scholarly journals POSTMODERN TENDENCIES IN UKRAINIAN BALLET IN SOVIET TIMES IN THE 60S-80S OF THE 20TH CENTURY

2020 ◽  
Author(s):  
Larysa Markevych ◽  
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Creative Process ◽  
Language Evolution ◽  
Comprehensive Analysis ◽  
Creative Activity ◽  
Historical Retrospect ◽  
The Difference

The article deals with the artistic language evolution in the Ukrainian national ballet performance in terms of the creative process and the gained image-result – the author’s and the performer’s reflection (certain specifics of thinking), directly creative action, the form of existence of a choreographic work. The well-known choreographers-directors’ creative activity of Ukrainian performances of the above period has been analyzed, the peculiarities of the work of each of them have been revealed. Emphasis is focuses on expanding the thematic range of ballet works in the practice of the national stage. The specifics of the work of Ukrainian composers in the field of the national ballet genre have been identified; the evolution of the artistic language in ballet in historical retrospect has been defined. It has been emphasized that an important aspect for the choreographic language formation of the Ukrainian national ballet performance was the embodiment of the historical and the heroic themes. The canonical feature of the stylistic certainty of the Ukrainian national ballet performance is the combination of the heroic motives and the lyrical-romantic perspective of the image of opposing forces. Having analyzed significant historiographical material, it has been proved the difference between the national ballet performance of the 60s and 80s of the twentieth century from the similar productions in other republics. Based on a comprehensive analysis of a number of ballet performances of the 60-80s of the twentieth century, the following functions of the artistic language in the structure of this genre have been identified: expressive, emotional, figurative, symbolic, and thematic contrast. It is the transformation of the functions of the artistic language that leads to changes in the genre and the style format of a ballet performance.

scholarly journals Dispute of Canons: Book Design Traditions at the Beginning of the 20th Century England vs France

2020 ◽  
Author(s):  
Dmitry Lebedev
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
19Th Century ◽  
Book Design ◽  
Active Growth ◽  
Publishing Houses ◽  
The Difference ◽  
Printed Materials ◽  
The 19Th Century

The end of the 19th century in England and France was a time of active growth for publishing houses, newspapers, magazines, and printed materials in general. This contributed to the emergence of a huge number of artists who specialised and occasionally participated in the design of books. These artists won their places through constant competition based on the quality of their drawings. England and France were the centres of the new art of the book, but the views and approaches of representatives of this type of graphics differed from each other in these countries. Thus, the purpose of this report is to demonstrate the difference between the canons and principles of English and French book design at the turn of the twentieth century.

scholarly journals Where did the dance come, or the simplicity of difficult movements

2019 ◽  
Vol 4 (4) ◽  
pp. 124-131
Author(s):  
Alexander V. Markov
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
The Body ◽  
Self Awareness ◽  
Political Consequences ◽  
Dance Culture ◽  
Cultural Phenomenon ◽  
The Subject ◽  
Classical Philosophy ◽  
The Difference

A recently published book of Irina Sirotkina on the specifics of the dance culture of the twentieth century is under review in this article. This book, compiled as an anthology or textbook, surpasses the objectives of such a manual, being a perfect generalization that takes into account the achievements of anthropology. Sirotkina shows the characteristics of dance as a social phenomenon marking “cultural” social practices, and proves that the 20th century was an era of emancipation, that turned dance from a marker of elitist appropriation into one of the universally relevant semiotic models of culture. The book is not constructed as an introduction to the subject or a consistent presentation of its history, but as a series of problem statements. In particular, the book indicates how Nietzsche’s philosophy influenced the change in body status. Dance is considered not as a form of leisure, but as a form of organization of movement, including labor, with reference to such theorists of proletarian labor as Alexey Gastev. The book analyzes the features of choreography and choreographic pedagogy, and how naturalistic approach, which at the beginning of the 20th century was a mask for emancipation, then itself required certain emotional reinforcements and a support system in the intermedial interactions. The book also shows the socio-political consequences of self-awareness of culture in the form of dance and plastic, and it is proved that ideology of plastic (classicism) now is succeeded by ideology of dance (modernism and postmodernism). At the same time, the author of the book argues that the dance metaphor based on general ideas about movement and the body is strong enough, so that the development of choreography in the 20th century is more lasting than contingent. The article raises the question of whether such a training book can refer to the specifics of dance as a cultural phenomenon of the twentieth century, relying only on the philosophy of dance and the difference between classical and non-classical philosophy in general.

