scholarly journals HIBRIDITAS TOKOH DALAM NOVEL REMAJA KERONCONG CINTA KARYA AHMAD FAISHAL

2017 ◽  
Vol 4 (2) ◽  
pp. 75
Author(s):  
Dheny Jatmiko
Keyword(s):  
The Novel ◽  
Social Politics ◽  
Colonial Era ◽  
East Indies ◽  
The Third ◽  
Politics And Culture ◽  
Identity Ambiguity ◽  
Dutch East Indies

The novel Keroncong Cinta by Ahmad Faishal was an adolescent novel about social, politics and culture life of a family due to the interracial Europe-Java marriage at the end of colonial era. This research used postcolonial approach to reveal the forms of characters hybridity and interpret it in relation to the colonial era in Dutch East Indies context. This research discovered that the hybridity in Dutch East Indies caused by marriage, concubinage, education and the spirit to gain equality experienced by the Indo. The forms of characters hybridity showed through the identity ambivalence and ambiguity as the results of contradiction between indigenous and Europe cultures. These forms among others are identity ambiguity and awareness of the Indo as the third class, the blurring of colonialism contradictive lines and a lady’s Europe orientation. This research also proofed that adolescent literatures, as a part of popular literatures, are not only literatures filled with entertainment and simplicity.AbstrakNovel Keroncong Cinta karya Ahmad Faishal merupakan novel remaja yang menceritakan kehidupan sosial, politik, dan budaya sebuah keluarga karena perkawinan antarras Eropa-Jawa di akhir masa kolonial. Penelitian ini memanfaatkan pendekatan poskolonial untuk mengungkap bentuk-bentuk hibriditas tokoh dan diinterpretasi dalam kaitannya dengan konteks masa kolonial di Hindia Belanda. Penelitian ini menemukan bahwa hibriditas di Hindia Belanda disebabkan oleh perkawinan, pergundikan, pendidikan, dan semangat memperoleh persamaan derajat yang dialami kalangan Indo. Bentuk-bentuk hibriditas tokoh ditunjukkan dengan adanya ambivalensi dan ambiguitas identitas sebagai akibat dari kontradiksi antara kultur Eropa dan pribumi. Bentukbentuk hibriditas tokoh antara lain ambiguitas identitas dan kesadaran orang Indo sebagai kelas ketiga;pengaburan garis-garis kontradiktif koloniaslisme; dan orientasi ke-Eropa-an seorang Nyai. Penelitian ini sekaligusmembuktikan bahwa sastra remaja, sebagai bagian sastra populer, bukan hanya sastra yang berisi hiburan dan kesederhanaan.

scholarly journals ANALISIS STRUKTUR VISUAL LAMBANG KOTAPRAJA JAMAN HINDIA BELANDA DARI PERSPEKTIF WACANA POSKOLONIAL

2018 ◽  
Vol 1 (2) ◽  
Author(s):  
Novian Denny Nugraha ◽  
Sonson Nursholih
Keyword(s):  
Postcolonial Theory ◽  
Theory Approach ◽  
Binary Opposition ◽  
Interesting Phenomenon ◽  
Colonial Era ◽  
East Indies ◽  
Dutch East Indies ◽  
Visual Structure ◽  
The Government ◽  
The City

The simbol of municipality (big city) in Indonesia is changing from time to time, as well as changing according to the social and cultural conditions of the city. If in colonial era the simbol of the city is a representation of the power of the government or rule, and then the phenomenon is now beginning to change in the current era, where the simbol of the city functioned also for the needs of tourism. In the late Dutch East Indies colonial era around 1930s, some cities were considered to be self-reliant by government and economy, so that the government at that time made a simbol for the need to run the wheels of his government. The interesting phenomenon of the simbol of the city simbolically is the existence of simbols that are displayed, both simbols affiliated to the ruler (Dutch East Indies) and also the simbol that is a typical simbol of the city's local tradition. Composition and relationship between simbols in the city simbol is interesting to be studied and analyzed. Especially at visual structure area and meaning representation. The analysis is done by qualitative research method which is descriptive interpretative with semiotics theory approach for sign analysis and using postcolonial theory for understanding the meaning of the city simbol. The results of the analysis both in the visual structure and in the meaning shows the existence of different types of simbols that appear, as well as the discovery of the difference of simbol dominance in each simbol of the city. The relation between the simbols generated from the composition of the visual structure results in a new understanding, which in the postcolonial perspective will be interpreted by a binary opposition relationship, or the dominant/hegemonic relationship between the colonial government and the colony state, between “The Other” and “The Occident”, or between colonizing and colonized countries. Furthermore, the simbolic relation on the visual structure and meaning resulted in the ideological significance of the sociocultural conditions of the community at that time.

scholarly journals A glossary as an explicative translation technique in the translation of the third culture elements

