Kecakapan Hidup Abad Ke-21 dalam Tokoh Utama Dongeng Jawa Timur Kajian Antropologi Sastra

2020 ◽  
Vol 13 (2) ◽  
pp. 168
Author(s):  
Rian Damariswara
Keyword(s):  
Critical Thinking ◽  
21St Century ◽  
Fairy Tales ◽  
Life Skills ◽  
Fairy Tale ◽  
Good Life ◽  
The Other ◽  
Main Character ◽  
Data Source ◽  
Creativity And Innovation

ABSTRAKTokoh utama dalam dongeng Jawa Timur memiliki sisi lain yang perlu diungkap. Sisi lain tersebut, yakni kecakapan hidup yang dimiliki tokoh utama dalam menyelesaikan masalah yang dihadapinya. Kecakapan hidup tersebut, memiliki relevansi dengan kecakapan hidup di abad ke-21. Jadi, dengan menganalisis kecakapan hidup tokoh utama secara otomatis peneliti dan pembaca dapat mengetahui bahwa tokoh-tokoh dongeng yang terdapat di Jawa Timur memiliki budaya hidup yang baik untuk dijadikan contoh dan motivasi.Untuk mengungkap kecakapan hidup abad ke-21 pada tokoh utama dongeng Jawa Timur menggunakan kajian antropologi sastra.Penelitian ini termasuk deskriptif kualitatif. Sumber data adalah teks dongeng Jawa Timur. Teknik yang digunakan adalah studi dokumenter. Kecakapan hidup abad ke-21 yang ditemukan pada dongeng Jawa Timur sebagai berikut. Pertama, berpikir kritis dan pemecahan masalah. Semua tokoh utama dalam dongeng memiliki pemikiran kritis sehingga dapat memecahkan masalah. Kedua, kreativitas dan inovasi yang ditemukan yakni jenis pengembangan dan sintesis. Inovasi pengembangan yang ditemukan adalah adanya alat bajak sawah dari batu menjadi kayu dan ditarik sapi serta dapat dipergunakan sebagai sarana hiburan. Alat tersebut diberi nama karapan sapi.  Inovasi sintesis adalah menggabungkan segala sesuatu yang dimiliki untuk dijadikan sesuatu yang baru. Seperti pada dongeng Asal Mula Reog Ponorogo,yakni menggabungkan kepala tokoh Singabarong dengan burung merak sehingga dinamakan reog ponorogo. Ketiga, kolaborasi antaranggota dan pemimpin dengan bawahan. Keempat, komunikasi yakni berupa diskusi, pengarahan, berkeluh kesah, dan perintah.Kata kunci: Kecakapan hidup abad ke-21, Tokoh utama, DongengABSTRACTThe main character in the East Java fable has another side that needs to be revealed. The other side, namely the life skills possessed by the main character in solving the problems they face. Life skills, have relevance to 21st century life skills. Therefore, by analyzing the life skills of the main characters automatically the researcher and reader can find out that the fairy tale figures in East Java which have a good life culture to be used as an example and motivation. To uncover 21st century life skills in the main characters of the East Javanese fable, the study of literary anthropology is used. This research is descriptive qualitative. The data source is the text of a fairy tale in East Java. The technique used is documentary study. The 21st century life skills found in the East Java fable are as follows. First, critical thinking and problem solving. All the main characters in fairy tales have critical thinking so they can solve problems. Second, the creativity and innovation found are types of development and synthesis. Development innovation that was found was the existence of a rice plow from stone to wood and pulled by cows and could be used as a means of entertainment. The tool is named Karapan Sapi. Synthesis of innovation is to combine everything that is owned to be something new. As in the fable of Reog Ponorogo, which combines the head of the Singabarong character with a peacock so it is called Reog Ponorogo. Third, collaboration between members and leaders with subordinates. Fourth, communication in the form of discussion, direction, complaints, and orders.Keyword: 21st century life skills, The main character, Fairy tale

scholarly journals Перцептивное обозначение в  русской народной сказке

2018 ◽  
Vol 165 ◽  
pp. 277-285
Author(s):  
Olga A. Mescheryakova
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Semantic Content ◽  
The Other ◽  
Human Being ◽  
Human Beings ◽  
Sense Organs ◽  
Cognitive Context ◽  
Other World ◽  
Subtype A

