was not involved in such responding. An alternative view is proposed, namely that hypnotherapeutic responding involves a cognitive process in which a socially constructed new understanding of the problem behaviour and of hypnosis, based on the client's existing attribution of meaning, is followed by action considered appropriate to the new understanding and which then confirms this understanding, leading to behaviour change.

Are Information Technologies So Dangerous for Written Culture?

2020 ◽  
Author(s):  
Asya Syrodeeva
Keyword(s):  
Social Life ◽  
Information Technologies ◽  
Cultural Practices ◽  
Writing Practices ◽  
Sociocultural Diversity ◽  
History Of ◽  
Personal Level ◽  
The Subject ◽  
Broad Interpretation

One of the factors that determines the current lifestyle is technology, which persistently draws the world into competition for new means and practices. As the subject of these processes, our contemporary not only takes an active part in them, but also reflexes a lot about his/her own impact. Although technology is ambivalent and multivector in its development, the humanitarian role of protecting the history of human experience, as well as creating the updated versions of cultural practices is not alien to it. Inspired by the broad interpretation of the writing practices proposed by J. Derrida, the author of the article shows how important it is for the understanding of technology not to be overloaded with alarmism. Information technologies have a democratizing effect on social life by offering new tools and formats for the writing. In particular, they support on a personal level the freedom of self-realization, while on a public scale — sociocultural diversity and interaction.

Philosophical meanings as the ordering principles of human life in culture

Servis plus ◽  
2015 ◽  
Vol 9 (4) ◽  
pp. 69-75
Author(s):  
Владислав Шелекета ◽  
Vladislav Sheleketa ◽  
Василий Ивахнов ◽  
Vasiliy Ivakhnov
Keyword(s):  
Human Life ◽  
Stable Solution ◽  
Modern Society ◽  
Self Organization ◽  
Semantic Field ◽  
Special Significance ◽  
The Subject ◽  
Systemic Nature ◽  
Universal Nature

The article discusses issues related to the problem of justifying the value of philosophical creativity in modern culture. It proves the author’s position of special significance of philosophy for the development of personal culture, and worldview of the person and modern society. The article shows that philosophizing is inherently different from other forms of creativity in culture, and agues that philosophical oeuvre bases on the critical perception of the existing knowledge. Involving the theory of self-organization – synergetic – the authors have shown systemic nature of meaning, which plays the role of attractor (a stable solution in the space of cultural meanings). But the sense of simultaneously co-exists in close connection with ad-culture knowledge represented in archetypal forms, continually becoming, realized in connection with the activities of consciousness and clarifying the nature of meaning. The authors demonstrate their position with the notion of discourse. The phenomenon of discourse is considered in its ontological dimensions as a conceptual basis of human existence and position in the culture. On the theories of postmodernism and poststructuralism the authors determine the form of philosophizing, based on the paradoxical structures that have under-subject nature. In this sense, there is the way to overcome the subject-object dualism, because the detection of under-subject nature of the meaning displays this meaning beyond the boundaries of the semantic field of culture. In this case, Philosophizing is a special form of operating in meanings that have just the same universal nature that is inherent to the nature of the phenomenon of meaning. In the end, the authors conclude that the role of philosophy in culture consists of the ability, which exists in its own nature. Philosophical discourse demonstrates its universal and integrative nature in socio-cultural space, creating a unique specific form of positioning oneself in the world. The authors conclude that philosophizing as a form of art, similar to “the science of Socrates” – the art of the truth birth in the course of the dispute, allows all cultural forms to stay dynamic, being in constant dialogue with each other, thereby freezing in their own forms.

