scholarly journals THE TRANSCARPATHIAN ART SCHOOL: ARTISTIC, AND CULTURAL CREATIVE VALUE

2021 ◽  
Vol 5 (43) ◽  
Author(s):  
O. Kashshay

The article is dedicated to the study of artistic and cultural value of the Transcarpathian Art School as a significant cultural phenomenon that has gained considerable weight in the modern visual context. The relevance of the study for modern art space is highlighted.Emphasis is placed on the need to determine the artistic value of the works of representatives of the Transcarpathian Art School, as their widespread recognition in the modern Ukrainian artistic context is associated with high professionalism, unique creativity and emotional musical melody.General scientific, systematic, and art research methods are used. The object of research is Transcarpathian Art School and its founding artists. The subject of research is the cultural and artistic value of the Transcarpathian Art School in the context of modern Ukrainian art space.Socio-cultural aspects of the formation of the Transcarpathian art school in 1920s-1950s, the stages of formation of art education that preceded the formation of the painting movement are covered. The importance of each of the masters included in the cultural circle of the regional circle is emphasized. The special sound of works of Transcarpathians against the general background of art development in the USSR is noted.The dominant artistic and aesthetic qualities of their work are considered. The main features and peculiarities are emphasized. Such artistic features as a high level of professionalism and skill, the use of principles inherent in folk art, special attention to the color scheme, creative energy inherent in the best paintings of school representatives.Key words: Transcarpathian Art School, Transcarpathian Art, Anton Kashshay, Art of Ukraine, Art of the 20th century.

Cultura ◽  
2019 ◽  
Vol 16 (1) ◽  
pp. 165-174
Author(s):  
Iryna MELNYCHUK ◽  
Nadiya FEDCHYSHYN ◽  
Oleg PYLYPYSHYN ◽  
Anatolii VYKHRUSHCH

The article analyzes the philosophical and cultural view of “doctor’s professional culture” as a result of centuries-old practice of human relations, which is characterized by constancy and passed from generation to generation. Medicine is a complex system in which an important role is played by: philosophical outlook of a doctor, philosophical culture, ecological culture, moral culture, aesthetic culture, artistic culture. We have found that within the system “doctor-patient” the degree of cultural proximity becomes a factor that influences the health or life of a patient. Thus, the following factors are important here: 1) communication that suppresses a sick person; 2) the balance of cultural and intellectual levels; 3) the cultural environment of a patient which has much more powerful impact on a patient than the medical one.At the present stage, the interdependence of professional and humanitarian training of future specialists is predominant, as a highly skilled specialist can not but become a subject of philosophizing. We outlined the sphere where the doctors present a genre variety of philosophizing (philosophical novels, apologies, dialogues, diaries, aphorisms, confessions, essays, etc.). This tradition represents the original variations in the formation of future doctor’s communicative competences, which are formed in the process of medical students’ professional training.A survey conducted among medical students made it possible to establish their professional values, which are indicators of the formation of philosophical and culturological competence. It was found out that 92% of respondents believed that a doctor should demonstrate a high level of health culture (avoid drinking and smoking habits, etc.)99% of respondents favoured a high level of personal qualities of a doctor which would allow methods and forms of medical practice to assert higher human ideals of truth, goodness and beauty that are the subject area of cultural studies and philosophy.


1970 ◽  
pp. 146
Author(s):  
Lise Emilie Fosmo Talleraas

This article is based on my Ph.D. thesis, entitled An ungovernable diversity? Norwegian museum politics on the subject of local and regional museums in the period 1900 – ca. 1970 (Umeå 2009). It gives an historical account of the development of local and regional cultural history museums in Norway as a topic in Norwegian cultural policy 1900–1970. It describes how local and regional museums became a subject in Norwegian cultural policy during the twentieth century. In 1900, such institutions amounted to about fifteen. Seventy years later, the number was more than two hundred. The museums appear in this perspective as a cultural phenomenon in their own age, a phenomenon to which the Norwegian Parliament, the Ministry of Education and the museum profession attached both interpretations and conceptions. At the centre of their interest was the need to implement measures to ensure that these museums submitted to the main museums concerning key tasks, such as the preservation of objects of cultural value. It was important for the Parliament to create a policy based on accountability and equal treatment. 