Perceptual notation in the Russian folk fairy-talePerceptual notation captures information received from different sense organs but predicated by the same consciousness of “a perceived human being”. In the cognitive context semantics of sensory nominations reflects elements of the perceptual concept. The fact that the verbalization of its facultative elements depends not only on the type of discourse folklore, genre a tale, but also on its subtype a fairy-tale is claimed to be a hypothesis of this research. It settles that in the Russian folk fairy-tale the semantics of perceptual notation is predicated by the opposition “real — irreal world” and the semantics element “fabulous, belonging to the other world” is a basis of the semantic content of the perceptual notation. Besides that, the perceptual semantics in this type of fairy tales correlates with the aesthetical, axiological views of the folklore community on nature and human beings, reconstructing the folk ideal or ant-ideal. Перцептивне означення у російській народній чарівнiй казціПерцептивне означення фіксує інформацію, що надходить від різних органів чуттів, але обумовлену єдиною свідомістю «людини сприймаючої». У когнітивному плані семантика номінацій сенсорики відображає ознаки перцептивного концепту. Те, що вербалізація його факультативних ознак залежить не тільки від типу дискурсу фольклор, жанру казка, але і від підвиду жанру чарівна казка, становить гіпотезу даного дослідження. Встановлюєть­ся що в російській народній чарівній казці семантика перцептивної номінації обумовлена опозицією «реальний- ірреальний світ» і семантична ознака ‘чудовий, що належить іншому світу’ є основою змісту перцептивного означення. Крім того, в даній групі казок перцептивна семантика співвідноситься з естетичними, аксіологічними поглядами фольклорного соціуму на природу і людину, реконструюючи народний ідеал або антиідеал.

scholarly journals Śmierć porwana. O terezińskiej sztuce Hledáme strašidlo Hanuša Hachenburga z 1943 roku

2019 ◽  
Vol 168 ◽  
pp. 327-335
Author(s):  
Agata Firlej
Keyword(s):  
20Th Century ◽  
Fairy Tales ◽  
Fairy Tale ◽  
Point Of View ◽  
Main Character ◽  
Zygmunt Bauman ◽  
The Holocaust ◽  
German Speaking ◽  
Puppet Theatre ◽  
East And West

The stolen death: About the play Hledáme strašidlo by Hanuš Hachenburg from 1943The puppet theatre play Hledame strašidlo by Hanuš Hachenburg was written in the Terezín/Theresienstadt ghetto in 1943 and over 50 years was hidden in the archive until it was presented to readers and viewers in the 1990s — but it turned out to be still surprisingly valid and cogent. The author, a 14-year-old prisoner of the ghetto, used the conventions of the puppet theatre, the carnival and the fairy tales. The mythical or fairy-tale-like “timelessness” allowed him to show the absurdity of Nazism and — yet unnamed — the Holocaust. The main character of the play, the King, captures Death itself, which soon becomes so ordinary and kitschy that no one is afraid of her. The confinement of Death — a motif known, among others, from the myth of Sisyphus — is an important theme of the theatre in Terezín; it appears also in the German-speaking opera by Peter Kien and Viktor Ullmann, Der Keiser von Atlantis Emperor of Atlantis. In this article, I show how the old themes of enslaved Death and the dance macabre between extasy and destruction become the symbols of the war, and indeed of the 20th century, which culminates in the devastating forces of the great ideologies and in which there can be found the origins of retrotopia, which is now, according to Zygmunt Bauman, the dominating point of view in East- and West-European and in American discourse.  Únos smrti. O terezίnske divadelnί hře Hledáme strašidlo Hanuše Hachenburga z roku 1943Divadelní hra Hledáme strašidlo od Hanuše Hachenburga byla napsána v ghettu Terezín / Theresienstadt v roce 1943 a více než padesát let byla ukryta v archivu, aby v 90. letech si našla cestu pro své čtenáře a diváky — a ukázalo se, že je překvapivě platná a přitažlivá. Autor, čtrnáctiletý vězeň ghetta, využil konvencí loutkového divadla, karnevalu a pohádek. Mýtická nebo pohádková „nadčasovost“ mu umožnila ukázat absurditu nacismu a — tehdy ještĕ nemenovaného — holocaustu. Hlavní postava hry, Král, zachytí samotnou Smrt, která se brzy stane tak obyčejnou a kyčovitou, že se ji nikdo nebude bát. Únos smrti — motiv známý mimo jiné i z mýtu Sisyfa — je důležitým tématem divadla v Terezíně; objevuje se také v německojazyčné operě Petera Kiena a Viktora Ullmanna Der Keizer von Atlantis Císař Atlantidy. V tomto textu ukazuji, jak se staré motivy zotročené Smrti a danse macabre mezi extázi a zničení stávají symbolem války a celého dvacátého století, v který vyvrcholily ničivými sily velké ideologie a kde lze nalézt počátky retrotopie, která je podle Zygmunta Baumana dominantním hlediskem ve východním, západoevropským a americkým diskurzu.