2021 ◽  
Vol 145 ◽  
pp. 129-144
Author(s):  
Michał Gąska
Keyword(s):  
Literary Translation ◽  
Cultural Barriers ◽  
The Novel ◽  
Third Culture ◽  
Source Text ◽  
Translation Process ◽  
East Indies ◽  
The Third ◽  
Translation Technique ◽  
Similarities And Differences

Utilising notes or glossaries in literary translation has both its opponents and supporters. While the former conceive it as a translator’s helplessness and failure, the latter defend it as a manner of overcoming cultural barriers. The present article aims to scrutinize glossaries used as an explicative translation technique with regard to the rendering of the third culture elements. The analysis is conducted on the basis of the novel by Dutch writer Hella S. Haasse: Sleuteloog, in which the action is set in the Dutch East Indies. For this reason, Indonesian culture occurs as the third culture in the translation process. The source text is juxtaposed with its translations into German and Polish in order to examine the similarities and differences in images of the third culture elements the glossaries evoke in the addressees of the target texts.

Hybridity and Transformation: The Political Orientation of the Chinese in the Dutch East Indies

2021 ◽  
Vol 14 (2) ◽  
pp. 136-157
Author(s):  
Dong-Yu Lin ◽  
Ping Lin
Keyword(s):  
Life Histories ◽  
Local Politics ◽  
General Assumption ◽  
Political Orientation ◽  
Colonial Era ◽  
East Indies ◽  
Political Orientations ◽  
History Of ◽  
Dutch East Indies ◽  
Colonial Government

Abstract During the early twentieth century, strong nationalistic ideas sprang up in Indonesia. Some Chinese elites in professional positions under the Dutch colonial government tended to side with the Dutch with the pro-Dutch attitude; some working for Chinese newspapers or agencies developed the pro-China stance; some supported and cooperated with the indigenous people with the pro-independence tendency; and others had their inclinations transformed over the course of time. After examining the life history of a few prominent Chinese figures, this article shows that three levels of factors—international politics in East Asia, local politics in the Dutch East Indies, and their life histories under Dutch rule (together with travel experience to China)—were critical for each Chinese person in establishing or transforming their often hybrid political orientations. The Chinese preference was neither monolithic nor settled, so the general assumption that “Chinese people are loyal to China” in Indonesian politics of the colonial era should be revised.

scholarly journals Sociological perspective on the elimination of Karanganyar Regency as an impact of the 1930s economic depression

Simulacra ◽  
2020 ◽  
Vol 3 (1) ◽  
pp. 81-94
Author(s):  
Teguh Hindarto ◽  
Chusni Ansori
Keyword(s):  
United States ◽  
Social Change ◽  
Comparative Method ◽  
The United States ◽  
Colonial Era ◽  
East Indies ◽  
Government Bureaucracy ◽  
Dutch East Indies ◽  
Economic Depression ◽  
The Government

 The 1930s economic crisis in the United States had spread throughout the world and caused a number of social, economic, political and cultural impacts, including for the Dutch East Indies colonies. Karanganyar Regency, which was in the Bagelen Residency territory since 1901, had experienced the effects of the economic shock as well. Karanganyar was a district in the Kebumen Regency area. Before becoming a sub-district, Karanganyar was an independent regency and had its head of government from 1832 until 1936. Through literature studies, this paper intended to thoroughly analyze the existence of Karanganyar Regency in the colonial era, find out the background of its elimination, and the process of social change that occurred. To obtain the main variables that cause the elimination of Karanganyar Regency, the researcher utilized the historical comparative method. From the analysis, we concluded that the Economic Depression centred in the United States affected the Dutch East Indies colonies, particularly on the management of the government bureaucracy. This situation demanded the Dutch East Indies government to adapt to social change by removing a number of Regency, including Karanganyar Regency.

scholarly journals A RANGE OF NEW FUNCTIONAL APPLICATIONS TO THE BUILDING OF HERITAGE BANK INDONESIA

2017 ◽  
Vol 1 (03) ◽  
pp. 362-379
Author(s):  
Devina Veronika, Yenny Gunawan
Keyword(s):  
Research Study ◽  
Functional Change ◽  
Initial State ◽  
Colonial Era ◽  
Functional Applications ◽  
East Indies ◽  
City District ◽  
Dutch East Indies ◽  
Data Collection Technique ◽  
Regional Authorities