Author(s):  
Vadim Keylin

Audience participation is a prominent thread running through much of sound art practice, yet it remains largely absent from the sound art scholarship. In this article, I argue that the most widespread methodologies employed in sound art research – roughly split into the phenomenological branch and the object-oriented branch – are ill equipped to tackle the questions of sociality and participation. Instead, I offer a framework for the study of participation in sound art – and, more broadly, for sound aesthetics in general – rooted in the pragmatist tradition. My starting point is John Dewey’s conceptualization of an artwork as an aesthetic experience developing in cycles of doing and undergoing – a structure, he claims, present in both the creative process and the reception of artworks, putting them on equal footing. I then expand this notion by turning to the contemporary pragmatist trends in creativity studies, ANT and affordance theory, introducing the concepts of we-creativity, mediation and affordance. The second half of the article focuses specifically on affordance – a relationship between a sound artwork and its audience delimiting and facilitating the possibilities for participation. I discuss the low-level affordances (facilitating elementary action) for creative listening and soundmaking and high-level affordances (facilitating complex behaviors) for creativity, experimentation and connectivity. I conclude that the pragmatist framework allows to go beyond the subject- or object-centeredness of phenomenological or object-oriented methodologies, bringing to the foreground the relational and social character of sound art.


Author(s):  
Andy Hamilton

In his chapter on musical improvisation, Andy Hamilton deals with the cultural aspects and historical practices of the subject. Hamilton sets out to explore the artistic status of improvised music, and this involves a discussion of the connection between imagination and art and the differences between composition and improvisation. These discussions provide a theoretical framework to outline and defend an aesthetics of imperfection as a contrast to an aesthetics of perfection. Finally, the artistic value of jazz as an improvised art form is discussed and Hamilton ponders whether jazz music should be described as art music or as a form of classical music.


2020 ◽  
Vol 23 (4) ◽  
pp. 99-104
Author(s):  
Zhanna K. Gaponova ◽  

The nominative space of a provincial town is the subject of the author's attention in the proposed article. An important aspect in consideration of functioning of signs, posters, and other objects in town space is a linguoculturological aspect meaning the analysis of interrelation of the language environment of the town and its inclusiveness into a sociocultural situation. The article analyzes various terminological designations of the names of urban objects in linguistics: urbanonyms, ergonyms, emporonyms, firmonyms and others. The author, referring to the opinions of well-known onomatologists, focuses the attention on the term ergonym, justifying the need to use it to denote the names of shops and institutions. The rethinking of names, according to onomatologists, actualizes the processes of the sociocultural life of the town associated with linguistic problems including games with graphemes. The work examines the current language process reflected in the language of the provincial town – the use of Cyrillic letters in the names of shops and institutions. The study of the naming trends of the provincial town allowed the author to talk about the cultural value of the names. The updating of Cyrillic letters on signs has become a means for forming the value and meaning space of a provincial town, on the one hand, and the process of creating errors on the other. The article describes linguistic contradictions: combinations of modern borrowings with pre-revolutionary graphics, mixing of graphic styles, processes of Eurolatinisation and retrorization, inconsistent use of graphemes. The author of the article concludes that as a result of rethinking the usual nominations in the spirit of pre-revolutionary design of urban space, a special linguistic and cultural phenomenon of a provincial town is formed, striving during globalization for authenticity and identity, which is perceived differently by citizens.


Author(s):  
Maria Yakubovska ◽  
Viktoriya Budzinska

The example of studying the creative heritage of Taras Shevchenko deals with the problem of axiological component in the algorithm of becoming a student's personality as an important component of the formation of their professional competence; the variational technologies of providing the basics of cultural training of future professionals are partially substantiated. The conceptual axiological foundations of the artistic heritage of the Great Kobzar, the leading ideas of Slavic unity and identity in the work of Taras Shevchenko at the newest level of development of Ukrainian history, allow us to re-think the problem of correlating the development of human individuality and the world. These conceptual principles allow to produce the relevant educational and cultural phenomenon of modern education. The role of axiological principles that contribute to the formation of a qualitatively new specialist is considered; developing mutual understanding between peoples and between individuals. The strategy of education of young people in the spirit of preservation, augmentation of cultural heritage, cognition and awareness and attraction to common human values requires from teachers a high level of erudition, general culture, ability to self-education, self-education and pedagogical skill, professional competence a culture capable of creatively solving problems and seeking to change for the better not only their own lives, but also seeking to change for the better their own lives and the position of their country . The example of the analysis of cultural views of the cultural views of Taras Shevchenko considers the problems of axiology as the subject of a holistic and systematic study, and concrete examples show that the formation of cultural competence is connected with the system of student's values. The axiological principles of cultural studies as a factor of ensuring the social stability of the system of relations between man and society, man and other people are studied, which effectively influences the formation of consciousness, self-consciousness, social and professional qualities of personality.