7. In the dock

2018 ◽  
pp. 101-111
Author(s):  
Marina Warner
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
The Other ◽  
Angela Carter ◽  
Fashion Industry ◽  
Post War ◽  
Blunt Tool

In the post-war period, fairy tales were denounced as a blunt tool of patriarchy, the bourgeoisie, cosmetic surgeons, the fashion industry, and psychoanalysts bent on curbing girls’ energies and desires. ‘In the dock: don’t bet on the prince’ considers tbe feminist response to the fairy tale from the 1970s onwards. After critical close readings of fairy tales, the strategies feminists devised ranged from furious satire, irony, and parody and, at the other end of the literary spectrum, romancing on their own terms, in inventive and witty re-visionings. The most incandescent work to rise from the feminist explosion—The Bloody Chamber by Angela Carter—opens up ten fairy tales to reveal their latent, erotic content.

Andersen's Code: Aristophanic Obscenity in Thumbelina

2020 ◽  
Vol 69 ◽  
Author(s):  
Bartłomiej Bednarek
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
The Other ◽  
Hans Christian Andersen

In his seemingly innocent fairy tale Thumbelina, Hans Christian Andersen makes two allusions to Aristophanes. One of them is quite explicit, as the author makes a toad produce the sound co-ax, co-ax, brek-ek-eke-kex, which is a quotation from the Frogs. The other allusion is less conspicuous. In one of the first sentences of Thumbelina, an object that a woman needs in order to beget a child is referred to as a barleycorn. As I argue, even though on the surface it can be explained in terms of magic typical for fairy tales, it can be also understood as an obscene allusion to the sexual act. This results from the ambiguity, well-known in Andersen’s time, of the word κριθή, which in Aristophanes’ comedies can mean either barleycorn or penis.

Innovative Math For Liberal Arts Majors

2011 ◽  
Vol 4 (5) ◽  
pp. 9 ◽  
Author(s):  
Nora Strasser
Keyword(s):  
Critical Thinking ◽  
Student Success ◽  
Success Rate ◽  
21St Century ◽  
Liberal Arts ◽  
Life Skills ◽  
Statistical Reasoning ◽  
Course Changes ◽  
Liberal Arts Students ◽  
Liberal Arts Majors

An innovative Math for Liberal Arts course was designed to provide liberal arts students with the life skills necessary to survive in the 21st century. The course emphasizes application driven mathematics. This course has been successful in changing students perceptions of the usefulness of the course and improving student success rate as well as actively engaging them in the study of mathematics. Topics such as critical thinking, unit analysis, statistical reasoning, and managing money are included. Students spend time analyzing a budget as well as learning about the stock market and the mathematics associated with each. Students who took this course were far more likely than those who took the more traditional survey type of course to rate the course as being important. The course changes are delineated and the students responses to those changes are described.