Abstract - The city district known as Senen forms one of the historical parts of Jakarta where there are many buildings to be found in the Dutch East Indies Empire style as architectural relics of the Dutch Colonial Era, and the majority of these buildings are still there, up to the present. Many of these relics of the past have not been properly maintained and have suffered damage. One of these happens to be the Heritage Bank Indonesia building situated at Jalan Prapatan No.42 in Jakarta. After its conservation and re-use, a functional change has taken place that is quite drastic when considered from its establishment until the present. This research study can be categorized as qualitative. The research method consists of the descriptive method along with the analytical and interpretative methods. The data have been analyzed by drawing a comparison between the building in its initial state and its current condition, which was subsequently processed based on the conservation principles issued by the regional authorities called Perda. The data collection technique was employed with the observational method, interviews, taking measurements, and by way of studying the relevant background literature. The conclusion of this research study is that the building of the Heritage Bank Indonesia is nothing but a piece of sculpture after its conservation because it has become isolated or alienated from its surroundings, and as such it is no longer in keeping with its environmental context, which is situated in the Learning center complex of Bank Indonesia. Keywords: variety of new functional applications, Dutch East Indies Empire style of architecture, Heritage Bank Indonesia building

scholarly journals Charlie Chaplin di Ngamplang, 1927 / Charlie Chaplin at Ngamplang, 1927

2017 ◽  
Vol 14 (1) ◽  
Author(s):  
Ian Campbell
Keyword(s):  
Mass Media ◽  
English Language ◽  
West Java ◽  
Colonial Era ◽  
Language Version ◽  
Charlie Chaplin ◽  
East Indies ◽  
Hill Station ◽  
Back Translation ◽  
Dutch East Indies

‘Charlie Chaplin di Ngamplang, 1927’ is an Indonesian-language poem by Australian poet Ian Campbell, and is a humorous meditation upon certain imaginary events that befell Charlie Chaplin at the Dutch colonial era hill station of Ngamplang in West Java in 1927. In historical terms Chaplin did in fact visit the Dutch East Indies three times between 1927 and 1932, including the area around Ngamplang. The poem was included in Campbell’s poetry and prose collection Tak ada Peringatan (Vivid Publishing, 2013). The Indonesian language version of the poem first appeared in 2012 in the literary pages of the Jakarta mass media daily Kompas. An English-language back translation is included here.

scholarly journals BUMIPUTRA AUTHOR’S RESISTANCE TOWARD POLITICAL HEGEMONY AND CANONIZATION OF BALAI PUSTAKA IN THE NOVEL HIKAYAT KADIROEN AND STUDENT HIDJO

LITERA ◽  
2020 ◽  
Vol 19 (2) ◽  
Author(s):  
Hary Sulistyo ◽  
Endang Sartika
Keyword(s):  
Historical Context ◽  
Qualitative Approach ◽  
The Political ◽  
The Novel ◽  
East Indies ◽  
Literary Politics ◽  
Dutch East Indies ◽  
The Government ◽  
The Aesthetic ◽  
Colonial Government

The ideological and aesthetic contestation of Balai Pustaka, forcing writer‟s resistance particularly Bumiputra writers. The ideological contestation occurs because Balai Pustaka as the apparatus of the Colonial government suppress the resistance attitudes of the indigenous authors. The authors, who ideologically contradicted with the government, resisted the politics of literature through their works. This research is intended to reveal the canonization of Balai Pustaka which governs the aesthetic and ideological standards of literary works and the resistance of Bumiputra authors toward the hegemony of the Dutch East Indies. The method used in this research is descriptive qualitative approach by seeing the text as the representation of hegemony and resistance as well as linking textual and contextual issues to describe literary politics and the reflection of general politics. The objects of this research are the text and historical context represented in the novel Hikayat Kadiroen and Student Hidjo. The results show that Hikayat Kadiroen presents exemplary attitudes of fair leaders in solving peoples‟ problems and representing the identity of Indonesian literature. Whereas Student Hidjo portrayed concern for the Indigenous people by criticisizing the political hegemony on racial basic. The resistance of Bumiputra authors was shown by raising resistance theme toward colonialism in the Dutch East Indies, as a form of resistance toward political hegemony and canonization of Balai Pustaka.Keywords: hegemony and resistance, Dutch East Indies, cultural identity.RESISTENSI PENGARANG BUMIPUTERA TERHADAP HEGEMONI POLITIK DAN KANONISASI BALAI PUSTAKA DALAM NOVEL HIKAYAT KADIROEN DAN STUDENT HIDJOAbstrakKontestasi ideologis dan estetis Balai Pustaka, menghadirkan sikap-sikap perlawanan khususnya para penulis Bumiputra. Pertarungan ideologis terjadi karena Balai Pustaka sebagai apparatus pemerintah Kolonial, menekan sikap-sikap perlawanan pengarang Pribumi. Para pengarang yang secara ideologi berseberangan dengan pemerintah, melakukan resistensi atas politik kesusastraan melalui karya-karyanya. Tujuan penelitian ini mengungkapkan kanonisasi Balai Pustaka yang mengatur standar estetis dan idelogis karya sastra dan perlawanan kelompok Bumiputra terhadap hegemoni yang diterapkan di Hindia Belanda. Metode penelitian ini diawali dengan melihat teks sebagai representasi hegemoni dan resistensi dalam novel Hikayat Kadiroen dan Student Hidjo. Menghubungkan persoalan tekstual dan kontekstual untuk menjabarkan politik sastra dan cerminan politik general. Hasil penelitian menunjukan Hikayat Kadiroen menghadirkan sikap keteladanan pemimpin yang adil terhadap rakyat dalam menyeselaikan persoalan dan merepresentasikan identitas kultural kesusastraan Indonesia. Sedangkan Student Hidjo, menunjukkan sikap kepedulian terhadap Pribumi dengan kritik terhadap hegemoni politik atas dasar rasialis. Resistensi pengarang Bumiputra terhadap Balai Pustaka, ditunjukkan dengan mengangkat tema perlawanan terhadap kolonialisme di Hindia Belanda, sebagai bentuk resistensi terhadap hegemoni dan kanonisasi Balai Pustaka.Kata kunci: hegemoni dan resistensi, Hindia Belanda, identitas kultural.

