scholarly journals THE DOMINATION OF PATRIARCHISM IN INHERITANCE CUSTOMARY SYSTEMS

2021 ◽  
Vol 14 (1) ◽  
pp. 1
Author(s):  
Adhi Dwipayana ◽  
Nyoman Astawan
Keyword(s):  
Short Stories ◽  
Social Inequality ◽  
Qualitative Method ◽  
Cultural Background ◽  
Data Sources ◽  
Literary Discourse ◽  
Literature Study ◽  
Literary Works ◽  
The Public ◽  
Inheritance System

There are two objectives to be achieved by this study, first revealing the dominance of patriarchism in systems of inheritance. Secondly, revealing efforts to represent resistance to the customary systems of inheritance in literary works of Balinese cultural background. Theoretically, this research has an urgency for the development of literary discourse, while practically giving an understanding to the public about the attitude of inheritance issues in Bali. Theories of literary sociology and feminism are used as a basic foundation for analyzing the problems offered in this study. The main data sources of the research are two novels by Oka Rusmini, namely Tarian Bumi and Kenanga and two short stories by Putu Fajar Arcana, namely Sulasih and Wardani Marriage. After the data has been collected using the literature study method, then it is analyzed based on a descriptive qualitative method. The results show that the dominance of patriarchism in the adat system of inheritance has created social inequality. The customary inheritance system rules in literary works (Tarian Bumi, Kenanga, Sulasih, and Pernikahan Wardani) are monolithic, showing no partiality towards girls. Daughters who have “ninggal kedaton” (married) do not get a family “gunakaya” inheritance (gono gini). Efforts to resist patriarchal domination as represented in various literary works, starting with the character Luh Sadri, took repressive actions to sue for the distribution of inheritance, deceit, and be tough.

scholarly journals CITRA PEREMPUAN BANTEN DALAM CERPEN RADAR BANTEN (The Image of Banten Women in The Short Story in Radar Banten Daily)

2016 ◽  
Vol 5 (1) ◽  
pp. 55
Author(s):  
Nur Seha
Keyword(s):  
Short Stories ◽  
Short Story ◽  
Real Life ◽  
Cultural Background ◽  
Data Sources ◽  
Qualitative Descriptive ◽  
Magical Power ◽  
Government Leader ◽  
Feminism Theory ◽  
Descriptive Method

Tulisan ini membahas citra perempuan Banten dalam cerpen yang dimuat di harian Radar Banten dengan menggunakan metode deskriptif kualitatif. Budaya Banten melatarbelakangi para cerpenis dalam melukiskan perempuan Banten. Para penulis dapat memotret sebagian kehidupan para perempuan tersebut melalui tokoh-tokoh rekaan yang diciptakan. Tujuan penelitian ini adalah mengkaji citra perempuan Banten melalui deskripsi para cerpenis dalam harian Radar Banten. Sumber data utama berasal dari empat belas cerpen yang dimuat tahun 2006—2010. Setelah analisis data melalui teori feminisme, diketahui bahwa citra perempuan Banten dalam cerpen tersebut adalah perempuan sebagai sosok pemimpin pemerintahan, penulis, perempuan berkekuatan magis, pemegang norma, pekerja keras, penyabar, penyayang, perempuan yang agamis, dan perempuan metropolis.Abstract:This paper discusses the image of Banten women in short stories published in Radar Banten. It  uses a qualitative descriptive method. Banten’s  cultural background depicts women in Banten. The writers of short story can capture some of the women’s real life through fiction’s characters. The purpose of this study is to examine the image of women through the description of the short story’s writers in Radar Banten. The main data sources were taken from fourteen short stories published in 2006—2010. Having analyzed the data using feminism theory, it is found out that the image of women in short stories of Radar Banten is the figure of woman as government leader, writer, woman with magical power, obedient norm woman, hardworking woman, patient and caring woman, religious woman, and  metropolitan woman.

scholarly journals PETA DAN KETERPAKAIAN KOLEKSI KARYA SASTRA DI PERPUSTAKAAN FAKULTAS ILMU BUDAYA UNIVERSITAS LANCANG KUNING

2019 ◽  
Vol 6 (2) ◽  
pp. 10-11
Author(s):  
Afdhal Zikrillah ◽  
Rosman H Rosman H
Keyword(s):  
Short Stories ◽  
Qualitative Method ◽  
Scientific Literature ◽  
Literary Works ◽  
Total Usage