scholarly journals Analysis of Teachers' Resources for Integrating the Skills of Creativity and Innovation, Critical Thinking and Problem Solving, Collaboration, and Communication in Science Classrooms

2021 ◽  
Vol 10 (1) ◽  
pp. 92-102
Author(s):  
E. Haryani ◽  
W. W. Coben ◽  
B. A-S. Pleasants ◽  
M. K. Fetters
Keyword(s):  
Critical Thinking ◽  
Problem Solving ◽  
Science Teachers ◽  
21St Century ◽  
Professional Education ◽  
Science Instruction ◽  
Cultural Knowledge ◽  
High School Science ◽  
Collaboration And Communication ◽  
Creativity And Innovation

The significance of learners acquiring the skills required in the 21st century, including communication skills, teamwork, ICT-related skills and socio-cultural knowledge, imagination, critical thinking, and problem-solving, has been extensively discussed. Integrating the 21st century into the curriculum requires teachers to have knowledge and resources to foster classroom practices. This qualitative study was designed to explore the resources that Indonesian science teachers use in supporting the implementation of the skills of creativity and innovation, critical thinking and problem solving, collaboration, and communication (4Cs) integrated science instruction. Data analyses include surveys, audio recordings of smalls and large group discussions, and group discussion artifacts of 28 Indonesia vocational high school science teachers to identify the type of resources that teachers have had access to support the integration of 4C into science instruction and the extent to which these resources promote the 4C integration into science instruction. The analysis indicates that teachers use multiple resources to help them prepare for 4C integration into teaching practices, including various professional development (PD) programs, various teacher collaborations, curriculum guidelines, and open resources. Teachers found that Teacher Professional Education (TPE) was the most favorable PD program, and curriculum guideline was the least effective for advancing 4C integration. Implications are discussed further.

scholarly journals Bias Gender Dalam Perbandingan Hasil Terjemahan Buku Cerita Anak Dongeng Bawang Merah Dan Bawang Putih Melalui Penerjemah Dan Google Translate

2020 ◽  
Vol 12 (2) ◽  
pp. 229-235
Author(s):  
Dwi Windah Wulansari
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
Human Error ◽  
Traditional Gender Roles ◽  
Gender Biases ◽  
Patriarchal Ideology ◽  
Qualitative Descriptive ◽  
Data Source ◽  
Role Of Men

Abstrak  - Penelitian ini bertujuan untuk mencari bias gender yang terdapat pada hasil terjemahan buku cerita anak di bandingankan dengan hasil terjemahan google translate. Dalam penelitian ini menggunakan metode deskriptif kualitatif. Sumber data dalam penelitian ini adalah dongeng Bawang Merah dan Bawang Putih yang diterjemahkan dan diceritakan kembali oleh Gibran Maulana dan diterjemahkan melalui aplikasi Google Translate Hasil penerjemahan antara Google Translate dan penerjemah hampir sama yaitu mengenai nama tokoh, nama ganti orang dan nama ganti kepemilikan. Pada aplikasi Google Translate dapat melakukan kesalahan karena konteks, budaya, nama orang, dan kata ganti orang tidak dapat terbaca dalam aplikasi tersebut. sedangakan hasil terjemahan dari penerjemah mengalami human error. Penerjemah dalam buku cerita anak masih belum bisa lepas dari pengaruh ideologi patriarki yang dapat ditujukkan dalam peran gender tradisional yang digambarkan yang membuat peran laki-laki lebih unggul daripada perempuan. Kata Kunci: bias gender, cerita dongeng, google translate Abstract - This study aims to look for gender biases found in the results of the translation of children's storybooks in light with the results of the google translate translation. In this study using a qualitative descriptive method. The data source in this study is the fairy tale of Bawang Merah and Bawang Putih which were translated and retold by Gibran Maulana and translated through the Google Translate application. The results of the translation between Google Translate and the translator are almost the same, namely regarding the names of characters, people's names and ownership names. The Google Translate application can make mistakes because the context, culture, people's names, and pronouns cannot be read in the application. while the translation results from translators experienced human error. Translators in children's story books still cannot be separated from the influence of patriarchal ideology which can be shown in traditional gender roles which are described which make the role of men superior to women. Keyoword : gender bias, fairy tales, google translate