«Quanta» Language Consciousness and Problems in the Functioning of the Communicative Norms

2019 ◽  
Vol 8 (1) ◽  
pp. 26-30
Author(s):  
Татьяна Черкашина ◽  
Tatiana Cherkashina ◽  
Н. Новикова ◽  
N. Novikova ◽  
О. Трубина ◽  
...  
Keyword(s):  
Cognitive Abilities ◽  
Point Of View ◽  
Cultural Phenomenon ◽  
Globalizing World ◽  
The World ◽  
The Subject ◽  
The Individual ◽  
The Impact ◽  
The Relationship

The article considers the conceptualization of the world from the point of view of its methodological paradigm assessment in the context of the globalizing world. A retrospective analysis of the relationship between language and human speech activity is given. The authors explain the role of language as a socio-cultural phenomenon in the formation of worldview systems that develop in the consciousness with the help of minimal units of human experience in their ideal meaningful representation in special concepts, which allows the individual to think within the boundaries of a certain linguistic picture of the world. Analyzes the problems of the functioning of communicative norms with regard to the hierarchy of the spiritual representations of the world. The article attempts to consider the impact of the “blurring” of the information boundaries of the globalizing world on the cognitive abilities of the individual in the nomination, qualification of the subject, phenomenon, process.

scholarly journals TO THE STUDY OF THE MECHANISM OF TRIGGERING THE PLACEBO EFFECT: PLACEBO AND AUTO-SUGGESTION

2021 ◽  
Vol 9 (3) ◽  
pp. 221-228
Author(s):  
A.V. Khaikin ◽  
Keyword(s):  
Placebo Effect ◽  
Experimental Studies ◽  
Linear Structure ◽  
The Unconscious ◽  
Ethical Problems ◽  
Positive Expectation ◽  
Current State ◽  
The Subject ◽  
State Of Research

The current state of research on the placebo effect is considered. The task is set to develop the idea of the role of positive expectation in the mechanism of placebo implementation. A number of assumptions concerning the nature of placebo and approaches to its study are put forward. Consideration of the effect in its linear structure can contribute to the study of the nature of the placebo. It is useful to understand this phenomenon as consisting of a stage of psychological triggering and a stage of psychosomatic and physiological implementation. In turn, it is useful to consider the first of them as consisting of a preliminary stage of forming a positive (or negative – with nocebo) expectation, confidence in a certain effect of a placebo agent, and the stage of actually triggering a placebo. When implementing the placebo effect, the active expectation of a certain internal process and its result activates the mechanism of auto-suggestion, within which the expected is realized. The placebo is triggered by the implementation of one of the types of autosuggestion process, which does not presuppose any purposeful actions of the subject, for example, orders addressed to the unconscious. A significant part of the studies of the placebo effect nature can be carried out within the framework of the study of the mechanisms and patterns of this way of autosuggestion, which is triggered by the confident active expectation of the subject in the onset of certain internal changes. It is clear that such studies can be carried out in contexts other than those of placebo and nocebo implementation, for example, neutral in relation to the physical and emotional state and make their conduct not burdened with ethical problems. Which, of course, can significantly contribute to the intensification of the study of the placebo nature. It is concluded that the proposed concept develops the thesis about the necessary role of positive expectation in the implementation of the placebo effect, explaining the role of expectation in the mechanism of its launch. Understanding the mechanism of the placebo effect as a mechanism for self-suggestion will significantly simplify the conditions for experimental studies of placebo patterns and creates a context for further research.

Pilgrimage and the Dynamics of Urbanism Reconsidered: Faubourg Architecture in Romanesque Aquitaine

2010 ◽  
Vol 53 ◽  
pp. 41-76
Author(s):  
Robert Maxwell
Keyword(s):  
Urban Growth ◽  
Cultural Practices ◽  
Late Nineteenth Century ◽  
Relative Importance ◽  
Santiago De Compostela ◽  
Commercial Markets ◽  
Heated Debate ◽  
The Subject ◽  
Late Nineteenth

