scholarly journals Landscape of Altai by Yuri Kapustin

2015 ◽  
Author(s):  
Е.Ю. Пешков
Keyword(s):  
Art Museum ◽  
The State ◽  
Main Theme ◽  
80Th Anniversary ◽  
Graphic Artist ◽  
Professional Artists

Персональная выставка Ю.Н. Капустина, посвященная 80летию мастера, уже четвертая в стенах музея, предыдущие состоялись в 1992, 2000 и 2010 годах. 77 произведений художника сейчас хранятся в фондах Государственного художественного музея Алтайского края, 20 из них поступили от автора в качестве дара. Personal exhibition of Yuri Kapustin at the State art Museum of Altai Krai, dedicated to the 80th anniversary of the masters, held in 1992, 2000 and 2010 years. Yuri Kapustin is a painter, ceramist, enameller, graphic artist, member of the Union of artists of Russia, Creative Union of professional artists, International art Fund, laureate of the Association Art of Nations , participant of many solo and group exhibitions in Altai, Moscow and abroad etc. The Altai is the main theme of creativity of the painter. But the nature of the Altai is inseparable from his history. Therefore, the viewer can see here drawings, ceramics and enamel, where the landscape in addition to its realistic and ornamental varieties has symbolic and historical shapes, in which there are Russian or Altaic ethnic motives, the Scythian images or petroglyphs.

scholarly journals ART-ARCADIA (afterword to the exhibition of Arkady Kazantsev at the State art museum of the Altai Krai)

2019 ◽  
Author(s):  
Оксана Владимировна Сидорова
Keyword(s):  
Art Museum ◽  
The State ◽  
Exhibition Space ◽  
Graphic Artist

Статья посвящена знакомству с искусством ведущего алтайского художника-графика Аркадия Викторовича Казанцева. На примере персональной выставки мастера «ART-ARCADIA», состоявшейся в 2018 году в Государственном художественном музее Алтайского края, автор публикации выявляет тематическую направленность, специфику формирования художественного образа в произведениях А.В. Казанцева, демонстрирует вариативность репрезентации его творчества в экспозиционном пространстве музея. The article is devoted to knowing the art of the head Altai graphic artist Arkady Viktorovich Kazantsev. Through the example of the personal exhibition of the ART-ARCADIA’s foreman, which was held in 2018 at the State art museum of the Altai Krai, the author of the publication reveals the thematic scope and the specificity of the word picture’s formation in the works of A.V. Kazantsev, demonstrates the flexibility of his oeuvre’s representation at the exhibition space of the museum.

CERAMICS IN CERAMICS P. PICASO FROM THE COLLECTION OF THE STATE MUSEUM OF ARTS OF UZBEKISTAN

2021 ◽  
Vol 4 (6) ◽  
pp. 16-29
Author(s):  
Dilshod Azizov ◽  
Keyword(s):  
Social Status ◽  
Flat Surface ◽  
Three Dimensional ◽  
Art Museum ◽  
The State ◽  
Pablo Picasso ◽  
Graphic Artist ◽  
Works Of Art ◽  
The Social ◽  
State Museum

The works of P. Picasso in ceramics in the collection of the State Art Museum of Uzbekistan are among the masterpieces of the museum and are kept as priceless works. These works are one of the periods when the artist P. Picasso worked on clay.The Spanish artist, sculptor, graphic artist, ceramist and designer Pablo Picasso made a worthy contribution to the development of world art. He laid the foundations for Cubism by dividing objects into handicrafts and creating works of art from pieces, carved and three-dimensional on a flat surface. From the second half of the 1930s, the social status of Picasso came to the fore. The article is significant in that it provides comments on his rare works.

scholarly journals «Black-and-white and coloured» (notes from Tatiana Ashkinazi's personal exhibition)

2017 ◽  
Author(s):  
О.В. Сидорова
Keyword(s):  
Art Museum ◽  
The State ◽  
Professional Skills ◽  
Black And White ◽  
Graphic Artist ◽  
The Arts ◽  
Made In ◽  
Art School