scholarly journals Struktur dan Sifat Pelesapan dalam Cerita Rakyat Bali

2021 ◽  
Vol 11 (1) ◽  
pp. 97
Author(s):  
Made Ratna Dian Aryani
Keyword(s):  
Qualitative Analysis ◽  
Fairy Tales ◽  
Research Method ◽  
Fairy Tale ◽  
Word Class ◽  
Structural Part ◽  
Data Source ◽  
Nominal Ellipsis ◽  
Descriptive Qualitative

The focus of this article is about ellipsis that occurs in the discourse in the Balinese folklore. Ellipsis is a part of the cohesiveness of a discourse so that it becomes a complete discourse. The research method used is descriptive qualitative analysis. This study uses ellipsis theory from Halliday and Hasan which is supported by McCarthy's ellipsis deixis theory. The data source was taken from a collection of tales in the Balinese language, namely the book Pupulan Satua Bali II. The results of this study indicate that the ellipsis that occurs in the book of fairy tales is in the form of nominal ellipsis which refers to humans (people) in the conversation and story prologue, verbal ellipsis that occurs in fairy tale conversations, refers to lexical ellipsis in the verb word class, and the ellipsis of clauses because clauses are considered as expressions of speech functions, such as statements, questions, responses, and clauses that have a structural part consisting of core and propositional elements. Even though there is an ellipsis, the process of conveying the content and message of the story is still effective.

scholarly journals Estonian Fairy Tales up the Beanstalk into Heaven and Coal Porridge: Two Tales of Growing Up

2018 ◽  
Vol 12 (1) ◽  
pp. 7-20
Author(s):  
Risto Järv ◽  
Mairi Kaasik
Keyword(s):  
Fairy Tales ◽  
Fairy Tale ◽  
The Other ◽  
Growing Up ◽  
The South ◽  
Folk Tale ◽  
Female Protagonists ◽  
South Eastern

Abstract The article* focuses on two Estonian fairy tale types that have been recorded among the Orthodox Seto minority in the south-eastern corner of Estonia. In the index of Estonian folktales they have been described under tales of magic (fairy tales) as tale types Ee 328C* and Ee 327H*. One of the tale types observed is a masculine folk tale (one with male protagonists), the other can be considered a feminine folk tale with female protagonists despite it seemingly having two main characters of different genders. In both tales the protagonists reach a hostile place after moving through liminality, and both tales can be interpreted as tales of growing up.

scholarly journals Rabih Alameddine, Kim Addonizio, and Kellie Wells: Fairy-Tales in the 21st Century

2021 ◽  
pp. 259-273
Author(s):  
Elena Ortells Montón
Keyword(s):  
Twentieth Century ◽  
21St Century ◽  
Fairy Tales ◽  
Social System ◽  
Fairy Tale ◽  
Gender Issues ◽  
Status Quo ◽  
Social Psychological ◽  
Patriarchal Ideology ◽  
The Social

The main aim of this study is to explore if, and if so, how Rabih Alameddine, Kim Addonizio, and Kellie Wells have managed to sustain, replicate, disregard, or redefine the patriarchal ideology customarily associated to gender issues within the fairy-tale tradition. What is really striking is that, several decades after the revisionist project undertaken by the "Angela Carter generation", these new voices experimenting with the field of fairy tales still feel the need to revisit the same mythemes and fight against the same ideology and values that pervaded twentieth century retellings of fairy tales. The subversive potential of the fairy tale retellings seems to have been surpassed by the powerful agenda of a patriarchal social system, which, despite the social, psychological and political changes, still retains its status quo.

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