The purpose of this study was to determine how the map and the use of a collection of literary works in the library of the Faculty of Humanities (FIB). The method used in this research is a qualitative method. The results of the study show that the map of the collection of literary works in the Unilak FIB Library consists of creative literature totaling 89.25% or 357 titles and scientific literature totaling 10.75% or 43 titles. Types of scientific literary collections in the field of Monodiscipline are the largest collections of 72.09% or 31 titles, and the multidisciplinary field is only 27.21% or 43 titles. From the Prose collection genre in the UNILAK FIB library, the type of novel is the largest collection, which has 54.36% or 131 titles and the type of short stories is only 45.64% or 110 titles. As can be seen from the collection of scientific literature in the field of Monodiscipline, the collection of types of theories is the largest collection of 80.65% or 25 titles, a collection of historical types 16.13% or 5 titles, and a collection of criticism types only 3.23% or 1 title. The multidisciplinary field in the UNILAK FIB Library, the Sociology collection 83.33% or 10 titles, the type of psychology 0.00% or 0 titles, and the collection of anthropological types only 16.67% or 2 titles. While from the use of the collection of Literary works in the UNILAK FIB Library, from 400 titles (9.5%) and 766 copies (13.8%). The total usage of the collection of literary works is 16.19% or 124 times the usage. Judging from the creative literature of the 95 types of prose titles used or 76.61% and poetry types only 8 titles or 6.45% and the drama no titles used at all. Judging from the use of scientific literary works in the field of monodisciplinary science 19 titles are used or 15.32% and in the multidisciplinary field, only 2 titles are used or 1.61%.

scholarly journals Changes in the Recording of Cash-Based Accounting Methods to Accrual Base

2021 ◽  
Vol 2 (2) ◽  
pp. 24-31
Author(s):  
Dian Islamiatus Sa'diyah ◽  
Indrawati Yuhertiana
Keyword(s):  
Qualitative Method ◽  
Good Governance ◽  
Reliable Data ◽  
Data Sources ◽  
Literature Study ◽  
Regional Autonomy ◽  
Accrual Basis ◽  
Accounting Reports ◽  
Cash Basis ◽  
Better Than

This study aims to determine changes in public sector accounting from cash basis to accrual basis and which one is better than the two bases. This study uses a qualitative method through literature study that combines a number of reliable data sources such as journals, books, articles, legislation, research results and those relevant to the problem being studied, where 12 of the 42 articles were selected and published between the 2013-2018 period. . The change in cash basis reform towards accruals consists of 3 phases, namely the pre-autonomy era, the transition era and the post-regional autonomy era. Of the two bases, the accrual basis is better because the accrual basis produces more transparent accounting reports for the sake of realizing good governance.

scholarly journals The Analysis on Symbol of Shadowhunter as Seen in Cassandra Clare’s Mortal Instruments

2020 ◽  
Vol 4 (1) ◽  
pp. 47-52
Author(s):  
Raflis Raflis ◽  
Irwan Syahputra
Keyword(s):  
Qualitative Method ◽  
The Novel ◽  
Literary Works ◽  
The Public

This reseacrh aims to determine the main symbols in the novel The Mortal Instruments: City of Bones. It is known that symbols are part of literary works such as poetry, songs, paintings, dramas; a narrative that has a message that the symbol implies. The author also describes and conveys the meaning of each symbol so that the public understands that the symbols used have different meanings from their true meanings. The method used in this research is a qualitative method because this method is suitable for studying the symbols used in the novel. From the research that has been done, the writer found that in The novel, there are several symbols that make the story interesting and have a big impact from the beginning to the end of the story. The author found thirteen main symbols in the story, namely Angelic Power, Soundless, Voyant Sight, Promise, Vision, Speech, Visible, Precision, Heal, Deflect / Block, Speed, Strength, and These thirteen main symbols are interrelated in the story and make the story more interesting.

scholarly journals REFLEKSI BUDAYA LAMPAU LEKSIKON KEBENDAAN PERIBAHASA BANJAR: KAJIAN ETNOLINGUISTIK

2020 ◽  
Vol 16 (1) ◽  
pp. 93
Author(s):  
Norvia Hanafi
Keyword(s):  
Qualitative Method ◽  
Ethnic Culture ◽  
Literature Study ◽  
Literary Works ◽  
The Past ◽  
Culture Material ◽  
Lack Of Knowledge ◽  
At Home ◽  
Descriptive Qualitative