Татьяна Ашкинази – известный в Сибири художник-график. Профессиональное мастерство она совершенствовала в художественной студии В.Ф. Рублёва, в Домах творчества СХ СССР. «Черно-белое и цветное» – персональная выставка Татьяны Викторовны Ашкинази, открывшаяся летом 2017 года в Художественном музее Алтайского края. В экспозицию вошли графические наброски, сделанные в студии Рублева, портретные зарисовки художников с творческих дач, детские портреты, серия литографий «Идиллия».  Рядом с черно-белой графикой были представлены работы, выполненные темперой, маслом, акрилом. Выставка продемонстрировала творческое многообразие автора, показала, что Татьяна Викторовна Ашкинази – интересный, ищущий, развивающийся художник. Tatiana Ashkinazi is a famous graphic artist in Siberia. She perfected her professional skills in V.F. Rublev's art school and in the Arts Centres of the Union of Artists of the USSR. «Black-and-white and coloured» is a personal exhibition of Tatyana Viktorovna Ashkinazi, which was opened in the State Art Museum of the Altai Territory this summer. The exposition includes graphic sketches, which were made in Rublev's art school, portrait sketches from artistic meetings, children's portraits and a series of lithographs «Idyll». Next to black-and-white graphics, works made with the help of tempera, oil and acryl were demonstrated. The exhibition showed us creative diversity of the author and proved that Tatiana Viktorovna Ashkinazi is an interesting, searching, developing artist.

scholarly journals The Creative Heritage of the Artist A.N. Borisov

2015 ◽  
Author(s):  
Е.И. Дариус
Keyword(s):  
Art Museum ◽  
The State ◽  
Great Role ◽  
Altai Region

Алексей Николаевич Борисов (1889 1937) один из ведущих художников Алтая, сыгравший большую роль в формировании и становлении профессионального искусства в алтайском регионе и, в частности, в Барнауле, в 1920 1930е гг. В статье, опираясь на документальные материалы и произведения, находящиеся в собрании Государственного художественного музея Алтайского края, рассматривается творческое наследие художника, дается анализ его работ. Aleksey Nikolaevich Borisov (1889 1937) is one of the leading artists in Altai, who played the great role in the formation and development of professional art in Altai region and, inparticular, in Barnaul in 1920 1930. Author explores the creative heritage of the artist, basing on the documentary materials and works that are in the collection of the State Art Museum of Altai Krai. The analysis of his works is given.

scholarly journals Graphic arts of P.I. Basmanov in the collection of the State Art Museum of Altai Krai

2016 ◽  
Author(s):  
О.В. Сидорова
Keyword(s):  
Art Museum ◽  
The State ◽  
Museum Collection ◽  
Graphic Arts ◽  
History Of

Ленинградский художник Павел Иванович Басманов (1906–1993), родившийся на Алтае и воспевший Алтай в десятках сотен своих произведений, известен также как коллекционер русской и советской графики. Более восьмидесяти произведений из коллекции Басманова хранится в Государственном художественном музее Алтайского края. Это отечественная графика XIX–XX веков: акварели Бориса Кустодиева, уникальная графика Елизаветы Кругликовой, литографии Льва Бакста, Павла Кузнецова, Николая Тырсы, Алексея Пахомова, Георгия Верейского, Владимира Конашевича, Павла Митурича и Юрия Васнецова, книжная графика Константина Рудакова и Леонида Хижинского, эстампы Дмитрия Митрохина, Андрея Гончарова, Вадима Фалилеева. Статья рассказывает об отношениях, связывавших Павла Басманова с авторами работ, повествует об истории создания и бытования ряда произведений из музейной коллекции Басманова, воссоздает хронологию поступления работ в фонды ГХМАК. Leningrad painter Pavel Ivanovich Basmanov (1906–1993) was born in the Altai Krai, which was praised by him in tens of thousands paintings. Basmanov is also famous as a collector of Russian and Soviet graphic arts. More than eighty paintings from Basmanov's collection are reposited in the State Art Museum of Altai Krai. There is domestic graphic arts of XIX–XX centuries: watercolors by Boris Kustodiev, unique graphic arts by Elizaveta Kruglikova, lithographies by Lev Bakst, Pavel Kuznetsov, Nikolai Tyrsa, Aleksei Pachomov, Georgiy Vereyskiy, Vladimir Konashevich, Pavel Miturich and Yuriy Vasnetsov, book graphics by Konstantin Rudakov and Leonid Khizhinskiy, prints of Dmitriy Mitrichin, Andrey Goncharov, Vadim Falileev. The article is about relationships, united Pavel Basmanov and creators of works listed above. It also tells us about the history of creation and existence of a number of works from the museum collection of Basmanov and recreates the chronology of receipt of works in the funds of the State Art Museum of Altai Krai.