2018 ◽  
Vol 2 (5) ◽  
pp. 789
Author(s):  
Maria Yulianti

The background of this study was the low student learning outcomes of PPKn, from 28 students who achievedthe completeness criteria at least only 11 students (39.29%). The low student learning outcomes are caused bythe high level of individuality between students so that the achievement of competence among studentsexperiences a very distant difference. Based on this, the researchers made improvements to student learningoutcomes through the application of STAD cooperative learning models. This research is a classroom actionresearch, with the subject of class VII of SMP Negeri 3 Teluk Kuantan. The data used in this study is PPKnlearning outcomes data. The results stated that after applying the STAD type cooperative learning model studentlearning outcomes had increased in the initial data the number of students who completed were 11 students, incycle I had an increase with the number of 18 students, and in cycle II the number of students who completedcontinued to increase by the number 22 student.


2019 ◽  
Vol 1 (34) ◽  
pp. 391-422
Author(s):  
اشواق حسن حميد صالح

Climate change and its impact on water resources is the problem of the times. Therefore, this study is concerned with the subject of climate change and its impact on the water ration of the grape harvest in Diyala Governorate. The study was based on the data of the Khanaqin climate station for the period 1973-2017, (1986-2017) due to lack of data at governorate level. The general trend of the elements of the climate and its effect on the water formula was extracted. The equation of change was extracted for the duration of the study. The statistical analysis was also used between the elements of the climate (actual brightness, normal temperature, micro and maximum degrees Celsius, wind speed m / s, relative humidity% The results of the statistical analysis confirm that the water ration for the study area is based mainly on the X7 evaporation / netting variable, which is affected by a set of independent variables X1 Solar Brightness X4 X5 Extreme Temperature Wind Speed ​​3X Minimal Temperature and Very High Level .


Author(s):  
Margarita Khomyakova

The author analyzes definitions of the concepts of determinants of crime given by various scientists and offers her definition. In this study, determinants of crime are understood as a set of its causes, the circumstances that contribute committing them, as well as the dynamics of crime. It is noted that the Russian legislator in Article 244 of the Criminal Code defines the object of this criminal assault as public morality. Despite the use of evaluative concepts both in the disposition of this norm and in determining the specific object of a given crime, the position of criminologists is unequivocal: crimes of this kind are immoral and are in irreconcilable conflict with generally accepted moral and legal norms. In the paper, some views are considered with regard to making value judgments which could hardly apply to legal norms. According to the author, the reasons for abuse of the bodies of the dead include economic problems of the subject of a crime, a low level of culture and legal awareness; this list is not exhaustive. The main circumstances that contribute committing abuse of the bodies of the dead and their burial places are the following: low income and unemployment, low level of criminological prevention, poor maintenance and protection of medical institutions and cemeteries due to underperformance of state and municipal bodies. The list of circumstances is also open-ended. Due to some factors, including a high level of latency, it is not possible to reflect the dynamics of such crimes objectively. At the same time, identification of the determinants of abuse of the bodies of the dead will reduce the number of such crimes.


Author(s):  
Nina Maksimchuk

The attention of modern linguistics to the study of verbal representatives of the mental essence (both individual and collective one) of the native speakers involves an appeal to all subsystems of the national language where territorial dialects take a significant part. The analysis of dialect linguistic units possessing linguistic and cultural value is considered as a necessary way for the study of people’s worldview and perception of the world, national mentality as a whole. The ability of stable phrases (phraseological units) to preserve and express a native speaker’s attitude to the world around them is the basis for the use of the analysis of folk phraseology as a way of penetration into a speaker’s spiritual world. Volumetric representation of the external and internal peculiarities of stable phrases allows the author to get their systematization in the form of phraseosemantic field consisting of different kinds singled out in phraseosemantic groups. The article deals with stable phrases of synonymic value recorded in the Dictionary of Smolensk dialects and stable phrases forming a phraseosemantic group. These phrases are analyzed taking into account the semantic structure of the key word, the characteristics of the dependent word, and the method of forming phraseological semantics. On the example of the analysis of phrases with the key word «bit’» and a synonymic series with the semantic dominant «bezdel’nichat’», the article discusses the peculiarities of phraseological nomination in Smolensk dialects and confirms a high level of connotativity and evaluation in the folk phraseology.


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