«The Forties, Fateful…» in David Samoylov’s Poetry: a Lingvo-stylistic Analysis of Three Poems about War (To the 100th Anniversary of the Birth)

2020 ◽  
Vol 81 (3) ◽  
pp. 63-69
Author(s):  
E. A. Frolova
Keyword(s):  
Comparative Analysis ◽  
20Th Century ◽  
100Th Anniversary ◽  
Stylistic Analysis ◽  
Creative Work ◽  
Creative Activity ◽  
War Poetry ◽  
Artistic Manner ◽  
Different Levels ◽  
Linguistic Means

The article presents an analysis of three poems about war («The Tale of Our Lady and Russian Soldiers» («Slovo o Bogoroditse i Russkih Soldatah»), «The Attack» («Ataka»), «The Forties» («Sorokovye»)) written by D. Samoylov in different periods of his creative activity. On the basis of the existing research of the creative work of the famous poet of the 20th century, a multilevel characteristic of his war lyrics is given. The aim of the article is to characterize the specific features of the poetic language of such an original author by means of a lingvo-stylistic analysis of D. Samoilov’s poems, to reveal the richness and diversity of his artistic manner. The following research methods were used: analytical reading, comparative analysis, ontological method, a multilevel analysis of poetry. The author accentuates reminiscences in D. Samoilov’s war poetry, the contrast and contrast means, repetition as an artistic device, paronomasia in the stylistic mixture of linguistic means belonging to different levels. A multidimensional poet’s approach to the theme of the war is the conclusion of the article.

The Issue of Sustainability in Third World Food Production (The Distinguishedl Lecture)

1992 ◽  
Vol 31 (4I) ◽  
pp. 511-534
Author(s):  
Winfried Von Urff
Keyword(s):  
Developing Countries ◽  
Population Growth ◽  
Food Production ◽  
Third World ◽  
Total Population ◽  
Absolute Number ◽  
Comprehensive Analysis ◽  
World Food ◽  
The Absolute ◽  
The Difference

In spite of the fact that food production in developing countries doubled over the last 25 years undernutrition is still widely spread. At the beginning of the eighties, according to FAO, 335 to 494 million people in developing countries suffered from serious undernutrition the difference being due to different concepts to determine undernutrition on which scientist were unable to find a consensus.) Unfortunately there is no recent comprehensive analysis of the food situation comparable to those of previous World Food Surveys but it can be taken for sure that the absolute number of undernourished has increased. According to unofficial FAO sources a figure of 870 million was estimated for 1990 (22 percent of the total population in developing countries) using the same concept that led to the figure of 494 million in 1979-81 (23 percent of the total population in developing countries) which means that most probably the number of undernourished increased at a rate slightly less than population growth.

Corruption and the fight against it in historical retrospect

2020 ◽  
Vol 2020 (10-4) ◽  
pp. 236-244
Author(s):  
Petr Ivanov ◽  
Artyom Shitov
Keyword(s):  
Historical Documents ◽  
Russian State ◽  
Historical Retrospect ◽  
The Difference

The authors consider the concept of corruption in each stage of the formation of the Russian state. A special attention is paid to the difference between bribery and corruption. On the base of historical documents the origins of corruption and the mechanism for fighting it are disclosed.

Rhythm

2018 ◽  
Author(s):  
Lexi Eikelboom
Keyword(s):  
Social Sciences ◽  
Twentieth Century ◽  
Human Existence ◽  
Embodied Experience ◽  
Giorgio Agamben ◽  
The Social ◽  
Contemporary Philosopher ◽  
The Subject ◽  
The Difference ◽  
Theoretical Category

This book argues that, as a pervasive dimension of human existence with theological implications, rhythm ought to be considered a category of theological significance. Philosophers and theologians have drawn on rhythm—patterned movements of repetition and variation—to describe reality, however, the ways in which rhythm is used and understood differ based on a variety of metaphysical commitments with varying theological implications. This book brings those implications into the open, using resources from phenomenology, prosody, and the social sciences to analyse and evaluate uses of rhythm in metaphysical and theological accounts of reality. The analysis relies on a distinction from prosody between a synchronic approach to rhythm—observing the whole at once and considering how various dimensions of a rhythm hold together harmoniously—and a diachronic approach—focusing on the ways in which time unfolds as the subject experiences it. The text engages with the twentieth-century Jesuit theologian Erich Przywara alongside thinkers as diverse as Augustine and the contemporary philosopher Giorgio Agamben, and proposes an approach to rhythm that serves the concerns of theological conversation. It demonstrates the difference that including rhythm in theological conversation makes to how we think about questions such as “what is creation?” and “what is the nature of the God–creature relationship?” from the perspective of rhythm. As a theoretical category, capable of expressing metaphysical commitments, yet shaped by the cultural rhythms in which those expressing such commitments are embedded, rhythm is particularly significant for theology as a phenomenon through which culture and embodied experience influence doctrine.