Connecting art images and bibliographic data: creating a tool for distance education through collaboration

2000 ◽  
Vol 25 (2) ◽  
pp. 21-25
Author(s):  
Roger Durbin
Keyword(s):  
Distance Education ◽  
Metropolitan Area ◽  
Art Museum ◽  
The State ◽  
Bibliographic Databases ◽  
Web Based ◽  
Non Profit ◽  
Web Resources ◽  
Bibliographic Data ◽  
The University

About the only way a small non-profit art museum and its library can hope to create and disseminate information about both its art and bibliographic collections is through collaboration and co-operation. The Akron Art Museum, the University of Akron Libraries, and OhioLink (the state-wide library and multimedia consortium) joined forces to compile the necessary records, images and software to connect information in the museum library’s catalogue to image files, and other biographic and bibliographic databases. Selected portions of the newly created resources are refashioned and merged with web-based lesson plans for use within the museum itself, out in the greater metropolitan area, and wherever Internet-based web resources can reach.

scholarly journals KYIV HISTORY IN EGO-DOCUMENTS: HRYHORII GALAGAN’S LETTER TO OLEKSANDR KOCHUBEY, 1857

2017 ◽  
pp. 136-140
Author(s):  
Maryna Budzar
Keyword(s):  
Everyday Life ◽  
19Th Century ◽  
Russian Empire ◽  
The State ◽  
Significant Source ◽  
Main Theme ◽  
State Council ◽  
Family Issues ◽  
History Of ◽  
The 19Th Century

The use of the epistolary heritage is one of the main requirements of the researchers who study Ukrainian cities. An important task is to reconstruct the history of Kyiv through the impressions of its inhabitants. Such a task is realized in the article, which is the publication of one of the letters of Hryhorii Pavlovych Galagan, the great landlord, influential public and cultural figure of the middle and second half of the 19th century, to his wife’s uncle, Oleksandr Vasyliovych Kochubey, the representative of the higher echelons of the imperial elite, a member of the State Council of Russian Empire. The document is a significant source. Apart the main theme of the letter — the visit of Emperor Alexander II to Kyiv in autumn of 1857, here is highlighted a number of socio-political and private-family issues. The publication of the document is important for the study of the Ukrainian elite of the 19th century in multidimensional manifestations of social and everyday life.

scholarly journals SCIENCE SERVERS THE FUTURE To the 80th anniversary of Academician of NAS of Ukraine Gennadiy G. Pivnyak

2020 ◽  
pp. 100-105
Author(s):  
Olexandr V. Kyrylenko ◽  
Keyword(s):  
Science And Technology ◽  
The State ◽  
State Prize ◽  
80Th Anniversary ◽  
University Of Technology ◽  
The Future

October 23, 2020 marks the 80th anniversary of the famous Ukrainian scientist in the field of electricity, twice laureate of the State Prize of Ukraine in Science and Technology (1998, 2005), Honored Worker of Science and Technology of Ukraine (1990), laureate of the S.O. Lebedev Prize of the NAS of Ukraine (1996), Rector of the Dnipro University of Technology (since 1982), Doctor of Technical Sciences (1981), Professor (1983), Academician of the NAS of Ukraine (1997) G.G. Pivnyak.

scholarly journals Icons of academic writing in the collection of the State Art Museum of Altai Krai

2017 ◽  
Author(s):  
Е.В. Школина
Keyword(s):  
Seventeenth Century ◽  
Academic Writing ◽  
Art Museum ◽  
The State ◽  
Historical Processes

В статье рассматривается развитие академической иконы в России с XVII века по настоящее время. Исходя из исторических процессов, автор анализирует собрание академической иконописи в Государственном художественном музее Алтайского края. Делается вывод о том, что для создания иконы имеет большое значение профессиональное мастерство иконописца и выполнение им главной священной миссии – создание литургического образа. The development of the academic icon in Russia from the seventeenth century to the present day is discussed in this article. The author analyses the collection of academic iconography in the State Art Museum of Altai Krai on the basis of historical processes. It is concluded that mastery of the icon painter and the accomplishment of his sacred mission – creation of liturgical image – is very important for creation of the icon.

scholarly journals Information image of the art museum: current state and prospects

2020 ◽  
pp. 93-97
Author(s):  
D. D. Rodionova ◽  
◽  
E. P. Vykhodtsev ◽  
◽  
Keyword(s):  
Social Networks ◽  
Art Museum ◽  
Art Museums ◽  
The State ◽  
Museum Collection ◽  
Group Design ◽  
Museum Information ◽  
Current State ◽  
Information Image ◽  
State Of Activity

The paper provides an overview of the state of activity of art museums in the regions of Siberia in different social networks. Also, the authors monitor the presence of the official website of the museum and its presence in social networks. In addition, an attempt to give a definition «informational image of the museum» is made, and a selected list of art museums in the regions of Siberia is provided. Within the framework of the study, the authors developed recommendations for improving the information image of an art museum such as: group design, museum information, a fixed record, museum collection materials and publications. Moreover, the authors give the best examples of using the site and social networks by the museums to increase users’ activity during a pandemic. So, the authors prove that the official website and work with social networks is an integral part of museum activities aimed at improving a modern museum.

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