Banjar proverb is one of the old literary works that are still familiar in Banjar ethnicity. However, the lack of knowledge about the material lexicon that reflects past culture makes it difficult to understand the purpose or the aim of using material lexicon in Banjar proverbs. The old culture material lexicon is a noun contained in Banjar proverb that can provide an overview of the ethnic culture (customs) of the ancient Banjar or the past. The purposes of this study are (1) to classify the material lexicon that reflects the past culture in Banjar proverb, (2) to describe the material lexicon that reflects the past culture in the Banjar proverb. This research uses a descriptive qualitative method. The data are in the form of a lexicon of past culture material in Banjar proverb. Data are collected from the literature study. The results of this study indicate: (1) material lexicons that reflect a past culture in Banjar proverb include: (a) the objects used at home, (b) the objects used in rivers, and (b) the objects used for farming. (2) cultural reflection of the past in Banjar proverb is realized in the form of metaphorical material. The use of a metaphor of material in Banjar proverb is a form of Banjar cultural depiction. The material lexicon in Banjar proverb is a small part of the wealth of Banjar language which full of past culture, a culture that has already left by Banjar ethnic. 

scholarly journals Analysis of the Interpretation of the Meaning of the Karampuang Traditional House in Sinjai Regency

2021 ◽  
Vol 4 (2) ◽  
pp. 66-74
Author(s):  
Kasdiawati Kasdiawati ◽  
Jeanny Maria Fatimah ◽  
Muhammad Farid
Keyword(s):  
Qualitative Method ◽  
Secondary Data ◽  
Sampling Technique ◽  
Data Sources ◽  
Primary Data ◽  
Literature Study ◽  
Purposive Sampling ◽  
Field Notes ◽  
Articles Of Faith ◽  
Depth Interviews

Karampuang traditional house is one of the cultural heritages that has symbols and meanings believed from generation to generation. This study aims to determine what symbols are contained in the Karampuang traditional house, both verbal and non-verbal, and to analyze the symbols. This research used qualitative method which the data were collected by using some techniques including: observation, in-depth interviews, documentation study, literature study, and field notes. The study used two data sources, primary data and secondary data. The technique of determining informants in this study was the purposive sampling technique. There were six informants. A traditional house consists of two houses. There are two renowned traditional houses, to wit; Arung and Gella. Arung’s house faces West, while Gella's traditional house faces East. The Roof of the house has two layers with a timpa laja’ in three layers. The roof Gella's is not double-decked and two-tiered; while the Arung’s composed of three of the timpa laja. In regard to the Islamic symbols in traditional houses, the houses are constructed with 30 house poles, as a symbol of the number of juz in the Quran. The 5 poles running north to south symbolize the 5 pillars of Islam; while 6 poles from west to east are a symbol of the six articles of faith. The ladder of the Karampuang traditional house only has one ladder with odd steps which the position is different from the house in general.The door of the house is located in Elle 'ri olo which is parallel right againts Salima'. Above the door, there is a stone that functions as a counterweight so that the door can be partially or completely open. The floor of a house made of bamboo is also called salima as a symbol of the rib which stretches from north to south called tunebbe'. The kitchen is located at the front that can be clearly seen when climbing the house’s ladder; in front of the door is a kitchen with two stoves located.

scholarly journals PELESTARIAN KESENIAN RONGGENG NAGARI SIMPANG TONANG KECAMATAN DUA KOTO KABUPATEN PASAMAN

2020 ◽  
Vol 9 (1) ◽  
pp. 33
Author(s):  
Aulia Putra ◽  
Syeilendra Syeilendra
Keyword(s):  
Data Collection ◽  
Cultural Heritage ◽  
Direct Observation ◽  
Qualitative Method ◽  
Art Music ◽  
Literature Study ◽  
Life And Death ◽  
The Public ◽  
Qualitative Descriptive ◽  
Method Approach

AbstractThis writing aims to reveal about preservation as the cultural heritage of the Nagari Simpang Tonang community. The research in this thesis uses a qualitative method approach, in the form of qualitative descriptive. The results of the study are describing cultural phenomena regarding the preservation of Ronggeng Nagari Simpang Tonang arts. Data collection is done by direct observation techniques, with the approach of observation, interviews, recording and recording and using documentation and literature study. The preservation of Ronggeng's art now depends on the willingness, effort and efforts of local artists. It means that the life and death of Ronggeng art lies in the hands of artists. Local artists are the only people who are responsible and responsible today for the preservation of Ronggeng art. Whereas the public only wants to be a loyal audience. If the number of artists decreases and at one time all of them are no longer physically able to activate or they have died, it can be predicted Ronggeng art will be extinct in Nagari Simpang Tonang. Therefore, Ronggeng's art today is very dependent on the efforts and efforts of artists in their activitiesboth formally and informally.Keywords: Art, Music, Ronggeng, Culture

scholarly journals Psychological analysis of novel “Amba” by Lakme Pamuntjak

2019 ◽  
Vol 1 (2) ◽  
pp. 131-139
Author(s):  
Adernarsy Avereus Rahman
Keyword(s):  
Data Collection ◽  
Creative Writing ◽  
Qualitative Method ◽  
Literary Work ◽  
Data Sources ◽  
The Novel ◽  
Literary Works ◽  
Life And Death ◽  
Psychological Analysis ◽  
Aesthetic Values