The Argentine Allusion: On the Significance of the Southern Cone in Early Twentieth-Century São Paulo

2021 ◽  
Vol 78 (1) ◽  
pp. 61-87
Author(s):  
James P. Woodard
Keyword(s):  
Twentieth Century ◽  
Latin American ◽  
Southern Cone ◽  
Sao Paulo ◽  
Spanish America ◽  
São Paulo ◽  
Periodical Press ◽  
Home State ◽  
American Intellectual ◽  
The Difference

AbstractThis article examines a much cited but little understood aspect of the Latin American intellectual and cultural ferment of the 1910s and 1920s: the frequency with which intellectuals from the southeastern Brazilian state of São Paulo referred to developments in post Sáenz Peña Argentina, and to a lesser extent in Uruguay and Chile. In books, pamphlets, speeches, and the pages of a vibrant periodical press—all key sources for this article—São Paulo intellectuals extolled developments in the Southern Cone, holding them out for imitation, especially in their home state. News of such developments reached São Paulo through varied sources, including the writings of foreign travelers, which reached intellectuals and their publics through different means. Turning from circuits and sources to motives and meanings, the Argentine allusion conveyed aspects of how these intellectuals were thinking about their own society. The sense that São Paulo, in particular, might be “ready” for reform tending toward democratization, as had taken place in Argentina, Uruguay, and Chile, was accompanied by a belief in the difference of their southeastern state from other Brazilian states and its affinities with climactically temperate and racially “white” Spanish America. While these imagined affinities were soon forgotten, that sense of difference—among other legacies of this crucial period—would remain.

Hotelkeepers Organize in Twentieth Century to Legitimize and Advance Profession in American Society

2021 ◽  
pp. 109634802110109
Author(s):  
Stephen B. Shiring ◽  
Elizabeth J. Shiring
Keyword(s):  
Twentieth Century ◽  
20Th Century ◽  
Simple Structure ◽  
American Society

Evolving from the simple structure of a colonial inn to a grandiose city hotel by the 20th century, the innkeeper likewise professionally transformed into a hotel keeper. Assisting in this growth was the emerging hotel associations. Hotel associations provided collective member strength on issues, offered fellowship, and legitimized and professionalized their positions in American society.

Життєтворчість Іллі Саца у вітчизняному культурному просторі початку ХХ століття

2019 ◽  
Vol 4 (36) ◽  
Author(s):  
O. Badalov
Keyword(s):  
Twentieth Century ◽  
Cultural Context ◽  
Creative Activity ◽  
Analysis Method ◽  
Music Criticism ◽  
Comprehensive Understanding ◽  
Musical Life ◽  
Humanitarian Space ◽  
The Subject ◽  
Creative Life

The subject of the study is comprehensive understanding of the life and creativity by I. Sats – a significant figure in the national musical life of the early twentieth century.The purpose of the article is exploring the circumstances of I. Sats’ activity in the socio-cultural context of the era.The methodology of the article includes: historical and chronological method – for studying the events of the artist’s biography; source method – for research of archival materials, correspondence, reconstruction of composer’s creative life; hermeneutical analysis method – for interpretation of literary inheritance (libretto, music criticism) by I. Sats in the context of the early twentieth century; logic-generalization method – to summarize the results of the study.As a result of the research, a complex view on the multivectoral creative activity by I. Sats was formed, his significant role in the formation of new genres of musical and theatrical creativity, development of the humanitarian space of Chernihiv, Irkutsk, and Moscow was proved. The application of the results of the research in scientific, music-pedagogical and educational activities will significantly expand the established ideas about the development of the national musical culture.Key words: music for theater, Moscow Art Theater, satirical opera, I. Sats, Chernihiv region, Irkutsk music classes.

Ethics of Information Technology in the Context of a Global Worldview

2021 ◽  
pp. 38-41
Author(s):  
Ibraim Didmanidze ◽  
Irma Bagrationi
Keyword(s):  
Information Technology ◽  
Twentieth Century ◽  
20Th Century ◽  
Digital Computer ◽  
Scientific Paper ◽  
Moral Values ◽  
Human Spirit ◽  
Modern Information Technology ◽  
Modern Information ◽  
Cultural Contradictions

The present scientific paper outlines in today’s contempo­rary world - where everything is as it seems at first glance, subordinated to the economy, technology and politics are essentially ruled by ethics, value attitudes, which in that or otherwise find embodiment for purposes activities. After all, the question of goals, intentions is the question about values. The paper underlines that modern information technology has sharpened the problem of the values of the human spirit and choice further path of our world civilization. Everyone remembers the 20th century with its socio-cultural contradictions. And the scale of the achievements, and the scale of destruction committed by people in the twentieth century, incomparable with any other times in its history. The present paper emphasizes that if we want to keep human moral values in the information sphere, then is the technology itself sufficient for this, creating suitable programs forcing save them? Of course, working in networks and not consider off-grid the laws impossible. The paper concludes that what will this process lead to, hard to say. One thing is clear now: interacting with a digital computer, we inevitably become different. Society becomes others. And to regret it is nostalgia for past, it is sweet - meaningless. Like us modern peace or not - but this is reality life, and of them desirable proceed if we want to impact on construction our future

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