scholarly journals PERKEMBANGAN TANGGUNG JAWAB PEMEGANG SAHAM PERSEOAN TERBATAS DALAM UNDANG-UNDANG NASIONAL MENGGANTIKAN HUKUM WARISAN KOLONIAL

Yustitia ◽  
2018 ◽  
Vol 4 (1) ◽  
pp. 1-15
Author(s):  
Acep Rohendi
Keyword(s):  
Personal Responsibility ◽  
Limited Liability ◽  
Company Law ◽  
Limited Liability Company ◽  
East Indies ◽  
The Third ◽  
Commercial Code ◽  
Limited Company ◽  
Piercing The Corporate Veil ◽  
Dutch East Indies

Law No. 40 of 2007 concerning Limited Liability Companies (UUPT) revokes Law Number 1 Year 1995 concerning Limited Liability Companies (UUPTL). This UUPTL replaces the provisions of a limited liability company inherited from the Dutch East Indies contained in the Commercial Code (KUHD) stipulated in the Third Section concerning Limited Liability Companies starting from Article 36 to Article 56 KUHD. The shareholders who are regulated in the UUPTL and the KHUD are not personally responsible for the agreements made on behalf of the Company and are also not responsible for the Company's losses in excess of the value of the shares they have. The KUHD also states that shareholders are not responsible for more than the full amount of their shares. Its development after being determined by the Company Law in 2007, the responsibility of the shareholders is not absolutely valid. The liability is unlimited and personal responsibility is fully imposed on the shareholders of the limited company in the 2007 Company Law. If the shareholders of a limited company violate or fulfill the elements stipulated in Article 3 paragraph (2) of the Company Law, or known as the Piercing The Corporate Veil principle (disclosure of the company's veil). This development is a sanction to shareholders of a limited liability company, which in the previous provision was unknown.

scholarly journals THE DISCOURSE OF PADANG RESTAURANTS IN GUS TF SAKAI’S NOVEL ULAR KEEMPAT

2018 ◽  
pp. 8
Author(s):  
Fadlillah Fadlillah ◽  
AA Bagus Wirawan ◽  
I Wayan Cika
Keyword(s):  
Cultural Studies ◽  
Final Part ◽  
The Novel ◽  
Indonesian Government ◽  
East Indies ◽  
Dutch East Indies ◽  
Liberal Culture

The topic of the research is the novel titled Ular Keempat (the Fourth Snake) by Gus tf Sakai. It is focused on the text of Rumah Makan Padang (Padang restaurants) in the novel based on the study of cultural studies literature. In the final part of the story of Ular Keempat, there is a side text of Rumah Makan Padang. The main point of the research is the archeology of Rumah Makan Padang. The approaches used are the Foucault‘s discourse and Derrida‘s deconstruction. The result of the study shows that the essence of  the story of Hajj trip in the articulation of Minangkabau people‘s view of life can be revealed in some texts. First, text of Padang was the episteme discourse built by the Dutch East Indies goverment. Second, the discourse of Minangkabau Sufistic culture systemically was demolished by the Dutch East Indies government. Third, the discourse of Minangkabau culture was systemically controlled by the Dutch East Indies government. Fourth, the discourse of Dutch colonial‘s liberal culture is actually continued by the Indonesian government towards Minangkabau culture. Fifth, the literary approach can be applied by studying the metaphors and cultural hospitality. Through this research it can be argued that the text of Hajj trip, in the novel of Ular Keempat, is a manifestation of the essence of merantau text empirically. Life for Minangkabau people is actually migration and after life is the true home; this is theirlife view. Thus, Minangkabau culture is actually a sufistic culture, and surau is the center of Minangkabau culture.

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