Literary work is the result of creative writing containing aesthetic values and the values of life conveyed through the meanings of the story. Narrating a story of literary works involves the roles’ of the characters as the main figures that is consistent with the story and a psychological analysis of literary. The method used in this research was descriptive qualitative method. The data sources used were documents such as the review of the Novel amba. Data collection was done by using documentation and interviews. The results of this research are as follows: (1) dispositive key figures were illustrated by using the method of standpoint. (2) id aspect of the characters in the novel of Amba comes from life and death instincts as the form of survival or fulfilling the needs. (3) aspects of ego that exists in figures Novel amba are served as a means of meeting the needs and as a determinant in deciding any actions to take in response to the problems that occur within the characters. (4) aspects of the superego is depicted through the picture of them obeying the rules that exist in the society.

scholarly journals Dinamika Idiologi Perempuan dalam Kumpulan Cerpen Luh-Luh Karya I Made Suarsa

2020 ◽  
Vol 18 (2) ◽  
pp. 102
Author(s):  
I Ketut Sudewa ◽  
I Made Suarsa
Keyword(s):  
Feminist Theory ◽  
Short Story ◽  
Research Method ◽  
Qualitative Method ◽  
Sociology Of Literature ◽  
Literature Study ◽  
Literary Works ◽  
Metaphorical Language ◽  
State Official ◽  
Story Collection

Various ideologies are expressed by the author in the literary works he created. One of the modern Balinese literary authors, I Made Suarsa in his short story entitled Luh-Luh reveals the dynamics of female ideology. The dynamics of women's ideology reflect the ideology of Indonesian women from various professions and are expressed by authors in various styles of language. The problems discussed in this research are: (1) how the dynamics of women's ideology in the story of Luh-Luh short story by I Made Suarsa; and (2) how the author discloses the woman's ideology in her story collection. Theories used to answer the above problems are feminist theory, ideology, and sociology of literature. The research method used is qualitative method through literature study, descriptive analytics, and descriptive. Techniques used are techniques of referring, notes, and tafseer. The results show that women's ideology is seen from three professions, namely: politician (legislative), artist, and state official (executive). The dynamics of women's ideology are expressed by the author through the style of metaphorical language, pleonasm, and comparison. In addition, the author also uses sound games to reinforce the image the author wishes to convey.

scholarly journals WOMAN IMAGE IN LITERARY WORKS

2014 ◽  
Vol 15 (1) ◽  
pp. 53
Author(s):  
Kurnia Ningsih
Keyword(s):  
Short Stories ◽  
Public Sphere ◽  
Public Domain ◽  
Creative Work ◽  
Social Phenomena ◽  
Literary Works ◽  
Eastern Culture ◽  
The Public ◽  
The Public Sphere ◽  
Gain Access

SOSOK PEREMPUAN DALAM KARYA SASTRAAbstractCurrently, women have started to gain access to the public sphere, which was traditionally reserved for men. However, questions remain whether these women have already gained due recognition for their work in the public domain. This phenomena are also present in literature, a creative work which is believed to be able to depict social phenomena with ample clarity. Three short stories published in the Jakarta Posts 2008, and Kompas 2012 chosen to see the reflection of women who entered the public domain which is strongly patriarchal in nature. Ironically, patriarchy still strongly presents in custom, tradition, and religion in which the sanctity of Eastern culture must be kept at all cost.Keywords: image, woman, literary worksAbstrakSaat ini, perempuan sudah mulai mendapatkan akses ke ruang publik, yang secara tradisional untuk laki-laki. Namun, pertanyaannya tetap apakah wanita ini telah memperoleh pengakuan untuk pekerjaan mereka dalam domain publik. Fenomena ini juga hadir dalam sastra, karya kreatif yang diyakini dapat menggambarkan fenomena sosial dengan cukup jelas. Tiga cerita pendek yang diterbitkan di Jakarta Post 2008, dan Kompas 2012 yang dipilih untuk melihat pantulan wanita yang memasuki domain publik yang sangat patriarkal di alam. Ironisnya, patriarki masih sangat hadir dalam adat, tradisi, dan agama di mana kesucian budaya Timur harus disimpan di semua biaya.Keywords: sosok, perempuan, karya sastra

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