Since the late nineteenth century, scholars have considered pilgrimage a dynamic catalyst that influenced a range of cultural practices, not least architecture. The charismatic stewardship of such influential scholars as Arthur Kingsley Porter, Kenneth John Conant, Emile Mâle and Elie Lambert helped propel the study of ‘pilgrimage architecture’ to a leading field of study, and a handful of churches — notably St-Sernin in Toulouse, St-Martin in Tours, St-Martial in Limoges, Ste-Foy in Conques and the cathedral at Santiago de Compostela — achieved status as paradigmatic monuments. At the same time, the subject was also for a long while a source of heated debate fuelled by nationalist interests, occasionally lapsing even into ad hominem squabbles. The matter has in recent decades generated calmer discussion, including new perspectives introduced by studies of other complementary cultural phenomena. Urban and economic historians, in particular, have looked to the role of pilgrimage in relation to urban growth and the rise of commercial markets. This scholarship has contributed to re-evaluations among art historians and has shed greater light, for example, on the predatory fervour with which certain bishops, cathedral chapters and abbots enticed pilgrims to destinations like Chartres, Santiago de Compostela or Cluny, just as the infusion of interdisciplinary perspectives has helped architectural historians reassess so-called pilgrimage architecture. After all, not all churches of that type were on the pilgrimage roads, nor do all churches on those roads reflect the Toulousain-Compostelan model. The relative importance of the paradigmatic five churches has been called into question.

From the 1960s: On Learning Mathematics

2006 ◽  
Vol 100 (5) ◽  
pp. 48-55
Author(s):  
Jerome Bruner
Keyword(s):  
Learning Process ◽  
Complex Process ◽  
Learning Mathematics ◽  
Readiness To Learn ◽  
New Material ◽  
The Subject ◽  
The 1960S

The article from the December of 1960 describes complex process of learning mathematics from a position of psychologist. The author thoroughly defines the subject of discussion and then focuses on a role of each of four components of learning: discovery, intuition, translation into language of mathematics and readiness to learn new material. He analyzes every topic providing insights into a learning process and recommendations valuable for educators.

scholarly journals Between truth and respect – towards an ethics of care in journalism

2014 ◽  
Vol 25 ◽  
pp. 124-136 ◽  
Author(s):  
Carlos Camponez
Keyword(s):  
Ethic Of Care ◽  
Ethics Of Care ◽  
Alternative Response ◽  
The Public ◽  
Complex Process ◽  
New Public ◽  
The Social ◽  
The Subject ◽  
The Public Sphere

This article seeks to explore the contributions of an ethic of care for journalism. Far from refusing the objectivity paradigm, the ethics of care emphasizes the role of journalism in its engagement with the public sphere and democracy, stressing the social responsibility dimension based on respect for the different stakeholders in the complex process of information: the subject who informs, the public and the information sources; journalism as a professional culture. This perspective can be a response to the contradictions that we find across the normative field of journalism, tightly placed between the paradigm of objectivity, freedom of speech and the market demands. In a communication where the logics of commodification, entertainment and audiences prevail, the ethics of care based on respect can become an alternative response towards a new public contract and journalism’s credibility.

scholarly journals Education: 1. Creativity and Problem Finding/Solving in Art

2018 ◽  
Vol 16 (1) ◽  
pp. 212-222
Author(s):  
Marinela Rusu
Keyword(s):  
Social Factors ◽  
Creative Process ◽  
Creative Thinking ◽  
Complex Interaction ◽  
Biological Factors ◽  
The Unconscious ◽  
Cultural Conditions ◽  
Complex Process ◽  
Historical Epoch ◽  
Unconscious Mind

Abstract Creativity is a complex process that invites to action, both the conscious and the unconscious mind. The work proposed by us puts into question a new aspect of the process of creativity: finding and solving problems, inserting the cognitive and ideational elements into the artistic creative process. Artistic personality represents a complex interaction between diverse psychological factors: intellectual (lateral, creative-thinking and convergent thinking) and nonintellectual factors (temperament, character, motivation, affectivity, abyssal factors, special aptitudes). To these are added also, the biological factors (heredity, age, gender, mental health) and social factors (economical condition, historical epoch, socio-cultural conditions). In the same time, the artist's success also appears to be linked to his ability to find and solve new problems in artistic themes, to his ability to correctly formulate questions, and then to find original, genuine answers. This paper explains the link between the multitude of solved problems and the artistic success.

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